Peter Harvey Baritone
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BUXTEHUDE by ARRANGEMENT the Stradal Transcriptions
BUXTEHUDE BY ARRANGEMENT The Stradal Transcriptions Prelude and Fugue in A minor, BuxWV153 8:58 1 Prelude 1:55 Fugue 7:03 2 Fugue 1 3:42 3 Fugue 2 2:00 4 Toccata 1:21 5 Chaconne in E minor, BuxWV160 6:55 Prelude and Fugue in E minor, BuxWV143 6:20 6 Prelude 1:56 Fugue 4:24 7 Fugue 1 3:00 8 Fugue 2 – Adagio 1:24 Prelude and Fugue in E minor, BuxWV142 9:48 9 Prelude 1:12 Fugue 8:36 10 Fugue 1 1:51 11 Fugue 2 3:14 12 Fugue 3 3:31 13 Passacaglia in D minor, BuxWV161 9:01 Prelude and Fugue in D minor, BuxWV140 7:36 14 Prelude 1:41 Fugue 5:55 15 Fugue 1 2:40 16 Fugue 2 3:15 2 Prelude and Fugue in G minor, BuxWV150 8:59 17 Prelude 1:13 Fugue 7:46 18 Fugue 1 3:39 19 Fugue 2 1:21 20 Fugue 3 2:46 21 Chaconne in C minor, BuxWV159 8:01 Prelude and Fugue in F major, BuxWV145 7:41 22 Prelude 2:42 23 Fugue 4:59 Prelude and Fugue in F sharp minor, BuxWV146 10:11 24 Prelude 2:50 Fugue 7:21 25 Fugue 4:27 26 Toccata 2:54 Meilin Ai, piano TT 83:31 FIRST RECORDINGS 3 BUXTEHUDE/STRADAL: ORGAN TRANSCRIPTIONS by William Melton The early life of Dieterich Buxtehude is punctuated with uncertainties of detail.1 He was born about 1637 in either Helsingborg in southern Sweden or Oldesloe in the Danish Duchy of Holstein (presently Bad Oldesloe in the German federal state of Schleswig-Holstein). -
Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
Bach Academy Bruges
ENGLISH Wed 24 Jan — Sun 28 Jan 2018 BACH BEWERKT BACH ACADEMY BRUGES Bach rearranged — 01 — Dear music lover Festival summary Welcome to this eighth Bach than composing for religious services: WED 24 JAN 2018 15.00 Concert hall 17.00 Chamber music hall seeking the essence of music, distilling out BELGIAN PREMIERE Oxalys & Bojan Cicic Academy, with a programme that its language as far as he was able. 19.15 Stadsschouwburg Dietrich Henschel All roads lead to Bach focuses on the parody. The last ten years of his life saw the Introduction by Gloria Schemelli’s Gesangbuch p. 20 composition of the second part of the Carlier (in Dutch) p. 10 Well-Tempered Clavier, the Goldberg 19.15 Chamber music hall As you undoubtedly know, Bach frequently Variations, the Von Himmel Hoch choral 20.00 Stadsschouwburg 17.00 Chamber music hall Introduction by Ignace drew on music by other composers or his variations, The Musical Offering, the Mass Mass B Christine Busch & Bossuyt (in Dutch) own earlier work to mould into new works of in B minor and The Art of the Fugue. None Béatrice Massin & Jörg Halubek his own. The Mass in B minor, for example, of these compositions was written on Compagnie Fêtes galantes Bach. Violin sonatas 20.00 Concert hall is a brilliant interweaving of largely commission. For these works, Bach was i.c.w. Cultuurcentrum Brugge p. 11 Collegium Vocale Gent refashioned parts of earlier cantatas with driven only by artistic inspiration. They So singen wir recht das earned him nothing, and only thirty copies 19.15 Chamber music hall Gratias newly-composed passages. -
CHAN 0723 Booklet.Qxd 13/12/07 18:40 Page 2
CHAN 0723 Front.qxd 13/12/07 18:36 Page 1 BUXTEHUDE SACRED CANTATAS Vol. 2 EMMA KIRKBY • MICHAEL CHANCE • CHARLES DANIELS • PETER HARVEY THE PURCELL QUARTET CHAN 0723 CHANDOS early music CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 2 Dietrich Buxtehude (c. 1637–1707) Sacred Cantatas, Volume 2 1 Das neugebor’ne Kindelein, BuxWV 13 6:45 for soprano, alto, tenor, bass, three violins, violone and basso continuo AKG Images 2 Quemadmodum desiderat cervus, BuxWV 92 7:44 Chiaccona à 3 for tenor, two violins and basso continuo Nichts soll uns scheiden von der Liebe Gottes, BuxWV 77 10:22 for soprano, alto, bass, two violins, violone and basso continuo 3 Nichts soll uns scheiden von der Liebe Gottes 2:34 4 Wie sollte wohl heißen das zeitliche Leiden 1:54 5 Auch ist kein erschaffnes Vermögen zu nennen 2:00 6 Denn Gott hat die Liebe so hoch ja getrieben 3:52 Dixit Dominus Domino meo, BuxWV 17 10:03 for soprano, two violins, two violas, violone and basso continuo 7 Sonata 0:44 8 Dixit Dominus Domino meo 2:43 9 Juravit Dominus 0:52 Dietrich Buxtehude, with sheet of music, in an allegorical painting by Johann (Johannes) 10 Dominus a dextris tuis confregit in die irae suae reges 1:30 Voorhout (1647–1723) called Musizierende Gesellschaft, or Häusliche Musikszene (1674), 11 …conquassabit capita in terra multorum 1:22 also showing Johann Adam Rincken, at the keyboard 12 Gloria patri et filio et spiritui sancto 2:48 3 CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 4 An filius non est Dei, BuxWV 6 12:09 29 Jesu dulcis memoria, BuxWV 57 7:20 for alto, tenor, bass, -
Ton Koopman Marks Telemann's 250Thanniversary at the 16Th Itinéraire Baroque Festival
Ton Koopman marks Telemann’s 250thanniversary at the 16th Itinéraire Baroque festival Launch concert: 13 May Itinéraire Baroque Festival French Perigord 27 – 31 July www.itinerairebaroque.com At this summer’s Itinéraire Baroque, Ton Koopman is marking the 250th anniversary of German composer Georg Philipp Telemann during his annual festival in the Dordogne. The composer’s works form the backbone of the 4-day programme alongside Koopman’s trademark Bach Cantatas with the Amsterdam Baroque Choir and Orchestra. Set in the picturesque medieval villages and towns around Riberac, the festival runs from Thursday 27 July to Sunday 30 July 2017. The annual highlight is the Saturday ‘itinéraire’, starting with an organ recital by Koopman followed by five ‘taster’ concerts - in circuit that takes in small forgotten Romanesque churches. The performers remain in the same church offering a 40-minute concert to each group of concert-goers, while audiences travel between the churches in search of the next baroque “amuse-bouche”. One of the great composers of the baroque period, Telemann (1681-1712) was a lifelong friend of Johann Sebastian Bach and godfather to Bach’s child, Carl Philipp Emanuel. Although he was almost completely self-taught, Telemann is one of the most prolific composers in music history, having left an oeuvre of more than 3,000 works (only half have survived), including 35 operas. Starting his professional career regularly composing for the Thomaskirche in Leipzig, he became director of the city’s opera house. Prodigiously productive, Telemann supplied a wealth of new music for Leipzig, including several operas, one of which was his first major opera, Germanicus. -
J. S. Bach Christmas Oratorio
J. S. BACH CHRISTMAS ORATORIO Bach Collegium Japan Masaaki Suzuki BACH, Johann Sebastian (1685–1750) Weihnachtsoratorium, BWV 248 142'19 (Christmas Oratorio) Disc 1 Part I: Jauchzet, frohlocket! auf, preiset die Tage 24'57 Christmas Day (25th December 1734) 1 1. Chor. Jauchzet, frohlocket! auf, preiset die Tage … 7'35 2 2. Rezitativ (Tenor [Evangelist]). Es begab sich aber zu der Zeit … 1'14 3 3. Rezitativ (Alt). Nun wird mein liebster Bräutigam … 0'56 4 4. Arie (Alt). Bereite dich, Zion … 5'05 5 5. Choral. Wie soll ich dich empfangen … 1'05 6 6. Rezitativ (Tenor [Evangelist]). Und sie gebar ihren ersten Sohn … 0'24 7 7. Choral und Rezitativ (Sopran, Bass). Er ist auf Erden kommen arm … 2'46 8 8. Arie (Bass). Großer Herr, o starker König … 4'30 9 9. Choral. Ach, mein herzliebes Jesulein … 1'10 Part II: Und es waren Hirten in derselben Gegend 28'31 Second Day of Christmas (26th December 1734) 10 10. Sinfonia 5'42 11 11. Rezitativ (Tenor [Evangelist]). Und es waren Hirten in derselben Gegend … 0'43 12 12. Choral. Brich an, du schönes Morgenlicht … 1'01 13 13. Rezitativ (Tenor, Sopran [Evangelist, Der Engel]). Und der Engel sprach … 0'42 14 14. Rezitativ (Bass). Was Gott dem Abraham verheißen … 0'39 2 15 15. Arie (Tenor). Frohe Hirten, eilt, ach eilet … 3'35 16 16. Rezitativ (Tenor [Evangelist]). Und das habt zum Zeichen … 0'20 17 17. Choral. Schaut hin! dort liegt im finstern Stall … 0'38 18 18. Rezitativ (Bass). So geht denn hin, ihr Hirten, geht … 0'57 19 19. -
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 September 2012
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 sEPTEMBER 2012 The North German Chorale Fantasias and Georg Böhm’s Organ Works 1 TABLE OF CONTENTS VÄLKOMMEN! WELCOME! Informationcover inside 2 Göteborg har utvecklats från en hamn- och in- At the beginning of the twenty-first century, Welcome 3 dustristad till ett regionalt centrum för näringsliv, Göteborg has undergone a metamorphosis from its Göteborg International Organ Academy 2012 4 utbildning, forskning och kultur. Göteborgs Sym- historical position as a harbor city and an industrial The Göteborg International Organ Academy 5 foniker är, sen ett antal år, Sveriges nationalorkes- center into a regional center for business, educa- Academy programme 2012 6-7 ter, vid älven står vårt vackra operahus, på många tion, research and culture. For some years, the Concert programmes and Vespers 8-12 scener i staden pågår intensiva teateraktiviteter, Göteborg Symphony Orchestra has also been the Master-classes 13 Göteborgs Filmfestival och bokmässan är händelser National Orchestra of Sweden. The beautiful Göte- GOArt library and instruments on display 13 av internationell betydelse och högskolevärlden borg Opera stands on the banks of the Göta River. Biographies 13-19 kan inte bara uppvisa forskningsfält av internatio- The city’s many stages support an active theater Organ specifications 19-22 nell betydelse utan ger också betydande bidrag till scene. The annual Film Festival and Book Fair are Artisten, Bjurum organ 19 kulturlivet i form av konst, formgivning, musik, international events, and Göteborg’s universities Artisten, Gustavsson & Kjersgaard organ 20 teater, internationella vetenskapsfestivalen, osv. not only support research of international signifi- Haga Church, Brombaugh organ 20-21 cance, but also make important contributions to Örgryte New Church, Willis organ 21-22 Kulturlivet bygger också broar till andra delar the city’s cultural life, in the areas of art, music, Concerts and Vespers 23 av Europa. -
T. Koopman & Amsterdam Baroque Orchestra & Choir
_crar ~cr- :xxh :2- -5: =-:.-:: 7' .ocr _o(ob -e __- ::Si2"a::-:cc--~ ,,::" JC' fC :::e;:: .--,: 2 Johann Sebastian BACH(1685-1750) COMPLETE CANTATAS/L'INTEGRALE DES CANTATES DAS KANTATENWERK . VOLUME 3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHYON MAGNUS, soprano If, alto ANDREASSCHOU,alto(BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THE AMSTERDAM BAROQUE ORCHESTRA & CHOIR TON KOOPMAN 3 2 JohannSebastianBACH(1685-1750) COMPLETECANTATAS/L'INTEGRALEDESCANTATES DASKANTATENWERK VOLUME3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHVON MAGNUS,sopranoII, alto ANDREASSCHOU,alto (BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THEAMSTERDAMBAROQUEORCHESTRA& CHOIR TON KOOPMAN 3 COMPACTDISC1 70'13 P~/ 5eite "Christen, iitzet diesen Tag" BWV 63 28'20 Feria 1 Nativitatis Christi For the 1st day. of Christmas/Pour Ie I~ jour de Noel/Erster Weihnachtstag Text: Anon., Johann Michael Heineccios (?). 171.8 Ruth Holton, soprano [I] Chorale (Chorus): "Christen, otzel diesen Ta~" £148 [43] Violins, Violas, Cel/o, Double bass, Oboes, Trumpets, Timpani, Bassoon, Organ W Recitative(Altol:"a seiger Tag! 0 ungemeines Heute" -< " [43J Violins, Violas, Cel/o, Double -bass, Organ OJ Duel (Soprano, Bassi: "Gott. du hast es wohl gefuget" v [45] Oboe, Cel/o, Organ ""':::,' m Recitative (Tenor): "So kehret sich nun heut das bange leid" [45] Cel/a, Organ []] Duet (Alto, Tenorl: "Run und flehl den Himmel an" [45] Violins, Violas, Cel/i, Double bass, Organ W Recitative(Bass): "Verdoppelt euch demnach" [45] Violins, Violas, Cel/i, Double bass, Oboes, Bassoon, Organ [[] Chorale (Chorus): "HOchsler,schau in Gnaden an" [47] Violins, Violas, Cel/i, Double bass, Oboes, Trumpets,Timpani Bossoor C>-F "Ach, ich sehe, ilzt, do ich zur Hachzeit gehe" BWV 162 16"22 Dominica 20 post Trinitatis For the 20th Sunday aner Trinity/Pour Ie 20' Dimanche ap<es Ie ~""" e. -
The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach
Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 5-15-2010 The iH storical Figures of the Birthday Cantatas of Johann Sebastian Bach Marva J. Watson Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/theses Recommended Citation Watson, Marva J., "The iH storical Figures of the Birthday Cantatas of Johann Sebastian Bach" (2010). Theses. Paper 157. This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE HISTORICAL FIGURES OF THE BIRTHDAY CANTATAS OF JOHANN SEBASTIAN BACH by Marva Jean Watson B.M., Southern Illinois University, 1980 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Music Degree School of Music in the Graduate School Southern Illinois University Carbondale May 2010 THESIS APPROVAL THE HISTORICAL FIGURES OF THE BIRTHDAY CANTATAS OF JOHANN SEBASTIAN BACH By Marva Jean Watson A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music History and Literature Approved by: Dr. Melissa Mackey, Chair Dr. Pamela Stover Dr. Douglas Worthen Graduate School Southern Illinois University Carbondale April 2, 2010 AN ABSTRACT OF THE THESIS OF MARVA JEAN WATSON, for the Master of Music degree in Music History and Literature, presented on 2 April 2010, at Southern Illinois University Carbondale. TITLE: THE HISTORICAL FIGURES OF THE BIRTHDAY CANTATAS OF JOHANN SEBASTIAN BACH MAJOR PROFESSOR: Dr. -
Juilliard415 Photo by Claudio Papapietro
Juilliard415 Photo by Claudio Papapietro Support the next generation of performing artists Thank you for being an important part of this performance as an engaged audience member. You can do even more to support Juilliard’s remarkable young artists by making a tax-deductible gift of scholarship today. Your donation supports financial aid for our dedicated students and encourages their development and growth as performing artists. With more than 90% of students qualifying for financial aid, your donation truly does make a difference. Give now at giving.juilliard.edu/fromyourseat Or call (212) 799-5000, ext. 278 Thank you for your support! The Juilliard School presents Juilliard Historical Performance 10th Anniversary Season Juilliard415 Richard Egarr, Harpsichord and Director Friday, October 11, 2019, 7:30pm Peter Jay Sharp Theater GEORGE FRIDERIC Concerto Grosso in B-flat Major, Op. 3, No. 2 HANDEL Vivace (1685-1759) Largo Allegro Moderato Allegro HANDEL Concerto Grosso in A Minor, Op. 6, No. 4 Larghetto affetuoso Allegro Largo Allegro CHARLES AVISON Concerto Grosso in A Major, No. 1 (1709-70) Adagio Amoroso Allegro (after sonatas by Domenico Scarlatti) Intermission Juilliard's full-scholarship Historical Performance program was established and endowed in 2008 by the generous support of Bruce and Suzie Kovner. Additional support for this performance was provided, in part, by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 HANDEL Concerto Grosso in G Major, Op. 6, No. 1 A tempo giusto Allegro Adagio Allegro Allegro HANDEL Organ Concerto in F Major, Op. -
Dieterich Buxtehude's Membra Jesu Nostri: an Historical Overview, Analysis and Conducting Guide by Youn Ju Kim a Research Pa
Dieterich Buxtehude’s Membra Jesu Nostri: An historical overview, analysis and conducting guide by Youn Ju Kim A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved March 2012 by the Graduate Supervisory Committee: Gregory Gentry, Chair Gary Hill William Reber Rodney Rogers Timothy Russell ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Dieterich Buxtehude (ca. 1637-1707) is known for his many organ works. However, no significant portion of his choral music is in the standard performing repertoire. Buxtehude’s large-scale choral work Membra Jesu Nostri should be considered a seminal “passion” composition in part because of its historic position in early German Lutheran church music. It also serves as an example of the heightened levels of affect in a seventeenth century devotional passion. To better understand Buxtehude and his music, an overview of his life, career and religious beliefs are discussed, including the incorporation of pietism and mysticism in his cantata, Membra Jesu Nostri. Details of the composition’s structure, unifying thematic elements and text sources with translations are included. Historical performance practices are discussed, including the composer’s probable intent of having one of the seven cantatas performed every day before Easter. This research study also provides conductors with a variety of practical performance considerations. Through these observations, it will be shown that Buxtehude’s Membra Jesu Nostri is one of the most well-conceived and well-constructed choral works of the early Baroque era. i DEDICATION In nomine Jesu, Soli Deo Gloria (In the name of Jesus, to God alone be the glory) And to my parents Kim, Ha Sub and Lee, Jung Ji My love and respect will always be with you. -
04047 VANWIJNEN BIJBEL VAN BACH EN V3.Indd 1-3 09-09-13 16:10 ❖
, David O. Berger Nikolaus Harnoncourt, together Nowhere are we closer librarian emeritus of with Gustav Leonhardt the fi rst Concordia Seminary conductor to record a complete to Bach’s heart. Library in St. Louis, cycle of Bach’s cantatas using pe- where the Bach/Calov riod instruments: Bible resides: Read over Bach’s shoulder. “Bach’s Bible is highly interesting for any musician who performs his music and for everyone who loves his music. - How did he Subscription to the read his Bible - what did he write in the margins? My best deluxe edition with huge “As the only known extant books from the library of J. S. Bach wishes for this wonderful project.” listed for probate at the time of his death, the Calov Bible price advantages is now open. commentary provides a unique window into Bach’s use of Holy Scripture. From supplying missing words to underlining Prof. Dr. Ton Koopman, conduc- Bach’s and annotating the text, it’s clear that Bach was intimately tor, organist, harpsichordist, pro- own Bible acquainted with his Bible. The publication of Uitgeverij Van fessor of historically informed Wijnen makes this musico-theological treasure available to performance practice at Leyden lovers and scholars of Bach in a number of disciplines and to University: all collectors of fi ne facsimiles. Concordia Seminary takes great pleasure in partnering with the publisher in making it possible “The Bach/Calov Bible is a unique to share these valuable volumes with a world-wide clientele.” document. J.S. Bach comments BACH’S OWN on the Bible and this document has been preserved.