Artur Przebindowski
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
John Zorn : Jak Być Żydowskim Postmodernistą (Albo Postmodernistycznym Żydem)?
Michał Wandzilak, Mariusz Czubaj John Zorn : jak być żydowskim postmodernistą (albo postmodernistycznym Żydem)? Kultura Popularna nr 3 (45), 18-27 2015 18 kultura popularna 2015 nr 3 (45) Michał Wandzilak, Mariusz Czubaj John Zorn: jak być żydowskim postmodernistą (albo postmoderni- stycznym Żydem)? - - - - - DOI: 10.5604/16448340.1198419 Michał Wandzilak, Mariusz Czubaj J o h n Z o r n 19 Michał Wandzilak – Dla każdego czytelnika, choćby pobieżnie zaznajomionego z dorobkiem Johna (ur. 1989) absolwent Zorna, próba analitycznego ujęcia dokonań tego twórcy zwiastować musi Akademii Muzycznej im. nadciągającą lawinę komplikacji. Chociaż rozmaici autorzy coraz częściej Stanisława Moniuszki w Gdańsku w klasie for- mierzą się z tym karkołomnym zadaniem na łamach naukowych publikacji, tepianu jazzowego oraz niewątpliwie zasłużona w badaniach jest szara strefa internetowych stron Instytutu Kultury Uniwer- i blogów poświęconych tematyce muzycznej. Tam stawiano pierwsze kroki sytetu Jagiellońskiego. Muzyk (gra między inny- : na drodze do wydobycia sensu, przeniknięcia, zrozumienia często bardzo mi w zespole Świetliki). nieprzystępnych dzieł Johna Zorna. Czemu więc tak prominentny twórca Mariusz Czubaj – awangardy ciągle znajduje się na peryferiach piśmiennictwa muzycznego? (ur. 1969) profesor A także – dodajmy – na marginesie refleksji kulturoznawczej i antropolo‑ antropologii kultury na gicznej, chociaż jego twórczość (o czym będzie tu mowa) ukazuje, w rzadko Uniwersytecie Huma- nistycznospołecznym spotykanej gęstości, dylematy kultury współczesnej. -
Джоð½ Зоñ€Ð½ ÐлÐ
Джон Зорн ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) The Big Gundown https://bg.listvote.com/lists/music/albums/the-big-gundown-849633/songs Spy vs Spy https://bg.listvote.com/lists/music/albums/spy-vs-spy-249882/songs Buck Jam Tonic https://bg.listvote.com/lists/music/albums/buck-jam-tonic-2927453/songs https://bg.listvote.com/lists/music/albums/six-litanies-for-heliogabalus- Six Litanies for Heliogabalus 3485596/songs Late Works https://bg.listvote.com/lists/music/albums/late-works-3218450/songs https://bg.listvote.com/lists/music/albums/templars%3A-in-sacred-blood- Templars: In Sacred Blood 3493947/songs https://bg.listvote.com/lists/music/albums/moonchild%3A-songs-without-words- Moonchild: Songs Without Words 3323574/songs The Crucible https://bg.listvote.com/lists/music/albums/the-crucible-966286/songs Ipsissimus https://bg.listvote.com/lists/music/albums/ipsissimus-3154239/songs The Concealed https://bg.listvote.com/lists/music/albums/the-concealed-1825565/songs Spillane https://bg.listvote.com/lists/music/albums/spillane-847460/songs Mount Analogue https://bg.listvote.com/lists/music/albums/mount-analogue-3326006/songs Locus Solus https://bg.listvote.com/lists/music/albums/locus-solus-3257777/songs https://bg.listvote.com/lists/music/albums/at-the-gates-of-paradise- At the Gates of Paradise 2868730/songs Ganryu Island https://bg.listvote.com/lists/music/albums/ganryu-island-3095196/songs The Mysteries https://bg.listvote.com/lists/music/albums/the-mysteries-15077054/songs A Vision in Blakelight -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Komplette Ausgabe Als
JONES VERY HEISSEN JETZT M L_ L U f UND S/ND IM JUNI / JULI MIT FOLGENDER BESETZUNG AUF TOUR : VIC BOND! ( EX ARTICLES OF FAITH) / COLIN SEARS ( EX DAG NASTY ) / PAT MAHONEY ( EX UNIFORM CHOICE ) UND ROGER MARBURY ( EX DAG NASTY ) INFO GOLIATH 040 382674 AKTUELLE LP: RADIO WAVE LP / CD MAKE IT STOP LP / CD 14 BRANDNEUE HITS DER LEGENDE AUS INDIANAPOLIS MIT TOXIC REASONS / DATURA’S SEEDS MITGLIEDERN - TOUR IM MAI ’92 !! - ARTICLES OF FAITH INFO GOLIATH 040 382674 3 WÖCHIGE TOUR AB 10. MÄRZ IN DER ORIGINALBESETZUNG /// AB 03.1992 ( VIELLEICHT...): ARTICLES OF FAITH CORE C D + 3 BONUSSONGS DAG NASTY BLACK MARKET BABY CD CONTAINS BOTH LP’S " 85 - 86 " BLACK MARKET BABY LP / CD / 7 " BOX SET " BABY ON BOARD " LP - NUR ALS US PRESSUNG ERHÄLTLICH - REFLEX FROM PAIN REEPERBAHN 63 f l 2000 HAMBURG 36 H " BLACK AND W HITE 7" KATALOG G IB T E S FÜ R 1, - D M IN B R IEFM A R K E N JOIMES VERY 7" BITTE NICHT IN 5 PFENNIG STÜCKEN SCHICKEN !! Hi TRUST ! gedacht, hab das ganze aber dann tollen Ersatztermin kriegen. Was einem unabhängigem Jugendzentrum Tut mir mal ’nen Gefallen und fragt doch nicht so gewichtet. dann 3 Monate später mit erwarte. Und nicht wie von einem die zu interviewenden Gruppen Generell sei hier gesagt das es nicht Loudspeaker stattfmden sollte. O.K. reinen Kommerzladen. Ach, sagt er, möglichst am Anfang, des unsere Aufgabe sein kann Wir bemerkten aber drei Wochen vor die Zeit der Ideale sei für ihn vorbei, Interviews, wie ihre Einstellung zu "Probleme" die Y mit Z hat zu dem Termin, daß irgendwer unsere er müsse proffesionell denken. -
The University of Chicago Oriental Institute Seminars Number 2
oi.uchicago.edu i THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE SEMINARS NUMBER 2 Series Editors Leslie Schramer and Thomas G. Urban oi.uchicago.edu ii oi.uchicago.edu iii MARGINS OF WRITING, ORIGINS OF CULTURES edited by SETH L. SANDERS with contributions by Seth L. Sanders, John Kelly, Gonzalo Rubio, Jacco Dieleman, Jerrold Cooper, Christopher Woods, Annick Payne, William Schniedewind, Michael Silverstein, Piotr Michalowski, Paul-Alain Beaulieu, Theo van den Hout, Paul Zimansky, Sheldon Pollock, and Peter Machinist THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE SEMINARS • NUMBER 2 CHICAGO • ILLINOIS oi.uchicago.edu iv Library of Congress Control Number: 2005938897 ISBN: 1-885923-39-2 ©2006 by The University of Chicago. All rights reserved. Published 2006. Printed in the United States of America. The Oriental Institute, Chicago Co-managing Editors Thomas A. Holland and Thomas G. Urban Series Editors’ Acknowledgments The assistance of Katie L. Johnson is acknowledged in the production of this volume. Front Cover Illustration A teacher holding class in a village on the Island of Argo, Sudan. January 1907. Photograph by James Henry Breasted. Oriental Institute photograph P B924 Printed by McNaughton & Gunn, Saline, Michigan The paper used in this publication meets the minimum requirements of American National Standard for Infor- mation Services — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. oi.uchicago.edu v TABLE OF CONTENTS ACKNOWLEDGMENTS ................................................................................................................. -
Bible/Book Studies
1 BIBLE/BOOK STUDIES A Gospel for People on the Journey Luke Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Luke, Jesus is not only the one who announces the Good News of salvation: Jesus is our salvation. 9 copies Editor: Michael Trainor A Gospel for Searching People Matthew Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Matthew, Jesus is the great teacher (Matt. 23:8). But teacher and teachings are inextricable bound together, Matthew tells us. Jesus stands alone as unique teacher because of his special relationship with God: he alone is Son of man and Son of God. And Jesus still teaches those who are searching for meaning and purpose in life today. 9 copies Editor: Michael Trainor A Gospel for Struggling People Mark Novalis Scripture Studies Series “Who do you say that I am? In Mark’s Gospel, no one knows who Jesus is until, in Chapter 8, Peter answers: “You are the Christ.” But what does this mean? The rest of the Gospel shows what kind of Christ or Messiah Jesus is: he has come to suffer and die for his people. Teaching on discipleship and predictions of his death point ahead to the focus of the Gospel-the passion, death and resurrection of Jesus. 9 copies Editor: Michael Trainor Beautiful Bible Stories Beautiful Bible Stories by Rev. Charles P. Roney, D.D. and Rev. Wilfred G. Rice, Collaborator Designed to stimulate a greater interest in the Bible through the arrangement of extensive References, Suggestions for Study, and Test Questions. -
John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork. -
Draw the Circle: the 40 Day Prayer Challenge
Draw the Circle The 40 Day Prayer Challenge Mark Batterson New York Times Bestselling Author of The Circle Maker Contents Cover Title Page Introduction Day 1: Get Ready Day 2: Established by God Day 3: Amazing Things Day 4: Don’t Pray Away Day 5: Write It Down Day 6: Shameless Audacity Day 7: Put on Waders Day 8: One God-Idea Day 9: Dream Factory Day 10: Crazy Faith Day 11: First-Class Noticer Day 12: Sow a Seed Day 13: One Day Day 14: Speak to the Mountain Day 15: Contend for Me Day 16: Lord, Surprise Me Day 17: Do Not Delay Day 18: Keep Circling Day 19: Memorial Offerings Day 20: Go. Set. Ready Day 21: Set Your Foot Day 22: Prayer Fleece Day 23: Not Now Day 24: Find Your Voice Day 25: A Prophetic Voice Day 26: Game with Minutes Day 27: Double Circle Day 28: Quit Praying Day 29: A New Prayer Day 30: Abide in Me Day 31: Spell It Out Day 32: Get a Testimony Day 33: Prayer Covering Day 34: Raise Up a Remnant Day 35: The Longest Lever Day 36: Senior Partner Day 37: Prayer Contracts Day 38: Climb the Watchtower Day 39: Holy Ground Day 40: Prayer Alphabet Notes About the Author Resources by Mark Batterson Copyright About the Publisher Share Your Thoughts Introduction The forty-day prayer challenge is going to change your life. In fact, the next forty days have the potential to dramatically alter the rest of your life. God is going to begin a good work in you, and He is going to carry it to completion. -
De John Zorn: Reflexões Sobre Sua História E Prática
UNIVERSIDADE FEDERAL DE MINAS GERAIS ESCOLA DE MÚSICA FELIPE JOSÉ OLIVEIRA ABREU O JOGO MUSICAL COBRA (1984) DE JOHN ZORN: REFLEXÕES SOBRE SUA HISTÓRIA E PRÁTICA BELO HORIZONTE 2013 FELIPE JOSÉ OLIVEIRA ABREU O JOGO MUSICAL COBRA (1984) DE JOHN ZORN: REFLEXÕES SOBRE SUA HISTÓRIA E PRÁTICA Dissertação apresentada ao Programa de Pós-Graduação em Música da Universidade Federal de Minas Gerais, como requisito parcial para obtenção do título de Mestre em Música. Linha de pesquisa: Processos Analíticos e Criativos Orientador: Prof. Dr. Sérgio Freire Garcia BELO HORIZONTE 2013 A162j Abreu, Felipe José Oliveira O jogo musical Cobra (1964) de John Zorn [manuscrito]: reflexões sobre sua história e prática / Felipe José Oliveira Abreu. – 2013. 137 f., enc.; il. Orientador: Sérgio Freire Garcia. Linha de pesquisa: Processos analíticos e criativos. Dissertação (mestrado) – Universidade Federal de Minas Gerais, Escola de Música. Inclui bibliografia. 1. Música - Teses. 2. Jogos musicados. 3. Jogos eletrônicos. 4. Improvisação (Música). 5. Composição (Música). I. Garcia, Sérgio Freire. II. Universidade Federal de Minas Gerais. Escola de Música. III. Título. CDD: 789.96 Para Frederico Grassano (in memoriam), Sara Pozzato e Itiberê Zwarg, pessoas que, cada um a seu próprio modo, muito me incentivaram a pisar com meus próprios pés o infinito caminho da Música. AGRADECIMENTOS Aos meus pais, José Rober e Maria de Lourdes, que me ensinaram não apenas a acreditar, mas também – e na hora certa – a duvidar. Aos irmãos de sangue Roberta e Tiago, por nunca duvidarem da minha ‘musa’ música. À querida Sara, pelo amor, incentivo, apoio e sinceridade. À Lídia, amor em pessoa, pelo questionamento puro do que é música.. -
Jérôme Lalande, Diary of a Trip to England 1763
Jérôme Lalande, Diary of a Trip to England 1763 Translated from the original manuscript by Richard Watkins And including: Two biographies of Lalande by Hélène Monod-Cassidy and Richard Watkins, and a study of the structure of the diary by Richard Watkins Kingston, Tasmania, Australia Published by Richard Watkins 2002, 2014 Diary of a Trip to England 1763 © Copyright 2002, 2014 Richard Watkins Translated from: Voyage en Angleterre Mazarine Library, Paris, number 4345 Jerome Lalande, Journal d’un voyage en Angleterre 1763 Studies on Voltaire and the Eighteenth Century No 184 The Voltaire Foundation, 1980. (with permission of The Voltaire Foundation) Un astronome-philosophe, Jérôme Lalande Studies on Voltaire and the Eighteenth Century No 56 The Voltaire Foundation, 1967. (with permission of The Voltaire Foundation) ii Diary of a Trip to England 1763 Contents Preface to the Translation .................................iv Diary of a Trip to England ................................. 1 The diary ........................................... 1 March 1763 ...................................... 1 April 1763 ...................................... 11 May 1763 ....................................... 21 June 1763 ...................................... 32 The Notes ......................................... 36 Anecdotes ....................................... 36 Journals ....................................... 38 Books .......................................... 38 Financial ....................................... 39 Population .....................................