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Lutheran Summer Music 2000
Lutheran Summer Music 2000 Faculty Artist Recital Karen Becker cello Seth Beckman piano Joseph Bognar harpsichord James Hogg viola Timothy Schorr piano Kerry Walters soprano University Theater Valparaiso University Center for the Arts Valparaiso, Indiana Monday, July 3, 8:00 p.m. Program Sonata in A Major Luigi Boccherini I. Adagio (1743-1805) II. Allegro Karen Becker, cello Timothy Schorr, piano La convalescente Frangois Couperin (1668-1733) Sonata (1991) Edwin McLean Brisé Joseph Bognar, harpsichord Ellen Taaffe Zwilich (b. 1939) Seth Beckman, piano He’s Got the Whole World in His Hands Margaret Bonds (1913-1972) Steal Away to Heaven traditional arr. Mark Hayes (b. 1953) Ride On, King Jesus _ traditional arr. Hall Johnson (1888-1970) Kerry Walters, soprano Timothy Schorr, piano The Stars and Stripes Forever! John Philip Sousa (1854-1932) James Hogg, viola Seth Beckman, piano * eK KK KOK *K Karen Becker is an active soloist and chamber musician, having performed throughout the United States as well as in Europe and Puerto Rico. In September she will tour Mexico performing works of American composers. She received her Doctor of Musical Arts degree from the University of Texas at Austin and is currently Assistant Professor of Cello at the University of Nebraska-Lincoln. Seth Beckman has received numerous honors and awards, both as a soloist and chamber musician, and has appeared in recital throughout the United States and Europe. He-is Associate Professor of Piano and Chair of the Music Department at Bemidji State University. Joseph Bognar received his Bachelor of Music degree from Valparaiso University. He was awarded the Doctor of Musical Arts degree in piano accompanying and vocal coaching fromthe University of Illinois. -
INTERVIEWS with the DIRECTORS of Five ENGLISH CHOIRS of MEN and BOYS by Ronald R
•••••••• CI ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• INTERVIEWS WITH THE DIRECTORS OF FIvE ENGLISH CHOIRS OF MEN AND BOYS by Ronald R. Sider HE FOLLOWING British choirs touring under the History and Tradition interviews were conducted auspices of Truckenbrod during July of 1990. The management are: Christ Church, History and tradition surround these five directors included were Oxford (March 1992); Trinity choirs. At St. Paul's Cathedral, selected because they and College, Cambridge (September music spans at least 800 years. The their choirs were scheduled 1992); Clare College, Cambridge earliest written records show a choir to tour the United States in (September 1993); and Canterbury school's existence in the 12th the ensuing several years, Cathedral (April 1994) . Choirs century. At King's College, when the and it was felt that American statutes of the College were choral conductors would .STEPF-IEN'·CEEOBURV'::-'"'' ""'1 laid down in 1445, six welcome information about fN, 'r2C1 0', III, ITT ~":r!R'I' singing men and 15 singing the choirs and their touring If1llUIJ VLll.JLU1...Ii boys were on the list of schedules. ' 'd establishment. St. John's St. John's College Choir, Camh, .n~e College received its charter in under George Guest, who 1511, and a chapel choir has has recently retired, com .PHILIP MOORE . '1,i sung daily services since that pleted a tour in October of rCYT'Pl1 -u: 1 time. Perhaps most impres- 1990; York Minster Choir, YORK.M1IY0.ll...JI:l.lJork . sive is York Minster, which under Philip Moore, toured I has had a functioning choir this past spring. The tour NELL,' III school since 6271 Tradition plans for Westminster -JAMES O'DON' defines and delineates Cathedral Choir, under 'W.ESf.MllYsmR.(JfJJf]5DRALfl function, and consequently J ames O'Donnell, did not 'T X-.nA,, OYJ, : ,Iii the service of Evensong is develop. -
BACH NOTES the Journal of the London Bach Society Autumn 2013
BACH NOTES The Journal of the London Bach Society Autumn 2013 LBS 23rd BACHFEST “Around and about the St. Matthew Passion” 31 October – 8 November Programme on www.bachlive.co.uk New Inspiration, New Music, New Talent, New Experience…and bargain-priced tickets ast autumn we began a Immersed in this environment, Bach’s programmes for series entitled “About the weekly concerts with the students’ musical society Lthe St. Matthew Passion”, at Zimmermann’s Coffee House5 contained new music6. a contextual survey of the work For Bach these concerts were welcome relief from the linked to a performance of Bach’s constraints of the church, a new composing and performing early version1, which we gave last opportunity, and an outlet for ideas, debate and controversy March using the edition prepared no doubt for everyone else. The LBS Bach Club follows in for Bärenreiter by Professor these footsteps to provide a similar hub for young people Andreas Glöckner2. We provided today. a ‘preface’ to it in our collaboration with the RCO London Organ It is the chorale in Part 2 of the Sir David Tang, Bach Club 2 Nov Forum last November led by John St. Matthew Passion that has inspired Butt and Robert Quinney entitled ‘Hearing Bach’s Voice: Robert Peate’s new work “Wie Organ, Chorale and Passion” that showed the different wunderbarlich…”. An imaginative genres Bach used were not ‘in isolation’ but worked together. and well-crafted piece, two of the So far it has all been a revelatory experience. What is composer’s trademarks, and an LBS to come promises much as well. -
History of the Cathedral Organ
History of the Cathedral Organ The first worship service was held at the Cathedral of the Incarnation on Trinity Sunday, 1911. At this time, only the undercroft was completed, and the building was designated the “pro-cathedral”, meaning the building was designated to someday be the Cathedral. No records can be found of what instrument was used between 1911 and 1931, when the upper church was finally completed. Neither can any record be found of the instrument used in our sanctuary between 1931 and 1941. In 1941, the original Cathedral organ was purchased from the Möller Organ Company of Hagerstown. The instrument at the time had a total of fourteen ranks of pipes and chimes. The purchase price was $5,825, for Möller Opus 7042 (about $91,000 in 2014 dollars). Completion of the organ, envisioned to be 43 ranks, was planned as soon as funds were available. In 1960, the Cathedral received a bequest by Ella Jarrett and Mary Helen Ziegler for additions to the organ. A contract was given to the Aeolian-Skinner Organ Company of Boston for the additions (Opus 1386). Six additional ranks were added to the swell organ and seven ranks were added to the choir organ. The cost of this work was $15,200 (about $119,000 in 2014 dollars). A proposal to add an additional 11 ranks to the great organ and five ranks to the pedal organ was rejected by the Chapter as too costly. The cost of these additions at the time was $17,550. By 1971, the organ was in need of an overhaul. -
Choir School News • 3 Memories of John Scott from the Choir School Community
Can- Dom- tate ino Choir School News A Newsletter for Alumni & Friends of Saint Thomas Choir School WINTER/SPRING 2016 ©2016 Studios Ira Lippke John Gavin Scott (1956-2015) This edition of the Choir School News is in thanksgiving for the life and witness of John Scott. Here, alumni, parents, colleagues and friends share memories and reflections of his extraordinary impact on this community. Through John’s gifts, people not only experienced music of the highest caliber, but were also drawn deeper into the mystery of God. For all of us, John’s death was a terrible shock. It has caused us to reflect on how fragile life can be. Even as we have moved forward at the Choir School, we continue to miss him and entrust him to God’s care and protection. I invite you to share in our common life through these pages. –Charles F. Wallace, Headmaster IN MEMORIAM EXCERPTS FROM FATHER MEAD’S HOMILY AT JOHN SCOTT’S FUNERAL Evensong and a recital of Buxtehude. I asked John, who was then forty-seven but had been at St. Paul’s since his mid-twenties, would he be interested in coming to Saint Thomas? He would be interested, he replied, but that if I would please understand he would like not to have to apply. Very well; would he give me his resume? Yes, he would. This was pure John. As John prepared to leave St. Paul’s, Her Majesty Queen Elizabeth made him a Lieutenant of the Victorian Order (LVO) for his distinguished services to the Crown at London’s great cathedral, where John led the music for many royal and state occasions – not to mention the daily round of choral evensongs and other liturgies. -
John Walker David Arcus Jonathan Dimmock John Scott Robert Parkins
John Walker Jonathan Dimmock Robert Parkins October 14, 2007 January 27, 2008 March 30, 2008 John Walker, widely rec- Jonathan Dimmock’s Robert Parkins is the ognized for his “flawless playing has been ac- University Organist and technique and execution” claimed for its “musician- a Professor of the Prac- as well as his “controlled ship, taste, and unostenta- tice of Music at Duke. and passionate playing,” tious virtuosity.” He has He has concertized was for many years or- toured widely over five throughout the United ganist at The Riverside continents and has re- States and Europe, and Church in New York City. corded over 25 CDs. his recordings have ap- He now serves as Minis- Dimmock has held musi- peared on the Calcante, ter of Music at Brown cal posts at Westminster Gothic, Musical Heri- Memorial Park Avenue Abbey in London, the Ca- tage Society, and Naxos Presbyterian Church in thedral Church of St. labels. This season’s re- Baltimore and is a member of the organ faculty at John the Divine in New York City, and St. Mark’s cital program will feature “Three German Sona- the Peabody Conservatory of Music. Dr. Walker’s Cathedral in Minneapolis. He is currently the Or- tas” by Mendelssohn, Hindemith, and Reubke. active performance schedule has taken him around ganist and Director of Music Ministries at St. Ignatius The third composer, who died at the age of 24, the world, and he has recorded for the Pro Organo, Church, San Francisco, as well as Organist to the left only one sizable organ work; after 150 years Gothic, and JAV labels. -
February 2012 a Publication of the Greater Columbia Chapter of the American Guild of Organists
The Greater Columbia Organist February 2012 A Publication of the Greater Columbia Chapter of the American Guild of Organists Our February Meeting Young Organist Competition 2012 Saturday, February 11, 2012 10:00 a.m. Lunch immediately following--available for $8 by reservation. (See below.*) Shandon United Methodist Church. 3407 Devine Street Columbia SC 29205 The final round of the Young Organist Competition will take place on Saturday, February 11 beginning at 10:00 a.m. Judges for the event will be Dr. William Bates, Dr. David Lowry, and Mr. Louis Shirer. Three contestants were screened from the applicants in the semi-final round and their playing is of an extremely high level. You will want to hear these exceptional performances by these young organists. Winners will be announced immediately following the competition. Prizes First Place $1000 Second Place $500 Third Place $300 Hymn Playing Award $250 (*)Please join us for lunch following the Young Organist Competition on Saturday, February 11 in Player Hall at Shandon United Methodist Church. The competition begins at 10:00 a.m. and will conclude just before noon with the awards. Students and their families, teachers, and judges will be treated to lunch by the Columbia AGO. AGO members are invited to join the celebration. Cost of lunch is $8 payable at the door. Please make a reservation with Frances Webb [email protected] by Wednesday, February 8 to ensure that we have enough food prepared. Come and meet and congratulate these young artists and enjoy visiting with AGO members! Grilled Chicken Breast Salad Seasoned New Potatoes Squash Casserole Dessert Christian Lane Master class and Organ Recital March 11, 2012 5:00 p.m. -
Dean's Message Michael Cala, Dean
SAN JOSE PIPINGS SAN JOSE CHAPTER OF THE AGO May 20 18 www.agosanjose.org Chapter Officers Dean’s Message Dean: Michael Cala Hello Members – First let me thank all of you for your support during my Sub Dean: Diane Keller year as Dean of the Chapter and I would ask that you will support Diane Secretary: Kay Lee Keller as she steps into the position. I hope that all of you are planning to attend the June Chapter Meeting on 3 rd June at 5 PM at Los Gatos First UMC. Auditor/Budget: Christine Merjanian The program as I understand will be our own organists performing well known Darryl Parker hymns that will include improvisation and group singing. There will also be a pot luck after so please bring a dish to share with your fellow members. My Handbook: Kay Lee very best wishes to all of you and will see you at the 2018-19 chapter events. Education/Resources & Historian: Valerie Sterk Michael Cala, Dean Members at Large: David Snook-Luther - 2018 Susan Snook-Luther - 2019 DR. JOHN WALKER CONCERT & WORKSHOP Barry Ford – 2020 DIANE KELLER Dr. John Walker presented a fantastic Concert on Friday 23 March 2018, Membership: David Snook-Luther at the Campbell United Methodist Church , 1675 Winchester Blvd, Campbell and a great fantastic Workshop on Saturday 24 March 2018, at Newsletter: Kenneth Talbot (408) 732-6094 the First United Methodist Church , 625 Hamilton Avenue, Palo Alto. [email protected] Issue Deadline: 25 th of month In March, our chapter had the great honor of hosting Dr. -
OCTOBER, 2006 St. Mark's Pro-Cathedral Hastings, Nebraska
THE DIAPASON OCTOBER, 2006 St. Mark’s Pro-Cathedral Hastings, Nebraska Cover feature on pages 31–32 ica and Great Britain. The festival will Matthew Lewis; 10/22, Thomas Spacht; use two of the most significant instru- 10/29, Justin Hartz; November 5, Rut- THE DIAPASON ments in London for its Exhibition- gers Collegium Musicum; 11/12, Mark A Scranton Gillette Publication Concerts: the original 1883 “Father” Pacoe; 11/19, David Schelat; 11/26, Ninety-seventh Year: No. 10, Whole No. 1163 OCTOBER, 2006 Willis organ in St. Dominic’s Priory organ students of the Mason Gross Established in 1909 ISSN 0012-2378 (Haverstock Hill) and the newly School of the Arts, Rutgers; December restored 1963 Walker organ in St. John 10, Vox Fidelis; December 17, Advent An International Monthly Devoted to the Organ, the Evangelist (Islington). Lessons & Carols. For information: the Harpsichord, the Carillon and Church Music The first two Exhibition-Concerts in <christchurchnewbrunswick.org>. London take place on October 7 and 14, and both are preceded by pubic discus- St. James Episcopal Cathedral, sions on organ composition today. Addi- Chicago, Illinois, continues its music CONTENTS Editor & Publisher JEROME BUTERA [email protected] tionally, there are three ‘new music’ series: October 14, Mozart chamber 847/391-1045 concerts at Westminster Abbey, West- music; 10/15, The Cathedral Choir, FEATURES minster Cathedral and St. Dominic’s soloists, and chamber orchestra; Introducing Charles Quef Priory. Full details can be found on the November 5, Choral Evensong; 11/19, Forgotten master of La Trinité in Paris Associate Editor JOYCE ROBINSON festival website <www.afnom.org>. -
15 September Windchest
T H E W I N D C H E S T Newsletter of the Delaware Chapter American Guild of Organists ! September 2015 Dear Colleagues, Welcome to our New Year and to its first Newsletter, full of good stuff. You will find greetings from our new Dean and Subdean, details of our exciting program year, as well as information about other outstanding events. Please put them on your calendar and join us, beginning with the first meeting on 12 September. Be like a Wise Man and come with a covered dish. (To repeat the old joke: Biblical scholars know that at least one of the Wise Men was a Lutheran, because he brought a covered dish.) “A Great Cloud of Witnesses.” These faithful men and women who came before us to “pave the way” are referred to in Hebrews 12:1. I always mentioned to my students the names of my teachers, along with other famous teachers from previous generations. I do that, first, so that they have a sense of who their “pedagogical grandparents” were. In addition, I wanted them to know the names of legendary persons from the past whom they will never meet and, very likely, whose names they have never heard. Such as that first American generation from whom many of us are descended: Arthur Poister (Syracuse University), Harold Gleason (Eastman) and Palmer Christian (University of Michigan). A suggestion: Thank your teachers and tell your students about them. ! ! ! Arthur Poister (1898-1980) Harold Gleason (1892-1980) and Palmer Christian (1841-1953) his wife, the late Catherine Crozier In closing, I want to mention that, along with organists around the world, we in Delaware surely lament the sudden and early death of John Scott, organist and choirmaster of St. -
JUNE, 2011 the Church of the Resurrection New York, New York Cover Feature on Pages 26–27
THE DIAPASON JUNE, 2011 The Church of the Resurrection New York, New York Cover feature on pages 26–27 June 2011 Cover.indd 1 5/13/11 8:34:57 AM June 2011 pp. 2-18.indd 2 5/13/11 8:36:24 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred Second Year: No. 6, Whole No. 1219 JUNE, 2011 In the wind . typical tractor tire with a pressure of Established in 1909 ISSN 0012-2378 Please accept my admiration for the 40 psi would be the equivalent of 1,080 An International Monthly Devoted to the Organ, John Bishop’s wonderful column in the inches of wind. That would indeed be the Harpsichord, Carillon, and Church Music April issue. His paean to the Cathedral the “Last Trumpet!” of St. John the Divine struck a mighty David Wigton chord of nostalgia, combined with ad- Dryden, Michigan miration of Bishop’s evocative writing, in CONTENTS Editor & Publisher JEROME BUTERA [email protected] which he expressed thoughts about the John Bishop replies 847/391-1045 building and its organ—which I have al- My thanks to my friend David Wig- FEATURES ways felt deeply. ton for his nice comments, and for Harpsichord Playing in America Associate Editor JOYCE ROBINSON Over a period of six years (four as a catching my error about wind pres- “after” Landowska [email protected] by Larry Palmer 19 choirboy and, overlapping that, four sure. He’s correct, of course, within 847/391-1044 as an organ student of Norman Coke- seven tenths of an inch. -
Gabriel Kney Organ Op
Upcoming Music Events All Events are Free and Open to Public Student Recitals are tentative - call 962-5850 to confirm or visit www.stthomas.edu/music/events Piano Faculty Recital Sun., Apr 20 Brady Educational Center Auditorium 4:00 PM Student Recitals: Geraghty, O’Grady, Thomas & Johnson Fri., Apr 25 Brady Educational Center Auditorium 7:00 PM Kotulski Voice Studio Recital Sun., Apr 27 Brady Educational Center Auditorium 2:00 PM John Scott Student Recital: Kelli Beck Sun., Apr 27 Brady Educational Center Auditorium 5:00 PM Organist Chamber Winds Concert Mon., Apr 28 Brady Educational Center Auditorium 8:00 PM African Music Ensemble Concert in a Fri., May 2 Brady Educational Center Auditorium 7:30 PM Student Recitals: Erik Johnson & Charles Holton Sat., May 3 Brady Educational Center Auditorium 6:00 PM Guest Recital Handbell Choir Concert Sat., May 3 St. Thomas Aquinas Chapel 7:00 PM Liturgical Choir Concert Sun., May 4 St. Thomas Aquinas Chapel 2:00 PM Student Recitals: Michael Berg & Alex Maiers Sun., May 4 Brady Educational Center Auditorium 2:00 PM If you’ve enjoyed tonight’s program, you might enjoy Pipedreams, a radio program for the King of Instruments. Tune into KSJN, 99.5 FM, Sunday evenings at 9:00 PM for The Organ Calendar and Pipedreams, hosted by Michael Barone of Minnesota Public Radio. April 14, 2008 St. Thomas Aquinas Chapel 8:15 PM PROGRAM About the Artist Toccata Settima M. Rossi (1601-1656) John Scott is Organist and Director of Music at St. Thomas Church Fifth Avenue in New York City.