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GENERAL INFORMATION II MEDITERRANEAN WUSHU CHAMPIONSHIPS II MEDITERRANEAN KUNG FU CHAMPIONSHIPS MARSEILLE, FRANCE MAY 31 – JUNE 3, 2019 General Information of the II Mediterranean Wushu Championships THE II MEDITERRANEAN WUSHU CHAMPIONSHIPS THE II MEDITERRANEAN KUNG FU CHAMPIONSHIPS COMPETITION GENERAL INFORMATION DATE & PLACE The 2nd Mediterranean Wushu Championships & the 2nd Mediterranean Kung Fu Championships will take place between May 30 and June 3, 2019 in Marseille, France. VENUES Competition Venue : Palais des sports de Marseille (81, rue Raymond-Teissere, 13000 Marseille) COMPETITION EVENTS 1. Taolu Events (Optional Routines without Degree of Difficulty): a. Individual Events (10 events divided into male and female categories): Changquan, Nanquan, Daoshu, Jianshu, Nandao, Gunshu, Qiangshu, Nangun, Taijiquan, Taijijian. b. Duilian Events (1 event divided into male and female categories): 2-3 people in duilian without weapons, duilian with weapons, or duilian with barehands against weapons. 2. Sanda Events: a. Men’s divisions (11 events): 48 Kg, 52 Kg, 56 Kg, 60 Kg, 65 Kg, 70 Kg, 75 Kg, 80 Kg, 85 Kg, 90 Kg, +90 Kg. b. Women’s divisions (7 events): 48 Kg, 52 Kg, 56 Kg, 60 Kg, 65 Kg, 70 Kg, 75 Kg. 3. Traditional Kung Fu Events: a. Individual Barehand Routine Events (15 events divided into male and female categories): (i). Taijiquan Type Events: 1) Chen Style (Performance Content derived from: Traditional Routines, Compulsory 56 Posture Routine, IWUF New Compulsory Chen Style Taijiquan Routine); 2) Yang Style (Performance Content derived from: Traditional Routines, Compulsory 40 Posture Routine, IWUF New Compulsory Yang Style Taijiquan Routine); 3) Other Styles (Performance Content derived from: Traditional Wu Style Routines, Compulsory Wu style Routines, Traditional Wu (Hao) Style Routines, Compulsory Wu (Hao) 46 Posture Routine, Traditional Sun Style Routines, Compulsory Sun Style 73 Posture Routine, 42 Posture Standardized Taijiquan). -
Tai Chi Retreat Course Book
. This book is created with love and distributed free. TAI CHI DANCEIt isOF meant THE PEACEFULto provide guidance WARRIOR and by counsel DAVE for WEST those Copyrightwho wish 2010 to practise. www.taichibali.com ‐ 1 ‐ 3 Nights 4 Days Luxury Hotel 3 Mountain Treks to Lakes and Waterfalls Hot Springs Canoing Kopi Luwak 10 Classes with Qualified Instructors Retreat Course Book and DVD Transport Service USD 495 per person USD 750 for couples T A I C H I B A L I M O U N T A I N R E T R E A T is hidden deep in the foothills of the volcanic forest, where the cool mountain air of North Bali is the perfect environment to relax and rejuvenate, deepen your TAI CHI , YOGA or CHI KUNG practice, and refresh yourself with natural healing energy. The aim of this retreat is to inspire you to develop a daily practice and holistic lifestyle that creates positive changes in all aspects of your life. During the retreat a natural force field develops within you that recharges your whole being with positive energy, vitality and inner peace. Experienced international instructors guide you through the course and mountain treks. Classes and retreats can be modified for all ages and levels. TAI CHI DANCE OF THE PEACEFUL WARRIOR by DAVE WEST Copyright 2010 www.taichibali.com ‐ 2 ‐ WELCOME TO TAI CHI BALI MOUNTAIN RETREAT Tai Chi Bali provides authentic wisdom and training from ancient China, India and Tibet, for living in health and harmony with the natural world. Opening the heart with meditation is the return to Truth and Love. -
Rules for International Wushu Taolu Competition
Rules for International Wushu Taolu Competition International Wushu Federation November 2005 1 CONTENTS CHAPTER 1 ORGANIZATIONAL STRUCTURE Article 1 Competition Committee Article 2 Jury of Appeal Article 3 Officials Article 4 Duties of Contest Officials Article 5 Duties of Support Staff CHAPTER 2 GENERAL RULES FOR COMPETITION Article 6 Types of Competition Article 7 Competition Events Article 8 Age-groups in Competition Article 9 Appeals Article 10 Determination of the Starting Order of Competition Article 11 Registry Article 12 Protocol Article 13 Timekeeping Article 14 Display of Scores Article 15 Default Article 16 Anti-doping Test Article 17 Placing Article 18 Application for Recognition of Innovative Movements Article 19 Other Competition Regulations CHAPTER 3 SCORING METHODS & CRITERIA Article 20 Scoring Methods & Criteria for Optional Events Article 21 Scoring Methods & Criteria for Events Without Specific Requirements for Degree of Difficulty Article 22 Decimal System of Scores Article 23 Determination of Actual Scores Article 24 Determination of Final Scores Article 25 Scoring Methods Without Computer Scoring System Article 26 Bonus and Deduction by Head Judge 2 CHAPTER 4 REQUIREMENTS FOR OPTIONAL TAOLU Article 27 Requirements for Optional Changquan, Jianshu, Daoshu, Qiangshu and Gunshu Article 28 Requirements for Optional Taijiquan and Taijijian Article 29 Requirements for Optional Nanquan, Nandao and Nangun 3 CHAPTER 1 ORGANIZATIONAL STRUCTURE Article 1 Competition Committee The Competition Committee of the World Championships and the World Cup shall be composed of wushu experts appointed by the International Wushu Federation and the Organizing Committee. It is held responsible for all work of the Competition. According to the scale of competition, each continental, regional or national federation may form its own Competition Committee or Department composed of technical officials to take charge of the whole organizational work of the Competition under the leadership of the Organizing Committee. -
Tai Chi Sword DR
TAI CHI CHUAN / MARTIAL ARTS B2856 BESTSELLING AUTHOR OF BOOKS AND VIDEOS ON TAI CHI, MARTIAL ARTS, AND QIGONG Tai Chi Sword Chi Sword Tai DR. YANG, JWING-MING REACH FOR THE HIGHEST LEVEL OF TAI CHI PRACTICE You can achieve the highest level of tai chi practice by including tai chi sword in your training regimen. Here’s your chance to take the next step in your tai chi journey Once you have attained proficiency in the bare-hand form, and have gained listening and sensing skills from pushing hands, you are ready for tai chi sword. Tai Chi Sword The elegant and effective techniques of traditional tai chi sword CLASSICAL YANG STYLE Tai chi sword will help you control your qi, refine your tai chi skills, and master yourself. You will strengthen and relax your body, calm and focus your mind, THE COMPLETE FORM, QIGONG, AND APPLICATIONS improve your balance, and develop proper tai chi breathing. This book provides a solid and practical approach to learning tai chi sword Style Classical Yang One of the people who have “made the accurately and quickly. Includes over 500 photographs with motion arrows! greatest impact on martial arts in the • Historical overview of tai chi sword past 100 years.” • Fundamentals including hand forms and footwork —Inside Kung Fu • Generating power with the sword 傳 Magazine • 12 tai chi sword breathing exercises • 30 key tai chi sword techniques with applications • 12 fundamental tai chi sword solo drills 統 • Complete 54-movement Yang Tai Chi Sword sequence • 48 martial applications from the tai chi sword sequence DR. -
Middlesex University Research Repository an Open Access Repository Of
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. ISBN 9780995461109. [Book Section] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/24696/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
The III-Rd Tallinn Open Wushu Championship Regulations
Federation of Sport and Traditional Wushu of Estonia Estonia, Tallinn 13520, Järveotsa tee 3-40. Gsm: (372) 56465203 Fax: (372) 6561277 email: [email protected] President: Priit Kõrve The III-rd Tallinn Open Wushu Championship Regulations 1. The tournament goals are promoting sport Wushu, improvement of Wushu skills, exchange of experience between the athletes of various countries, selection of the athletes into teams, promotion of a healthy way of life. 2. Organizers: Federation of Sport and Traditional Wushu of Estonia , Sportsclub Julged, Wushu Association of Baltic and Nordic Countries, Sportsclub Väiksed Vaprad, Sportsclub Yongsheng, Sportsclub Sensalong. LUBI IK JU 3. Local organizer : Spordiklubi Julged D L R G O E th P D 4. Date: 05 May 2007. S K U E N G E T 5. Location: Tallinn, Estonia. F U U V H ÄE JA RA Forelli 12, 10621 Tallinn, Estonia „Kristiine Spordikompleks“, 10.00 6. Age categories: • Girls up to 09 years (inclusive) Do not perform taijiquan • Boys up to 09 years (inclusive) • Girls from 10 to 12 years (inclusive) Do not perform taijiquan • Boys from 10 to 12 years (inclusive) 2 • Junior girls from 13 to 14 years (inclusive) • Juniors from 13 to 14 years (inclusive) • Women, from 15 and more years • Men, from 15 and more years 7. Competition program: 1. Barehand forms: Changquan, Nanquan, Taijiquan. 2. Short weapons: Jian, Dao, Nandao 3. Long weapons: Qiang, Gun, Nangun. 4. Taiji weapons. Taijiquan and Taiji weapons can be performed only by the athletes of the adult and junior age categories. In the events above the athletes perform: International competition routines or self-composed routines conforming of the Rules for International Wushu Taolu Competition, edition of International Wushu Federation 1999 and 2004. -
Choosing Butterfly Swords by Jeffrey D
Choosing Butterfly Swords By Jeffrey D. Modell, Esq. and Aaron Cantrell September 6, 2013 Many Chinese martial arts use “Butterfly Swords,” but they are the jewel of the Wing Chun system. Practitioners who reach their level of study are expected to practice intensely, thoughtfully and achieve an understanding that recursively improves their empty hand abilities. Butterfly Swords are a variety of Chinese saber with only one edge sharpened, a blade wider than that of the typical two- edged long sword and a specialized guard. The single edge and wide blade categorize them firmly as “Dao” (“Do” in Cantonese), a term that commonly means knife. Below are a few different words you may want to take note of for the purposes of this article: Hudiedao – Butterfly Swords or Butterfly Knives Baat Jaam Do (& variations on spelling) – Wing Chun Butterfly Swords/Knives (Eight Slash/Cut Swords/Knives) Butterfly swords and especially Baat Jaam Do (“BJD”) are not a one size fits all item. Each style and lineage emphasizes different techniques. The swords must be designed to accommodate and facilitate those movements. Some schools require a weapon based on tradition regardless of whether or not it is appropriate for today’s usage. Individuals develop personal preferences, and each set of swords would ideally be fitted to the specific person’s body. There are a lot of low quality swords on the market. They are not, and do not behave, like the true weapons they seek to imitate. To gain proficiency and understanding of Wing Chun movements, you need BJD that have the weight and feel of the weapons your techniques are designed for. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Martial Arts in Psycho-Physical Culture
© Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 15, no. 4 (2015), pp. 33–38 DOI: 10.14589/ido.15.4.5 SOCIOLOGY AND ANTHROPOLOGY Wojciech J. Cynarski1(ADG), Jong-Hoon Yu2(BE), Krzysztof Warchol1(BF), Pavol Bartik3(DF) 1 University of Rzeszów, Rzeszów (Poland) 2 Glenville State College, Glenville, WV (USA) 3 Matej Bel University, Banska Bystrica (Slovakia) Contact e-mail: [email protected] Martial arts in psycho-physical culture Submission: 12.04.2015; acceptance: 24.05.2015 Key words: martial arts, culture, physicality, spirituality, asceticism Abstract Background and Aim. The authors will discuss the nature of the relationship between the various martial arts and the “psycho-phys- ical culture”. We will approach this topic from the perspectives of the Humanistic Theory of Martial Arts, martial arts systemic anthropology, and the sociology of psycho-physical systems. Methods. The main method of research has been a qualitative content analysis of the literature (scientific and popular) acquired through a query library. We studied material gathered under the theme “Martial Arts” in the Library of the University of Rzeszow, as well as a list of recommended literature suggested by the International Martial Arts and Combat Sports Scientific Society (IMACSSS) Results. Four dimensions have been traditionally investigated to justify the assignment of martial arts to the area of psycho-physical culture. These are: (1) The presence in most martial arts of an original philosophy, especially one demanding a code of ethics: (2) A close, almost “genetic” relationships between martial arts and various applicable religious systems and traditions of applied social ethics; (3) The continuing emphasis on the area of physical culture as it relates to personality development and human spirituality; and (4) the presence in schools of martial arts of ceremonial events attached to “passages” in personal growth. -
Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
„Sztuce Lekkości” W Chińskich Praktykach Psychofizycznych
EDMUND BAKA Kilka uwag o „sztuce lekkości” w chińskich praktykach psychofi zycznych Pisanie tekstu do książki będącej hołdem pamięci kogoś, kogo się znało i ceniło, jest bardzo szczególnym doświadczeniem. Pamięć przywołuje wspomnienia wysłucha- nych wykładów, charakterystycznych wyrażeń i sytuacji, wreszcie rozmów na tema- ty, które interesowały nas obu. Profesor, mając bogate doświadczenie lat spędzonych w krajach Wschodniej Azji (głównie Korei Południowej i Chinach), pozostawał ot- warty na wszelkie źródła wiedzy o tym regionie świata, chętnie też konfrontował w dyskusji swoje poglądy na temat różnych zjawisk kultury tego regionu. Pamiętam, jak niespełna miesiąc (lub niewiele dłużej) po jego pierwszej operacji zatelefonował do mnie z informacją o minicyklu wykładów przeznaczonych dla szerszej publicz- ności, prowadzonych przez sinologów z Poznania, a dotyczących różnych aspek- tów kultury chińskiej (pismo, urbanistyka, sytuacja kobiet). Profesor w czasie tych wykładów skrupulatnie notował interesujące Go zagadnienia. Podobnie otwarty był w czasie naszych rozmów poświęconych chińskiej cywilizacji, w czasie których nie zawsze nasze opinie się pokrywały. Jako religioznawca nieco inaczej podchodziłem do kwestii zjawisk religijnych czy problemu samej defi nicji religii. Przedstawiał też swoją wizję funkcjonowania Katedry. Rozmawialiśmy kilkakrotnie, ostatni raz krót- ko po zakończeniu letniej olimpiady w Pekinie w 2008 roku. Spotkania te odbywały się w wietnamskiej restauracji, w której Profesor lubił jadać obiady. Na stole zawsze leżał telefon. Często przerywał nasze rozmowy. Profesor z pasją, która charakteryzo- wała zarówno jego działalność naukową, dydaktyczną, jak i organizacyjną, medio- wał w sprawach dotyczących pracowników, doktorantów, przydziału sal, środków niezbędnych dla funkcjonowania Katedry. Często niestety ten przerywnik powo- dował zmianę tematu rozmowy. Wszystko działo się w pośpiechu, napięciu, jakby w przekonaniu, że czasu jest zbyt mało, że trzeba gdzieś zdążyć.