DOCSLIB.ORG

Lonnie Liston Smith & the Cosmic Echoes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lonnie Liston Smith & the Cosmic Echoes Lonnie Liston Smith & The Cosmic Echoes Expansions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Expansions Country: France Released: 1975 Style: Jazz-Funk MP3 version RAR size: 1646 mb FLAC version RAR size: 1204 mb WMA version RAR size: 1880 mb Rating: 4.3 Votes: 458 Other Formats: DXD FLAC AU MP3 MOD ASF VQF Tracklist Hide Credits Expansions Bass – Cecil McBeeBongos, Percussion – Leopoldo*Congas, Percussion – Lawrence KillianDrums A1 – Art GoreElectric Piano, Keyboards [Electronic Keyboard Textures] – Lonnie Liston SmithPercussion – Michael CarvinVocals, Flute [Solo] – Donald Smith Desert Nights Bass – Cecil McBeeBongos, Percussion – Leopoldo*Congas, Percussion – Lawrence KillianDrums A2 – Art GoreFlute – Donald SmithPercussion – Michael CarvinPiano [Acoustic] – Lonnie Liston SmithSoprano Saxophone – David Hubbard*Vocals – Donald Smith Summer Days Bass – Cecil McBeeBongos, Percussion – Leopoldo*Congas, Percussion – Lawrence KillianDrums A3 – Art GoreFlute – Donald SmithPiano [Acoustic] – Lonnie Liston SmithSoprano Saxophone – David Hubbard* Voodoo Woman Bass – Cecil McBeeBongos, Percussion – Leopoldo*Clavinet, Percussion – Michael B1 CarvinCongas, Percussion – Lawrence KillianDrums – Art GoreElectric Piano, Keyboards [Electronic Keyboard Textures] – Lonnie Liston SmithFlute – Donald SmithTenor Saxophone, Alto Flute – David Hubbard* Peace B2 Bass – Cecil McBeeDrums – Michael CarvinPiano [Acoustic], Keyboards [Electronic Keyboard Textures] – Lonnie Liston SmithVocals – Donald Smith Shadows Alto Flute, Soprano Saxophone – David Hubbard*Bass – Cecil McBeeBongos, Percussion – B3 Leopoldo*Congas, Percussion – Lawrence KillianDrums – Art GoreElectric Piano, Keyboards [Electronic Keyboard Textures] – Lonnie Liston SmithFlute, Vocals [Vocal Textures] – Donald SmithPercussion – Michael Carvin My Love Bass – Cecil McBeeBongos, Percussion – Leopoldo*Congas, Percussion – Lawrence KillianDrums B4 – Art GorePercussion – Michael CarvinPiano [Acoustic], Electric Piano – Lonnie Liston SmithSoprano Saxophone – David Hubbard*Vocals – Donald Smith Companies, etc. Copyright (c) – Flying Dutchman Productions, Ltd. Manufactured By – RVC Corporation Published By – Cosmic Echoes Publishing Co. Published By – Ecaroh Music Credits Art Direction [Art Director] – Acy Lehman Artwork [Artist] – Jack (John) Martin* Design [Designer] – Dick Smith Liner Notes – Masahiko Yuh, Nat Hentoff Mixed By – Dave Wittman Producer, Mixed By – Bob Thiele, Lonnie Liston Smith Written-By – Doug Carn (tracks: B2), Horace Silver (tracks: B2), Lonnie Liston Smith (tracks: A1 to B1, B3, B4), Michael Carvin (tracks: B1) Notes ℗ 1976 Flying Dutchman Productions, Ltd. Manufactured by RVC Corporation, Tokyo, Japan. From master recordings owned or controlled by RCA Corporation. Cosmic Echoes Publishing Co.-BMI (A1 to B1, B3, B4); Ecaroh Music-ASCAP (B2). Released in a gatefold sleeve with OBI strip and a double sided monochrome insert with notes in Japanese language by Masahiko Yuh dated (1976 - 2 - 18). Barcode and Other Identifiers Matrix / Runout (Label side A): RVP-6040-A Matrix / Runout (Label side B): RVP-6040-B Matrix / Runout (Runout side A, stamped): RVP 6040AⓈ 111+ YE G 〄 Ⓑ Matrix / Runout (Runout side B, stamped): RVP 6040B 111+ Rights Society: ASCAP Rights Society: BMI Other (Gatefold sleeve left): RVP-6040~1 Other (Gatefold sleeve right): RVP-6040~2 Other (Label side A): ③ Other (Label side B): ④ Other versions Category Artist Title (Format) Label Category Country Year Lonnie Liston Expansions Smith & The Flying BDL1-0934 (LP, Album, BDL1-0934 US 1975 Cosmic Dutchman Gat) Echoes* Lonnie Liston Expansions Smith And 07863 66612-2 (CD, Album, RCA 07863 66612-2 US 1995 The Cosmic RE) Echoes Lonnie Liston Expansions Smith & The NL 80934 (LP, Album, RCA NL 80934 Europe Unknown Cosmic RE) Echoes* Lonnie Liston Flying Expansions BVCJ-37496, Smith And Dutchman, BVCJ-37496, (CD, Album, Japan 2005 82876-76496-2 The Cosmic Flying 82876-76496-2 RE, RM, Pap) Echoes Dutchman Lonnie Liston Expansions Smith And Flying BDL1-0934 (LP, Album, BDL1-0934 Canada 1975 The Cosmic Dutchman Gat) Echoes Related Music albums to Expansions by Lonnie Liston Smith & The Cosmic Echoes Lonnie Liston Smith & The Cosmic Echoes - Cosmic Funk Mama's Pride - Guard Your Heart Pharoah Sanders - Priceless Jazz Collection Lonnie Liston Smith & The Cosmic Echoes - Renaissance Gato Barbieri - Bolivia Pharoah Sanders - The Best Of Pharoah Sanders Cecil McBee - Mutima Lonnie Liston Smith - Silhouettes Lonnie Liston Smith And The Cosmic Echoes - Renaissance Lonnie Liston Smith - Cosmic Funk & Spiritual Sounds - The Best Of The Flying Dutchman Years Lonnie Liston Smith And The Cosmic Echoes - Reflections Of A Golden Dream Pharoah Sanders - Thembi.
Load more

Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • IN the UNITED STATES DISTRICT COURT for the NORTHERN DISTRICT of ILLINOIS EASTERN DIVISION ABDUL WALI MUHAMMAD, F/K/A ) ERIC P
    Case: 1:17-cv-06558 Document #: 1 Filed: 09/12/17 Page 1 of 8 PageID #:1 IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION ABDUL WALI MUHAMMAD, f/k/a ) ERIC P. SAUNDERS, ) ) Plaintiff, ) v. ) No. 17-cv-6558 ) CHANCELLOR BENNETT, ) known as “CHANCE THE RAPPER,” ) Jury Demanded and CHANCE THE RAPPER, LLC ) ) Defendants. ) COMPLAINT FOR COPYRIGHT INFRINGEMENT Now comes the Plaintiff, Abdul Wali Muhammad f/k/a Eric P. Saunders (“Muhammad”), through his undersigned attorneys, and maintains the following Complaint for Copyright Infringement against the Defendants, Chancellor Bennett, known as “Chance the Rapper” (“Chance”), and Chance the Rapper, LLC, stating as follows: INTRODUCTION This is an action for copyright infringement. The Plaintiff, Muhammad, is a composer and jazz musician. Muhammad composed and owns registered copyrights on the composition to a song named “Bridge Through Time.” Chance sampled a significant portion of that song in Chance’s song “Windows.” Chance did not have permission from Muhammad to use any portion of Muhammad’s copyrighted song. Chance’s actions constitute copyright infringement. This Complaint seeks damages from Chance, and from his company established to license Chance’s merchandise and to promote Chance’s concerts and other performances, for Chance’s blatant and willful infringement of Muhammad’s copyright. 1 Case: 1:17-cv-06558 Document #: 1 Filed: 09/12/17 Page 2 of 8 PageID #:2 PARTIES 1. Plaintiff, Muhammad, was formerly known as Eric P. Saunders. He legally changed his name to Abdul Wali Muhammad in 1985. Muhammad is a resident of Brewster, New York.
    [Show full text]
  • Seven Lee Morgan Lessons Seven Lee Morgan Lessons
    SEVEN LEE MORGAN LESSONS One of Philadelphia’s most talented offerings would have been 75 years old come July 10 th , 2013. The lessons we can learn from his work and his life have been deemed immeasurable. As the Philadelphia Clef Club Of Jazz and Performing Arts prepares to celebrate his having been part of our family, we thought the following might give Lee some new talking points as a sage at this age. Lee Morgan Lesson 1 : WHY LIMIT YOURSELF ??? “Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. Morgan also knew how to play the alto saxophone ”. Lee Morgan Lesson 2 ::: DON’T JUST HANG AROUND OTHER MUSICIANS; MAKE IT YOUR BUSINESS TO TOURTOUR,, RECORD, INSPIRE & MATURE WITH THEM. “His primary stylistic influence was Clifford Brown , who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, He began recording for Blue Note Records in 1956, Lee also recorded for a variety of labels, including Blue Note, Vee-Jay, Roulette, Jazzland and Trip eventually recording 25 albums as a leader for the company with more than 250 musicians ”, A SERIOUSLY SMALL SAMPLING of this list includes: Hank Mobley John Coltrane Art Blakey Benny Golson Wayne Shorter Bobby Timmons Jymie Merritt Billy Hart Grachan Moncur III Freddie Hubbard Wynton Kelly Paul Chambers Grant Green Herbie Hancock Reggie Workman Billy Higgins John Gilmore Stanley Turrentine Jackie McLean Ron Carter Joe Henderson McCoy Tyner Lonnie Liston-Smith Elvin Jones Jack Wilson Reuben Wilson Larry Young Clifford Jordan Andrew Hill Billy Harper Bennie Maupin Marold Mabern Mickey Rokey Freddie Waits Oscar Peterson Lee Morgan Lesson 333: NO MATTMATTERER HOW GREAT THE INFLUENCEINFLUENCE,, DON’T LET THEM INFLUENCE YOU WITH DANGEROUS, SSTUPIDTUPID HABITS LIKE DRUGSDRUGS.DRUGS ..
    [Show full text]
  • The Complete Clifford Jordan Strata-East Sessions
    RECORD REV!EWS TAfrZ celebrated or discussed. Martin Bough's jaw-dropping photos from the rI actual sessions transport us precisely to that time and place. fiiflvsJ The booklet also reproduces a full- page ad in support of the albums, eJ. 'Ware's minus Sup,sv Bass and Shades of Edward Blackwell, the late drummer's L968 debut, issued here for the first time ever. These rarities greatly increase the set's historical value. So does the five-minute interview with 'Ware CLIFFORD JORDAN (even if "Wilbur" is misspelled in The Complete Clifford lordan Strata- 'the track listing). East Sessions A Chicago riitirr.,Jordan came of Clifford Jordan, Charles Brackeen, Sonny Fortune, age in bands led by Horace Silver, Max Luqman Lateel Cecil Payne, Pharoah Sanders, Roach, and Charles Mingus, but he saxophones; Don Cherry, Kenny Dorham, was out there as a leader by his mid- trumpets; Julian Priester, trombone; Howard Johnson, tuba; Stanley Cowel!, 20s. His agile lines, sinewy tone, and Wynton Kelly, Lonnie Liston Smith, Cedar Walton, deep blues feeling mark him as one of piano; guitar; Sonny Sharrock, Richard Davis, the era's great tenors. A creative risk- Charlie Haden, Sam Jones, Bill Lee, Cecil McBee, Sirone, Wilbur Ware, bass; Ed Blackwell, Dennis taker, too: he used fwo bassists and Charles, Billy Hart, Roy Haynes, Albert Heath, drummers on In the World, an imperflect Ttte Haven for Billy Higgins, Majeed Shabazz, drums; record that nonetheless allows us to Chief Bey, others, percussion; Leon Thomas, hear Don Cherry and'W.ynton Kelly Music Lorers in the Mosa ic M D6-2sJ?:'l S$:liirlt',no rd r orda n, in the same band.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Pharoah Sanders, Straight-Ahead and Avant-Garde
    Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz.
    [Show full text]
  • Flying Dutchman Label Discography
    Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Lonnie Listen Smith Jams at UMBC Writer
    February 20,1984 Page 5 Lonnie Listen Smith jams at UMBC by Dean Dalfonzo everything, so whatever they needed, I would and he gave it a classy touch. learn the instrument just to get into the band." Lonnie himself played modestly with his band, This Friday at 8:00 n.m., Jazz pianist Lonnie He then went on to graduate from Morgan State but on occasion, he did jump up to the higher Liston Smith will be appearing in the Grand University with a Bachelor of Science degree in scales, cutting through the Latin background. "I Ballroom in the University Center. Music Education. can really hear the high notes, and although some After a creative hiatus to "take a break, and After he played professionally with Balti- pianists don't like to play that high, it comes very find a balance between the music and the busi- more's Royal Theatre House Band, who backed natural to me." ness," Smith will begin touring with his first stop up name bands like the Supremes, Smith eventu- If Smith lives up to the spirit of his Live album, at UMBC. He will later be performing at Blues ally joined Miles Davis. his coming performance should be very enter- Alley in Baltimore City before continuing on his "When I got with Miles, I saw a whole new taining. His band will include his brother, on tour of the East Coast. world and gained more confidence in myself," he flute and vocals; Pre Meik, on saxophone; Abe While his present album Dreams of Tomor- explained .
    [Show full text]
  • To Lasker's Philosophy
    cash box,- news Breaking Nickey Barclay Key To Lasker's Philosophy by David Budge LOS ANGELES - Jay Lasker, president That 20% is in direct personnel costs, of Ariola America Records more than not in advertising and other promotional agreeing with last week's Cash Box expenses. We've weighted the company editorial (Breaking New Acts - Key to to having an 80% promotion expense by The Future); is doing something about it. design. The record business is not a Lasker and his partner, Howard Stark sales or merchandising business. It's a founded Ariola on the premise that they promotion business." would succeed primarily on building the Whether established or just starting careers of new artists rather than spend- out, an artist cannot make it without ing their money on 'established' acts. heavy promotion. Obviously, in the case Lasker told Cash Box, "I'd never buy of new talent, the more promotion the an artist for Ariola. The philosophy in better. Said Lasker, "All the in-store dis- establishing this company has been to plays in the world don't mean a thing un- SHEER GOLD ATTACK - While in Boston to kick off Queen's 1976 world tour, develop new artists. You can't make any less a person has heard a record on the Elektra/Asylum chairman Joe Smith presented Queen with a gold record for money buying up artists." In pursuit of radio. The breaking of new artists is their third Elektra album, "Sheer Heart Attack." Pictured above are to r.): bassist his goal, Lasker has already achieved absolutely critical.
    [Show full text]
  • LIMITED VINYL Organic Dream Is Always High on Collector’S Lists As a Must-Have from Wendell Harrison’S Catalog
    UBIQUITY RECORDS PRESENTS ORGANIC DREAM: WENDELL HARRISON FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 10/09/2012 Jed and Lucia HELIUM EP Arguably the best album legendary jazz musician Wendell Harrison cut in the 1 Ginseng Love - 4:04 80s “Organic Dream” features the 2 Winter - 6:38 classic track “Love Juice”. The album’s 3 Love Juice - 4:45 quite a departure from the spiritual jazz 4 Peace Of Mind - 7:17 he’s well known for, instead dipping 5 The Wok - 6:41 into modern soul and R&B territory. 6 A Green Meadow - 5:55 Founder of spiritual jazz imprint and jazz collective Tribe Records along with Phil Ranelin, Wendell Harrison has well over 30 releases and is featured on numerous others by other jazz greats such as Grant Green, Hank Crawford and the great Sun Ra. As a label Tribe spearheaded a growing black political CATALOG LHR10067-2 **CATALOG LHR10067-1 consciousness. The group also included drummer and CD DIGIPAK / LIST PRICE: $16.98 LP / LIST PRICE: $18.98 CD BOX LOT: 30 LP BOX LOT: 50 composer Doug Hammond, pianist Ken Cox and trumpeter 5% DISCOUNT UP TO 1 WEEK VINYL IS NON-RETURNABLE Charles Moore. They performed together live and on one AFTER STREET DATE (CD ONLY) FILE UNDER: R&B, MODERN SOUL, JAZZ another's recordings releasing them on the label. Tribe PARENTAL ADVISORY STICKERED: NO also published a magazine, a quarterly monthly publication FOR FANS OF: WENDELL HARRISON, dedicated to musical and political revolutionaries and LONNIE LISTON SMITH, SEARCHING FOR political issues.
    [Show full text]