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noth-Ing (m l.."nS She sat then quantity, H ._., __ The searchers nothing : talk. 3. no i of any I consist literal?, v"Talue tq^-'****'-• >r gi: _&m0 *o,I j an antique^ sometl Wr nothing. 5. soinetMnf of "ttd"] ^^ifs nothing now. '/ ,...,..,._.^cs nine. *7. a ti .... ,.„...... ,..r ,.., : _.,,...,..._ §5.. " 8.p ifno yoti great jfci effort,""" ' trauTWe,..." """"""" " etc. : .!ffterl I 1O. no tainly not. b. no perceptible activl^^l nothing in town. —adv. 11. | not at alff'lvf^/iing dismayed, he repi«.^ . _ two words: no thing] 9 SATURDAY Cylinder Inside Cube and a Fideo 21 THURSDAY 28 THURSDAY 3:00 Film: The Circus Salon and Narn June Paik: Edited 12:00 Gallery Talk: Depictions of 12:00 Gallery Talk: De Kooning 2 SATURDAY for Television Modern Life in the Impressionist Era (KB) 3:00 Film: Orphans of the Storm 10 SUNDAY 1:00 Gallery Talk: , (WB) 12:30 Films: Four Artists and Home 1:00 Film: De Kooning on de Expressionism, and : What 12:30 Film: Joseph Beuys: Movies 3 SUNDAY Kooning Happens When Art Becomes Transformer 4:00 Film: Thomas Eakins: A 1:00 Family Program: The Artist's Political (LB) 1:00 Gallery Talk: -'Italian Coast 29 FRIDAY Motion Portrait Eye (advance registration required) 2:00 Gallery Talk: Selections from Scene irilh Ruined Tower" by 12:00 Gallery Talk: Reading Art: 4:00 Sunday Lecture: St. John, as the J ogel Collection (EB) Thomas Cole (WB) Mythology (\\'B) 6 WEDNESDAY Bacchus 12:00 Gallery Talk: "Diana and 14 THURSDAY 23 SATURDAY 30 SATURDAY Endymion " by .lean-Honors 12 TUESDAY 12:00 Gallery Talk: Jan ran Eyck's 3:00 Film: The Covered Wagon 3:00 Film: La Boheme Fragonard (\\ B) 10:30 Family Program: The Lan­ "Annunciation " (WB) 12:30 Film: De Kooning on de guage of Art (advance registration 12:30 Films: Two-11 ay Mirror 24 SUNDAY 31 SUNDAY Kooning required) Cylinder Inside Cube and a Fideo 1:00 Film: Joseph Beuys: 1:00 Films: Four Artists and Home 12:00 Gallery Talk: Jan ran Eyck's Salon and Nam June Paik: Edited Transformer Movies 7 THURSDAY ''Annunciation " (WB) for Television 1:00 Family Program: The Artist's 1:00 Family Programs: The Artist's 12:30 Film: f)e Kooning on de 1:00 Gallery Talk: Futurism, Lynda Bengalis, i'ntitled, 1967. Eye (advance registration required) Eye (advance registration required) Kooning 13 WEDNESDAY Expressionism, and Dada: What The Dorothv and Herbert Vogel Collection 4:00 Summer Lecture Series: 4:00 Summer Lecture Series: In 12:00 Gallery Talk: "I'ieir in Fenice' Happens When Art Becomes Yankees at King Arthur's Court: The Search of Pleasure. Treasure, and 8 ERIDAY by Canaletto (WB) Political (EB) British of West and Copley Erudition: The British (Penile/nan 12:00 Gallery Talk: "Diana and 12:30 Films: Tiro-War Mirror and The Grand Tour Endymion " by Jean-Honore 15 FRIDAY 19 TUESDAY 26 TUESDAY Fragonard (\\B) 12:00 Gallery Talk: "Fieir in Fenice' 10:30 Family Program: The 10:30 Family Program: The by Canaletlo (WB) Language of Art (advance registra­ Language oj Art (advance registra­ 1:00 Gallery Talk: Futurism. tion required) tion required) Expressionism, and Dada: What 12:00 Gallery Talk: Depictions of 12:00 Gallery Talk: De Kooning Happens When Art Becomes Modern Life in the Impressionist Era (EB) Political (EB) (WB) 1:00 Gallery Talk: "Italian Coast 27 WEDNESDAY 16 SATURDAY Scene with Ruined Tower" by 12:00 Gallery Talk: Reading Art: 3:00 Film: Way Down East Thomas Cole (\\ B) Mythology (WB) 12:30 Films: Four Artists and Home 17 SUNDAY 20 WEDNESDAY Modes 1:00 Films: Tivo-ll ay Mirror 12:00 Gallery Talk: Depictions of 1:00 Gallery Talk: Patronage in the Cylinder Inside Cube and a \ ideo Modern Life in (he Impressionist Era Italian (\\ B) Salon and \arn June Paik: Edited (WB) 2:00 Gallery Talk: Selections from for Telerision 12:30 Film: Joseph Deuys: The Fogel Collection (LB) 1:00 Family Program: The Artist's Transformer Eye (advance registration required) 2:00 Gallery Talk: Selections from 4:00 Sunday Lecture: I isualizing The Fogel Collection (EB) From the film. La Boheme. J Canaletlo. Campo San Zanipolo. c. 17-1-0. National Gallery of Art. \\irlener Collection the Twenty-First Century: Future Trends in Art

"Fiew in I"enice" by Canaletto Audio Tours from the Gallery s collection of Sunday Lectures Introductory Tours (Widener Collection) (20 minutes). American . Tours and lectures are given by Permanent Collection Lectures given by National Gallery The education division has added a Lric Denker, lecturer. July 13 and education division lecturers and and Postimpression- of Art staff at 4:00 in the Last new type of introductory tour to the 15 at. noon (WB). Special Exhibition National Gallery of Art staff. Unless ism: The National Gallery of Art will The Waking Dream: Photography's Building Auditorium. schedule, which will examine a por­ otherwise noted, talks begin in either continue to test a new digitized tour tion of the permanent collection in Depictions of Modern Life in the First Century. Selections from the JulyS the Rotunda of the West Building system called "Inform." which greater depth than the usual tour. Impressionist Era (60 minutes). Oilman Paper Company Collection, Film Program: Thomas Eakins: (WB) or at the Ground Level Art allows random access to interpretive This month the focus will be on the Amy L. Day. summer lecturer. narrated by Earl A. Powell III. direc­ A Motion Portrait Information Desk of the Last commentary on paintings in the American collection. July 19,20,21 at noon (WB). tor, is available at the entrance to Building (LB). French impressionist and postim- the exhibition. July 10 pressionist galleries. "Inform" St. John, as Bacchus Introduction: The West Building "Italian Coast Scene with Ruined Sign Language Tours replaces the conventional taped Special headsets arid/or scripts are J. Russell Sale, lecturer Collection Tower" by Thomas Cole (Gift of The Tours -of the permanent collection audio tour, which offers information available for visitors who are hear­ Monday-Saturday 10:30, 12:30, Circle of the National Gallery of Art) July 17 and special exhibitions are available on a number of paintings along a ing impaired. To reserve audio tours and 2:30; Sunday 12:30, 2:30, (20 minutes). Wilford W. Scott, lec­ Visualizing the Twenty-First with a sign -language interpreter for fixed route. The new self-selected for groups, call (202) 842-6592. and 4:30 turer. July 19 and 21 at 1:00 (WB). Century^: Future Trends in Art groups of five or more and may be approach lets the visitor choose to West Building Rotunda Audio tours are S3.75 ($3.25 for Robin Thorne Ptacek, lecturer scheduled with four weeks' notice. listen to commentary on any or all Patronage in the Italian senior citizens, students, and groups Introduction: The East Building For adult groups please call (202) of the works programmed for the Renaissance (45 minutes). Alicia of ten or more). Tours of the perma­ Collection 842-6247: for school groups call "Inform " system. In addition to Thomas, guest lecturer. July 27 at nent collection may be rented in the Monday-Saturday 11:30 and 1:30 (202) 842-6249 or write to: Educa­ enjoying the freedom of a personally Summer Lee 1:00 (WB). Rotunda on the Main Floor of the Sunday 11:30. 1:30. and 3:30 tion Division, Tour Scheduling, selected tour, the visitor may also West Building. Series Last Building Art Information Desk National Gallery of Art, Washington. limit the length of the commentary Special Exhibitions D.G. 20565. Include the type of tour he or she wishes to hear on a partic­ To and From the Sceptere Introduction: The American Jan van Eyck's "Annunciation" you are requesting, two alternate ular work or enlarge upon it by Isle: Art, Artists, and Collection (Andrew W. Mellon Collection) (20 Foreign Language dates and times, the size of your pressing designated keys. Narrated England July 3, 10, 17,24,31 at 12:30 minutes). Frances Feldman. lectur­ group, a contact person, and an by Philip Conisbee, curator of Tours (This tour replaces the usual Sunday er. July 12 and 14 at noon (WB). July 24 address. You will be notified in writ­ French paintings. 12:30 Introduction to the West Foreign language tours of the per­ Yankees at King Arthur's ing of the status of your request. "'Inform'" tours are S4.00 (S3.50 Building Collection.) Selections from The I ogel Collection manent collection are offered on Court: The British Paintin, for senior citizens, students, and West Building Rotunda (45 minutes). Molly Donovan. cura­ Tuesdays. Tours of the West of West and Copley Focus: The Permanent Collection groups of ten or more). They may be torial assistant, July 13 and educa­ Building are at noon and begin in Wilford W. Scott, lecturer "Diana and Endymion" by Jean- rented near the Rotunda, on the tion staff, July 20 and 27 at 2:00 the Rotunda. Tours of the East Honore Fragonard (Timken Main Floor of the West Building. July 31 (EB). Building are at 2:00 and begin at the Collection) (20 minutes). J. Russell The Director's Tour, narrated by In Search of Pleasure, Art Information Desk. Sale, lecturer. July 6 and 8 at noon Earl A. Powell III, discusses fif­ Treasure, and Erudition: De Kooning (50 minutes). Robin (WB). teenth- through early twentieth-cen­ July 5: French The British Gentleman an Thorne Ptacek. lecturer. July 26 and tury masterpieces arid includes some the Grand Tour- 28 at noon (LB). July 12: Spanish Futurism, Expressionism, and Dada: of the Gallery's best-loved paintings. July 19: German 'And Spanish Frances Feldman, lecturer What Happens When Art Becomes American Art, narrated by Nicolai July 26: Italian Introduction to Art Series will continue in August Political (60 minutes). Margaret Cikovsky, Jr., curator of American Reading Art: Mytholog}r (50 min­ Wilkerson, summer lecturer. July and British paintings, features works Spanish tours are repeated regularly utes). Philip Leonard, lecturer. July 13. 14, 15 at LOO (LB). by Copley. Stuart. Homer, Eakins, on the third Tuesday of every John Singleton Cop Icy, The Red Cross Knight (detail), 1793, National Gallery 27 and 29 at noon (WB). month. Meet in the East Building at Whistler. Bellows, and other masters of Art. Gift of Mrs. Gordon Dexter 12:00 and West Building at 2:00. CONTINUING EXHIBITIONS CONTINUING EXHIBITIONS

Film Programs Family Programs Gemini G.E.L.: Recent Prints and Fanciful Flourishes: Ornament in European East Building Auditorium Thomas Eakins: A Motion Portrait The Language of Art, a two-hour pro­ through October 2, 1994 Graphic Art and Related Objects, 1300-1800 Listening devices are available at the (T. W. Timreck, 1986, 58 minutes); gram featuring Gallery tottrs and art West Building, Ground Floor, Central Gallery Art Information Desk for visitors who July 3 at 4:00. activities for families with children through August 21, 1994 are hearing impaired. aged eight to eleven, will focus on visu­ More than seventy works created Oldenburg s humorously ironic figu­ East Building, Ground Level De Kooning on de Kooning al elements in art. The program will be over the last ten years at the highly rative pieces to a group of Richard :'Grand Music Cinema: 1920-1928," (Charlotte Zwerin, 1981, 58 min­ Ninety prints, drawings, illustrated offered on Tuesdays. July 12, 19. and acclaimed Eos Angeles workshop Serra s austere abstractions. a series of five American films of the utes); July 6-7 at 12:30, July 10 at books, and decorative objects from 26, from 10:30 to 12:30. Gemini G.E.E. are included in this Both prints and sculpture by silent era accompanied by their orig­ 1:00. the National Gallery of Art's collec­ The Artist's Eye, a two-hoar pro- exhibition. The sculpture and graph­ Jonathan Borofsky and Robert inal music, will be presented on tion present the beauty, imagination, The Circus (Charles Chaplin. 1928. grain featuring Gallery tours and ic art presented relied currents in Rauschenberg are on exhibit along Saturday afternoons in July. Music and delightful sometimes outra­ silent with orchestral accompani­ drawing experiences for families with . On view are works with a group of delicate lithographs historian Gillian Anderson of the geous wit of graphic and decora­ ment, 85 minutes); July 9 at 3:00. children aged eleven to thirteen, will by such artists as Elizabeth Murray completed by Library of Congress will introduce tive over five centuries. focus on Proportion and the Human and Susan Rothenberg. who arc new shortly before his death in 1993. the films and conduct each perfor­ Two- Way Mirror Cylinder Inside Combining works on paper and such Figure on Sundays, July 10 and 17, to the workshop and new to the New works by other artists with mance. The program includes D. W. Cube and a Video Salon (Dan three-dimensional objects as ceram­ and Perspective and Landscape on National Gallery of Art's collection long-established ties to Gemini Griffith's Way Down East. (1920) Graham, 1992, video, 18 minutes) ics, bronzes, armor, and furniture, Sundays. July 24 and 31: both pro­ since the first presentation of the G.E.E. include prints by Jasper and Orphans of the Storm (1921). and Nam June Paik: Edited for the exhibition demonstrates the close grams are offered from 1:00 to 3:00. Gemini G.E.E. Archive a decade ago. Johns. Ellsworth Kelly, and Roy 's The Circus (1928), Television (Nain June Paik, 1975. 28 relationship between the graphic and Programs are designed for chil­ The exhibition reveals the contin­ Eichtcnstein, and sculpture by Rruce James Cruze?s The Covered Wagon minutes): July 13-14 at 12:30. July decorative arts. dren with an accompanying parent. uing range and power of the work­ Nauinan and Kenneth Price. In all. (1923), and King Victor's La 17 at 1:00. The exhibition is organized Each program is free, but space is shop's production, from Claes twenty-four artists are represented. Boheme (1926). '"Grand Music Jonathan Borofsky, Heart Light, 1991, according to the style of ornament Way Down East (D. W. Griffith. limited; please register by calling Promised Gift of Gemini G.E.L. and Cinema has been made possible by depicted grotesques, arabesques, 1920. silent wilh orchestral accom­ 202-789-3030. the Artist The Circle of the National Gallery of calligraphy, rocaillc or the kinds of paniment. 150 minutes): July 16 at Art. Note: Same-day passes will be objects the designs were intended to 3:00. available at auditorium entrance decorate. Among the works on paper : Paintings Master of the Die, Tivo Putti. . Striking Another Who is Squeezing a Child, National Gallery from noon (limit four per person). Joseph Beuys: Transformer (John Family Guides to the are ingenious designs by eminent of Art, Rosenwald Collection Halpern, 1977-1988. video. 59 min­ artists for functional objects as well Throughout July several film arid Collection through September 5, 199-1 utes): July 20-21 at 12:30. July 24 as fantastic decorative works pro­ video programs will be devoted to East Building. Upper and Mezzanine Levels at 1:00. JJest Budding Highlights is an open- duced for their own sake. artists in the exhibition From Minimal ended tour of ten important works in Celebrating the ninetieth birthday of to : Works from The The Covered II agon (James Cruze, the collection from the Renaissance Willem de Kooning, one of America's Dorothy and Herbert Fogel Col­ 1923, silent with orchestral accom­ through the nineteenth century. most important and influential lection. Among the programs featured paniment. 103 minutes): July 23 at Available at the West Building Art artists, this major presentation is the Jan van Eyck's Annunciation will be Joseph Beuys: Transformer 3:00. Information Desk. lirst devoted exclusively to the virtu­ and N ant June Paik s Edited for through September 5, 1994 Four Artists (Michael Blackwood. Portraits & Personalities explores osity and compelling mastery of his Television. The 1981 documentary West Building, Main Floor Gallery 40 1987. 47 minutes) and Home Movies seven famous works, including paintings. It brings together seventy- De Kooriing on de Kooning will be (Vito Acconci, 1973, video, 32 min­ Jacques-Louis David s Napoleon in six of his most original works from The newly conserved early Nether­ Andrew W . Mellon from Russia s shown during the first week of July. utes): July 27-28 at 12:30, July 31 His Study. Available at the West the late 1930s to the mid-1980s. landish masterpiece, the Annun­ Imperial Hermitage Museum in 1930. Orphans of the Storm (D. W. at 1:00. Building Art Information Desk. II illem de Kooning: Paintings ciation (c. 1434/1436) by Jan van Two manuscript illuminations depict­ Griffith, 1921, silent with piano Shapes & Patterns, of particular begins with the artist s early depic­ Eyck. is one of the jewels of the ing the Annunciation in Books of Ea Boheme (King Vidor. 1926. silent accompaniment, 126 minutes); July interest to younger visitors, focuses tions of men and women, followed National Gallery of Art's permanent Hours one from the collection of with piano and voice accompaniment. 2 at 3:00. on the East Building's art and archi­ by a selection of his acclaimed black- collection. A magnificently detailed the J. Paul Gerry- Museum, Malibu, 95 minutes): July 30 at 3:00. tecture. Available at the East and-white and color abstractions tour de force of Christian , and the other from The Walters Art Building Art Information Desk. from 19-16 to 1950. Several of his the painting portrays the moment Gallery, Baltimore are also on view. Family Guides are made possible provocative paintings of women from when the angel Gabriel announces to The exhibition and accompanying by a grant from the Vira I. Heinz the 1950s are shown, along with a the Virgin Mary that she will be the brochure have been made possible Endowment. group of urban and highway land­ mother of Jesus. by The Circle of the National Gallery The Annunciation is among of Art. scapes. Selections from his woman \X illern de Kooiiinj;. Fire Inland, c. 1946. Margulies Family Collection series as well as his lush paintings of twenty-one paintings acquired by figures in landscapes represent his New York. It is accompanied by a ute video program on de Kooning s Flemish Artist, Book of flours, '"Llangattock Hours," c. 1450-1460, Collection of the production throughout the 1960s fully illustrated catalogue. The exhi­ life and work, is shown continuously J. Paul Getry Museum The Waking Dream: Photography's First Century and early 1970s. De Kooning''s ulti­ bition will travel to The Metropolitan in the East Building Small Auditor­ Selections from the Gilman Paper Company Collection mate synthesis of figuration and Museum of Art, October 11, ium, beginning daily at noon (sched­ abstraction., color and line, painting 1994-January 8. 1995. and the ule subject to change). For visitors through September 11, 1994 and drawing are revealed in his Tate Gallery. February 16-May 7, who are hearing impaired, transcripts Jasper Francis Cropsey's The Spirit of War West Building, Main Floor luminous late works of the 1980s. 1995. An indemnity for the exhibi­ are available at the East Building Art Galleries 72 through 79 The exhibition is organized by the tion has been granted by the Federal Information Desk. The video presen­ and The Spirit of Peace National Gallery of Art in association Council on and the tation and exhibition are made possi­ The fascinating story of photogra­ through April 16, 1995 with the Tate Gallery, London, and Humanities. ble by J.P. Morgan & Co. phy's first century is told through West Building, Main Floor Gallery 60 The Metropolitan Museum of Art. Willem de Kooning. a twelve-min­ Incorporated. some 250 images from one of the Two of the most significant works by reflecting, walking, and dancing world's most important private col­ American painter Jasper Francis peacefully. The Spirit oj War is a lections of photographs. The six-part Cropsey, The Spirit of War (1851) in predawn, tempestuous mountain exhibition begins with the earliest the National Gallery of Art and The landscape with a fortified castle, photographic experiments in 1839 From Minimal to Conceptual Art: Works from Spirit of Peace (1851) from the knights on horseback, and a plun­ and explores the inspirational The Dorothy and Herbert Vogel Collection Woodmere Art Museum, Phila­ dered village with approaching sources and signal achievements of delphia, are exhibited together in enemy troops. Wall texts with such pioneering photographers as through .November 27, 1994 public for the first time since 1857. Cropsey's own descriptions give William Henry Fox Talbot, Eewis East Building, Mezzanine Level The Spirit of Peace is a serene, insight into the two paintings. The Carroll, Gustave Ee Gray, Mathew This is the first major display of the with major artists from their begin­ twilight, semitropical coastal scene exhibition brochure is made possible Brady, , , Vogel collection at the National nings and have remained loyal with a classical temple, a distant through the generosity of Mrs. John and Alexander Rodchenko. Photo­ Jasper Francis Gropsey, The Spirit of Peace Gallery of Art since its transferral patrons thereafter. Richard (detail), 1851, Woodmere Art Museum, harbor town, atid men and women C. Ncwiiigton. graphs from Europe, the Near East, here in 1991. Dorothy Vogel, a Artscbwager, Robert Barry, Daniel Charles Knox Smith Collection Asia, and the United States reveal a librarian, and Herbert Vogel, a Buren, Chuck Close, Dan Graham, stunning variety of unforgettable postal clerk, both retired, have Eva Hesse, , Sol LeWitt, characters, landscapes, and historic Exhibition Catalogues amassed a substantial group of van­ Dennis Oppenheim, Robert Ryman, events. A line from John Keat's poem guard art dating from the 1960s to Joel Shapiro, arid Robert Smithson Willem de Kooning: Paintings The. JFaking Dream: Photography's Special Publication and Video "Ode to a Nightingale" inspired the the present. Minimal, postminimal, are among the forty-nine artists rep­ $25.00 (softbouud) First Century. Selections from the Fan Dyck 350, symposium papers exhibition title: "was it a vision, or a and conceptual w7orks highlight the resented. $55.00 (hardbound) Gilman Paper Company Collection presented in conjunction with the waking dream?" collection, which ranges from paint­ An illustrated catalogue accompa­ $57.50 (hardbound) National Gallery of Art's 1991 exhi­ This exhibition was organized by From Minimal to Conceptual Art: ings and sculpture to drawings and nies the exhibition. The exhibition is Ghristo. Package, 1974, National Gallery bition Anthony van Dyck, is now The Metropolitan Museum of Art. of Art, The Dorothy and Herbert Vogel Works from The Dorothy and Available front the National Gallery photographs. made possible in part by The Circle available in hardbound cover at the Collection, Ailsa Mellon Bruce Fund, Herbert Fogel Collection of Art's publications service The Vogels often worked closelv of the National Gallery of Art. Patrons' Permanent Fund, and Gallery's bookstores. Additionally, $25.00 (softbound) Sales Information (202) 842-6466 Gift of Dorothy and 1 lerbert Vogel a video tour of the exhibition, made Martin Munkacsi, Fun During Coffee Break, Mail Order (301) 322-5900 1932, Gilman Paper Company Collection, Gemini G.E.L: Recent Prints and possible by a grant from the Bauman courtesy the National Gallery of Art Sculpture Foundation, is available through the $25.00 (softbound) Department of Education Resources. NATIONAL GALLERY OF ART Washington, D.C. 20565 GENERAL INFORMATION The National Gallery of Art and its collections belong to the people of the United States of America. European and American paintings, sculpture, decorative arts, and works on paper are displayed in the per­ manent collection galleries, and temporary exhibitions of art from coun­ tries and cultures throughout the world are presented on a regular basis. Admission is free. HOURS Monday through Saturday 10:00 a.m. to 5:00 p.m. Sunday 11:00 a.m. to 6:00 p.m. For general information call (202) 737-4215. The Gallery is located between 3rd and 7th Streets, N.W., on Constitution Avenue. The nearest Metro stops are Judiciary Square on the Red Line, Archives on the Yellow/Green Lines, Smithsoiiian on the Blue/Orange Lines. Metrobus stops are located on 4th Street and 7th Street. The East and West Buildings are connected by an all-weather underground passage with a moving walkway. Entrances to the West Building are on the Mall, on 7th Street, on Constitution Avenue at 6th Street, and on 4th Street. The entrance to the East Building is on 4th Street. ASSISTANCE FOR PEOPLE WITH DISABILITIES For general information call (202) 842-6690. Telecommunications Device for the Deaf (TDD): (202) 842-6176. The 6th Street entrance to the West Building and the 4th Street entrance to the East Building are accessible to visitors with disabilities. Limited parking is available at the East Building entrance. Assistive listening devices for the East Building Auditoriums are available on a free-loan basis at the East Building Art Information Desk. RESTAURANTS Four restaurants offer luncheon and light fare. Hours are: CONCOURSE BUFFET Monday-Friday 10:00 to 3:00 Saturday 10:00 to 4:00 Sunday 11:00 to 4:30 GARDEN CAFE Monday-Friday 11:30 to 3:00 Saturday 11:30 to 3:00 Sunday 12:00 to 4:00 CASCADE ESPRESSO BAR Monday-Friday 12:00 to 4:30 Saturday 12:00 to 4:30 Sunday 12:00 to 5:30 TERRACE CAFE Monday-Friday 11:30 to 3:00 Saturday 11:30 to 3:00 Sunday 12:00 to 4:00

Cover: Joseph Kosuth, Art as Idea: Nothing, 1968, The Dorothy and Herbert Vogel Collection