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The Yeomen of the Guard
THE YEOMEN OF THE GUARD or The Merryman and His Maid Written by W.S. GILBERT Composed by ARTHUR SULLIVAN First produced at the Savoy Theatre, 3rd October 1888. DRAMATIS PERSONÆ SIR RICHARD CHOLMONDELEY ( Lieutenant of the Tower ) COLONEL FAIRFAX ( under sentence of death ) SERGEANT MERYLL (of the Yeomen of the Guard ) LEONARD MERYLL (his son ) JACK POINT ( a Strolling Jester ) WILFRED SHADBOLT . (Head Jailer and Assistant Tormentor ) THE HEADSMAN FIRST YEOMAN SECOND YEOMAN FIRST CITIZEN SECOND CITIZEN ELSIE MAYNARD (a Strolling Singer ) PHŒBE MERYLL (Sergeant Meryll's Daughter ) DAME CARRUTHERS (Housekeeper to the Tower ) KATE (her Niece ) Chorus of YEOMEN OF THE GUARD , GENTLEMEN , C ITIZENS , etc. SCENE : Tower Green TIME : 16th Century ACT I SCENE . – Tower Green. Phœbe discovered spinning . SONG – PHŒBE When maiden loves, she sits and sighs, She wanders to and fro; Unbidden tear-drops fill her eyes, And to all questions she replies, With a sad ‘heighho!’ ’Tis but a little word – ‘heighho!’ So soft, ’tis scarcely heard – ‘heighho!’ An idle breath – Yet life and death May hang upon a maid’s ‘heighho!’ When maiden loves, she mopes apart, As owl mopes on a tree; Although she keenly feels the smart, She cannot tell what ails her heart, With its sad ‘Ah, me!’ ’Tis but a foolish sigh – ‘Ah, me!’ Born but to droop and die – ‘Ah, me!’ Yet all the sense Of eloquence Lies hidden in a maid’s ‘Ah, me!’ ( weeps ) Enter WILFRED . WILFRED . Mistress Meryll! PHŒBE . (looking up ) Eh! Oh! It’s you, is it? You may go away, if you like. -
02-27-2020 Cosi Fan Tutte Eve.Indd
WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Thursday, February 27, 2020 PM set designer 7:30–11:05 Tom Pye costume designer Laura Hopkins lighting designer Paule Constable The production of Così fan tutte was revival stage director made possible by generous gifts from Sara Erde William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts general manager Peter Gelb Co-production of the Metropolitan Opera and jeanette lerman-neubauer English National Opera music director Yannick Nézet-Séguin In collaboration with Improbable 2019–20 SEASON The 203rd Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord This performance Jonathan C. Kelly is being broadcast cello David Heiss live on Metropolitan Opera Radio on SiriusXM channel 75 and streamed at metopera.org. Thursday, February 27, 2020, 7:30–11:05PM RICHARD TERMINE / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen, -
The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
Solitaire 5 Tangos Pineapple Poll
BIRMINGHAM ROYAL BALLET Director David Bintley BIRMINGHAM ROYAL BALLET Director David Bintley Tuesday 16 May 2017 BIRMINGHAM PLEASE DO NOT VIEW THIS CAST SHEETROYA DURINGL BA A PERFORMANCELLET Director David Bintley Solitaire ‘A kind of game for one…’ Music Malcolm Arnold arranged by Philip Lane Choreography Kenneth MacMillan Designs Desmond Heeley Lighting Peter Teigen The Girl Yaoqian Shang with Laura Day, Kit Holder, Mathias Dingman, Feargus Campbell and Rosanna Ely, Anna Monleon, Beatrice Parma, Rachele Pizzillo, Emily Smith, Daria Stanciulescu Gabriel Anderson, Alexander Bird, Tim Dutson, Haoliang Feng, Aitor Galende, Valentin Olovyannikov INTERVAL 5 Tangos Music Astor Piazzolla Choreography Hans van Manen Designs Jean-Paul Vroom Lighting Johnny Westall-Eyre after the original design Staged by Mea Venema Todos Buenos Aires Mort (Lumiere No.2) Vayamos al diable Resurrección del ángel Buenos Aires hora cera Nao Sakuma, Yasuo Atsuji Arancha Baselga, Valentin Olovyannikov, Emily Smith, Tom Rogers, Rachele Pizzillo, Laura Day, Rosanna Ely, Brooke Ray, Hamish Scott, Aitor Galende, Haoliang Feng, Augustus Payne INTERVAL Pineapple Poll Music Arthur Sullivan, arranged by Charles Mackerras (by arrangement with Warner/ Chappell Music Limited, administered by Boosey & Hawkes Music Publishers Limited) Choreography John Cranko Designs Osbert Lancaster Lighting Neil Austin Scene 1 Portsmouth, morning Scene 2 The Quayside, that evening Scene 3 On board HMS Hot Cross Bun, next morning Captain Belaye Mathias Dingman of HMS Hot Cross Bun Pineapple -
The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless. -
Compact Disc B348 2018 5-24.Pdf (405.1Kb)
~\'Yl~C\ cD\SQ, E3Lt8 ~6\~ 5-~L.\-' U'A'if SCHOOL OF MUSIC V!J\j UNIVERSITY of WASHINGTON DREAMS AND FANCIES University of Washington Symphonic Band Dr. Steven J. Morrison, conductor University of Washington Wind Ensemble Timothy Salznlan, conductor 7:30 PM May 24, 2018 Meany Theater UW MUSIC 2017-18 SEASON PROGRAM UNIVERSITY OF WASHINGTON SYMPHONIC BAND Dr. Steven J. Morrison, conductor I The Klaxon (1930} ......................~..~9..r. ................................ Henry Fillmore (1881-1956), ed. Frederick Fennell Taina Lorenz, conductor 2 Children's March (1919) ............0.:..~~..................................................................... Percy Grainger (1882·1961) Taina Lorenz, conductor 3 ASymphonic Prelude (1958) ..............r.d~.................................................................Alfred Reed (1921-2005) t r~M 1::..5 Wto-TYI s.o-Y} Pineapple Poll (1952) - based on the music of Arthur Sullivan (1842-1900) ....... Charles Mackerras (1925-2010) S No.1: Opening Number 1"2;00 arr. W.J. Duthoit ~ No.2: Jasper's Dance "1 NO.3: Poll's Dance ~ No.4: Finale INTERMISSION UNIVERSITY OF WASHINGTON WIND ENSEMBLE TImothy Salzman, conductor ( un: motus (2018) (world premiere)...................?.~.~.~ ............................................................ Wei Yang (b.1986) Z- r~\'-> $OJz.VV1.at-\ Miao Uu, flute AChild's Garden of Dreams (1981 )....................} ..~.~3..1..................................... David Maslanka (1943-2017) 3 I. There is adesert on the moon where the dreamer sinks so deeply into the ground that she reaches hell. 1- II. Adrunken woman falls into the water and comes out renewed and sober. S- III. Ahorde of small animals frightens the dreamer. The animals increase to atremendous size, and one of them devours the little girl. ~ IV. Adrop of water is seen as it appears when looked atthrough amicroscope. -
I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James -
Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with Date and Length of Original London Run • Thespis 1871 (63)
Sinfonicron Light Opera presents Ruddigore, or The Witch’s Curse January 23-26, 2020 Kimball Theatre Osher Lifelong Learning Institute November 15, 2019 Ken Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with date and length of original London run • Thespis 1871 (63) • Trial by Jury 1875 (131) • The Sorcerer 1877 (178) • HMS Pinafore 1878 (571) • The Pirates of Penzance 1879 (363) • Patience 1881 (578) • Iolanthe 1882 (398) G&S Works, Continued • Princess Ida 1884 (246) • The Mikado 1885 (672) • Ruddigore 1887 (288) • The Yeomen of the Guard 1888 (423) • The Gondoliers 1889 (554) • Utopia, Limited 1893 (245) • The Grand Duke 1896 (123) Elements of Gilbert’s stagecraft • Topsy-Turvydom (a/k/a Gilbertian logic) • Firm directorial control • The typical issue: Who will marry the soprano? • The typical competition: tenor vs. patter baritone • The Lozenge Plot • Literal lozenge: Used in The Sorcerer and never again • Virtual Lozenge: Used almost constantly Ruddigore: A “problem” opera • The horror show plot • The original spelling of the title: “Ruddygore” • Whatever opera followed The Mikado was likely to suffer by comparison Ruddigore Time: Early 19th Century Place: Cornwall, England Act 1: The village of Rederring Act 2: The picture gallery of Ruddigore Castle, one week later Ruddigore Dramatis Personae Mortals: •Sir Ruthven Murgatroyd, Baronet, disguised as Robin Oakapple (Patter Baritone) •Richard Dauntless, his foster brother, a sailor (Tenor) •Sir Despard Murgatroyd, Sir Ruthven’s younger brother -
Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ................................................................................................................................................... -
Roger Kirk Cv
Roger Kirk - Page 1 of 10 ROGER KIRK SET AND COSTUME DESIGNER THEATRE 2015 BROADWAY TO OZ: HUGH Costume Design. Dainty Group JACKMAN LIVE IN CONCERT 2015 SWEENEY TODD Costume Design. Victorian Opera 2014 MIRACLE CITY Costume Design. Luckiest Productions 2012 KING KONG THE MUSICAL Costume Design. Global Creatures. 2011 NUTCRACKER MAGIC Costume Design. Shanghai City Entertainment Group. 2011 TALES OF HOFFMAN Set & Costume Design. West Australian Opera. 2010 THE SILVER ROSE Set & Costume Design. The Australian Ballet. 2009- MANON LESCAUT Set & Costume Design. Opera Australia 2010 2009- A LITTLE NIGHT MUSIC Set & Costume Design. Opera Australia 2010 2009 AIDA Set & Costume Design. Opera Australia. 2007 – MY FAIR LADY Costume Design. Opera Australia 2008 Opera Australia at the Theatre Royal/ National Tour. 2007 42nd STREET Costume Design. China Tour Troika Entertainment 2007 THE PIRATES OF PENZANCE Costume Design. Opera Australia. 2006 LE CORSAIRE Set and Costume Design. Shanahan Management Pty Ltd Level 3 Berman House 91 Campbell Street Surry Hills NSW 2010 PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] Roger Kirk - Page 2 of 10 Bayerische Staatsballett - Munich 2006 DUSTY, THE ORIGINAL POP DIVA Set and Costume Design DUSTY Productions Dir. Stuart Maunder 2005 THE SILVER ROSE Set and Costume Design. Bayerische Staatsballett - Munich Dir. Graeme Murphy 2005 H.M.S PINAFORE Set and Costume Design Opera Australia 2003 THE KING & I Set and Costume Designer. Stratford Festival of Canada. Dir. Susan H. Schulman. 2001 THE WIZARD OF OZ Set and Costume Designer. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY October 1992 -- Issue 35 -------------------------- If such symptoms you find In your body or head, They're not easy to quell-- You may make up your mind You are better in bed, For you're not at all well! Well, S/A Cole bummed it again. She noticed in the conclusion of the last Nosnense she said a lot of things would happen, barring any disasters. She should stop saying that, because, when she does, she invariably gets disasters. This summer has probably been the most busy, and the most annoying summer of her life, and she is only now starting to go through the boxes of things to put in the Nonsense. In August, every expensive thing she owned that started with a "C" broke (the computer lost its memory, the cat got sick, and the car needed a bypass operation) except her CD player (which had broken in June), and by the time they were all fixed, she broke. She started September off by getting the flu, and has only now seemed to have shaken it. But so much for excuses. We'll certainly try to do better in the future. In the meantime, she still has to go through the responses to the Big Quiz and the drawing from the returned address corrections, and there are no Iolanthe analyses this time around, but the Big Quiz answers are here, along with what has gone on in G&S lately, and what is expected to happen, plus Carol Cole's report of what took place at the Annual Outing. -
2007 2008 2007 Note $000 $000 Note $000 $000
PERFORMING FOR TODAY BUILDING FOR FUTURE GENERATIONS SYDNEY OPERA HOUSE TRUST ANNUAL REPORT 2007/08 PERFORMING FOR TODAY Symphonie Fantastique Le Grand Cirque Sydney Opera House is one of the busiest and most successful performing arts centres in the world. FOR TODAY Operating 363 days, 1,269,996 people attended 1,661 performances over the year. Performance Partnerships 53,726 children attended our Kids at the Through our own programming division, Resident companies – The Australian House and House:Ed programs designed Sydney Opera House Presents, our resident Ballet, Opera Australia, Sydney Symphony for young audiences. companies and major hirers we generated and Sydney Theatre Company – were 2,709 people attended the Balnaves Open a wealth of diverse performances including responsible for 54% of our total audiences House Program that extends access to the international artists and ensembles, local and and 34% of all performances. broader community by offering $5 tickets. newly commissioned works, emerging artists Our Major Partners NAB and HP, our and programs for families and schools. Approximately 120,000 unique visitors five Media Partners and our 20 Corporate visit our website every month. Sydney Opera House Presents aims to complement Sponsors help us to achieve our business the programming of our resident companies objectives. 605 people are employed at Sydney Opera and extend the cultural experiences available House and help us to achieve success every day. Our 417 private donors generously contributed to the people of Sydney and NSW. Our They are joined by many, many other people $545,305, an increase of 15% year on programming under this banner represented on site who work with our resident companies, year, to allow us to invest in the world’s best 44% of all performances across our venues.