DOCSLIB.ORG

Doctor Jazz Label Discography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Doctor Jazz Label Discography Doctor Jazz Label Discography In the 1980’s, Bob Thiele established another record label called Doctor Jazz. This label released new material and also albums previously released on Flying Dutchman, Signature, Amsterdam and Bob Thiele Music. Some of these albums had Signature Labels. FW 38445 – Arnie Lawrence and Treasure Island – Arnie Lawrence and Treasure Island [1983] Yoffie Is Back/Skip To The Blues/Blessed Is The Match//Abdullah and Abraham/The Street Musician/All-Ways and Forever FW 38446 – Classic Tenors – Coleman Hawkins and Lester Young [1983] The Man I Love - Coleman Hawkins/Sweet Lorraine - Coleman Hawkins/Get Happy - Coleman Hawkins/Crazy Rhythm - Coleman Hawkins/How Deep is the Ocean? - Coleman Hawkins/Voodte - Coleman Hawkins//Hello Babe - Lester Young/Linger Awhile - Lester Young/I Got Rhythm - Lester Young/I’m Fer It, Too - Lester Young/Hawkin’s Barrel House - Lester Young/Stumpy - Lester Young FW 38447 – Dreams of Tomorrow – Lonnie Liston Smith [1983] A Lonely Way to Be/Mystic Woman/The Love I See In Your Eyes/Dreams of Tomorrow//Never Too Late/Rainbows of Love/Divine Light/A Garden of Peace FW 38448 – On the Road Again – Teresa Brewer and Stephane Grappelli [1983] On the Road Again/It Had to Be You/Come On and Drive Me Crazy/Smile/After You’re Gone//I Love a Violin/Don’t Take Your Love From Me/Them There Eyes/As Time Goes By W2X 38521 – Teresa Brewer at Carrnegie Hall – Teresa Brewer [1984] Two record set. It Don't Mean A Thing (If It Ain't Got That Swing)/Breakin' Up Is Hard To Do/St Louis Blues/After You've Gone/It Had To Be You/I've Got A Crush On You/Romance In The Dark/Mood Indigo/That's When The Music Takes Me/I Ain't Got Nobody/Baby Won't You Please Come Home/We Love You Fats/Ain't Misbehavin'/Find Out What They Like/Joint Is Jumpin'/Come On And Drive Me Crazy/It Don't Mean A Thing If It Ain't Got That Swing/Mood Indigo/St Louis Blues/New Orleans FW 38534 – I Dig Big Band Singers – Teresa Brewer [1983] Classic Medley: A-Tisket A- Tasket, Oh Johnny Oh, Got a Date With an Angel, Boo-Hoo, I’m Looking Over a Four Leaf Clover/Glenn Miller Medley: Chatanooga Choo Choo, Juke Box Saturday Night, Pennsylvania 6-5000, (I’ve Got a Gal) In Kalamazoo, Elmer’s Tune, Don’t Sit Under the Apple tree (With Anyone Else But Me)/Benny Goodman Medley: And the Angels Sing, Why Don’t You Do Right, Goody Goody, Goodnight My Love, Gotta Be This or That, Loch Lomond/Jimmy Dorsey Medley: Tangerine, Anapola, Besame Mucho, Green Eyes, All of Me/Classic Medley: I’ve Heard That Song Before, In a Shanty in Old Shanty Town, Daddy, Ragtime Cowboy Joe, ‘Tain’t What You Do (It’s the Way That You Do It), I’m Beginning to See the Light/Tommy Dorsey Medley: On the Sunny Side of the Street, Oh! Look at Me Now!, Chicago, Yes Indeed!, Let’s Get Away From It All, ‘Deed I Do, Marie FW 38727 – Live at Carnegie Hall – Stephane Grappelli [1983] I Can’t Give You Anything But Love/As Time Goes By/Crazy Rhythm/Golden Green//Chattanooga Choo Choo/Blues in G fro B.T./Nuages FW 38728 – Shelly Manne and his Friends – Shelly Manne [1983] Reissue of Flying Dutchman FDS 10150. FW 38729 – Steve Allen’s Hip Fables – Al “Jazzbeaux” Collins and Slim Gaillard [1983] Little Red Riding Hood/3 Little Pigs//Goldilocks and the 3 Bears/Jack and the Beanstalk FW 38810 – We Love You Fats – Teresa Brewer and Earl “Fatha” Hines [1983] Medley: We Love You Fats, Ain’t Misbehavin’/The Joint is Jumpin’/Keepin’ Out of Mischief Now/Find Out What They Like/Black and Blue//I’ve Got a feeling I’m Falling/Honeysuckle Rose/Squezze Me/Medley: Two Sleepy People, I Can’t Give You Anything But Love/We Love You Fats Page 1 FW 38836 – The Songs of Bessie Smith – Teresa Brewer and Count Basie [1983] Reissue of Flying Dutchman FDS 10161. FW 38851 – Classic Pianos – Erroll Garner, Earl Fatha Hines, James P. Johnson, Art Hodes [1983] W2X 39137 – All Star Road Band – Duke Ellington [1983] Two record set. Take the “A” Train/Take the “A” Train Vocal by Ray Nance/Such Sweet Thunder/Frustration/Cop Out/Perdido/Moon Indigo/Bassment/Sophisticated Lady/Stardust/Jeep’s Blues/All of Me/Diminuendo and Crescendo in Blue/I Got It Bad and that Ain’t Good/On the Sunny Side of the Street FW 39150 – June Night – Svend Asmussen [1984] June Night/Sweet Georgia Brown/Lazy River/Nadja/Blue Prelude//Just a Gigolo/Careless Love/A Pretty Girl is Like a Melody/When Day is Gone/Hush-a-bye W2X 39204 – Gato…Para Los Amigos!! – Gato Barbieri [1984] Two record set. Intro, Llamerito Y Tango/Carnavalito//Brazil/Viva Emiliano Zapata//Latino America/El Arriero//Bolivia/Finale (Reprise) FW 39418 – Hi Ho Trailus Boot Whip – Anita O’Day [1984] Reissue of Bob Thiele Music 1 0595. FW 39419 – A Melody from the Sky – Flip Phillips [1984] A Melody From The Sky/Stompin' At The Savoy/Sweet And Lovely/Swingin' For Popsie/Bob's Belief/Why Shouldn't I?//Lover Come Back To Me/Papiloma/Skyscraper/1- 2-3-4 Jump/More Than You Know/Without Woody FW 39420 –Silhouettes – Lonnie Liston Smith [1984] Warm/If You Take Care of Me/Silhouettes/Summer Afternoon//Enlightenment/City of Lights/Once Again Love/Just Us Two FW 39421 – Teresa Brewer in London – Teresa Brewer [1984] Reissue of the Amsterdam AMS 12015. This album is on the Signature Label. FW 38447 – Dreams of Tomorrow – Lonnie Liston Smith [1984] A Lonely Way to Be/Mystic Woman/The Love I See in Your Eyes/Dreams of Tomorrow//Never Too Late/Rainbows of Love/Divine Light/A Garden of Peace FW 39519 – Classic Tenors Volume 2– Coleman Hawkins, Dickie Wells, Julian Dash, Eddie Davis [1984] Lover Come Back To Me /Blues Changes /Hello Babe /I'm Fer It Too /Creamin' /My Silent Love /Long Moan /Goin' Along /Lockjaw /Afternoon In A Doghouse /Surgery /Athlete's Foot FW 39520 – Afrique – Count Basie [1984] Reissue of Flying Dutchman FDS 10138. W2X 39521 – Live at Carnegie Hall and Montreux, Switzerland – Teresa Brewer [1984] Two record set. It Don't Mean A Thing (If It Ain't Got That Swing)/Breakin' Up Is Hard To Do/St Louis Blues/After You've Gone/It Had To Be You - I've Got A Crush On You - Romance In The Dark - Mood Indigo/That's When The Music Takes Me/I Ain't Got Nobody - Baby Won't You Please Come Home/We Love You Fats - Ain't Misbehavin' - Find Out What They Like - Joint Is Jumpin'/Come On And Drive Me Crazy/It Don't Mean A Thing If It Ain't Got That Swing/Mood Indigo/St Louis Blues/New Orleans FW 39524 – Oily Rags – Oily Rags [1984] This album is on the Signature label. Reissue of BSL 1 0598. FW 39876 – The 20’s Score Again – Bob Thiele and his Orchestra [1984] Reissue of Signature BSL 1 0555. W2X 40012 - All Star Road Band Volume 2 – Duke Ellington [1985] Two record set. Mood Indigo/Satin Doll/Happy Go Lucky Local/Things Ain’t What They Used to Be/Do Nothin’ Till You Hear From Me/Guitar Amour/Summertime/C-Jam Blues/Silk Lace/I’ve Got It Bad and That Ain’t Good/Isfahan/Timon of Athens/Tutti for Cootie/Stomping at the Savoy/Jeep’s Blues/I can’t Stop Lovin’ You Diminuendo and Cresendo in Blue/Satin Doll Page 2 FW 40029 – Hot and Bothered – Mercer Ellington [1985] Hot and Bothered/The Mooche/Creole Love Call/Daybreak Express/East St. Louis Toodle-OO/Caravan/Echoes of Harlem/Ring Dem Bells/Harlem Speaks FW 40030 – Happy Reunion – Duke Ellington [1985] Way Back Blues/Where’s the Music?/Rubber Bottom/Play the Blues and Go/In a Mellotone (Take 1)//In a Mellotone (Take 2)/Happy Reunion (Take 1)/Happy Reunion (Take 2)/Diminuendo and crescendo in Blue (The Wailing Interval) FW 40031 – The Cotton Connection – Teresa Brewer with Mercer Ellington [1985] Them There Eyes/Dinah/All Of Me/Duke's Place/When My Sugar Walks Down The Street/Ring Dem Bells/Stormy Weather/In A Mellow Tone/Creole Love Call/Dinah's In A Jam FW 40063 – Rejuvenation – Lonnie Liston Smith [1985] Rejuvenation/Island in the Sun/London Interlude//The Eternal Quest (In Search of Truth)/A Frozen Lake/Girl in My Dreams FW 40064 – That’s a Plenty – Yank Lawson [1985] Reissue of the Bob Thiele Music BBM 1 0941. FW 40111 – Acoustical Suspension – Teo Macero [1985] The Man With the Horn/Slow and Easy/8 Minus 10/Summer Rain//Silent Summer/Acoustical Suspension/Hey Man, What’s Happenin’?Sun Rays (Violet Blue) BFW 40112 – A Touch of Ragtime – George Segal and the Imperial Jazz Band [1985] This album is on the Signature Label and is a reissue of Signature BSL 1 0654. Charleston Rag/Alexander’s Ragtime Band/Maple Leaf Rag/The Red Rose Rag/What You Gonna Do When the Rent Comes’Round/Cascades//Bennie Badoo/If You Like a Me/The Entertainer/Yes Sir, That’s My Baby/The Moving Picture Ball/Solace FW 40155 – Moving Lines – Don Sebesky [1985] Claire’s Song/Cherokee/Moondreams/I Go to Rio-Mardi Gras//Malaguena/Skyliner FW 40183 – Apasionado – Gato Barbieri [1985] Latin Lovers/Que Pasa/Last Tango in Paris//Terra Me Siente (With Pino Daniele)/Angle/Tiempo Buono (With Pino Daniele)/Habanera FW 40231 – American Music Box Volume 1 The Songs of Irving Berlin – Teresa Brewer [1985] Isn't This A Lovely Day?/How Deep Is The Ocean?/Blue Skies/All By Myself/Easter Parade/Russian Lullaby/Always/Say It Isn't So FW 40232 – Midnight Café (A Few More for the Road) – Teresa Brewer [1986] Accentuate the Positive/I Dream of You/Come on and Drive Me Crazy/Am I Blue/My Ship/Flat Foot Boogie/Dreama Little Dream of Me/Life Is Justa Bowl of Cherries/Jeepers Creepers/Hold Me/What Are We Gonna Do FW 40233 – On the Good Ship Lollipop – Teresa Brewer and Svend Asmussen [1987] June Night/Mean To Me/Back Home Again In Indiana/More Than You Know/On The Good Ship Lollipop/I'm Gonna Sit Right Down And Write Myself A Letter/You Made Me Love You (I Didn't Want To Do It)/Music Maestro Please/What A Wonderful World/If I Had You FW 40234 – What a Wonderful World – Bobby Hackett [1987] Reissue of Flying Dutchman FDS 10159.
Load more

Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Johnny Hodges: an Analysis and Study of His Improvisational Style Through Selected Transcriptions
    HILL, AARON D., D.M.A. Johnny Hodges: An Analysis and Study of His Improvisational Style Through Selected Transcriptions. (2021) Directed by Dr. Steven Stusek. 82 pp This document investigates the improvisational style of Johnny Hodges based on improvised solos selected from a broad swath of his recording career. Hodges is widely considered one of the foundational voices of the alto saxophone, and yet there are no comprehensive studies of his style. This study includes the analysis of four solos recorded between 1928 and 1962 which have been divided into the categories of blues, swing, and ballads, and his harmonic, rhythmic, and affective tendencies will be discussed. Hodges’ harmonic approach regularly balanced diatonicism with the accentuation of locally significant non-diatonic tones, and his improvisations frequently relied on ornamentation of the melody. He demonstrated considerable rhythmic fluidity in terms of swing, polyrhythmic, and double time feel. The most individually identifiable quality of his style was his frequent and often exaggerated use of affectations, such as scoops, sighs, and glissandi. The resulting body of research highlights the identifiable characteristics of Hodges’ style, and it provides both musical and historical contributions to the scholarship. JOHNNY HODGES: AN ANALYSIS AND STUDY OF HIS IMPROVISATIONAL STYLE THROUGH SELECTED TRANSCRIPTIONS by Aaron D. Hill A Dissertation Submitted to The Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2021 Approved by __________________________________ Committee Chair 2 APPROVAL PAGE This dissertation written by AARON D. HILL has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • MUNI 20151109 – Evergreeny 06 (Thomas „Fats“ Waller, Victor Young)
    MUNI 20151109 – Evergreeny 06 (Thomas „Fats“ Waller, Victor Young) Honeysuckle Rose – dokončení z minulé přednášky Lena Horne 2:51 First published 1957. Nat Brandwynne Orchestra, conducted by Lennie Hayton. SP RCA 45-1120. CD Recall 305. Velma Middleton-Louis Armstrong 2:56 New York, April 26, 1955. Louis Armstrong and His All-Stars. LP Columbia CL 708. CD Columbia 64927 Ella Fitzgerald 2:20 Savoy Ballroom, New York, December 10, 1937. Chick Webb Orchestra. CD Musica MJCD 1110. Ella Fitzgerald 1:42> July 15, 1963 New York. Count Basie and His Orchestra. LP Verve V6-4061. CD Verve 539 059-2. Sarah Vaughan 2:22 Mister Kelly‟s, Chicago, August 6, 1957. Jimmy Jones Trio. LP Mercury MG 20326. CD EmArcy 832 791-2. Nat King Cole Trio – instrumental 2:32 December 6, 1940 Los Angeles. Nat Cole-piano, Oscar Moore-g, Wesley Prince-b. 78 rpm Decca 8535. CD GRP 16622. Jamey Aebersold 1:00> piano-bass-drums accompaniment. Doc Severinsen 3:43 1991, Bill Holman-arr. CD Amherst 94405. Broadway-Ain‟t Misbehavin‟ Broadway show. Ken Page, Nell Carter-voc. 2:30> 1978. LP RCA BL 02965. Sweet Sue, Just You (lyrics by Will J. Harris) - 1928 Fats Waller and His Rhythm: Herman Autrey-tp; Rudy Powell-cl, as; 2:55 Fats Waller-p,voc; James Smith-g; Charles Turner-b; Arnold Boling-dr. Camden, NJ, June 24, 1935. Victor 25087 / CD Gallerie GALE 412. Beautiful Love (Haven Gillespie, Wayne King, Egbert Van Alstyne) - 1931 Anita O’Day-voc; orchestra arranged and conducted by Buddy Bregman. 1:03> Los Angeles, December 6, 1955.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • 1950S Playlist
    1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA
    [Show full text]
  • IN the UNITED STATES DISTRICT COURT for the NORTHERN DISTRICT of ILLINOIS EASTERN DIVISION ABDUL WALI MUHAMMAD, F/K/A ) ERIC P
    Case: 1:17-cv-06558 Document #: 1 Filed: 09/12/17 Page 1 of 8 PageID #:1 IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION ABDUL WALI MUHAMMAD, f/k/a ) ERIC P. SAUNDERS, ) ) Plaintiff, ) v. ) No. 17-cv-6558 ) CHANCELLOR BENNETT, ) known as “CHANCE THE RAPPER,” ) Jury Demanded and CHANCE THE RAPPER, LLC ) ) Defendants. ) COMPLAINT FOR COPYRIGHT INFRINGEMENT Now comes the Plaintiff, Abdul Wali Muhammad f/k/a Eric P. Saunders (“Muhammad”), through his undersigned attorneys, and maintains the following Complaint for Copyright Infringement against the Defendants, Chancellor Bennett, known as “Chance the Rapper” (“Chance”), and Chance the Rapper, LLC, stating as follows: INTRODUCTION This is an action for copyright infringement. The Plaintiff, Muhammad, is a composer and jazz musician. Muhammad composed and owns registered copyrights on the composition to a song named “Bridge Through Time.” Chance sampled a significant portion of that song in Chance’s song “Windows.” Chance did not have permission from Muhammad to use any portion of Muhammad’s copyrighted song. Chance’s actions constitute copyright infringement. This Complaint seeks damages from Chance, and from his company established to license Chance’s merchandise and to promote Chance’s concerts and other performances, for Chance’s blatant and willful infringement of Muhammad’s copyright. 1 Case: 1:17-cv-06558 Document #: 1 Filed: 09/12/17 Page 2 of 8 PageID #:2 PARTIES 1. Plaintiff, Muhammad, was formerly known as Eric P. Saunders. He legally changed his name to Abdul Wali Muhammad in 1985. Muhammad is a resident of Brewster, New York.
    [Show full text]
  • Sangoma Everett & Lionel Martin – Revisiting Afrique of Count
    Sangoma Everett & Lionel Martin – Revisiting Afrique of Count Basie & Oliver Nelson Pascal Anquetil Crédit photo : Bertrand Gaudillère / Item La métamorphose d’un big band en duo « Ce duo, c’est l’histoire d’une rencontre du troisième type » écrit avec pertinence Jacques Denis dans son texte de pochette. Cinquante ans après son enregistrement par le grand orchestre de Count Basie, Lionel Martin et Sangoma Everett se sont lancé le défi de revisiter en tandem Afrique. Ce superbe album, trop méconnu, produit en 1970 par Bob Thiele, est basé sur un répertoire original écrit spécialement par Oliver Nelson. Bien que de génération et origine différentes, Lionel Martin, saxophoniste volcanique au gros son charnu, au vibrato enfiévré et aux phrases grasses et épaisses, incandescentes comme de la lave, et Sangoma Everett, batteur souple et élégant qui connaît sur le bout de ses baguettes toutes les subtilités des rythmes du monde, ont tenté et réussi avec ce disque une mission impossible : faire sonner leur duo comme un big band et transformer leur joute joyeuse en une conversation interactive, captivante de bout en bout. Ce que Lionel Martin, initiateur du projet, aime d’abord dans l’album de Basie, « c’est au fond une certaine simplicité, un rapport à la ligne de basse très simple et répétitive avec des thèmes très puissants. » Résultat : la réussite principale des deux amis est d’avoir su transmuer le swing “basique” en groove grondant et entrainant ; à savoir une certaine manière organique de faire pulser la musique en un roulis polyrythmique irrésistible. Cela crève les oreilles : les deux complices tout au long de leur dialogue vif et chaud s’entendent bien et savent s’écouter pour élaborer ensemble une architecture sonore singulière et enfanter librement une musique entêtante, fertilisée à l’humus du blues et aiguillonnée par l’appel du gospel.
    [Show full text]
  • ELLINGTON '2000 - by Roger Boyes
    TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world.
    [Show full text]