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Aussie Classics Hits - 180 Songs
Available from Karaoke Home Entertainment Australia and New Zealand Aussie Classics Hits - 180 Songs 1 20 Good Reasons Thirsty Merc 2 Absolutely Everybody Vanessa Amorosi 3 Age Of Reason John Farnham 4 All I Do Daryl Braithwaite 5 All My Friends Are Getting Married Skyhooks 6 Am I Ever Gonna See Your Face Again The Angels 7 Amazing Alex Lloyd 8 Amazing Vanessa Amorosi 9 Animal Song Savage Garden 10 April Sun In Cuba Dragon 11 Are You Gonna Be My Girl Jet 12 Art Of Love Guy Sebastian, Jordin Sparks 13 Aussie Rules I Thank You For The Best Kevin Johnson Years Of Our Lives 14 Australian Boy Lee Kernaghan 15 Barbados The Models 16 Battle Scars Guy Sebastian, Lupe Fiasco 17 Bedroom Eyes Kate Ceberano 18 Before The Devil Knows You're Dead Jimmy Barnes 19 Before Too Long Paul Kelly, The Coloured Girls 20 Better Be Home Soon Crowded House 21 Better Than John Butler Trio 22 Big Mistake Natalie Imbruglia 23 Black Betty Spiderbait 24 Bluebird Kasey Chambers 25 Bopping The Blues Blackfeather 26 Born A Woman Judy Stone 27 Born To Try Delta Goodrem 28 Bow River Cold Chisel 29 Boys Will Be Boys Choir Boys 30 Breakfast At Sweethearts Cold Chisel 31 Burn For You John Farnham 32 Buses And Trains Bachelor Girl 33 Chained To The Wheel Black Sorrows 34 Cheap Wine Cold Chisel 35 Come On Aussie Come On Shannon Noll 36 Come Said The Boy Mondo Rock 37 Compulsory Hero 1927 38 Cool World Mondo Rock 39 Crazy Icehouse 40 Cry In Shame Johnny Diesel, The Injectors 41 Dancing With A Broken Heart Delta Goodrem 42 Devil Inside Inxs 43 Do It With Madonna The Androids 44 -
Piers Lane Biography
Piers Lane Biography “… No praise could be high enough for Piers Lane whose playing throughout is of a superb musical intelligence, sensitivity, and scintillating brilliance…” (Bryce Morrison, Gramophone) London-based Australian pianist Piers Lane has a flourishing international career, which has taken him to more than forty countries. Highlights of the past few years have included a sold-out performance with the London Philharmonic Orchestra and Alexander Verdernikov at London’s Royal Festival Hall, concerto performances at Lincoln Center’s Avery Fisher Hall, a three-recital series entitled Metamorphoses and other performances for the London Pianoforte series at Wigmore Hall and five concerts for the opening of the Recital Centre in Melbourne. Five times soloist at the BBC Proms in London’s Royal Albert Hall, Piers Lane’s wide-ranging concerto repertoire exceeds eighty works and has led to engagements with many of the world’s great orchestras including the BBC and ABC orchestras; the Aarhus, American, Bournemouth and Gothenburg Symphony Orchestras; the Australian Chamber Orchestra, Kanazawa Ensemble, Orchestre National de France, City of London Sinfonia, and the Royal Philharmonic, Royal Liverpool Philharmonic and Warsaw Philharmonic orchestras among others. Leading conductors with whom he has worked include Andrey Boreyko, Sir Andrew Davis, Richard Hickox, Andrew Litton, Sir Charles Mackerras, Jerzy Maxymiuk, Maxim Shostakovich, Vassily Sinaisky, Yan Pascal Tortelier and Antoni Wit. His 2007 performance of Beethoven’s Emperor Concerto with the Queensland Symphony Orchestra and Pietari Inkinen received the Limelight Magazine Award for Best Orchestral Performance in Australia. 1 Festival appearances have included, among others, Aldeburgh, Bard, Bergen, Cheltenham, Como Autumn Music, Consonances , La Roque d’Anthéron, Newport, Prague Spring, Ruhr Klavierfestival, Schloss vor Husum and the Chopin festivals in Warsaw, Duszniki- Zdroj, Mallorca and Paris. -
Kate Daley – Song List
KATE DALEY – SONG LIST 2000's The climb Miley Sirus Love Story Taylor Swift Hot and Cold Katey Perry Im Yours Jason Mraz Time of your Life Green day Sex on fire Kings of Leon Use somebody Kings of Leon So what Pink See You Again Miley Sirus Sweet About Me Gabriella Cilmi I Kissed a Girl Katie Perry Bubbly Colbie Caillat Perfect Vanessa Amerosi Dream Catch me (when i fall) Newton Faulkner 20 Good reasons Thirsty Merc Suddenly I See KT Tunstall Voodoo Child Rogue Traders Scar Missy Higgins Bring Me to Life Evanescence What About Me Shannon Noll Its My Life No Doubt Sexed Up Robbie Williams The Trouble With Love Is Kelly Clarkson All The Things She Said T.A.T.U Lost Without You Delta Goodrem Beautiful Christina Aguilero Skater Boy Avril Lavigne Get This Party Started Pink Murder on the Dance Floor Sophie Ellis Bextor The Ketchup Song Las Ketchup Underneath Your Clothes Shakira Obsession Shakira Get Over You Sophie Ellis Bextor Crying at the Discotheque Alcazar Hella Good No Doubt Lets Get Loud Jennifer Lopez Don’t Stop Moving S Club 7 Cant Get you Out of My Head Kylie Minogue I’m Like a Bird Nelly Fertado Absolutely Everybody Vanessa Amorosi Fallin’ Alicia Keys I Need Somebody Bardot Lady marmalade Moulin Rouge Drops of Jupiter Train Out of Reach Gabrielle (Bridgett Jones Dairy) Hit em up in Style Blu Cantrell Breathless The Corrs Buses and trains Bachelor Girl Shine Vanessa Amorosi What took you so long Emma B Overload Sugarbabes Cant Fight the Moonlight Leeann Rhymes (Coyote Ugly) Sunshine on a Rainy Day Christine Anu On a Night Like This -
On September 30Th 2014, Sam Fischer Popped a Message on Twitter
On September 30th 2014, Sam Fischer popped a message on Twitter. “Just booked a one way ticket to LA,” he tweeted. “Phwoar.” LA, it turned out, was less aroused. Things got pretty bleak, pretty quickly, and it wasn’t long before Sam had trouble making ends meet. But a mere five years, a couple of false starts and millions of streams later Sam has found his place, his voice, and his audience, both through his own naturally charismatic songs and those he’s written for artists like Ciara, Keith Urban and more. “I try to write uncomplicated, honest truths about myself,” he says of his own work. “Honesty and vulnerability should be celebrated, and if the last five years have taught me anything it’s that you should never be afraid to be your honest self.” Sam spent the earliest part of his life in Australia, on a small farm in the picturesque town of Grose Vale, just outside Kurrajong, just outside Sydney. “I used to come home from school,” Sam reports, “get my kit off and run around the farm naked.” School itself was an hour’s drive away meaning Sam spent plenty of time with his parents’ collection of three compact discs: Whitney Houston’s Bodyguard soundtrack, Michael Jackson’s HIStory, and a random rock compilation album. “That’s it right there on three pieces of plastic,” Sam laughs. “My entire musical education.” He joined the school choir (alongside a pre-fame Delta Goodrem — a fact Sam only recently discovered during a songwriting session with Goodrem two decades later) but the family relocated to Sydney when Sam was seven. -
Beethoven: Symphony No 9 “Choral” – Australian World Orchestra Posted on April 16, 2014 by Barry Walmsley
Beethoven: Symphony No 9 “Choral” – Australian World Orchestra Posted on April 16, 2014 by Barry Walmsley Australian World Orchestra Sydney Philharmonia Choir Conductor: Alexander Briger ABC 481 0550 The scale of a work such as Beethoven’s Ninth Symphony is truly staggering. Whilst the work has been overused for civic celebratory events, the concert experience (and this recording, which originates from a live concert in the Sydney Opera House) is something that can touch listeners in profound ways. The complexity of the music is only equalled by its challenging compositional ideas, along with the treatment of text (by Schiller), and the fusion of what, for the most part, are incompatibles, that is, the choral and the symphonic idiom. Structurally, the work is really a set of variations, showing a total connection from beginning to end. These totally new elements (the unconventional symphonic layout and the use of words within a symphony) helped to underline, in the public’s mind, that Beethoven had truly gone mad. This particular recording emanated from one of the most exciting of recent concert events, the inaugural season by the newly created Australian World Orchestra, an initiative to bring together the finest of Australian orchestral musicians from around the country and across the world. Thus, it saw players return from such illustrious orchestras as the Berlin and Vienna Philharmonics, Chicago and London Symphonies, the Concertgebouw and Gewandhaus, to be part of this concept orchestra. Bringing the whole project together, as its artistic and musical director, was conductor Alexander Briger, who has established himself on the world stage as one of the new dynamic conductors of this era. -
Opera Australia's 60Th Anniversary Costume and Memorabilia
MEDIA RELEASE Own a piece of opera history: Opera Australia’s 60th anniversary costume and memorabilia exhibition and auction Exhibition | Saturday 24 – Thursday 29 June 2017 | The Opera Centre, Surry Hills, Sydney Auction | Friday 30 June – Saturday 1 July 2017 | The Opera Centre, Surry Hills, Sydney Opera Australia is diving into sixty years of costumes, accessories, artworks and memorabilia in an anniversary exhibition at The Opera Centre. The week-long event will culminate in an auction where the public can bid for an exclusive piece of Australia’s operatic story. This is the first time Opera Australia has opened its vaults to give thousands of opera fans the opportunity to get up close to over 2,000 items costumes, accessories, artworks and memorabilia worn and inspired by their idols. Highlights of the exhibition and auction include: Costumes from Baz Luhrmann’s famous 1990 production of La Bohème Dame Kiri Te Kanawa ONZ DBE AC’s costume for the role as ‘Violetta’ in the 1978 production of La Traviata Yvonne Kenny AM’s costume for the roles of ‘Sylva Varescu’ in the 2001 production of The Gypsy Princess, ‘Hanna’ in the 2004 production of The Merry Widow and ‘Armida’ in the 1999 production of Rinaldo Sigrid Thornton’s costume for the role of Desirée in 2009 production of A Little Night Music. Dame Heather Begg DNZM OBE’s costume for the role of ‘The Countess Di Coigny’ in the 2001 production of Andrea Chénier Cheryl Barker AO’s costume for the role of ‘Lauretta’ in 2007 production of Gianni Schicchi Opera Australia CEO Craig Hassall explained the motivation behind the historic move. -
Submission by Ausfilm to the House of Representatives Standing Committee on Communications, Information Technology and the Arts
c~~CT\~c\ct\~1 ~brnission No. Aus’FILM Submission by AusFILM to the House of Representatives Standing Committee on Communications, Information Technology and the Arts Inquiry into the Future Opportunities for Australia’s Film, Animation, Special Effects and Electronic Games Industries July 2003 AusFILM is a unique collaboration between seventy corporate companies providing film, television and commercial production services, the seven state film agencies, the Department of Communications, IT and the Arts and DFAT through Austrade. Our mission is to position and market Australia as the world’s best destination and environment for film, television, commercials and other screen production. AusFILM International Inc Austrade Fox Studios Australia #12 Century Plaza Towers Driver Avenue 2049 Century Park East, 19~Floor Moore Park NSW 1363 Los Angeles, California 90067 Australia USA Tel: (+61 2)93834192 Fax: (+61 2)93834190 Tel: (+1 310) 229 4833 Fax: (+1 310) 277 2258 Email: [email protected] Email: [email protected] The greatest actors in the world now are Australian. / love the fact / have great crews there, the locations are fantastic, the soundstages are great.... I would shoot everything here.” - Joel Silver, Producer The Matrixtrilogy, two television pilots in 2003 “We had a great time at the studio. The sophistication of running the production was equalto anything that I have experienced anywhere in the world.” - George Lucas, Director, Star Wars “I.. .really enjoy working with the Australlan postproduction companies. [In 2002] we dedicated the post production work of all ourprojects to Australian companies as we trust they could produce the bestquality. -
Speech by Ian Darling to Graduating Students, Australian School of Business, University of NSW, April 14, 2008. Chancellor Dean
Speech by Ian Darling to graduating students, Australian School of Business, University of NSW, April 14, 2008. Chancellor_ Dean_ Graduates_ Ladies and Gentlemen It is a great honour to share this happy occasion with you. I congratulate and commend the graduates for the perseverance and hard work that has earned you the success that we are marking today. No doubt many of you have already embarked on your careers, and your time at the Australian School of Business may seem but a distant memory – but the great thing about a good education is that it will stay with you forever. You will be able to apply the tool kits that you have gained from this outstanding institution right throughout your business career. I wish you great success in those careers and hope that every one of you will make a significant contribution to this country in your particular fields of endeavour. I too graduated in business – firstly with a BA in accounting, and after four years of investment banking I followed this up with an MBA. In life you only need to make a few really good decisions in order to have a fulfilling and rewarding career – and I must say my decision to study business, both at an undergraduate and then post graduate level were undoubtedly two of the best decisions I ever made. Business degrees open many doors, and you can apply your skills across so many different spheres, whether it be in the corporate world, or indeed all areas of government, the Arts, as well as the not for profit or philanthropic world. -
APPENDIX DD Heritage Interpretation Strategy
APPENDIX DD APPENDIX 218948 Heritage Interpretation Strategy Curio Projects Heritage Interpretation Strategy SYDNEY FOOTBALL STADIUM, REDEVELOPMENT STAGE 2 SSDA MAY 2019 Prepared by Curio Projects for Infrastructure NSW FINAL REPORT [email protected] | P 0412 737 196 | Suite 9/17 Thurlow Street, Redfern NSW 2016 | ABN 79139184035 Curio noun cu·rio \kyur-ē-ˌō\: any unusual article, object of art, etc., valued as a curiosity Curio Projects Archaeology | Built Heritage Assessments | Heritage Feasibility Reviews | Interpretation | Archival Recordings | Adaptive Reuse Projects Document Information Citation Curio Projects 2019, Sydney Football Stadium, Stage 2 Development—Interpretation Strategy, prepared for INSW Local Government Area City of Sydney Council Cover Image Future Stadium—Community Space View (Source: Cox Architecture 2019) ISSUE ISSUE VERSION NOTES/COMMENTS AUTHOR REVIEWED No. DATE 1 26.02.19 Draft Draft for Client Review Claire Natalie Vinton Hickson 2 17.05.19 Final Draft Client changes Claire Sam Cooling incorporated Hickson 3 31.05.2019 Final For SSDA Submission Claire Sam Cooling Hickson This report has been prepared based on research by Curio Projects specialists. Historical sources and reference material used in the preparation of this report are acknowledged and referenced at the end of each section and/or in figure captions. Unless otherwise specified or agreed, copyright in intellectual property of this report vests jointly in Curio Projects Pty Ltd. Curio Projects Pty Ltd Suite 9/17 Thurlow Street Redfern NSW 2016 Australia Interpretation Strategy, Sydney Football Stadium Redevelopment, Stage 2 DA | INSW | May 2019 Curio Projects Pty Ltd 2 Curio Projects Archaeology | Built Heritage Assessments | Heritage Feasibility Reviews | Interpretation | Archival Recordings | Adaptive Reuse Projects Contents Document Information .............................................................................................................................................................. -
OQS0762 Subs 2011 Brochure Text V6.Indd
SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre. -
10441 Community Brochure26 June.Indd
www.aar.com.au in the community Michael Rose Managing Partner CHARITIES WE HAVE PROVIDED FINANCIAL SUPPORT TO IN RECENT YEARS Adolescent Drug and Alcohol Withdrawal Our success as a fi rm is built on the talent and enthusiasm of our people Service, QLD and the values they bring with them from their homes and communities. Alzheimer’s Australia, VIC Awesome Arts, WA We are privileged to have gifted and motivated people who want to make a Berry Street Victoria difference, not only in the law and in business, but also in the wider Blackwood Centre for Adolescent Murdoch Children’s Research Institute, VIC community. Our charity, pro bono and environment programs are our way Development, VIC Mission Australia, WA of responding to these aspirations. Also, as a Firm, we recognise that we Blue Sky Foundation, QLD Parkinson’s Victoria have broad responsibilities – to our people, their families and the communities Bridge for Asylum Seekers Foundation, NSW Passages Resource Centre, WA in which they live. Cana Communities Inc, NSW Pathways Early Childhood Intervention, Cerebral Palsy League of Queensland Inc, NSW For many years now, our Firm has Education Foundation, VIC Peter McCallum Cancer Centre, VIC We recognise that Epworth Medical Foundation, VIC Prostate Cancer Foundation, VIC built close relationships with many Flat Out, VIC Rocky Bay, Inc, WA we have broad charities and has supported them Give it a Go Recreation, WA Royal Life Saving Society, WA through personal engagement, direct Learning Links, NSW Royal Women’s Hospital Foundation, VIC fi nancial support and the provision Open Family Australia, VIC SHINE for Kids Co-op, NSW responsibilities – to our of pro bono legal assistance. -
Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ...................................................................................................................................................