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Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ................................................................................................................................................... -
2007 2008 2007 Note $000 $000 Note $000 $000
PERFORMING FOR TODAY BUILDING FOR FUTURE GENERATIONS SYDNEY OPERA HOUSE TRUST ANNUAL REPORT 2007/08 PERFORMING FOR TODAY Symphonie Fantastique Le Grand Cirque Sydney Opera House is one of the busiest and most successful performing arts centres in the world. FOR TODAY Operating 363 days, 1,269,996 people attended 1,661 performances over the year. Performance Partnerships 53,726 children attended our Kids at the Through our own programming division, Resident companies – The Australian House and House:Ed programs designed Sydney Opera House Presents, our resident Ballet, Opera Australia, Sydney Symphony for young audiences. companies and major hirers we generated and Sydney Theatre Company – were 2,709 people attended the Balnaves Open a wealth of diverse performances including responsible for 54% of our total audiences House Program that extends access to the international artists and ensembles, local and and 34% of all performances. broader community by offering $5 tickets. newly commissioned works, emerging artists Our Major Partners NAB and HP, our and programs for families and schools. Approximately 120,000 unique visitors five Media Partners and our 20 Corporate visit our website every month. Sydney Opera House Presents aims to complement Sponsors help us to achieve our business the programming of our resident companies objectives. 605 people are employed at Sydney Opera and extend the cultural experiences available House and help us to achieve success every day. Our 417 private donors generously contributed to the people of Sydney and NSW. Our They are joined by many, many other people $545,305, an increase of 15% year on programming under this banner represented on site who work with our resident companies, year, to allow us to invest in the world’s best 44% of all performances across our venues. -
THE MIKADO Gilbert & Sullivan
THE MIKADO Gilbert & Sullivan FESTIVAL THEATRE STATE OPERA SOUTH AUSTRALIA THE MIKADO A Comedic Opera in two acts Gilbert & Sullivan by Gilbert & Sullivan Orchestration by Eric Wetherell A Comedic Opera in two acts Orchestration by Eric Wetherell CREATIVES CAST Conductor - Simon Kenway Mikado - Pelham Andrews Director - Stuart Maunder Nanki Poo- Dominic J. Walsh Design - Simone Romaniuk Ko-Ko - Byron Coll Lighting Designer - Donn Byrnes Pooh-Bah - Andrew Collis Choreography - Siobhan Ginty Pish-Tush - Nicholas Cannon Associate Choreographer - Penny Martin Yum-Yum - Amelia Berry Repetiteur - Andrew George Pitti-Sing - Bethany Hill Peep-Bo - Charlotte Kelso Katisha - Elizabeth Campbell 9-23 NOVEMBER ADELAIDE FESTIVAL THEATRE STATE OPERA CHORUS The Mikado is an original ADELAIDE SYMPHONY ORCHESTRA production by Opera Queensland. Director’s Note There is no theatrical phenomenon in the Antipodes The G&S operetta’s durability is extraordinary but with the staying power of Gilbert and Sullivan. not unexplainable. After all, Gilbert’s dramatic situations are still funny, and Sullivan’s music Our love affair with G&S (and let’s face it, how succeeds in providing a kind of romantic foil to many creators are instantly recognised by their Gilbert’s pervasive drollery and cynicism. This kind initials alone?) is almost as enduring as the works of friction was very much at the heart of Gilbert themselves. In the 1870s, when policing copyright and Sullivan’s creative relationship and the gentle was much trickier than it is now, two rival “pirate” satire alternating with genuine heartfelt emotion is productions of H.M.S. Pinafore were playing across a combination that never ages – indeed, perhaps it’s the street from one another in Melbourne. -
Tosca Nixon in China a Midsummer Night's Dream
TOSCA NIXON IN CHINA A MIDSUMMER NIGHT’S 19 DREAM THE GONDOLIERS BREAKING THE WAVES ZANETTO SUSANNA’S SECRET IRIS 20CAVALLERIA RUSTICANA ZINGARI UTOPIA, LIMITED FOX-TOT! MERRILY WE ROLL ALONG 5 Subscription Information 6 Tosca 8 Nixon in China 10 A Midsummer Night’s Dream 12 The Gondoliers 14 Breaking the Waves 16 Opera in Concert 20 Opera Highlights 22 Fox-tot! 24 Merrily We Roll Along 26 Amadeus & The Bard 28 Pop-up Opera 32 Emerging Artists 33 Opera Unwrapped 34 Dementia Friendly Performances 36 Audio-described Performances 37 Pre-show Talks 38 Get Involved 40 Box Office Information A huge thank you to all our business sponsors and corporate members: Thanks also to our corporate supporters: Accenture, Caledonian MacBrayne, Cameron, Eusebi Deli, Glasgow Chamber of Commerce, Glasgow Memory Clinic, M.A.C., NorthLink Ferries and Pentland Ferries. WELCOME TO SCOTTISH OPERA’S 2019|20 SEASON Scottish Opera has been entertaining At a time when, perhaps more than ever, audiences the length and breadth of the we are all thinking and talking about country for over 56 years, and still at the heart partnership, we are proud of the relationships of all we do are the words of our founder, that are critical both to Scottish Opera’s success Sir Alexander Gibson, whose vision was and to our ability to create new work for you. ‘to lay the treasures of opera at the feet We don’t work in isolation, and this Season of the people of Scotland’. exemplifies this spirit of collaboration across the world of opera, embracing our partnerships In our 2019/20 Season, we are delighted and co-productions with festivals, companies to take forward his momentous legacy and opera houses in Scotland, England, with a wealth of operatic fare – including Australia, Denmark, Spain and the United 12 operas – that takes us to over 50 venues, States, and with artists and creative teams and is augmented by numerous events in from near and far. -
What the Fandango?! Company Biographies. TOURING
What the Fandango?! Company Biographies. TOURING: Robert Hofmann, performer and creator. Robert has sung many roles with the West Australian Opera including Koko in The Mikado, Dulcamara in The Elixir of Love, Falke in Die Fledermaus, Hobson in Peter Grimes as well as concert performances in regional Western Australia. He performed with the WA Opera in Education program from 2010 to 2015 at schools in Perth metro area as well as several regional schools tours. Robert burst onto the cabaret scene with Desperately Young at Heart winning the Cabaret Award (WA) at Perth Fringe World 2014 in its world-premiere season which later performed at Edinburgh Fringe, Downstairs at the Maj and Beverly (regional WA.) Robert’s new cabaret, What the Fandango?! received several 5 star reviews at Perth Fringe World 2018 and 2019 and was critically acclaimed in two performances in New York City in June 2019. Robert regularly performs with Perth’s Freeze Frame Opera. Since 2011 Robert has performed with comic soprano duo DivaLicious in Perth, WA Regions, Adelaide Fringe and Sydney Opera House. Robert is also an experienced concert soloist and has performed often with the St Georges Cathedral Choir under the direction of Joseph Nolan. Cathie Travers, music director and piano accordionist. Playing the piano accordion is the brilliant Cathie Travers whose evocative playing inspired the South American theme of What the Fandango?! Cathie is one of the finest accordionists in Australia and has collaborated with many artists including Meow Meow, the Australian Chamber Orchestra and Barry Humphries. Her performance and creative work has appeared in all the major cities of Australia – and internationally in Canada, the USA, the UK, Malaysia, & Japan. -
Read the Programme
A SUMPTUOUS ROMP THROUGH THE BEST OF ALL POSSIBLE WORLDS COVER PRESENT CANDIDE Welcome Leonard Bernstein’s Candide famously opened on Broadway in 1956 and closed after some 73 performances. It could have easily slipped into the long list of forgotten musicals save for the fact that it spawned one of the most loved Broadway Original cast albums of all time, the fi rst track being ‘that’ overture. The show fi nally became a hit on Broadway in the 1974 Harold Prince production, winning a special Tony Award for outstanding contribution to the artistic development of the musical theatre. Termed a revival, this was almost a completely new show; the book had been totally rewritten, the orchestral forces reduced, much of the music was cut and the Auckland Town Hall voices, Broadway music theatre. 23 & 24 March at 7.30pm And even though he was grateful 25 March at 5pm Candide had fi nally found an Music by Leonard Bernstein, book by Hugh audience, the composer missed Wheeler after Voltaire, Lyrics by Richard the rest of his show: the music, Wilbur, with additional lyrics by Stephen the orchestrations and the Sondheim, John La Touche, Lillian Hellman, Dorothy Parker and Leonard Bernstein voices. Orchestrations by Leonard Bernstein and Hershy Kay; Musical continuity and additional Tonight, some sixty years after orchestrations by John Mauceri. Licensed by Hal Leonard Australia, exclusive agent for the original production, and Boosey & Hawkes Music Publishers Ltd. after many, many versions, you’ll hear the Candide that Please note: Information is correct at the time of printing. New Zealand Opera reserves the right to make alterations Bernstein authorised, the to the cast as required due to unavoidable circumstances. -
Dear Curators and Designers
COSTUME AT THE TURN OF THE CENTURY 1990 - 2015 INTERNATIONAL EXHIBITION JUNE 15-AUGUST 23, 2015 AT THE A.A. BAKHRUSHIN STATE CENTRAL THEATRE MUSEUM IN MOSCOW, RUSSIA. Dear curators and designers: Please allow me to express my deepest gratitude for your contribution to the creation of this amazing parade of talents! Congratulations and thank you for your dedicated work in the name of Theater Arts. 1200 images have been selected to be printed both in the catalog and for display at the exhibition "Costume at the Turn of the Century, 1990 -2015" by the executive committee of the Theatre Museum in Moscow. Over 200 designers will take part in this exhibition. However, all of the participants who submitted their work will be shown in a digital format on the monitors during the exhibition and all of your names will be listed in the catalog. The dates of the exhibition are June15-Aug. 23, 2015. This year our exhibition “Costume at the Turn of the Century 1990 – 2015” overlaps with the Prague Quadrenial-2015, an important theater conference and event in the Czech Republic. Therefore, the executive committee has decided to offer the oPening ceremony at the museum twice. The first one will be held June 15 - for the general public and those who can only come to Moscow before the opening of the Prague Quadrennial on June 17. The second opening ceremony in Moscow will take place after the conference in Prague, on June 29, for the participants of the exhibition and visitors who wish to attend this unique and the largest ever theatrical costume exhibition. -
Scottish Opera Announces 2019/20 Season
PRESS RELEASE 10 April 2019 ** EMBARGOED UNTIL 00:00:01, 10 April 2019** SCOTTISH OPERA ANNOUNCES 2019/20 SEASON • European premiere of Missy Mazzoli’s Breaking the Waves at Edinburgh International Festival, directed by Tom Morris • Anthony Besch’s much-loved production of Puccini’s Tosca opens main season • Scottish Opera premiere of John Adams’ Nixon in China, conducted by Joana Carneiro and directed by John Fulljames • Dominic Hill, Artistic Director of Citizens Theatre, directs new production of Britten’s A Midsummer Night’s Dream • Stuart Maunder directs a new production of Gilbert & Sullivan’s The Gondoliers • World premiere of Fox-tot!, a new opera for toddlers by former Scottish Opera Composer in Residence, Lliam Paterson, directed by Roxana Haines • Scottish Opera returns to Lammermuir Festival with a double bill • Opera in Concert performances continue celebrations of Mascagni and Gilbert & Sullivan • Amadeus & The Bard explores the links between Mozart and Robert Burns • Opera Highlights visits 34 venues around Scotland in Autumn 2019 and Spring 2020 Scottish Opera has unveiled its 2019/20 Season which includes a European premiere at the Edinburgh International Festival, three further new productions, one revival, six titles in the 1 Opera in Concert series, and the world premiere of a new ‘opera for toddlers’ at the Edinburgh Festival Fringe. A truly international line-up of singers appears throughout the Season. Making their debuts with the Company are Trevor Eliot Bowes, Orla Boylan, Wallis Giunta, Eric Greene, Byron Jackson -
Tosca-Programme-2015.Pdf
An opera in three acts by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou. Tosca was first performed on 14 January 1900 at Teatro Constanzi in Rome. The Puccini ― 1900 performance lasts approximately 2 hours and 15 minutes, including an interval of 20 minutes. Sung in Italian with English surtitles. A New Zealand Opera production. AUCKLAND ASB Theatre, Aotea Centre 17, 19, 23, 25 September 2015, 7.30pm 27 September, 2.30pm Accompanied by the Auckland Philharmonia Orchestra WELLINGTON St James Theatre 10, 15, 17 October 2015, 7.30pm 13 October, 6pm Accompanied by the New Zealand Symphony Orchestra 2015 season P.3 Welcome Welcome to New Zealand Opera’s second Auckland and Wellington offering for the year … Puccini’s monumentalTosca . Whose spine doesn’t tingle to the opening chords of this glorious melodrama? The great Russian composer Shostakovich said of Puccini: “He wrote marvellous operas but dreadful music”. Lucky for us Puccini never pretended to do anything else. Towards the end of his life he said God had touched him with His little finger and said “Write only for the theatre” and so he did. Puccini has been responsible for more real, and yet theatrical ‘heart on the sleeve’ emotion than any other operatic composer. And his Tosca is the opera that conquered the world. This passionate story of lust, revenge and sacrifice has become one of the most loved operas in the repertoire. Tosca is the fire that burns throughout this musical thriller. She is the ultimate Diva. To bring this lady to life we are thrilled to welcome Orla Boylan, who stunned audiences in our 2013 season of The Flying Dutchman. -
The Unusual Silence Event Programme
Programme Ivor Novello Keep the Home Fires Burning Eric Whitacre A Boy and a Girl David Hamilton Suicide in the Trenches Jenny McLeod Dirge for Doomsday Melody based on "What a Friend we have in Jesus", by When this lousy war is over Charles C. Converse Healey Willan How they so softly rest Jaakko Mäntyjärvi Canticum Calamitatis Maritimae J. P. Long and Maurice Scott Oh! It’s a Lovely War Victoria Kelly The Unusual Silence (world premiere) Stephen Chatman In Flanders Fields Samuel Barber To be sung on the water Jerome Kern They Didn’t believe Me Jenny McLeod There’s a time to live We are grateful to the Auckland War Memorial Museum and the museum staff for partnering Voices New Zealand for this event. There is a rich and resourceful collection of artefacts and information available for the public to research on the museum’s website: www.aucklandmuseum.com/collections-research VOICES NEW ZEALAND Conductor: Dr Karen Grylls Director (staging): Stuart Maunder Trumpet solo (Suicide in the Trenches): Nick Curry (Auckland) Robbie Cargill (Napier) Guest choirs: Mixed male choir - singers from Westlake Boys, Dilworth and St Kentigern Colleges (Auckland) CANTARE (Napier) Vocal Consultant: Catrin Johnsson In Memoriam Peter Godfrey, regarded as “The Father of New Zealand choral music” left us on Thursday 28th September at 8.00pm. At exactly this time, Voices New Zealand was rehearsing Jenny McLeod's "Dirge for Doomsday"; a piece which Peter performed with the National Youth Choir in the 1980s. A great leader, musician and friend has gone from our midst. Peter's remarkable vision and endeavour which began in NZ in the 1950s laid the foundation for the vibrant and wonderful choral life we enjoy today. -
Sweeney Todd in the Antipodes Humanity (‘The Lives of the the Judge Who Sentenced Him
BEN MINGAY & ANTOINETTE HALLORAN, WA OPERA (PHOTO: JAMES ROGERS) Dear Opera Lover You play an important part in driving this large arts employment goal. Your attendance, your donations, You are so much more than a lover of opera! Please your advocacy and your willingness to share in our know how treasured you are because of your appetite success has a multiplying efect. Thank you. As we for music, your passion for drama, and your support begin our Annual Appeal for 2021 I hope you will of our artists, musicians, and indeed our Company as consider deepening the value of your attendance here a whole. Opera is a broad church, both in content and at Sweeney Todd with a donation to State Opera. I the unique personalities it attracts, and I hope you hope it is plainly evident that we funnel as much of will feel utterly complimented when I tell you that you our income as we can directly into productions and are in the very best company here this evening. performances; that is where your financial support will make every bit of diference. Donating is easy: I wish you had a chance to peek backstage and into stateopera.com.au/donate the rehearsal rooms over these last few busy months. I know Stuart will agree with me when I say it has been My special thanks to those who have already food for the soul to see such a hive of activity taking donated, sponsored and contributed in so many place, and I personally have been deeply gratified and ways. -
Leoš Janácek
LEOŠ JANÁCEK 22 June - 1 July 2017 Arts Centre Melbourne, Playhouse Welcome Welcome to our production of Cunning Each year, Victorian Opera continues to Little Vixen. build its reputation for breaking boundaries and exciting collaborations. This work is from Janácek’s final The second half of our 2017 season years. He wrote it in 1924, preceding continues in this spirit, with productions The Makropulos Affair (1926) and his including our co-production with final work From the House of the Dead Malthouse Theatre of Tom Waits’ (1927). Janácek’s late style is unique, Black Rider, Copland’s Youth Opera an unlikely synthesis of Moravian folk The Second Hurricane as well as the elements, rhythmic complexity and world premiere of Gordon Kerry’s opera fluidity, hypnotic repetition and an The Snow Queen for Wodonga. individual take on the harmonic heritage of the 19th and early 20th century: From the entire Victorian Opera family, it’s spiky, sometimes unfriendly to thank you for joining us at the theatre for performers, but its gestures stay in the Cunning Little Vixen; a profound memory – they are like nothing else in meditation on youth, growing old and the operatic canon. the inexorable march of time – delivered without a trace of sentimentality but To guide this work, we extend the warmest with humour, pathos and great welcome to both Stuart Maunder AM life-affirming strength of mind. and Roger Kirk AM, both long standing members of VO’s extended family. It is a RICHARD MILLS AM particular pleasure to introduce the young Artistic Director, and very talented Jack Symonds, Artistic Victorian Opera Director of Sydney Chamber Opera, with whom we are collaborating on a number of projects.