Kay Kyser Kay Kyser's Kollege of Musical Knowledge! Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Kay Kyser Kay Kyser's Kollege Of Musical Knowledge! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Brass & Military Album: Kay Kyser's Kollege Of Musical Knowledge! Country: US Released: 1977 MP3 version RAR size: 1495 mb FLAC version RAR size: 1767 mb WMA version RAR size: 1928 mb Rating: 4.7 Votes: 288 Other Formats: FLAC XM DXD ADX MP2 VOX MOD Tracklist Hide Credits From The U.S. Naval Air Station At Alameda, California; October 11, 1944 A Narrator [Announcing] – Bill ForemanPerformer – Georgia Carroll, Ish Kabibble, Kay*, Sully Mason, The Town Criers B1 The Wit & Wisdom Of Ish Kabibble Kay Kyser And His Band From The Carolines, June 12, 1934. At The Very Start Of His Career B2 Vocals – Kay*, Sully Mason Companies, etc. Phonographic Copyright (p) – The Radiola Company Copyright (c) – The Radiola Company Mastered At – Frankford/Wayne Mastering Labs Notes Full text on front cover: "Kay Kyser's Kollege Of Musical Knowledge! Total Radio Madness, as heard by American G.I.'s ArouNd The World on October 11, 1944. C'mon Chillun - Yet's DANCE! ExTra: The Wit & Wisdom of Ish Kabibble." Barcode and Other Identifiers Matrix / Runout (Side A - Runout Etching): RADIOLA 75A FW[apple logo] M.Rophone Matrix / Runout (Side B - Runout Etching): RADIOLA 75B- FW[apple logo] M.Rophone Related Music albums to Kay Kyser's Kollege Of Musical Knowledge! by Kay Kyser Kay Kyser And His Orchestra - Serenade Of The Bells / Pass That Peace Pipe Kay Kyser And His Orchestra - Avalon / Chiapanecas Kay Kyser - That's Right, You're Wrong! Kay Kyser - Kay Kyser's Greatest Hits Kay Kyser And His Orchestra - Day In - Day Out / Put That Down In Writing Various - Big Bands Forever! Four Kings Of Swing William Conrad, Roy Rogers - Gunsmoke / Roy Rogers Kay Kyser And His Orchestra - Woody Wood-Pecker Kay Kyser - Kay Kyser: Jingle Jangle Jingle Kay Kyser And His Orchestra - Don't Drop A Slug In A Slot / Sunrise In Siam Ish Kabibble And The New Yorkers - Three Little Fishes / Wringin' The Tears Kay Kyser And His Orchestra - For Tonight / The Last Two Weeks Of July.

Copy Link

Recommended publications

Picture Show Annual (1942)
PS HIM fkf *1(5 /«rA W/’hen we think of the heroism of the Fighting Services, the Mercantile Marine, the Fire fighters, the A.R.P., the many Corps of Women’s Auxiliary Services, Doctors, Nurses and staffs of Hospitals, and, above all, the heroism and spirit of self-sacrifice shown by the women and children of cities, towns and hamlets which have been bombed incessantly by the Nazi murderers, it may sound Raymond Massey (right) and not only presumptuous but downright swank to ” suggest that films Eric Postman in 49th the have played any really important part in the War. Parallel.” Eric Portman is a World But I have hesitation in saying that the screen U-boat officer who attempts no has played a very important part. I think to escape from Canada to the we may divide, roughly, the part the films have played into United States but is out- manoeuvred by Raymond showing us, firstly, what Nazism really means and Massey. what we are fighting against, and, secondly, how we are fighting the greatest menace to Civilisation since Democracy was established as the keystone of the arch of Civilisation. Democracy is easily explained. The great Lincoln. President of the first really United States of America, described it as Govern- ment of the People, by the People, for the People. The emblem of Republican France was Liberty, Equality and Fraternity. In England, and later in the British Empire, the meaning was Freedom of speech and action, Una Merkel and W. C. Fields in so long as it did not interfere with the " The Bank Detective.” Freedom of others.
[Show full text]
Gold Records and Other Awards and Honors
GOLD RECORDS AND OTHER AWARDS AND HONORS Without question, we think that recordings by the big bands have, from the 1920s to today, sold millions and millions (perhaps billions!) in total, including all of the different formats from 78s to 45s to LPs to reel-to-reel tapes to 8-track tapes to cassettes to CDs, endless reissues, and even unauthorized releases over the years. In 1978, author Joseph Murrels reported collective disc sales by big bands as: Glenn Miller 60 million, Benny Goodman 50 million, Lawrence Welk 50 million, Artie Shaw over 40 million, Louis Armstrong over 25 million, Harry James over 25 million, Vaughn Monroe 25 million, Ted Heath 20 million, Billy Eckstine 10 million, and Kay Kyser 10 million. However, he didn’t explain whether these totals were singles or albums or both. Lists of individual records that sold one million or more copies vary, depending on what source is consulted. In 1958, gold discs started to be officially certified by the Recording Industry Association of America (RIAA) for one-million singles sales or a gross of $1,000,000 for album sales (though that changed in 1975). So before ‘58, gold discs were given to artists on an informal basis, so this lack of verified sales statistics, as well as press agent claims and other publicity, has further obscured which records were the true million-sellers. Christopher was at RCA in New York City in 1996 and was told that the company did not have verifiable sales figures going back before the early 1970s. He did see a legal-sized, bound printed listing that accounted for sales since then, and seems to recall that, for example, the 1971 two-LP set “This Is Artie Shaw” (RCA Victor VPM-6039) had sold some 200,000 copies, while the 1990 “Artie Shaw And His Orchestra: Blues in the Night” (Bluebird 2432-2-RB) had sold only about 2,000.
[Show full text]
1930 Index Golfer's Blues – Alice Keating Howlett, Will
1 1930 Index Golfer’s Blues – Alice Keating Howlett, Will Riverman - 2 Zonky Blues – Duke Ellington – Instr. - 4 Old Man Blues – Duke Ellington, Irving Mills - 5 St. Louis Ain’t Got the Blues –Lynn Cowan - 6 Banish the Budget Blues – Jack Lumsdaine - 7 Blue Again – Jimmy McHugh, Dorothy Fields – 13-14 Deserted Blues – Claud Garner - 18 Fraternity Blues – Kay Kyser, Spencer Murphy - 19 Rabbit Foot Blues – Blind Lemon Jefferson - 22 Ring Out the Blues - E. Y. Harburg, Clay Gorney - 23 Those Hysterical Blues – Alono Hanagan, Harold Goodling - 27 That Too, Do Blues – Benny Moten, Eddie Durham, Count Basie - 28 Pontchartrain Blues – Jelly Roll Morton – instr. - 29 I’ll be Blue Thinking of You – Pete Wendling, George Whiting - 30 Brown’s Ferry Blues – Alton Delmore - 33 Forget the Blues – Alfred Jarvis - 35 Born to be Blue – Al Hoffman, Abner Silver, May Singh Breen - 39 Blues Before Sunrise – Leroy Carr - 43 Got Dem Blues – Wilbur Sweatman - 45 When a Black Man’s Blue – George Little, Art Sizemore & Ed Nelson - 46 Who’s Blue – Will Gould & Jimmy Rule - 47 Worried Man Blues – Traditional - 48 Alabama Bound – Ledbetter - 49 Backwater Blues – Bessie Smith - 50 Big Road Blues – Robert Johnson - 51 Catfish Blues – Muddy Waters - 52 Chicago Blues – Lonnie Johnson - 54 Crazy Blues – Perry Bradford - 55 Drunken Hearted Man – Robert Johnson - 57 Empty Bed Blues – Traditional - 58 Foolish Man Blues – Bessie Smith - 59 Gulf Coast Blues – Clarence Williams - 60 Hesitation Blues – Billy Smythe, J Scott Middleton - 61 In the House Blues – Bessie Smith - 62 Kindhearted Woman – Robert Johnson - 63 Love in Vain – Robert Johnson - 64 New Stranger Blues - Tampa Red - 65 Lonesome Home Blues – Tommy Johnson - 66 List of songs with the use of the word ‘Blues’ in the lyrics Wasting My Love on You – Edgar Leslie & Harry Waren Dancing With Tears in My Eye – Al Dubin & Joe Burke 2 Golfer’s Blues – Alice Keating Howlett & Will Livernash 3 A-8+8, B-8, C-8, D.S-8 4 Zonky Blues – ‘Duke’ Ellington A-12 (blues), B-16 (AABA) 5 Old Man Blues – ‘Duke’ Ellington & Irving Mills A-16, B-8, C-10 6 St.
[Show full text]
The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM ISSN 1554-6985 VOLUME I · NUMBER 1 (/current) SPRING/SUMMER 2005 (/previous) Shakespeare in the American South (/about) EDITED BY (/archive) Christy Desmet and Sujata Iyengar CONTENTS S HAKESPEARE AND THE DUKE The Duke's Man: Ellington, Shakespeare, and Jazz Adaptation Terence (/781405/show) (pdf) (/781405/pdf) Hawkes Minstrelsy, Jazz, Rap: Shakespeare, African American Music, Douglas and Cultural Legitimation (/782016/show) (pdf) (/782016/pdf) Lanier Stephen Form and Character in Duke Ellington's and Billy Strayhorn's M. Such Sweet Thunder (/781406/show) (pdf) (/781406/pdf) Buhler Swingin' Shakespeare From Harlem to Broadway Fran (/781407/show) (pdf) (/781407/pdf) Teague Jazz, Shakespeare, and Hybridity: A Script Excerpt from Alan Swingin' the Dream Corrigan (/781411/show) (pdf) (/781411/pdf) http://borrowers.uga.edu/7148/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/21/19, 12'56 PM P ERFORMING RACE / GENDER IN THE OLD AND N EW SOUTH They Were Always Doing Shakespeare: Southern Actresses and Robin Shakespearean Appropriation (/781416/show) (pdf) Warren (/781416/pdf) The Old and New South: Shakespeare in Margaret Mitchell's Darlene Gone With the Wind (/781418/show) (pdf) (/781418/pdf) Ciraulo Confession; or, the Blind Heart: An Antebellum Othello Christy (/781419/show) (pdf) (/781419/pdf) Desmet C LASS AND COUNTRY IN THE CONTEMPORARY S OUTHEAST A Way of Life Worth Preserving? Identity, Place, and Sharon Commerce
[Show full text]
RTP 19400206.Pdf (3.891Mb)
"'The South's CJJest • tt'By the Students, College ?X ewspaperJ' W r ·!{tug-tum t For the Students" Z-119 Washington and Lee University Semi-Weekly LEXINGTON, VIRGINIA, TUESDAY, FEBRUARY 6, 1940 VOL. XLIII . NUMBER 32 Famous Magician Kyser Gone, Girls Gone; To Perform Here Fancy Dress Remains I Tomorrow Night 'Tops' to W & L Students Christopher To Talk on Magic H istory .. ------------------------· In Assembly Arranged by Dr. Farinholt CBS Nation-Wide Broadcast By BOB CAMPBELL . ance. One ot th! attaches opened LazareY, Dancing Cossack, Debaters· Set the car door. Highlights Fancy Dress Ball edrr:;:~~~~t~~~~~~::: b~::?~~:~q~~hat'syour Describes Origin ol C''-orus For Journey turies w1ll be discussed by Mil- Christopher grinned and pulled 'J n ' As Kyser Cavorts for Crowd The biggest of the year's big up against representatives of three :;!~~:~:ti?~F~~t~i~ ~1!~~~!Y.sr::h~~ ~: ·;:: Tells ol Ad'Yentures on Tour To Florida week-ends is history. neighboring girls' schools in the remus gymnasium. Christopher's The attache threw his hands in '} Kay Kyser and his gang have quiz session. Arlene Simmons. or talk on "The History ot Magic" is the air and exclaimed, ''Thank By PAT WARFIELD once some music lessons. No walls, W ill Meet 5 Foes lett town. Nearly 700 girls have Pelltam. N. Y., canted Sweet. Brhu· sponsored by the University as a God At last!" voluntary assemblY. I am Laza.rev. I am a Russian. on1 Y barbed wire: on a post he tot- lett town, too. But the memory colors to victm·y tn the second Besides performing magic tricks I am a Don Cossack.
[Show full text]
Kay Kyser's Greatest Hits Mp3, Flac, Wma
Kay Kyser Kay Kyser's Greatest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Kay Kyser's Greatest Hits Country: US Released: 1989 Style: Big Band, Swing MP3 version RAR size: 1533 mb FLAC version RAR size: 1152 mb WMA version RAR size: 1152 mb Rating: 4.7 Votes: 107 Other Formats: APE AUD VOX XM WMA MP4 AAC Tracklist 1 Ma (He's Making Eyes At Me) 2 Woody Woodpecker 3 Why Don't We Do This More Often 4 Three Little Fishies 5 The Old Lamplighter 6 Praise The Lord And Pass The Ammunition! 7 Who Wouldn't Love You 8 Playmates 9 (I Got Spurs) Jingle Jangle Jingle 10 Strip Polka 11 Pushin' Sand 12 Thinking Of You Credits Illustration – Jonson* Trumpet [Solo] – Ish Kabibble (tracks: 1) Vocals – Ginny Simms (tracks: 3, 4), Gloria Wood (tracks: 2), Harry Babbitt (tracks: 2, 3, 4, 6, 7, 9, 12), Ish Kabibble (tracks: 4), Jack Martin (tracks: 10), Michael Douglas* (tracks: 5), Sully Mason (tracks: 1, 4, 7, 8), Trudy Erwin (tracks: 7, 9) Notes The greatest hits of Kay Kyser re-recorded with the original gang. Barcode and Other Identifiers Barcode: 0 7777-91224-2 4 Other versions Category Artist Title (Format) Label Category Country Year ST 1692, Capitol Records, ST 1692, Kay Kay Kyser's Greatest ST1-1692, Capitol Records, ST1-1692, US 1962 Kyser Hits (LP, Album) ST2-1692 Capitol Records ST2-1692 Kay Kyser's Greatest Kay T 1692 Hits (LP, Album, Capitol Records T 1692 US 1962 Kyser Mono) Related Music albums to Kay Kyser's Greatest Hits by Kay Kyser Hip hop / Funk / Soul Hi-Five - Greatest Hits Jazz Kay Kyser And His Orchestra - The
[Show full text]
The Idea of a John Barrymore
Colby Quarterly Volume 37 Issue 1 March Article 5 March 2001 The Idea of a John Barrymore Douglas Lanier Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.1, March 2001, p.31-53 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Lanier: The Idea of a John Barrymore A studio portrait ofJohn Barrymore in his later years. 30 Published by Digital Commons @ Colby, 2001 1 Colby Quarterly, Vol. 37, Iss. 1 [2001], Art. 5 The Idea ofa John Barrymore by DOUGLAS LANIER Andrew. Gary, you don't understand, about the theater. About why people do Shakespeare. Barrymore. They do it because-it's art. Gary. Andy ... Andy, my multi-talented prime-time delight. You don't do art. You buy it. (Rudnick 36) AUL RUDNICK'S 1991 play I Hate Hamlet tells the saga of prime-time Pheartthrob Andrew Rally, a TV actor compelled to star in a Shakespeare in-the-park performance of Hamlet when his hit series, LA Medical, is unex pectedly cancelled. The insecure Rally, who proclaims loudly that he hates Hamlet and all it stands for (high culture, New York theater, the burden of an artistic tradition reaching back "from Burbage to Kean to Irving" [24]), longs for the easy financial security and fame offered by Hollywood. Only after he's convinced that playing Hamlet is a test of his mettle does Andrew come to think of himself not as a TV star but as a serious actor.
[Show full text]
Anthony Slide
Anthony Slide (ti LI Pt SILII In Historic Photographs Anthony Slide The Vestal Press, Ltd. Vestal, NY 13851-0097 This book is for Rudi , who represented the best in American popular entertainment Also by Anthony Slide Early American Cinema I 19'0) hie Griffith Actresses I 19-3 I The IdoLs of Silence ( 19-6 ) The Big V. A History of the Vitagraph Conenty (1976: revised 198') Early Women Directors (1977: revised 1984 Aspects of American Film History prior to 1920 (1978) Films on Him History (19'9) lbe Kindergarten of the Movies: A History of the Fine Arts Company (1980) lije Vaudevillians (1981) Great Radio Personalities in Historic Photographs (1982 ) A Collector's Guide to Movie ,1Iemorabilia ( 1983 ) Fifty Classic British Films: 19.Q-1982 ( 1985 ) A Collector's Guide to TV Memorabilia (1985) Me American Film Industry: A Historical Dictionary ( 1986) Great Pretenders (1986) Fifty Classic Freud, 1912-1982 (198") Me Cinema and Ireland (1988) With Edward Wagenknecht Me Films qf D.W. Griffith (1975) Fifty Great American Silent Films: 1912-1920 (1980) Frontispiece. Burns and Allen: George Burns (1896— and Gracie Allen (1902-1964). Without question the greatest part- nership in the history of vaudeville, radio and television, Burns and Allen made their radio debut not in America but in England, on the BBC, in June of 1929. They were first heard on CBS with Guy Lombardo in 1932 and soon thereafter The Burns and Allen Show became a radio perennial, making a happy transition to television on October 12, 1950. One of the radio highspots of 1933 was Gracie's search for her supposedly lost brother, which required that she pop up unexpectedly on any CBS program.
[Show full text]
Theatre Guide Chlcaxo Dance Orchestra—Ob-I-West Comment from Itlclund Kaion—Mbn This Country in the Foreign Film, Good Cheer Fairbanks, Jr
1 P»MMte^^4^|^^-,?i•v u& &r«ijt&T^^^vjnvc^rjjvCv'r/T^TT *^,' *^"''-*« r' v>" *'y/;i/fr v • y< i , *• ',,-»* r*, • •"* r '***v. * * T. *•• 'V THE LIMA NEWS. JANUARY 16 kV./> '*- Friday, at 9:30 p. m. over WJZ he finds the door was locked from FUNNY BUSINESS the inside. However with the help LADIES' NITE •Kay Ky?er, John Barrymore Hollywood And New York To of Kitty, his wife, and his faith- FRIDAY NITE .ful bodyguard, "Doc," Piper un- 2 TLOOR SHOWS NIGHTLY locks the "Mystery Murder of 11:00 1:30 Teamed In New Ohio Movie Furnish Kate Smith Talent Silas1, French." Lucille Manners, blond soprano CASTLE FARM star of the "Cities Service Con- certs," will range fiom the "'OK Professor" And "The Great Profile" Provide sprightly Gavotte in Massenet's Orson Welles, Ingrid Bergman, Olivia DeHavil- "Manon" to the melancholy "Man . • • 'Plenty Of Mirth In Fine Comedy "Play- land And Loii Holtz Set On Variety Hour I Love" from George Gershwin's BLUE PEAKS "Strike Up the Band," during the mates" Opening Saturday Broadcast Friday broadcast of Friday at S p. m. 2 mi. east on Harding over WEAF. She also is to join the ensemble in four of Amy NOW OPEN t Teaming for the first time on the screen the 01* Professor Orson Welles, Ingriri "Bergman, Olivia De llavilland and AVoodefordc-Finden's "Indian Love UnHor New Management and The Great Profile, "Playmates," comes to the Ohio Lou Uollz; equally divided between Hollywood and New Lyrics" — "The Temple Bells," "Kashmiri Song," "Less Than the screcfi Saturday starring Kay Kyser, with John Barrymore York, will headline Kate Smith's Variety Hour over WABC Dust" and "Till I Wake." DANCING Tapping its- brilliant cast of mirth-makers and tune-mixers, Friday at 8 p.
[Show full text]
Your Hit Parade Charts 1935 1940
LEONIDAS FRAGIAS LEONIDAS FRAGIAS ©2017 - ARTS & CHARTS INTRODUCTION Your Hit Parade is an American radio and television music program that was broadcast from 1935 to 1955 on radio, and seen from 1950 to 1959 on television. It was sponsored by American Tobacco's Lucky Strike cigarettes. During this 24-year run, the show had 19 orchestra leaders and 52 singers or groups. Many listeners and viewers casually referred to the show with the incorrect title The Hit Parade. When the show debuted, there was no agreement as to what it should be called. The press referred to it in a variety of ways, with the most common being "Hit Parade," "The Hit Parade," and even "The Lucky Strike Hit Parade" (see for example "Lucky Strike Hit Parade is Popular," Laredo (Texas) Times, May 21, 1935, p 7). The program's title was not officially changed to "Your Hit Parade" until November 9, 1935 ("Al Goodman to Be Maestro on Radio Series," Oakland Tribune, November 9, 1935, p. 14.) Each Saturday evening, the program offered the most popular and bestselling songs of the week. The earliest format involved a presentation of the top 15 songs. Later, a countdown with fanfares led to the top three finalists, with the number one song for the finale. Occasional performances of standards and other favorite songs from the past were known as "Lucky Strike Extras." Listeners were informed that the "Your Hit Parade survey checks the best sellers on sheet music and phonograph records, the songs most heard on the air and most played on the automatic coin machines, an accurate, authentic tabulation of America's taste in popular music." However, the exact procedure of this "authentic tabulation" remained a secret.
[Show full text]
Liversidge Book List
THE JIM LIVERSIDGE COLLECTION http://www.uflib.ufl.edu/spec/belknap/liversidge.htm REFERENCE BOOK LIST The following listing, of approximately 500 titles covers all areas of the performing arts (film, theatre, music, television, circus, vaudeville, burlesque, etc.) and popular culture. The collection consists of mostly hardback and paperback first editions (unless otherwise noted). The condition of the material ranges from good to excellent. Each title is followed by the Belknap Collection for the Performing Arts non-circulating (reference book) call number. Each book is followed by the following symbols to denote the reason for inclusion in this collection: * - Books collected to showcase the careers of performers represented in the AUTOGRAPH collections. ** - Books collected to showcase the careers and accomplishments of performers and technicians represented in the IT’S A MAD, MAD, MAD, MAD WORLD AUTOGRAPH and EPHEMERA collections. *** - Books collected to showcase the careers of the men behind the WIDESCREEN gimmicks and processes as well as the history of this era. Adams, Joey, HERE’S TO THE FRIARS, Crown, 1976 PN1572.F73 A3 1976 Adler, Larry, IT AIN’T NECESSARILY SO: AN AUTOBIOGRAPHY, Grove Press, 1984 ML419.A3 A3 1987 Alba, Ben, INVENTING LATE NIGHT: STEVE ALLEN AND THE ORIGIANL TONIGHT SHOW, Prometheus Books, 2005* PN1992.4 .A4 A65 2005 Allen, Richard and Bruce Hershenson, MUSICAL MOVIE POSTERS, Published by Bruce Hershenson, 1999 PN1995.9.P5 M87 1999 Amazing Randi, The and Bert Randolph Sugar, HOUDINI: HIS LIFE AND ART, Grosset and Dunlap, 1977 GV1545.H8 R36 1976 Anderson, Christopher, BARBARA: THE WAY SHE IS, William Morrow, 2006 ML420.S915 A67 2006 Andrews, Bart, CHEERS: THE OFFICIAL SCRAPBOOK, New American Library, 1987 PN1992.77.C35 A5 1987 1 Andrews, Maxene, OVER HERE, OVER THERE, Zebra Books, 1993* ML421.A47 A5 1993 Arceri, Stan, ROCKING HORSE: A PERSONAL BIOGRAPHY OF BETTY HUTTON, Bear Manor Media, 2009* PN2287.H885 A732009 Arnaz, Desi, A BOOK, William Morrow and Co.
[Show full text]