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ARTS IN BRIEF songwriter whose introspective songs won him Broadway singer Brightman critical acclaim and an Academy Award nomina- tion, has apparently committed suicide, his publi- set to play Center in January cist and coroner’s officials said yesterday. He was 34. Sarah Brightman will make a return trip to the Smith’s body found by his live-in girlfriend stage of the Bryce Jordan Center at 8 p.m. Mon- was Tuesday, Los Angeles County Coroner Records day Jan. 26. Her Jordan Center appearance first Supervisor Marsha Grigsby told AP Radio. was in 1999. Tickets for theworld-renowned vocal- He sustained a single to the chest will go on Saturday at 10 at Jordan stab wound ist sale a.m. the that appearedto be she said. Center, Eisenhower Auditorium, Penn State self-inflicted, His New York-based publicist, spoke on Downtown select who Theatre, Uni-Marts, the Altoona ofanonymity, afro his death. Campus ticket charge by phone at 865-5555 condition confirmed £ outlet, Smith released five solo albums that received 3 or 800-863-3336 online at www.bjc.psu.edu. Tick- or widespread and gar- ets for the show are $49.50 and for acclaim from rock critics * $39.50, $59.50 nered modestcommercial success. “Miss Misery,” reserved seating with Gold Circle seating also recorded for Gus Van Sant’s Good Will Hunting, available. was nominated for an Oscar in 1998. Brightman is touring to support May’s Harem, Smith’s songs often were compared with those her 12th studio album. She made her theatrical of Alex the his at age 14 went on to a member Chilton, Nick Drake and Beatles, debut and become favorite band. Lyrically, they addressed dark sub- of the original cast of Cats at the New London jectmatter such as drug troubled rela- Theatre. In 1985 she was Grammy addiction, nominated for a and loneliness though Smith tried Best New Classical Artist for her performance tionships to for distance himself from the label of confessional of Andrew Lloyd Webber’sRequiem. She also was songwriter. for a Drama Desk Award in when nominated 1988, “I don’tfeel like my songs are particularly frag- she originated the role of Christine in Webber’s ile or revealing,” he said in a in the The Phantom the Opera. 1998 interview of Los Angeles Times. “It’s not like a diary, and they’re not intended to be any sort of superinti- mate confessional singer-songwriterish thing.” Singer-songwriter Elliot Smith However, Smith had recently spoken in inter- views about his struggles with alcoholism. “When found dead at the age of 34 I lived in New York I was really a bad alcoholic for LOS ANGELES CAP)— Elliott Smith, a singer- a fewyears,” he told Under the Radar magazine in an interview published in June 2003. IS) eO W ■ Gift Certificates always | 1 AVAILABLE. * Get | Classes form monthly I a Grip! (on the Daily Collegian) 113 HcMer Stmt 237-5710.

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Honoring a Lesser-Known Music Titan
THE CIFF DAY 6 / MONDAY / 3.23.2015 Sponsored by Honoring a Lesser-Known Music Titan t was a haunting, quiet song that was upstaged by power ballads and the sheer glitter of the Oscars, but anyone who Iwatched the 70th Academy Awards may still be able to hear a quiet croon in their heads: “Do you miss me, miss misery, like you say you do?” It was, technically, Elliott Smith’s most widely-seen performance, of which he only said, “I wouldn’t want to live in that world, but it was fun to walk around on the moon for a day.” ABOVE: A writer, director, Seventeen years later, and more than a cinematographer and editor, in addition to a producer, Jeremiah decade after Smith’s death in an incident that Gurzi’s work ranges from indie shorts still perplexes and divides his fans, producer and to major TV shows. “Heaven Adores You” was a particular labor of love cinematographer Jeremiah Gurzi has released from the moment he and director Nickolas Rossi first discussed it. a tribute film, “Heaven Adores You,” which RIGHT: Musician Elliott Smith was explores the full depths of the talent that the nominated for an Academy Award for “Best Original Song” in 1997 for “Miss world lost. Misery,” which appeared in the film, For Gurzi, the journey of bringing “Good Will Hunting.” Smith’s music to the screen began in the “I was flabbergasted at the amount of summer of 2009. unreleased Elliott Smith music safely preserved “I had coffee with [director] Nickolas in the official archives,” he says.
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The Dynamics of Culture
The Art of Being Human THE DYNAMICS OF CULTURE All cultures are dynamic and constantly changing as individuals navigate and negotiate the beliefs, values, ideas, ideals, norms, and meaning systems that make up the cultural environment in which they live. The dynamics between liberals and conservatives that constantly shape and re-shape American politics is just one example. Our realities are ultimately shaped not only in the realm of politics and policy-making, but in the most mundane moments of everyday life. Anthropologist Clifford Geertz famously noted, echoing Max Weber, that "Man is an animal suspended in webs of significance he himself has spun." These webs of significance create a vast network of associations that create the system that brings meaning to the most minute moments of our lives and dramatically shape the decisions we make. Due to these "webs of significance," even the simple decision of which coffee to drink can feel like a political decision or some deep representation of who we are as a person. 237 Michael Wesch In a recent BuzzFeed video, a woman sits down for a blind taste test of popular coffees from Dunkin' Donuts, Starbucks, McDonalds, and 7-11. As she sits, the young woman confidently announces her love for Dunkin Donuts coffee. "Dunkin' is my jam!" she says, declaring not only her love for the coffee but also expressing her carefree and expressive identity. But as she takes her first sip from the unmarked cup of Dunkin' Donuts coffee she nearly spits it out and screams, "This is the worst!" and then confidently proclaims that that cup had to be "7-11!" She eventually settles on the 4th cup from the left as the best.
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Elliott Smith Dead at  by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s oﬃcial website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traﬃc from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter.
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Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause
Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cau... https://www.nytimes.com/2019/05/14/style/gen-x-millenials.html Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause Everything Else That’s Great and Awful Gen X set the precedent for today’s social justice warriors and capitalist super- soldiers. Enjoy, and also, sorry! By Alex Williams May 14, 2019 What is an X? An empty set, a place-holder, a nothing that fills a void until an actual something comes along. For the members of Generation X, born between 1965 and 1980, that was never us. “They have few heroes, no anthems, no style to call their own,” wrote Time magazine in a 1990 cover story called “20-something” that marked our debut, as a class, on the national stage. “They crave entertainment, but their attention span is as short as one zap of a TV dial. They hate yuppies, hippies and druggies. They postpone marriage because they dread divorce. They sneer at Range Rovers, Rolexes and red suspenders.” Leave aside the fact that struggling 20-somethings of any era tend to sneer at luxury goods. At that point, the oldest members of Generation X were 25. No one really knew what we were. But someone apparently knew what we weren’t: dreamers, revolutionaries, world-changers, like the baby boomers before us. To the extent that we were defined, we were defined in the negative — the first generation in American history to be written off before it had a chance to begin.
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The Art of Being Human First Edition
The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort
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Elliott Smith’S Songs in Good Will Hunting No Name #3’ Is the First We Hear, As Good Boys: Ben Affleck and Matt Damon in Good Will Hunting
loves... Elliott Smith’s songs in Good Will Hunting No Name #3’ is the first we hear, as Good boys: Ben Affleck and Matt Damon in Good Will Hunting. Will and best friend Chuckie (Affleck) drive through the boozy Boston dawn. It’s minor- key but upbeat, like the film, and it washes in apologetically, unsure of its place in the world, like Will. “Everyone is gone, home to oblivion,” sighs Smith, a theme for him. When Will meets student Skylar (Minnie Driver), their first date is soundtracked by the gorgeous ‘Say Yes’. Beginning, “I’m in love with the world through the eyes of a girl…” it’s not quite the ode to joy it appears. Smith’s narrator, like Will, has been transformed, but he’s still “damaged bad at best” and at his partner’s mercy. Over an intimate bedroom scene, Smith’s torch song ‘Between The Bars’ promises a remedy from “people you’ve been before that you don’t want around anymore”, but is that remedy affection, or unconsciousness? As Skylar leaves for California it’s to the eerie rippling of ‘Angeles’, in which Smith compares the pursuit of love/success to a high-stakes poker game, primed to fail. “Go on and lose the gamble, that’s the Celebrating a man in tune with a movie… history of the trade,” he sings, resigned, echoing one of the film’s main motifs. RITTEN BY MATT DAMON kids from broken homes with talents they According to Will, Sean “lost a big fuckin’ and Ben Affleck, pre- seem embarrassed by.
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August 2015 Newsletter
August find your story 2015 August schedule We will be closed on Sundays Literacy, fun and Books for Dessert throughout August, with Sunday hours resuming after Labor Day Annmarie Benzinger is a teacher weekend. who just can’t stop teaching. After working for thirty years in the Port Washington School District at both PWPL at the LIRR the elementary and middle school Our summer service at the train sta- level, she retired in 2002. One year tion continues in August, running later she started up again. This time, through September 9. We’ll be there however, things were a little different. on Wednesday mornings from 7 to 9 She became a group leader for Books a.m. Borrow popular paperbacks— For Dessert, an award-winning book no library card required! Also, ask club for adults over 21 with intellec- us about downloading e-books and tual disabilities. audiobooks straight to your phone “Its amazing to be a part of the or tablet. See you at the station! reading experience with this group. They work together, help one an- other—it is what any teacher could Adult Summer hope for,” says Benzinger. Aside from reading through the text, the club Reading Club dissects the vocabulary and makes Summer reading isn’t just for kids connections between the characters’ anymore—join the Adult Summer experiences and their own. Reading Club! Register at the In- Benzinger’s group meets at the formation Desk or at pwpl.org. Just Library every Monday morning. Over Left to right: Brian Kelly, Kim Berlin, Annmarie Benzinger, and Melissa Mazure keep track of what you’ve read—fic- the past dozen years her group has tion or non-fiction—and for every read everything from sophisticated day evening.
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Update August 11 2021 Artist Song Title the Mike Massé Show Episodes (Andi G) (Clickable Links)
*Roc = feat. Rock Smallwood Songs Total: 3812 YouTube Debuts: 0520 YouTube Shows: 176 *Bry = feat. Bryce Bloom Different Songs: 0705 Tease: 0025 Interviews: 008 *Tim = feat. Tim Massé *Sco= feat. Scott Slusher *kur=feat. Kurt Moorehead *Mik=feat. Mike Johnson *Ban=Band *Bre=Brenda Andrus * Retired = Mike has retired this song on the live stream Update August 11 2021 Artist Song Title The Mike Massé Show Episodes (Andi G) (clickable links) Adventure Time Theme Song 171 Hot Cross Buns 055 10,000 Maniacs These Are Days 164 175Ban175 88, The At Least It Was Here 087 092 106 A A Flock Of Seagulls I Ran 053 063Roc 067Roc 082Roc 105Roc 170Roc ABBA I Have A Dream 048 ABBA S.O.S. 007 024 036 060 075 135 A-Ha Hunting High And Low 023 066 Sco 079 106 A-Ha Take On Me 048 062 108 Air Supply All Out Of Love 007 040 058 064 137 Alan Parsons Project, The Eye In the Sky 002 010 031 050Bry 060 062 079 090Bry 099 106 121 148 Alan Parsons Project, The Time 131 Alanis Morissette Hand In My Pocket 024 041 070 081 107Roc 126 Alanis Morissette Thank U 175Ban175 Alice In Chains (1/2 Step) No Excuses 014 039 047Roc 063Roc 066Sco 094Roc 105Roc 112Roc 118Roc 161Roc 169Roc America A Horse With No Name – America 159Roc 166Roc Andrew Lloyd Webber Close Every Door 012 044 087 113 153 Aqualung Brighter Than Sunshine 140 Asia Heat Of The Moment 008 045 055 092 106 127 164 Asia The Smile Has Left Your Eyes (piano) 078 122 Autograph Turn Up The Radio 099 B Bad Company Feel Like Makin' Love 088Roc 114Ban 166Roc Bad Company Shooting Star 011 022 031 042 069 081 121 131 141
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The Life of Elliott Smith. New York: Bloomsbury
Document généré le 1 oct. 2021 22:57 Intersections Canadian Journal of Music Revue canadienne de musique William Todd Schultz. 2013. Torment Saint: The Life of Elliott Smith. New York: Bloomsbury. 368 pp. ISBN 978-1-60819-973-0 Matthew Ryan Smith Volume 34, numéro 1-2, 2014 URI : https://id.erudit.org/iderudit/1030883ar DOI : https://doi.org/10.7202/1030883ar Aller au sommaire du numéro Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 1911-0146 (imprimé) 1918-512X (numérique) Découvrir la revue Citer ce compte rendu Smith, M. R. (2014). Compte rendu de [William Todd Schultz. 2013. Torment Saint: The Life of Elliott Smith. New York: Bloomsbury. 368 pp. ISBN 978-1-60819-973-0]. Intersections, 34(1-2), 221–224. https://doi.org/10.7202/1030883ar Copyright © Canadian University Music Society / Société de musique des Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des universités canadiennes, 2015 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 34/1–2 (2013/2014) 221 Dorith Cooper, 114–23, CanMus Documents 2, Institute for Canadian Music, University of Toronto. Diamond, Beverley.
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Heaven Adores You an Intimate, Meditative Inquiry Into the Life and Music of Elliott Smith
“... archival triumph ... ceaseless gems ...” Jayson Greene, Pitchfork “... intricately positioned and painstakingly researched ... the most comprehensive study of Smith's life to date ...” Jeremy Elphick, 4:3 Heaven Adores You An intimate, meditative inquiry into the life and music of Elliott Smith. USA - 104 Minutes - Color Director/Producer: Nickolas Rossi Producers: Jeremiah Gurzi, Kevin Moyer, Marc Smolowitz Executive Producers: Charles Akin, Wesley Hirni, Noah Lang, Haroula Rose Sales & Distribution inquiries Marc Smolowitz - Phone: 415-370-0434 Email: [email protected] Jeremiah Gurzi Email: [email protected] Press/Publicity requests Danielle Holke - Phone: 347-616-0434 Email: [email protected] High-resolution stills and video clips are available at: http://heavenadoresyou.com IMDB: http://imdb.com/title/tt2244889 VERSION AS OF 10/19/2014 http://heavenadoresyou.com :: http://facebook.com/heavenadoresyou :: http://twitter.com/heavenadoresyou LOG LINE Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. SHORT SYNOPSIS Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith (1969 2003). By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in Portland, New York City, Los Angeles Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians. LONG SYNOPSIS Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. In this documentary portrait, we journey through the life of American singer and songwriter Steven Paul "Elliott" Smith, a musician whose rise to prominence in the 1990s and early 2000s was cut short by his untimely death at the age of 34 in 2003.
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{PDF} Elliott Smith Ebook, Epub
ELLIOTT SMITH PDF, EPUB, EBOOK Autumn De Wilde | 224 pages | 09 Nov 2007 | CHRONICLE BOOKS | 9780811857994 | English | California, United States Elliott Smith PDF Book Over on Sweet Adeline, the Elliott Smith messageboard where the "sad kids" Mary Lou Lord described congregate, stories continue to circulate. Archived from the original on March 19, Views Read Edit View history. For much of his childhood, Smith's family was a part of the Community of Christ [14] but began attending services at a local Methodist Church. New Moon An Introduction to The New York Times. But I won't forget about it, although I'm tempted to because I don't like it there. Consequence of Sound. Kill Rock Stars. After graduation, Smith began calling himself "Elliott", saying that he thought "Steve" sounded too much like a " jock " name, and that "Steven" sounded "too bookish". Trouser Press. Under the Radar. Ink Blot Magazine. Archived from the original on September 19, One friend, Mark Flannigan, who owned a Hollywood club where Smith regularly performed, went so far as to question whether Smith had committed suicide at all. Retrieved February 27, In the same article, Chiba recalls thinking, "Okay, you're asking a lot of yourself. Archived from the original on May 10, I was pretty much like, 'Let's just shelve it. Lately I've just been making up a lot of noise. Well Rounded Entertainment. But the Oscars was a very strange show, where the set was only one song cut down to less than two minutes, and the audience was a lot of people who didn't come to hear me play.
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Elliott Smith Pdf, Epub, Ebook
ELLIOTT SMITH PDF, EPUB, EBOOK Autumn De Wilde | 224 pages | 09 Nov 2007 | CHRONICLE BOOKS | 9780811857994 | English | California, United States Elliott Smith PDF Book Tiny Mix Tapes. She denied that she had refused to speak to detectives and said that although she had not been charged or questioned over the allegations, she felt she was now a suspect in the eyes of the public. Since Smith's death, many musical acts have paid him tribute. Memorial concerts were held in several cities in the United States and the United Kingdom. Archived from the original on September 5, Rolling Stone magazine described Smith as "ferociously talented", and the music as "some of the loveliest songs about the dissolution of a soul ever written [ July 2, Several songs made reference to drugs, but Smith explained that he used the theme of drugs as a vehicle for conveying dependence rather than the songs being about drugs specifically. Most of experience slips and drops away, like the figures of the sculptures on the cover of this record, but we all, together, can recreate it. Archived from the original on June 1, The Village Voice. Top Albums of the s. Sweet Adeline. Retrieved August 1, Main article: Heatmiser. May The coroner reported that no traces of illegal substances or alcohol were found in Smith's system at the time of his death but did find prescribed levels of antidepressant , anxiolytic , and ADHD medications, including clonazepam , mirtazapine , atomoxetine , and amphetamine. Download as PDF Printable version. I wouldn't even want to necessarily say it's the people from that label who are following me around, but it was probably them who broke into my house.
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