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Slap Magazine Issue 90 (April 2019)
Issue 90 Apr2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Spring is here as we turn our thoughts to the season ahead, and what a summer it will surely be with all the music and arts events in the pipeline. We again look forward to a few of the local music festivals such as Mello, where Severn Sounds again have a stage focusing on the young talent around the area; Kidderminster, Hereford, Worcester Colleges and Christopher Whitehead, Pershore and Tewkesbury High Schools are all represented, which bodes well for the future of our local music scene. We Apr 2019 bring news of other festivals such as Upton Jazz and Under the Hill festival near Evesham. Poetry lovers are also catered for In this issue, as we SLAP MAGAZINE highlight a vibrant spoken word scene, with articles on the Unit 3a, Lowesmoor Wharf, upcoming Cheltenham Poetry Festival and the Evesham Festival of Words, as well as all the other regular local Worcester WR1 2RS events.. Telephone: 01905 26660 There’s plenty for art fans in these pages too. If you haven’t [email protected] been to see the Matisse exhibition at Worcester Museum EDITORIAL yet, then I suggest you pop along before it ends later in the Mark Hogan - Editor month. -
At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 207 October Oxford’s Music Magazine 2012 Alphabet Backwards photo: Jenny Hardcore photo: Jenny Hardcore Go pop! NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net DAMO SUZUKI is set to headline The album is available to download this year’s Audioscope festival. The for a bargain £5 at legendary former Can singer will www.musicforagoodhome.com. play a set with The ODC Drumline at the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10th November. Damo first headlined Johnny Moto officially launches his Audioscope back in 2003 and has new photo exhibition at the Jericho SUPERGRASS will receive a special Performing Rights Society Heritage made occasional return visits to Tavern with a gig at the same venue Award this month. The band, who formed in 1993, will receive the award Oxford since, including a spectacular this month. at The Jericho Tavern, the legendary venue where they signed their record set at Truck Festival in 2009 backed Johnny has been taking photos of deal back in 1994 before going on to release six studio albums and a string by an all-star cast of Oxfordshire local gigs for over 25 years now, of hit singles, helping to put the Oxford music scene on the world map in the musicians. capturing many of the best local and process. Joining Suzuki at Audioscope, which touring acts to pass through the city Gaz Coombes, Mick Quinn and Danny Goffey will receive the award at the raises money for homeless charity in that time and a remains a familiar Tavern on October 3rd. -
When James Ford and Jas Shaw Met at Manchester University in the Late 1990S, They Never Imagined They'd End up Creating a Human Synthesiser
When James Ford and Jas Shaw met at Manchester University in the late 1990s, they never imagined they'd end up creating a human synthesiser. But in their very earliest musical experiments together, something was set in motion which would lead to one of the most unusual careers in British music: one which has seen their creative mission transform again and again, inventing entirely new formats for music-making along the way. So perhaps the weaving of rich layers of human vocal tonalities sung by The Deep Throat Choir into the techno framework of their fifth studio album Murmurations isn't quite such an unexpected turn of events. In fact, they've been connecting the human voice with electronic sound since they first founded the band Simian with Simon Lord and Alex McNaughten. Simian was, in Jas's words, about “trying to show you could make band music with songs and harmonies but be into Autechre too". Named after "Simeon", the home-made early synth rig of early electronic experimentalists The Silver Apples, the band combined Crosby, Stills & Nash harmonies with hypnotic Krautrock rhythms, cosmic analogue synthesiser swooshes and an unmistakeable clubber's sense of groove - and somehow in the middle of all that managed to find something extraordinarily accessible. They were signed to a major label subsidiary in 2000, and made two albums that stand up in their own right now. But, Jas continues, it was "just at the moment the world was into the Strokes and White Stripes and straight-ahead rock music," and their rich, baroque tapestries of song and sound didn't reach the audience their ambition and beauty deserved. -
Music's Augmented Future
thereport ISSUE 410 | 17 OCTOBER 2017 Music’s augmented future 1 ISSUE 410 17.10.17 COVERAR SPECIAL FEATURE PART 1 AR you experienced? he first thing to understand about Cycle report alongside technologies like Kingston; in the years since there have been particularly around its potential to become augmented reality (AR) technology microblogging, social networking platforms a steady stream of experiments around music truly mainstream. There are several reasons is that while it may be a hot trend of and 3D printing. and AR. You can read about some of them for this, starting with 2016’s big app craze: 2017, it’s certainly not a new trend. 2008 was also the year when Apple and later in this issue. Pokémon Go (pictured). TSci-fi author William Gibson was writing Google launched their first app stores for In the years after 2008, many of these While catching virtual beasties in real- about the idea of augmenting humans’ vision smartphones, with startups like Layar and campaigns have, with hindsight (and often world locations also seemed gimmicky at first with digital content in 1994, although arguably Metaio early to experiment with “browser” even at the time) seemed like gimmicks; – the mobile game raced to $500m of revenue head-up displays (HUDs) in aircraft were the apps that overlaid information onto the good for getting a few headlines when they and then $1bn. Even in April 2017, there were first example of AR decades before that. phone’s camera feed. launched, then quickly forgotten with no still 65m active players globally, and for many report AR as we understand it in 2017 has been By 2009, Music Ally was writing about AR obvious impact on sales or fan engagement. -
A Special Night for Panthers Sports | Page 7 UWM Student's Experience at Brewers' Internship
News | page 4 Union House Party in cludes human bowling uwMrOSl ball, ice cream The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Tomato fight held on North Ave. A special night for Panthers Sports | page 7 UWM student's experience at Brewers' internship Women's soccer loses to Minnesota 2-3 fringe | page 11 Pantherfest review and interview with Common Pantherfest offered up a variety of entertainment Friday evening. Post photos by Chris Furston By Marly Fink number of tickets available to and Pepsi. Campus organiza Gore said. Whitney Houston's Asst. News Editor faculty, staff and alumni were tions and athletics were also well UWM junior and Pantherfest comeback album [email protected] reduced, in hopes of increas represented. attendee Bridget Williquette disappoints ing student presence at the Dashboard Confessional, an thought this year's event was bet The Marcus Amphitheater was event. Although total attendance alternative band, hit the stage ter than last year. packed Friday night with an ex dropped, the number of students around8:30p.m.RapperCommon "It's awesome! There are a lot Editorial | page 19 cited crowd of UW-Milwaukee increased. followed around 10 p.m. more booths and they have the students and staff as Dashboard Forecourt festivities began at Gore worked closely with Euro bungee," Williquette said. Confessional and Common head 5 p.m., with complimentary food Bob Babisch, vice president of In recent years, alcohol has Obama perpetuates lined Pantherfest 2009. This for students and staff from Whole entertainment for Summerfest, been available at Pantherfest. myth of self-made man climactic end to a long week Foods and a wide range of ac with additional input from UWM However, Gore said in light of the of Campus Kickoff activities tivities, including Euro bungee alumni to secure the two head- recent drug and alcohol tragedies UWM residence hall liners. -
By Mark Ronson | Amy Winehouse the Zutons | Annenmaykantereit
Analyse von Musikaufnahmen (253082b) Dozent: Prof. Oliver Curdt Studiengang: Audiovisuelle Medien - Master (Externes Wahlpflichtfach) Semester: SoSe 2020 Hochschule der Medien Stuttgart, den 06.08.2020 Valerie By Mark Ronson | Amy Winehouse The Zutons | AnnenMayKantereit Vorgelegt von: Korinna Lorentz (Matrikel-Nr.: 39708; Studiengang: Crossmedia Publishing & Management) Inhaltsverzeichnis 1 Einleitung ..................................................................................................................................................... 4 2 The Zutons ................................................................................................................................................... 4 2.1 Entstehunggeschichte von Valerie................................................................................................................................ 5 2.1 Analyse von Valerie (The Zutons 2006) .................................................................................................................... 6 3 Amy Winehouse ............................................................................................................................................ 7 3.1 Live at BBC Radio.................................................................................................................................................. 8 3.2 Mark Ronson feat. Amy Winehouse .......................................................................................................................... 8 4 AnnenMayKantereit .................................................................................................................................... -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Lovebox2014.Pdf
“There is no greater advert for London as a creative, multicultural, party-loving city than Lovebox” - The Times Overveiw Introduction Lovebox is London’s own festival. Over the past 11 years, it has been embraced by the capital’s most stylish and influential party people and cemented it’s place at the heart of London’s bristling social summer calendar. No festival better captures the inclusiveness and multicultural beauty that London represents or the cultural breadth and depth that makes London first among its worldwide City equals. A dozen summers since it first set sail on Clapham Common, 2014 heralds a new chapter in the ever-evolving story of Lovebox. From Roxy Music to Snoop Dogg, from the music of Manu Chao to the flamboyance of Florence and the Machine, Victoria Park has hosted a decade of sun-drenched shows under the Lovebox banner. This coming July, Lovebox is being joined by Secret Productions (co-organisers of Wilderness and Secret Garden Party 2009-2013). In doing so, a larger family is being built to choreograph a new creative vision for Lovebox 2014. Now spanning two days, an urban revival is once again on its way. Lovebox is returning as a true celebration of festival culture, right in the heart of the City. Demographic Demographic Core - 18–35 Fans of all genres of live music who also enjoy going to clubs, gigs and festivals with friends, highly engaged with technology, media savvy, with an interest in arts and culture ABC1/B2 Male/ Female: 50% / 50% Total attendance 2013 – 70,000 Location Victoria Park boasts a perfect location, set between Bethnal Green, Hackney and Bow, three of the capital’s most socially dynamic and creative quarters. -
This Is a Summary Document of the Visitor Economy Strategy for the Liverpool City Region To
LiverpooL City region visitor eConomy strategy to 2020- a summary oCtober 2009 Figures updated February 2011 introDuCtion 04 The LiverpooL CiTy region’s CulturaL and Tourism £4bn 14,000 offer is The sTrongesT ouTside of London and has Key driver for visitor new been boosTed by LiverpooL’s sTaTus as european spend regeneration CapiTaL of Culture in 2008 and The signifiC anT pubLiC by 2020 jobs and privaTe sector invesTmenT in reCenT years by 2020 the visitor economy is now of such importance to the this is a sector like no other; one that provides real and of course all of this helps to improve the local economy that it has been selected by political employment opportunities for the people of the City quality of life for the one and half million people leaders and business leaders as one of the four region in hotels, shops, restaurants, conference who live and work here. it encourages increased transformational sectors in the Liverpool City region venues, visitor attractions, cultural institutions, inward investment, sustains our communities, that has the potential to make a step change and transport and tours and creative industries. our local facilities and attractions, and makes help transform the economy over the next decade1. us proud to live in one of the most vibrant it is a key driver for broader regeneration. and culturally alive regions in the uK. this strategy is the bedrock of an action plan that will be developed in close consultation with key local and Liverpool’s phenomenal success as european over the past few years there has been a huge regional partners as well as the Department of Culture, Capital of Culture 2008 was the culmination of a improvement in the quality of our destination media and sport. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
History Report Freiburg HOT 03.02.2016 00 Through 09.02.2016 23
History Report Freiburg_HOT 03.02.2016 00 through 09.02.2016 23 Air Date Air Time Cat RunTime Artist Keyword Title Keyword Mi 03.02.2016 00:05 SRO 04:11 Purple Souls There Goes The Fear Mi 03.02.2016 00:09 EKR 02:28 Bondage Fairies Clone Mi 03.02.2016 00:12 DPR 03:10 ANSA Foto Mi 03.02.2016 00:15 RCK 04:34 David Bowie Rebel Rebel Mi 03.02.2016 00:19 EKR 03:59 Delphic Doubt Mi 03.02.2016 00:23 RCK 03:04 The Rural Alberta Advantage Terrified Mi 03.02.2016 00:26 RCK 03:08 Eating Pebble Wrestling The Radio Mi 03.02.2016 00:30 NAC 01:41 EFFI Lovefiles Mi 03.02.2016 00:31 ARO 03:42 Foals Birch Tree Mi 03.02.2016 00:35 EKR 08:05 Ry/Frank Wiedemann Howling Mi 03.02.2016 00:43 SRO 04:18 Søjus1 003 (feat. i Am Halo) Mi 03.02.2016 00:47 POP 03:31 Kakkmaddafakka Forever Alone Mi 03.02.2016 00:51 DPR 03:08 Niels Frevert Das mit dem Glücklichsein ist relativ Mi 03.02.2016 00:54 RCK 03:52 The white stripes My Doorbell Mi 03.02.2016 00:58 ARO 02:40 JAIN Come Mi 03.02.2016 00:61 EKR 03:27 Darkstar Amplified Ease Mi 03.02.2016 00:64 POP 03:18 Monta all the luck in the world Mi 03.02.2016 00:67 NAC 04:25 William Fitzsimmons When I Come Home Mi 03.02.2016 00:72 NAC 04:00 Willard Grant Conspiracy Mary Of The Angels Mi 03.02.2016 01:05 NAC 04:43 Badly drawn boy Year of the Rat Mi 03.02.2016 01:10 J 00:02 Flüsterer_Ids1 Mi 03.02.2016 01:10 RCK 03:24 Givers Up Up UP Mi 03.02.2016 01:13 ARO 03:07 Lilith Ai Hang Tough Mi 03.02.2016 01:16 POP 04:18 Elliott Smith Cant Make A Sound Mi 03.02.2016 01:21 NAC 07:22 Sigur Rós Svo Hljótt Mi 03.02.2016 01:28 POP 03:58 The -
Valerie by Dave Mccabe, the Zutons, 1996, Recorded by Amy Winehouse, 2007
The Second Wukulele Songbook Valerie By Dave McCabe, The Zutons, 1996, recorded by Amy Winehouse, 2007 Well [C] sometimes I go out by myself and I look across the [Dm] water And I [C] think of all the things, what you do, and in my head I make a [Dm] picture Chorus [F] ‘Cos since I come on home, well my [Am] body's been a mess And I’ve [F] missed your ginger hair and the [Am] way you like to dress [F] Won't you come on over, [C] stop making a fool out of [G] me Why don't you come on over Vale [C] rie? Vale [Dm] rie Vale [C] rie, Vale [Dm] rie Did you [C] have to go to jail, put your house on up for sale, did you get a good [Dm] lawyer? I hope you [C] didn't catch a tan, I hope you find the right man who’ll fix it [Dm] for yer Are you [C] shopping anywhere, changed the colour of your hair, are you [Dm] busy? And did you [C] have to pay the fine you were dodging all the time are you still [Dm] dizzy? Chorus [F] ’Cos since I’ve come on home, well my [Am] body’s been a mess And I’ve [F] missed your ginger hair and the [Am] way you like to dress [F] Won't you come on over, [C] stop making a fool out of [G] me? Why don't you come on over Vale [C] rie? Vale [Dm] rie Vale [C] rie, Vale [Dm] rie Repeat verse 1 (No chords) Well sometimes I go out by myself and I look across the water (No chords) And I think of all the things, what you do and in my head I make a [Dm] picture Chorus [F] ’Cos since I’ve come on home, well my [Am] body’s been a mess And I’ve [F] missed your ginger hair and the [Am] way you like to dress [F] Won't you come on over, [C] stop making a fool out of [G] me? Why don't you come on over Vale [C] rie? Vale [Dm] rie Vale [C] rie, Vale [Dm] rie Vale [C] rie, Vale [Dm] rie Vale [C] rie 13/10/09 Worthing Ukulele Jam 10.