Your Hit Parade Charts 1935 1940
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BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and Others
IN THIS ISSUE: i f An interview with PEGGY LEE Reviews of BOOKS AND BIG RECORDS to consider about GEORGE WEIN, CRAIG RAYMOND, BAND KAY KYSER and others JUMP ★ A BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWSLETTER VOLUME LXXXVII_____________________________BIG BAND JUMP NEWSLETTER JULY-AUGUST 2003 lems than most of us experience. Later in life she took PEGGY LEE INTERVIEW engagements while requiring respirator treatments four times a day during ten years of her life. She played sold- out clubs with dangerously-high temperatures when she had to be carried off the stage to a hospital. She underwent open-heart surgery and suffered failing eye sight and a serious fall but continued to perform sitting in a chair until a few years before her death on January 21,2002 The Scene Veteran broadcaster and Big Band expert Fred Hall conducted the interview at Peggy Lee ’ s Bel Air home in the 1970s, at a time when she was still performing and still making records. The first question was about how her job with Goodman came about. BBJ: Did you j oin the Goodman band directly from singing in clubs? The cheerful Lee PL: Yes, I was singing in a club at that time I met him. Before that I had been singing on a radio The Background station in Fargo, North Dakota. -
Singalong Songs Alles Kampvuurmuziek
Singalong Songs Alles Kampvuurmuziek Terug naar inhoudsopgave 1 Singalong Songs Alles Kampvuurmuziek --- Inhoudsopgave --- 26. Bill Withers - Ain't No Sunshine ........................................ 37 27. Earth Wind & Fire - Fantasy .............................................. 38 28. Bob Marley & The Wailers - No Woman No Cry ............. 39 29. Neil Young - Like A Hurricane .......................................... 40 30. Pointer Sisters – Fire .......................................................... 41 1. The Mamas & The Papas - California Dreamin' ................... 9 31. Grease – You’re the one that I want ................................... 42 2. Stand by me - Ben King ...................................................... 10 32. Meat Loaf - Paradise By The Dashboard Light ................. 43 3. Janis Joplin - Me and Bobby McGee .................................. 11 33. Soft Cell - Tainted Love ..................................................... 47 4. Johnny Cash - Ring Of Fire ................................................ 12 34. Golden Earring - When The Lady Smiles .......................... 48 5. Creedence Clearwater Revival - Proud Mary ..................... 13 35. Janis Ian - The Other Side of the Sun ................................. 49 6. Little Richard - Tutti Frutti ................................................. 14 36. George Michael - I knew you were waiting for me ........... 50 7. Jerry Lee Lewis – Great Balls Of Fire ................................ 15 37. George Michael – Faith ..................................................... -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Exit Here for Jazz…
Volume 43 • Issue 11 December 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Pianist Marc Cary, center, is flanked by members of his Harlem Sessions All-Stars during their performance at the Exit 0 Jazz Festival in Cape May on Nov. 7. Photo by Mitchell Seidel. Exit Here For Jazz… Now in its 4th year, Exit 0, the new iteration of a twice-yearly Cape May jazz festival, expands its soul and R&B offerings (and its audience) while still serving up plenty of outstanding straight-ahead and trad jazz. Jersey Jazz’s Mitchell Seidel offers an inside view in words and pictures beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 In The Mailbag. .4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 USPS Statement of Ownership ........47 NJJS/Pee Wee T-shirts. 48 nce again, the holiday season is upon us! For are selected by the Music Committee, but it has New/Renewed Members ............48 Othe New Jersey Jazz Society, that means become a tradition that the President selects the storIes (among other things) it’s time for the annual group to perform at the annual meeting. For this Exit 0 Jazz Festival ..............cover meeting, at which the officers report on the state of year’s meeting, I have picked the DIVA Jazz Trio, Big Band in the Sky ..................8 the society and leadership is elected for the coming consisting of Sherrie Maricle on drums, Tomoko Talking Jazz: Ted Nash ..............12 year. -
“Your Hit Parade” HOFSTRA ENTERTAINMENT Presents “Your Hit Parade”
Little Girl Blue A Fine Romance Body and Soul All of Me Stardust Goody, Goody My Romance All or Nothing at All My Heart Belongs to Daddy Just One of Those Things HOFSTRA ENTERTAINMENT presents “Your Hit Parade” HOFSTRA ENTERTAINMENT presents “Your Hit Parade” Celebrating the music of the 1930s, with a special tribute to the songs of 1935 — in honor of Hofstra’s 75th anniversary. Featuring a 10-piece all-star band Guest vocalists include Valerie Ahneman, Jeremy Chase, Lynn DiMenna, Gary Fields, Keri Kelsey, Kelley Suttenfield, Laura Wolfe and Bob Spiotto. Your Hit Parade debuted on NBC radio on April 20, 1935, and moved between NBC and CBS until January 16, 1953. The radio institution billed itself as “an accurate, authentic tabulation of America’s taste in popular music.” A television version of Your Hit Parade was simulcast over NBC Radio from 1950 to 1959. During its run, the show had 19 orchestra leaders and 52 singers or groups. Every Saturday night, Your Hit Parade presented the top tunes of the week, saving the top three songs for the end of the show. The first No. 1 song on the first program was “Soon” sung by Bing Crosby. So join us in remembering a time that was truly music to your ears! Saturday, May 14, 8 p.m. Sunday, May 15, 2 p.m. John Cranford Adams Playhouse, South Campus Tickets: $27; $23 senior citizen (over 65) with ID; $18 matriculated Hofstra or non-Hofstra student with ID Tickets on sale beginning April 12. ALL SEATS RESERVED. For tickets and information, please call the John Cranford Adams Playhouse Box Office at 516-463-6644, Monday-Friday, 11 a.m.-3:45 p.m., or visit hofstra.edu/hofstraentertainment. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
Glenn Miller and His Orchestra “Top 10 Hits” 1939-1943
GLENN MILLER AND HIS ORCHESTRA “TOP 10 HITS” 1939-1943 Prepared by: Dennis M. Spragg September 2017 TABLE OF CONTENTS INTRODUCTION .............................................................................................................................4 METHODOLOGY .............................................................................................................................4 1. SUMMARY ..................................................................................................................... 5 2. The Billboard Top 10 Records, 1940-1943........................................................................ 8 3. The Billboard #1 Records, 1940-1943 .............................................................................. 9 4. The Billboard Chronology, 1940-1943 ........................................................................... 10 1940 ............................................................................................................................................ 10 1941 ............................................................................................................................................ 11 1942 ............................................................................................................................................ 13 1943 ............................................................................................................................................ 16 5. Your Hit Parade Top 10 Records, 1939-1940 ................................................................. -
PERSONAL MEMORY TUNE-ING KIT SONGS 1939 Top 30 TITLE ARTIST Snippet
PERSONAL MEMORY TUNE-ING KIT SONGS 1939 Top 30 TITLE ARTIST snippet Address Unknown Ink Spots https://www.youtube.com/watch?v=B00wg2o-SG4 And The Angels Sing Benny Goodman & His Orch v/ Martha tilton t/ ziggy elman https://www.youtube.com/watch?v=cQVJCVgltlI An Apple For The Teacher Bing Crosby & Connee Boswell o/ John Scott Trotter's https://www.youtube.com/watch?v=JEEnCK6P0Ik Beer Barrel Polka (Roll Out the Barrel) [I] (Will) Glahe Musette Orchestra Cinderella, Stay In My Arms Guy Lombardo & His Royal Canadians v/ carmen lombardo Could Be Johnny Messner & His Orch v/ Jeanne d'Arcy Deep Purple Larry Clinton & His Orch v/ Bea Wain Heaven Can Wait Glen Gray & Casa Loma Orch v/ Clyde Burke (Hep-Hep) The Jumpin' Jive Cab Calloway & His Orch v/ cab calloway I Get Along Without You Very Well Red Norvo & His Orch v/ Terry Allen If I Didn't Care Ink Spots The Lady's In Love With You Glenn Miller & His Orch v/ Tex Beneke, Modernaires, Ernie Caceres The Lamp Is Low Tommy Dorsey & His Orch v/ Jack Leonard Little Sir Echo Guy Lombardo & His Royal Canadians v/ carmen lombardo Little Skipper Ozzie Nelson & His Orch v/ Ozzie Nelson The Man with the Mandolin Glenn Miller & His Orch v/ Marion Hutton Moon Love Glenn Miller & His Orch v/ Ray Eberle Moonlight Serenade [I] Glenn Miller & His Orch My Prayer Glenn Miller & His Orch v/ Ray Eberle tr/ glenn miller Oh You Crazy Moon Tommy Dorsey & His Orch v/ Jack Leonard Oh, Johnny, Oh, Johnny, Oh ['Follow Me', 1916] Orrin Tucker & His Orch v/ 'Wee' Bonnie Baker Our Love Tommy Dorsey & His Orch v/ Jack Leonard -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Big Band Jump
BIG BAND JUMP NEWSLETTER BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID Atlanta, GA 30355 Atlanta, GA Permit No. 2022 BIG BAND JUMP N EWSLETTER VOLUME XLII _____________ BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1996 WILLARD ALEXANDER INTERVIEW The Background Who, you might ask, is Willard Alexander, and why is he being interviewed in a Big Band publication? As head of WILLARD ALEXANDER, INC., an artist’s management group, he probably had more to do with the booking of Big Bands than any single person in the history of the Band business. We who listen to the Big Bands sometimes forget that it is a business, and to continue it must make money. To do that someone must assure the bandleaders consistent Willard Alexander & interviewer Richard Grudens bookings throughout the year. Payrolls must be met, arrangements must be paid for, transportation expenses, stand-fronts .... all expenses must be handled as the notably the Goodman ’38 concert background. We’re result of bookings .... bookings by such agencies as gratified to have even these few words from an icon of Willard Alexander. Big Band history. The WILLARD ALEXANDER, INC. agency faded The Interview away after its leader died in the early 80’s, and those who worked for him went their own way, some still BBJ: What brings you here tonight? representing Big Bands as bookers, most still in the music business in one way or another. WA: I always like to attend, if possible, a band booking on the first night. (He booked the The Scene Miller Orchestra at the time.) Interviewer Richard Grudens talked with Willard BBJ: How long have you been at this? Alexander in 1982, backstage at the Westbury Music Fair. -
Finnish Politician. Brought up by an Aunt, He Won An
He wrote two operas, a symphony, two concertos and much piano music, including the notorious Minuet in G (1887). He settled in California in 1913. His international reputation and his efforts for his country P in raising relief funds and in nationalist propaganda during World War I were major factors in influencing Paasikivi, Juho Kusti (originally Johan Gustaf President Woodrow *Wilson to propose the creation Hellsen) (1870–1956). Finnish politician. Brought of an independent Polish state as an Allied war up by an aunt, he won an LLD at Helsinki University, aim. Marshal *Piłsudski appointed Paderewski as becoming an inspector of finances, then a banker. Prime Minister and Foreign Minister (1919) and he Finland declared its independence from Russia represented Poland at the Paris Peace Conference and (1917) and Paasikivi served as Prime Minister 1918, signed the Treaty of Versailles (1919). In December resigning when his proposal for a constitutional he retired and returned to his music but in 1939, monarchy failed. He returned to banking and flirted after Poland had been overrun in World War II, with the semi-Fascist Lapua movement. He was he reappeared briefly in political life as chairman of Ambassador to Sweden 1936–39 and to the USSR the Polish national council in exile. 1939–41. World War II forced him to move from Páez, Juan Antonio (1790–1873). Venezuelan conservatism to realism. *Mannerheim appointed liberator. He fought against the Spanish with varying him Prime Minister 1944–46, and he won two success until he joined (1818) *Bolívar and shared terms as President 1946–56.