DOCSLIB.ORG

Ne Zha 7:30 Pm Parasite

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

KIMBALL THEATRE Thursday, January 30 1:00 PM NE ZHA 7:30 PM PARASITE Friday, January 31 12:30 PM DRIVEWAYS 5:00 PM KNIVES OUT 3:00 PM MIDNIGHT FAMILY 8:30 PM SCALES Saturday, February 1 10:00 AM DORA AND THE LOST 3:00 PM SLAY THE DRAGON CITY OF GOLD 8:00 PM DEVOTCHKA 12:15 PM FEAST OF THE SEVEN FISHES 10:00 PM DIVINE LOVE Sunday, February 2 11:15 AM BACURAU 4: 30 PM PAHOKEE 2:00 PM PORTRAIT OF A 7:00 PM BATTLE ROYALE LADY ON FIRE TUCKER THEATER Thursday, January 30 5:00 PM FACULTY CURATED SHORTS Friday, January 31 5:00 PM BLURRED LINES: 7:30 PM STOP-LOSS INSIDE THE ART WORLD Saturday, Februrary 1 2:00 PM STRAY DOLLS 10:15 PM ALUMNI 24 SPEED 4:00 PM ALUMNI SHORTS WORKSHOPS RECEPTIONS PAGE 19 PAGE 2 FESTIVAL INFO CONTENTS VENUES & PARKING Kimball Theatre 02 428 W Duke of Gloucester Street Receptions Parking lots nearby offer 1-2 hour parking. Prince George Parking Garage located at 230 North Henry St. offers parking for $1 / hour. The garage is open daily from 6 AM to midnight. 03 Tucker Theater 350 James Blair Drive Special Guests Hourly spaces are available nearby along Richmond Rd., Prince George St., and near Merchants Square. After 5 PM on Friday, guests without W&M parking decals may park in W&M spaces on James Blair Dr. and by Zable Stadium. 08 Kimball Theatre Reeder Media Center Swem Library, 400 Landrum Drive Programs Guests may purchase a visitor’s pass from W&M Parking Services to park in the lot next to Muscarelle Museum. After 5 PM on Friday, guests may park in this lot without a visitor’s pass. Hourly parking is available in Merchants Square, a 10-15 minute walk. 16 TICKETING Tucker Theater Tickets may be purchased online through the festival website. During the festival, tickets may be purchased Programs at the Kimball Theatre Box Office. Cash and major credit cards accepted. All sales final. All-Access Passes and reception tickets may only be purchased online. W&M student tickets are free for all events in Kimball Theatre (limit one ticket per student ID). 19 SEATING Workshops Doors open twenty minutes prior to each program. The theatre will be cleared after each event. Ticket holders must be in the theatre ten minutes prior to the program’s start to guarantee their seats. Arrive on time. Admission to a program may be restricted after 24 it begins. Additional FREE ADMISSION Programs Tickets are not issued for free programs and seating is available on a first-come, first-served basis. All programs in Tucker Theater and workshops are free. Receptions SATURDAY NIGHT February 1, 6:00 - 7:30 PM Community Building, 401 N Boundary Street TIckets $20 Enjoy heavy hors d’oeuvres and an open bar with wine and beer as you mingle with festival guests and fellow film lovers. TONALTHEORY ‘15 and JONATHAN LIM ‘00 will DJ. Hosted by the W&M FILM & MEDIA STUDIES PROGRAM and CITY COUNCIL MEMBER BARBARA RAMSEY. Venue provided by the CITY OF WILLIAMSBURG. THURSDAY SUNDAY January 31, 12:15 - 1:00 PM February 2, 10:00 - 11:30 AM Kimball Theatre Culture Cafe, 747 Scotland St. Included with Ne Zha ticket Food available for purchase Enjoy food and beverages Join alumni presenters and before NE ZHA. Hosted by the festival guests for brunch and W&M CONFUCIUS INSTITUTE. one last chance to mingle! SPECIAL GUESTS SHAHAD AMEEN Writer / Director, Scales Writer/Director Shahad Ameen was born and raised in Jeddah, Saudi Arabia. She obtained a B.A. in Film Studies and Screenwriting from the University of West London. Her short films include OUR OWN MUSICAL, LEILA’S WINDOW, and EYE & MERMAID, which premiered at the 2013 Dubai International Film Festival and was selected for competition at the 2014 Toronto International Film Festival, among others. SCALES is her first feature film. It premiered in competition at the 76th Venice Film Festival where it won the Verona Film Club Award. See SCALES (p. 10) BRIAN CANNON ‘04, ‘11 JD Executive Director, OneVirginia2021 Brian Cannon became the Executive Director of OneVirginia2021 in January 2015. He brings over a decade of experi- ence in non-profit leadership, community building, fundraising, and bipartisan ad- vocacy for state policy issues. Previously, he worked as a consultant with startups and high-growth companies. While in law school, Brian studied election law and was on one of the winning teams in the 2011 state-wide redistricting competition. Brian will be present for a discussion after SLAY THE DRAGON (p. 12). DESIREE COOPER Writer / Producer / Co-Director, The Choice Desiree Cooper is a 2015 Kresge Artist Fellow, former attorney, and Pulitzer Prize-nominated journalist. In 2018, she wrote, produced and co-directed THE CHOICE, a short film about reproductive rights and recipient of a 2019 Outstanding Achievement Award from the Berlin Flash Film Festival and Award of Merit from the Best Short Film Festival in Los Angeles. Cooper’s fiction, poetry and essays have appeared in numerous publications including a notable mention in THE BEST AMERICAN ESSAYS 2019. See THE CHOICE (p. 16) 3 DAVID CRANK ‘82 Production Designer, Knives Out David Crank is the Emmy-winning art di- rector and production designer for almost 30 major projects including WATER FOR ELEPHANTS, the JOHN ADAMS series, THERE WILL BE BLOOD, and HANNIBAL. After receiving his undergraduate degree from William & Mary in 1982, he received a MFA from Carnegie-Mellon. David worked on regional theater productions for a de- cade before transitioning to film. In 2011 he received the Leslie Cheek Medal from Wil- liam & Mary, an award honoring outstand- ing artistic achievement. See KNIVES OUT (p. 10) DAVID DALEY Documentary Subject, Slay the Dragon David Daley is the author of the national best-seller RATF**KED: WHY YOUR VOTE DOESN’T COUNT and the forthcom- ing UNRIGGED: HOW AMERICANS ARE BATTLING BACK TO SAVE DEMOCRA- CY. His journalism has been published in THE NEW YORKER, THE ATLANTIC, THE WASHINGTON POST, THE GUARDIAN, THE INTERCEPT, and many other publi- cations. He is the former editor-in-chief of SALON, and a senior fellow at FairVote. He lives in western Massachusetts. See SLAY THE DRAGON (p. 12) DEVOTCHKA Live music, Man with a Movie Camera DeVotchKa features Nick Urata (vocals, guitar, trumpet), Tom Hagerman (violin, accordion), Jeanie Schroder (sousaphone, bass), and percussionist Shawn King. They found widespread success in 2006 with their Grammy-nominated soundtrack to the hit indie film LITTLE MISS SUNSHINE. Signing with revered indie label, Anti-, the band delivered A MAD AND FAITHFUL TELLING in 2008, reaching the number nine slot on the Billboard Heatseekers chart. Since then the band has done more soundtrack work and released several al- bums, most recently THIS NIGHT FALLS FOREVER in 2018. (Concert details on p. 13) Artwork by Louise Farias @luzinhafaisca 4 JONATHAN LIM ‘00 Musician, Saturday Evening Reception Jonathan Lim is a keyboard player, elec- tronic music producer, remix artist, and DJ who is part of the synthwave duo, Veloc- ity 128. His music creates melodic tracks influenced by new wave, alternative rock, and electronic music from the 1980s and 90s with current production techniques. Velocity 128 has a residency at Betamax Video Club in Washington D.C. in addition to performing elsewhere. Previously, with electronic rock band 23RAINYDAYS, Lim toured across the U.S. and was recognized by MTV in 2009 as a Top 3 Breakout Artist. (Reception details on p. 2) JOE PIRRO ‘08 Producer, Driveways Joe Pirro is Head of Production at Symbolic Exchange, a development and production company founded by producer/screenwriter James Schamus (BROKEBACK MOUNTAIN, CROUCHING TIGER, HIDDEN DRAGON) and based in New York City. His recent credits include DRIVEWAYS, THE ASSISTANT, ADAM, and CASTING JONBENET. After a stint with Teach For America, he began his film career in the United Talent Agency mailroom. He has also worked at Focus Features, Red Hour Films, and The Weinstein Co. See DRIVEWAYS (p. 9) MARK RICHARD Writer, Stop-Loss Mark Richard is the author of the national bestselling memoir HOUSE OF PRAYER NO. 2, two award-winning short story collections, and a novel. His television credits include MAN IN THE HIGH CASTLE, NOS4A2, FEAR THE WALKING DEAD, TYRANT, HELL ON WHEELS, CRIMINAL MINDS, HUFF!, and more. He recently was executive producer and show runner on THE GOOD LORD BIRD. He also wrote the screenplay for the filmSTOP-LOSS . He has received the PEN/Hemingway Foundation Award and a National Endowment for the Arts fellowship, among other awards. See STOP-LOSS (p. 17) 5 JEFFREY TINNELL ‘85 Producer, Feast of the Seven Fishes Jeffrey Tinnell is a motion picture and tele- vision producer with over thirty years of experience. Tinnell has produced work for Nike, Coca-Cola, The Rolling Stones, Mira- max, MGM and Lionsgate. His production company, Alleghany Image Factory (AIF), recently completed FEAST OF THE SEVEN FISHES. A 1985 graduate of the College, Tinnell played football under coach Jim- mye Laycock. An active participant in the William & Mary community, Tinnell and AIF worked closely with W&M Athletics to produce the latest branding campaign for Tribe Sports. See FEAST OF THE SEVEN FISHES (p. 11) ROBERT TINNELL Writer / Director, Feast of the Seven Fishes Robert Tinnell is a writer, director, and pro- ducer. Tinnell’s initial claim to fame was as producer on the notorious cult classic SURF NAZIS MUST DIE. He became bet- ter known for his work as a director and screenwriter on feature films including KIDS OF THE ROUND TABLE, FRANKEN- STEIN AND ME, and BELIEVE.
Recommended publications

  • Neues Textdokument (2).Txt

    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
  • Customizable • Ease of Access Cost Effective • Large Film Library

    Customizable • Ease of Access Cost Effective • Large Film Library

    CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE.
  • Family in Films

    Family in Films

    Travail de maturité – ANGLAIS Sujet no 13 Family in Films “All happy families are all alike; every unhappy family is unhappy in its own way.” Anna Karenina, Leon Tolstoy. Whether dysfunctional, separated by exile, torn apart by history, laden with secrecy, crazy, loving, caring, smothering - and even perhaps happy, family is an endless source of investigation about human relations and social groups. In this research paper, you will be able to question Leon Tolstoy’s statement and explore how films envision new and older forms of families. Some examples of films relevant to this research paper: Festen (Thomas Vintenterberg, 1998) Parasite (Bong Joon-ho, 2019) L’Heure d’été (Olivier Assayas, 2008) Family Romance, LLC (Werner Herzog, 2019) Un conte de Noël (Arnaud Desplechin, Crooklyn (Spike Lee, 1994) 2008) Sorry, We Missed You (Ken Loach, 2019) La Fête de famille (Cédric Kahn, 2019) I, Daniel Blake ( Ken Loach, 2016) After the Storm (海よりもまだ深く, Umi yori Jungle Fever (Spike Lee, 1991) mo mada fukaku, Hirokazu Rodinný Film (Family Film, Olmo Omerzu, Kore-eda, 2016) 2015) Nobody Knows (誰も知らない, Dare mo So Long My Son (地久天长, Di jiu tian chang shiranai, Hirokazu Kore-eda, Wang Xiaoshuai, 2019) 2004) Still Life (三峡好人, Sānxiá hǎorén, Jia Like Father, Like Son (そして父になる, Zhangke, 2006) Soshite chichi ni naru, Hirokazu Amreeka (Cherien Dabis, 2009) Kore-eda, 2013) Tokyo Sonata (Kiyoshi Kurosawa, 2008) Our Little Sister (海街diary, Umimachi American Beauty (Sam Mendes, 1999) Diary, Hirokazu Kore-eda, 2015) The Royal Tenenbaums (Wes Anderson, Still Walking
  • Index Des Revues Des Cahiers Du Cinéma, Óþõì

    Index Des Revues Des Cahiers Du Cinéma, Óþõì

    Index des revues des Cahiers du Cinéma, óþÕì ì, Chronique d’une famille singulière dePabloStollWard ............... äÉ G. N. äó ¢ Caméras brisées d’Emad Burnat et Guy Davidi . ää A. S. ¦þ É mois ferme d’AlbertDupontel ......................................äÉì V.M. ¦ó ó¢ novembre ÕÉßþ, le jour où Mishima choisit son destin de Koji Wakamatsu äÉ¢ S. du M. ¦¦ ¦þ ans, mode d’emploi deJuddApatow ............................... äß V.M. ¢¦ ÕþþÛ cachemire de Valérie Lemercier . äÉ¢ J. L. ¦¦ À la merveille de Terrence Malick . äß C. B. ¦ä–¦ß A Touch of Sin de Jia Zhang-ke . äÉ¢ J. L. ìó–ì¦, V.M., J.-Ph. T. 즖ìä e Act of Killing de Joshua Oppenheimer . ä J.-Ph. T. ¢¦ Aer Earth de M. Night Shyamalan . äÉÕ J.-Ph. T. äþ Aer School Midnighters d’Hitoshi Takekiyo . äɦ S. du M. ¢ä Alceste à bicyclette dePhilippeLeGuay ...............................ää V.M. ¦þ All is lost deJ.C.Chandor .......................................... äÉ¢ M. M. ¦¦ Alps de Yórgos Lánthimos . äß Ch. G. ¢¦ Les Amants du Texas deDavidLowery ................................ äÉó S. C. ¢¦ Les Amants passagers de Pedro Almodóvar . ä J.-S. C. ¢þ American Nightmare de James DeMonaco . äÉó V.M. ¢¦ Amore carne dePippoDelbono ....................................... äÉþ J. L. äó Les Apaches de ierry de Peretti . äÉÕ A. S. äþ Arrêtez-moi de Jean-Paul Lilienfeld . .ää J. L. ¦þ Artémis, cœur d’artichaut d’Hubert Viel . äÉó J. L. ¢¦ As I Lay Dying deJamesFranco ....................................... äÉì J. L. ¦ó Attila Marcel deSylvainChomet ..................................... äɦ T. M. ¢ä Au bout du conte d’Agnès Jaoui . äß V.M. ¢¦ Aujourd’hui d’Alain Gomis . ä¢ V.M.
  • THE TUFTS DAILY Est

    THE TUFTS DAILY Est

    Where You Mostly Sunny Read It First 53/38 THE TUFTS DAILY Est. 1980 VOLUME LXVI, NUMBER 34 FRiday, OctoBER 25, 2013 TUFTSDAILY.COM Renowned poet blends anthropology, art BY ADAM KAMINS K I Society of Mystic Animals.” Contributing Writer “A song to welcome the animals, the participants, into the ceremony,” The Center for the Humanities at Rothenberg said. “On the page it looks Tufts (CHAT) and the Department of like a piece of concrete poetry, but it Anthropology yesterday hosted inter- can also be re-sung, with the translated nationally renowned poet, transla- words and the untranslatable words of tor and performance artist Jerome the original.” Rothenberg at Fung House for an The poem, which included a chant, a event dedicated to the celebration of melody and a shaker, revealed the wide his most recent work, “Eye of Witness: range of Rothenberg’s influences, as well A Jerome Rothenberg Reader.” as the scope of his creativity, Guss said. Rothenberg has published over 80 “He’s somebody who is very performa- books and 12 works of traditional, trans- tive. He’s somebody who has created a lated and avant-garde poetry. lot of new ways of presenting his poetry, “Eye of Witness,” published this bringing in influences from other cul- past September, is a culmination of tures,” Guss said. VIRGINIA BLEDSOE / THE TUFTS DAILY ARCHIVES Coordinators for Leonard Carmichael Society’s (LCS) annual blood drive hope to attract a Rothenberg’s long career, surveying his In 1972, Rothenberg moved to the total of 200 student donators before the event closes today.
  • Quiet and Melancholy. This MUSIC Plays Over All of the Opening Scenes

    Quiet and Melancholy. This MUSIC Plays Over All of the Opening Scenes

    We begin with MUSIC -- quiet and melancholy. This MUSIC plays over all of the opening scenes: EXTREME CLOSE UP The silent, slo-mo image of a Miss America being crowned. She cries and hugs the runners-up as she has the tiara pinned on her head. Then -- carrying her bouquet -- she strolls down the runway, waving and blowing kisses. INT. REC ROOM - DAY A six year old girl sits watching the show intently. This is OLIVE. She is big for her age and slightly plump. She has frizzy brown hair and wears black-rimmed glasses. She studies the show very earnestly. Then, using a remote, she FREEZES the image. Absently, she holds up one hand and mimics the waving style of the Miss America. She REWINDS the tape, and starts all over again. Again, Miss America hears her name announced, and once again breaks down in tears -- overwhelmed and triumphant. RICHARD (V.O.) There’s two kinds of people in this world: Winners...and Losers. INT. CLASSROOM - DAY RICHARD (45) stands in front of a white-board in a community college classroom. He wears khaki shorts, a golf shirt, sneakers. His peppy, upbeat demeanor just barely masks a seething sense of insecurity and frustration. There are eleven students in a room that could easily fit fifty. RICHARD If there’s one thing you take away from the nine weeks we’ve spent here together, it should be this: Winners and Losers. What’s the difference? 2. Richard turns with a pointer and enumerates his points, which are listed on the white board.
  • Verbal Features of Film Reviews in the Modern American Media Discourse

    Verbal Features of Film Reviews in the Modern American Media Discourse

    Online Journal of Communication and Media Technologies, 2020, 10(3), e202020 e-ISSN: 1986-3497 Verbal Features of Film Reviews in the Modern American Media Discourse Marina R. Zheltukhina 1* 0000-0001-7680-4003 56669701900 A-7301-2015 Gennady G. Slyshkin 2 0000-0001-8121-0250 57191286505 G-1470-2014 Galina N. Gumovskaya 3 0000-0002-5823-792X Ekaterina A. Baranova 4 0000-0003-1794-9936 57211620013 AAF-3744-2019 Natalia G. Sklyarova 5 0000-0002-2875-3317 57193058610 K-3848-2017 Ksenya S. Vorkina 6 0000-0002-3804-3925 Lyudmila A. Donskova 7 0000-0002-7432-3908 1 Institute of Foreign Languages, Volgograd State Socio-Pedagogical University, Volgograd, RUSSIA 2 Institute of Linguistics and Intercultural Communication, I.M. Sechenov First Moscow State Medical University (Sechenov University), Institute of Law and National Security, Russian Presidential Academy of National Economy and Public Administration, Moscow, RUSSIA 3 Foreign Languages Department, National Research University Higher School of Economics, Moscow, RUSSIA 4 Communicative Management Department, Journalism Chair, Russian State Social University, Moscow, RUSSIA 5 Institute of philology, journalism and cross-cultural communication, Southern Federal University, Rostov-on-Don, RUSSIA 6 Faculty of Philology, Peoples’ Friendship University of Russia (RUDN University), Moscow, RUSSIA 7 Department of Foreign Languages, Kuban State Agrarian University, Krasnodar, RUSSIA * Corresponding author: [email protected] Citation: Zheltukhina, M. R., Slyshkin, G. G., Gumovskaya, G. N., Baranova, E. A., Sklyarova, N. G., Vorkina, K. S., & Donskova, L. A. (2020). Verbal Features of Film Reviews in the Modern American Media Discourse. Online Journal of Communication and Media Technologies, 10(3), e202020. https://doi.org/10.30935/ojcmt/8386 ARTICLE INFO ABSTRACT Received: 18 Feb 2020 The article discusses the verbal specifics of film reviews.
  • Oscars and America 2011

    Oscars and America 2011

    AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. I spent some time with Ben this summer in the exotic venues of Oxford and Cambridge, but it was on the bus ride between the two where we got to share our visions and see the similarities between the two. I am excited about what is happening here at Arizona State and look forward to seeing what comes of your efforts. I’m sure you realize the opportunity you have. And it is an opportunity to study, as Karl Barth once put it, the two Bibles. One, and in many ways the most important one is the Holy Scripture, which tells us clearly of the great story of Creation, Fall, Redemption and Consummation, the story by which all stories are measured for their truth, goodness and beauty. But the second, the book of Nature, rounds out that story, and is important, too, in its own way. Nature in its broadest sense includes everything human and finite. Among so much else, it gives us the record of humanity’s attempts to understand the reality in which God has placed us, whether that humanity understands the biblical story or not. And that is why we study the great novels, short stories and films of humankind: to see how humanity understands itself and to compare that understanding to the reality we find proclaimed in the Bible. Without those stories, we would have to go through the experiences of fallen humanity to be able to sympathize with them, and we don’t want to have to do that, unless we have a screw loose somewhere in our brain.
  • Support Local Music & Arts

    Support Local Music & Arts

    Contents OCTOBER 2015 Vol. 18 # 8 THE GOODS 4 Le Beat: Who’s who and what’s happening locally 11 Rock ‘n’ Roll Moment of the month 12 11 Questions: Jan Peters 20 Calendar 32 Monthly Pin-Up: Moongrass 34 Tales from the Road: Minor Plains 35 Stuff Yer Face: Hotpoint Tea & Express SPOTLIGHTS 6 Scotty Sensei: New dimensions 7 Panda Panda Panda: 1, 2, 3, GO 8 Zion I: The resurgence 9 Crushed out: Music and marriage FEATURES 14 Katie Johnson: The face of expression 15 I Found My Friends: The Oral History of Nirvana 16 Mark Pickerel and His Helping Hands: Still screaming 18 Beats Antique: Melding performance, music and art REVIEWS NEXT ISSUE: NOV. 2015 10 Live Shows DEADLINE: Oct. 19 25 Recordings 360.398.1155 • P.O. Box 30373, Bellingham, WA 98228 www.whatsup-magazine.com • [email protected] CO-PUBLISHER/EDITOR-IN-CHIEF: Brent Cole CO-PUBLISHER/DESIGN DIRECTOR: Becca Schwarz Cole CONTRIBUTING WRITERS: Tommy Calderon, Jared Curtis, Thea Hart, Adam Walker, Mark Broyles, Jackson Main, Hayden Eller, Charlie Walentiny, Halee Hastad, Keenan Ketzner, Raleigh Davis, Aaron Apple, Aaron Kayser CONTRIBUTING PHOTOGRAPHERS: Tommy Calderon, David Johnson, Sarah Day, Ryan Russell, Aaron Brick AD SALES: Brent Cole, Victor Gotelaere DISTRIBUTION: David Johnson, Brent Cole COVER ARTIST: Katie Johnson WEB GENIUS: Django @ Seatthole SUPPORT: Harrison, Ruby, Autumn, Lulu What’s Up! is a free, independent monthly music magazine covering the Bellingham/Whatcom County scene, and is locally owned and operated by Brent Cole and Becca Schwarz Cole. What’s Up! is a member of Sustainable Connections, and a sister publication of Grow Northwest.
  • THE PHILOSOPHY of STEVEN SODERBERGH the Philosophy of Popular Culture

    THE PHILOSOPHY of STEVEN SODERBERGH the Philosophy of Popular Culture

    THE PHILOSOPHY OF STEVEN SODERBERGH The Philosophy of Popular Culture Th e books published in the Philosophy of Popular Culture series will illuminate and explore philosophical themes and ideas that occur in popular culture. Th e goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. Th is series seeks to publish both established and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophical and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. Series Editor Mark T. Conard, Marymount Manhattan College, NY Books in the Series Th e Philosophy of Stanley Kubrick, edited by Jerold J. Abrams Football and Philosophy, edited by Michael W. Austin Tennis and Philosophy, edited by David Baggett Th e Philosophy of the Coen Brothers, edited by Mark T. Conard Th e Philosophy of Film Noir, edited by Mark T. Conard Th e Philosophy of Martin Scorsese, edited by Mark T. Conard Th e Philosophy of Neo-Noir, edited by Mark T. Conard Th e Philosophy of Horror, edited by Th omas Fahy Th e Philosophy of Th e X-Files, edited by Dean A.
  • Nov 2019-Jan 2020 Grand

    Nov 2019-Jan 2020 Grand

    THE OFFICIAL MAGAZINE OF GRAND CINEMAS GRANDFREE NOV 2019-JAN 2020 20202020 MUSTMUST LISTLIST ONE ON ONEi with thei massivei A-list castiMIDWAY THETHE BATTLEBATTLE THATTHAT TURNEDTURNED THETHE TIDESTIDES OFOF WARWAR Movie_Guide_16.5x23.5.pdf 1 10/11/19 10:54 AM C M Y CM MY CY CMY K GOGRAND #alwaysentertaining SOCIALISE TALK MOVIES, WIN PRIZES @GCLEBANON CL BOOK NEVER MISS A MOVIE WITH E/TICKET, E/KIOSK AND THE GC MOBILE APP. EXPERIENCE FIRSTWORD ISSUE 126 FEAT. DOLBY ATMOS A nation makes a stand As we approach the end of an eventful 2019, we are once again LOCATIONS reminded of the power of film to inspire and move us, and to commemorate those pivotal moments in history that define nations. LEBANON KUWAIT We salute the Lebanese people, and wish one and all a prosperous GRAND CINEMAS GRAND AL HAMRA ABC VERDUN LUXURY CENTER new year that lives up to our promise and expectations for a brighter 01 795 697 +965 222 70 334 future. Here’s to the beginning of a new era in 2020. MX4D featuring MX4D ATMOS DOLBY ATMOS Our SPOTLIGHT feature is a fitting tribute to historical moments. GRAND CLASS GRAND GATE MALL Acclaimed director Roland Emmerich gathers an army of stars — +965 220 56 464 GRAND CINEMAS among them Ed Skrein, Patrick Wilson, Mandy Moore and Nick Jonas ABC ACHRAFIEH 01 209 109 — to tell the epic true story of Midway, the battle that turned the tides 70 415 200 NEW of war. FAMILY FIESTA rounds up the kids’ favourites, including Frozen GRAND GRAND CINEMAS CINEMAS II and Norm of the North 3.
  • The Composer's Guide to the Tuba

    The Composer's Guide to the Tuba

    THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love.