09/28/21 Television Sitcom | University of Glasgow

Television Sitcom View Online

Akass, K. and McCabe, J. (2004) Reading Sex and the City. London: I.B. Tauris. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=676497.

Allen, R. C. and Ebooks Corporation Limited (1992) Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. Chapel Hill: University of North Carolina Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=880024.

Bignell, J. and Lacey, S. (2005) Popular television drama: critical perspectives. Manchester: Manchester University Press.

Blain, N. and Hutchison, D. (2008) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748627998. 001.0001.

Creeber, G. (ed.) (2015a) The television genre book. Third edition. London: BFI.

Creeber, G. (ed.) (2015b) The television genre book. Third edition. London: BFI.

Creeber, G. (ed.) (2015c) The television genre book. Third edition. London: BFI.

Davis, A. (1989) TV laughtermakers. London: Boxtree.

Double, O. (1997) Stand-up!: on being a comedian. London: Methuen. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=692129.

Eaton, M. (1978) ‘Television Situation Comedy’, Screen, 19(4), pp. 61–90. doi: 10.1093/screen/19.4.61.

Friedman, J. (2002) Reality squared: televisual discourse on the real. New Brunswick, NJ: Rutgers University Press.

Gray, H. (1995) Watching race: television and the struggle for ‘Blackness’. Minneapolis: University of Minnesota Press.

Healy, M. (1995) ‘Were we being served? Homosexual representation in popular British comedy’, Screen, 36(3), pp. 243–256. doi: 10.1093/screen/36.3.243.

Hunt, D. M. (2005) Channeling blackness: studies on television and race in America. New York, N.Y.: Oxford University Press.

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Jhally, S. and Lewis, J. (1992) Enlightened racism: the Cosby show, audiences, and the myth of the American dream. Boulder: Westview Press.

Leverette, M., Ott, B. L. and Buckley, C. L. (2008) It’s not TV: watching HBO in the post-television era. New York, NY: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203928 868.

Lockyer, S. and Pickering, M. (2005) Beyond a joke: the limits of humour. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=736753.

Marc, D. (1989) Comic visions: television comedy and American culture. Boston: Unwin Hyman.

Mills, B. (2004) ‘Comedy verite: contemporary sitcom form’, Screen, 45(1), pp. 63–78. doi: 10.1093/screen/45.1.63.

Mills, B. (2005) Television sitcom. London: BFI.

Mills, B. (2010) ‘Being Rob Brydon: performing the self in comedy’, Celebrity Studies, 1(2), pp. 189–201.

Mills, Brett (2004) ‘New Jokes: Kath and Kim and Recent Global Sitcom’, Metro Magazine: Media & Education Magazine, (140), pp. 100–103. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA11745 0380&sid=summon&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=8213e9eae69ed144f4 ec180b8b274482.

Mittell, J. (2004) Genre and television: from cop shows to cartoons in American culture. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=200862.

Morreale, J. (2003a) Critiquing the sitcom: a reader. 1st ed. Syracuse, N.Y.: Syracuse University Press.

Morreale, J. (2003b) Critiquing the sitcom: a reader. 1st ed. Syracuse, N.Y.: Syracuse University Press.

Neale, S. (1990) ‘Question of genre’, Screen, 31(1), pp. 45–66. doi: 10.1093/screen/31.1.45.

Neale, S., Krutnik, F. and NetLibrary, Inc (1990) Popular film and television comedy. London: Routledge. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summa ry&v=1&bookid=173324.

Putterman, B. (1995a) On television and comedy: essays on style, theme, performer, and writer. Jefferson, N.C.: McFarland & Co.

Putterman, B. (1995b) On television and comedy: essays on style, theme, performer, and writer. Jefferson, N.C.: McFarland & Co.

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Rowe, K. K. (1990) ‘Roseanne: unruly woman as domestic goddess’, Screen, 31(4), pp. 408–419. doi: 10.1093/screen/31.4.408.

Smith, J. (2005) ‘The Frenzy of the Audible: Pleasure, Authenticity, and Recorded Laughter’, Television & New Media, 6(1), pp. 23–47. doi: 10.1177/1527476404268114.

Taylor, E. and NetLibrary, Inc (1989) Prime-time families: television culture in postwar America. Berkeley, Calif: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summa ry&v=1&bookid=21375.

Thompson, R. J. (1996) Television’s second golden age: from Hill Street blues to ER : Hill Street Blues, St. Elsewhere, Cagney & Lacey, Moonlighting, L.A. law, Thirtysomething, China Beach, Twin Peaks, Northern Exposure, Picket Fences, with brief reflections on Homicide, NYPD Blue, Chicago Hope, and other quality dramas. New York: Continuum.

Tueth, M. V. (2000) ‘Fun City: TV’s Urban Situation Comedies of the 1990s’, Journal of Popular Film and Television, 28(3), pp. 98–107. doi: 10.1080/01956050009602829.

Wayne, M. and Dawson Books (1998) Dissident voices: the politics of television and cultural change. London: Pluto Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibb oleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S97 81849645126.

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