Doc Nyc 2018 Press Book
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A B ell & Howell Information Company 300 NorthZeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 LUSO-AFRJCAN REAL MARAVILLOSCP.-. A STUDY ON THE CONVERGENCE OF LATIN AMERICAN AND LUSO-AFRICAN LITERATURES DISSERTATION Presented in partial Fulfillment of the requirements for the Degree of Doctor of philosophy in the Graduate School of The Ohio State University Bv Hanna Betina Gotz The Ohio State University 1998 Dissertation committee: Approved by Dr. -
Tilda Swinton Over Suspiria “En Dan Hier Een Interviewquote”
AANGEBODEN DOOR UW FILMTHEATER, FDN & NVBF GIRL LUKAS DHONTS FENOMENALE DEBUUT OVER TRANSMEISJE LARA DEBRA GRANIK HET VERSCHIL TUSSEN VERLANGEN EN NODIG HEBBEN MY FOOLISH HEART DE LAATSTE DAGEN VAN CHET BAKER RADICALE RECLAME KUNST VAN DE CAMPAGNE BELLINGCAT WAARHEID IN EEN POST-TRUTH WERELD #414 NOVEMBER 2018 NOVEMBER TILDATILDA SWINTONSWINTON OVEROVER SUSPIRIASUSPIRIA “EN ‘DANSDAN HIER KAN EEN EEN INTERVIEWQUOTE” POLITIEKE EN BETOVERENDE KRACHT ZIJN’ te zien op iDFA en vAnAF 22 november te zien in De FilmtheAters en op DE FILMKRANT #414 NOVEMBER 2018 3 REDACTIONEEL Wat is eigenlijk de kleur van het verleden? Als we naar films kijken dan lijkt het zo logisch dat het verleden zwart- wit is, omdat de eerste films zwart-wit waren. Of goudbruin, zoals het licht van Rembrandt en Caravaggio, laat zonlicht en kaarsen, en de eer- ste elektrische peertjes. Of uitgebleekt, zoals herinneringen kunnen vervagen met de tijd. Soms heeft het verleden juist verzadigde kleu- ren. Tinten rood en groen die al lang niet meer in de mode zijn, maar net zo warm ogen als het textiel waarvan de kleding van de hoofpersona- ges gemaakt is. Wol, katoen. Materialen die kleuren absorberen. Werd de wereld pastel toen de stoffen synthetisch werden? Er is niet één kleur voor het verleden. In het verleden heeft de zon vast ook wel eens zo fel geschenen als op dit moment, terwijl ik in een S-Bahn in Berlijn, hoog langs de Alexanderplatz raas. Hoe zal het heden er in de toekomst als verleden uitzien in films? Voor de onverbeterlijke cinefiel is Alexander- platz voor altijd verbonden aan Rainer Werner Fassbinder. -
Docs for Sale Shortlist Films A-Z Docs for Sale 22Nd International Documentary Market Amsterdam Docs for Sale 22Nd International Documentary Market Amsterdam
523 films Shortlisted by alphabet Docs for Sale Shortlist Films A-Z nd International Documentary Market Amsterdam nd International Documentary Market Amsterdam Docs for Sale 22 Docs for Sale 22 Human Interest / Social Issues Art / Music / Culture Human Interest / Social Issues 14 Cases Adieu à G. A Documentary on An Almost Impossible Friendship Marianna Kaat, Estonia, 85’, p.6 the Dutch Artist Ger van Elk – Rabbi, Priester and Imam Film follows different age present- Djoeke Veeninga, Marlou van den Berge, Peter Beringer, Austria, 46’, p.22 day Estonian Russians who are facing Jeroen Visser, The Netherlands, 64’, p.14 The documentary followed the three men difficulties with their identities. The film Adieu à G… follows the artist from Austria to the Holy Land, where together Baltic Film Production – Marianna Kaat – [email protected] towards the end of his life, when in Venice he they visited the most significant places of Youth performed a Replacement Piece and designed pilgrimage for their religions and discussed the 17 his last work: 12 Automatic Landscapes. similarities and differences between them. At the same time, the films zigzags through ORF - Enterprise – Armin Luttenberger Widad Shafakoj, Jordan, United Kingdom, 74’, p.7 his whole oeuvre and Ger van Elk talks – [email protected] The Jordanian under-17 women’s football about his ideas and how he put them team embarks to compete in the FIFA U17 Politics / Society into practice. Adieu à G… allows us to look Women’s World Cup Jordan 2016 - in a sport beyond the horizon, at what we don’t see. -
Stefanie Schneider
Stefanie Schneider Born: 1968, Cuxhaven, Germany 1996 MFA, Folkwang Schule, Essen, Germany 1994-95 Erasmus Scholarship, Academie Julien, Paris, France Lives and works in Los Angeles and Berlin E X H I B I T I O N S 2012 Stefanie Schneider, Scott White Contemporary, San Diego, February Road Atlas - Straßenfotografie, DZ Bank Collection: Februar, Kunstmuseum Cottbus, fall 2012, C/O Berlin, Berlin, Winter 2013, Deichtorhallen Hamburg, Kestner Gesellschaft, Hannover, Art Foyer DZ Bank, Frankfurt/Main, (catalog) 2011 Hitchhiker, Festival Saint Germain des Près, Galerie Catherine et André Hug, Paris, France, Nov. 4 - Nov. 30 New Works by Rollo Artists, ROLLO Contemporary, London, GB Sept.13-Nov.11 Pop Shots, 30 Works, Cologne, Germany, starts Oct.15 Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, Sept.1-Dec.31 Road Atlas - Straßenfotografie, DZ Bank Collection, Opelvillen, Rüsselsheim, with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, (catalog), Aug.17 - Oct.16 Mirrror of broken Dreams, Galerie Robert Drees, Hannover, Germany California Dreaming, ROLLO Contemporary, London, GB Stefanie Schneider, Catherine et André Galerie Hug, Paris, France Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, Westlicht - Schauplatz für Fotografie, (catalog) Polaroids, 30 Works, Cologne, Germany Summershow, Scott White Contemporary, San Diego Stefanie Schneider, Jessica Backhaus, Jonas Unger curated by Deborah Brosotto, Cuxhaven, Germany "Renées Dream", Photo Filmfeest Dresden, (catalog) 2010 Stefanie Schneider, Galerie Walter -
404: December
AANGEBODEN DOOR UW FILMTHEATER, FDN & NVBF j VISAGES VILLAGES LIEFDESBRIEF AAN DE WERELD HAPPY END MICHAEL HANEKE MAAKT ZIJN EIGEN SUPERCUT IDFA CAMERASPECIAL IT’S THE CAMERA, STUPID! MURDER ON THE ORIENT EXPRESS STERREN IN KLASSIEKER AGATHA CHRISTIE SCHEIDEND IDFA-DIRECTEUR ALLY DERKS OVER 30 JAAR DOCUMENTAIRE #404 NOVEMBER/DECEMBER 2017 NOVEMBER/DECEMBER THE KILLING OF A SACRED DEER COLIN FARRELL STAAT VOOR EEN DUIVELS DILEMMA DE FILMKRANT FOTO FABRIZIO MALTESE #404 NOVEMBER/DECEMBER 2017 3 REDACTIONEEL Heeft film, dat fantastische veelkoppige monster, dat niet één ding is maar vele, en dat dan toch steeds weer herkenbaar is als film, heeft film een bijzondere positie als het erom gaat het seksisme en de misogynie te begrijpen die nu in de machts- structuren van de wereld worden ontmaskerd? Ik vraag me dat niet alleen af omdat de verkla- ringen over seksueel misbruik en grensover- schrijdend gedrag in de filmwereld begonnen. (Alhoewel een toekomstige cultuurfilosoof vast zal tegenwerpen dat het met onthullingen over seksueel misbruik in de katholieke kerk begon, waardoor we meteen de twee grote domeinen van troost en verbeelding uit de westerse we- reld te pakken hebben, maar daarvoor zijn de wonden van velen en de verwarring alom nog te vers). Maar ik vraag het me ook af omdat film, en breder andere audiovisuele massamedia, waarschijnlijk ook een rol spelen in het in stand houden, creëren, vergroten en verheerlijken van deze verhoudingen. Als Mark Cousins in The Story of Film zegt dat de filmgeschiedenis sek- sistisch is ‘by ommission’ dan moeten we ons misschien ook afvragen of seksisme niet de ‘default mode’ van de filmwereld is. -
Florida Lottery MEN’S TENNIS PICK 2 Apr
HIGHLANDS NEWS-SUN Monday, April 29, 2019 VOL. 100 | NO. 119 | $1.00 YOUR HOMETOWN NEWSPAPER SINCE 1919 An Edition Of The Sun FLORIDA SHERIFFS ASSOCIATION Gentry to be honored FILE PHOTO The Highlands County Sheriff’s Office has found some discrepancies in police case evidence kept in storage by the City of Avon Park. The evidence pertains to old cases from the Avon Park Police Department prior to the city dissolving the agency, according to Sheriff Paul Blackman. Missing, misplaced, mismarked evidence Sheriff’s audit finds troubles with FLORIDA SHERIFFS ASSOCIATION The annual Florida Sheriffs Association’s Law Enforcement Memorial Ceremony will take place today in Tallahassee. APPD archives By PHIL ATTINGER Annual Law Enforcement Memorial STAFF WRITER SEBRING — The Highlands County Ceremony takes place today Sheriff’s Office has found some discrep- ancies in police case evidence kept in STAFF REPORT storage by the City of Avon Park. The specifics of what they have found ighlands County Deputy is not yet available. Sheriff Paul Blackman William J. Gentry Jr. will be has declined to comment one of eight law enforce- on the matter, other than H to say that 124 pieces of ment members honored today in Tallahassee when the Florida Sheriffs evidence appeared to be Association holds its annual Law missing, misplaced or mismarked. Avon Park City Enforcement Memorial Ceremony. Manager David Flowers In 2002 the Florida Sheriffs received a report Thursday Association incorporated the granite morning from the sheriff, Memorial Wall to honor sheriff’s BLACKMAN but declined to comment on officers who had fallen in the line the matter Friday, since he of duty. -
M HKA 2017 Jaarverslag Inhoud 3 M HKA Jaarverslag 2017 Inhoud 2.4 2.3 2.2 2.1 2 AFDELINGSNIEUWS 1 3.5 3.4 3.3 3.2 3.1 3 INLEIDING ABCD
M HKA 2017 Jaarverslag Inhoud 1 INLEIDING 8 2 AFDELINGSNIEUWS 16 2.1 PRESENTATIE 2.1.1 Programmering 2.1.2 Productie-stagiaires in 2017 2.1.3 Cinema Zuid 2.2 ABCD 2.2.1 Museaal Onderzoek 2.2.2 CKV – Centrum Kunstarchieven Vlaanderen 2.2.2.1 2017 – Starttraject 2.2.2.2 Infrastructuur 2.2.3 Bibliotheek 2.2.3.1 Onderzoeks- en documentatiecentrum 2.2.3.2 Handbibliotheek 2.2.4 Collectiebeheer 2.2.4.1 Nieuwe aanwinsten 2017 2.2.4.2 Bruikleenverkeer 2.2.4.3 Preventieve conservering 2.2.4.4 Restauratie/conservatie 2.2.4.5 Objectregistratie Inhoud Inhoud 2.2.4.6 De Vrielynck collectie 2.2.4.7 Panamarenkohuis in de Biekorfstraat 2.2.5 Content Management / Digitale werking 2.2.5.1 Ensembles.org 2.2.5.2 Technische documentatie 2.2.5.3 Statistieken 2.2.5.4 Tentoonstellingsapplicaties 2.2.5.5 Webplatformen 2.2.5.6 Multitouch & Video Wall 2.3 PUBLIEKSWERKING 2.3.1 Communicatie en Marketing 2.3.2 Perswerking 2.3.3 Publiekszorg 2.3.4 Bemiddeling 2.4 AFDELING ONDERSTEUNING 2.4.1 Financiën en HR-beleid 2.4.2 Organisatie en beleid 2.4.3 Gebouw M HKA – Panamarenkohuis 2.4.4 Evaluatie infrastructuur 2.4.5 M HKA Cyclus / Green Projectors 2.4.6 Veiligheid en welzijn op het werk 2.4.7 Raad van Bestuur en Algemene Vergadering 3 SOCIAAL-ECONOMISCH VERSLAG 58 3.1 Omzet (uitgaven versus inkomsten) 3.2 Personeel M HKA Jaarverslag 2017 M HKA Jaarverslag 3.3 Werkingskosten 3.4 Groei subsidies en toelagen 3.5 Kunstenaars 3 4 VERWERVINGEN – BRUIKLENEN 2017 62 4.1 Aankopen 2017 4.2 Schenkingen 2017 4.3 Werken in bruikleen aan het M HKA 4.4 Bruiklenen 2017 4.4.1 Langdurige -
Film Facts and Figures 2018
FILM FACTS & FIGURES OF THE NETHERLANDS MAY 2018 ISSUE GHF 2013 2014 2015 2016 2017 LIFE QUARTER 25+25+26+29+32TOTAL REVENUES DUTCH MARKET (M) € CONTENT 26+33+31+25+27DUTCH FEATURES PRODUCED NL Key Trends 2013-2017 P 02 24+33+34+26+27TOTAL DUTCH FILM PRODUCTION ACTIVITY (M) € Introduction - Year 2017 in Review P 04 Chapter 1 Production and Financing P 07 35+36+37+40+43FEATURE LENGTH FILMS RELEASED Chapter 2 Releases P 18 Chapter 3 International Performance and Festivals P 22 Chapter 4 Distribution P 30 29+29+31+29+29DUTCH FILMS RELEASED (FEATURES & DOCS) Chapter 5 Exhibition P 36 Chapter 6 DVD / BluRay / VOD P 43 25+31+22+27+25INT. FILM FESTIVALS W. DUTCH FILM SELECTION Chapter 7 Television / MEDIA P 48 NL Key Figures 2017 P 56 31+31+33+34+36ADMISSIONS TOTAL (M) 32+32+31+21+22ADMISSIONS DUTCH FILMS (M) 31+25+28+29+30BOX OFFICE TOTAL (M) € NL KEY TRENDS 2013-2017 21+21+19+12+12LOCAL MARKET SHARE DUTCH FILMS (ADM) 2013 2014 2015 2016 2017 Total revenues Dutch market (M) € 507 500 532 579 628 Dutch features produced (min.& maj.) 52 65 62 49 54 Total Dutch film production activity (M) € 95.6 133.3 136.9 105.9 108.3 29+30+29+24+21MARKET SHARE EU FILMS (ADM) Feature length films released 353 362 371 407 432 Dutch films released 57 57 61 58 58 (features & documentaries) 34+32+34+38+38MARKET SHARE US FILMS (ADM) Int. film festivals w. Dutch film selection 494 620 432 540 491 Admissions total (M) 30.8 30.8 33 34.2 36 Admissions Dutch films (M) 6.2 6.4 6.2 4.2 4.3 Box office total (M) € 249.5 250.1 275.8 287.7 301.9 Local market share Dutch films -
Nanouk Leopoldback in Berlin with Cobain Dutch Filmmakers Target
Nanouk Leopold back in Berlin with Cobain Dutch filmmakers target IFFR Rosto honoured at Clermont Ferrand My Giraffe in Berlin Generation Barbara Visser on Barnett Newman Issue #30 January 2018 Sundance, IFFR, Berlin and Clermont Ferrand issue Index COLOPHON 4-5 Sundance exposure Minority 30-31 Native bed fellows Topkapi Films co-pros Time Share and Holiday in is co-producer on The Bed and Land in See NL is published four times per Sundance World Cinema Dramatic Berlinale selection year by EYE International and Competition The Netherlands Film Fund and is distributed to international film 32-33 Kafka in Brazil Maria Ramos doc professionals. 6-7 Tailor made IFFR topper Bero Beyer The Trial about the impeachment of discusses new features of this year’s fest Brazilian president Dilma Rousseff is Editors in chief: Marten Rabarts, selected for Berlin Panorama. (EYE), Jonathan Mees 8-9 Cross border affair The second (Netherlands Film Fund) Executive editor: Nick Cunningham feature of Palestinian Muayad Alayan is 34-35 Then we take Berlin Dutch Contributor: Geoffrey Macnab selected for IFFR Tiger competition filmmaking talents at Berlinale 2018 Concept & Design: Lava.nl, Amsterdam Layout: def., 10-11 Camera Obscura Director David 36-37 Rebel with a cause Jonas Amsterdam Printing: mediaLiaison Printed on FSC paper Verbeek on his An Impos sibly Small Smulders is The Netherlands’ Shooting © All rights reserved: Object, selected for IFFR Star at this year’s Berlinale The Netherlands Film Fund and EYE International 2018 12-13 Nihilism rules ok René -
Jaarverslag Nederlands Filmfonds 2017 Nederlands Filmfonds Jaarverslag 2017
JAARVERSLAG NEDERLANDS FILMFONDS 2017 NEDERLANDS FILMFONDS JAARVERSLAG 2017 INHOUDSOPGAVE INLEIDING 2 1. ACTIVITEITEN VANUIT BELEIDSPRIORITEITEN 5 1.1 Talentontwikkeling 7 1.2 Innovatie 21 1.3 Internationalisering 24 1.4 Professionalisering 32 2. GOVERNANCE EN FINANCIËN 35 BIJLAGEN 1 Samenstelling organisatie 46 2 Kerncijfers filmproducties en activiteiten 48 3 Toegewezen bijdragen filmproducties 50 4 Toegewezen bijdragen distributie 66 5 Toegewezen bijdragen filmactiviteiten 70 6 Financieringsoverzichten 74 7 In release / in première 78 8 Gezamenlijk verslag rijkscultuurfondsen 86 1 NEDERLANDS FILMFONDS JAARVERSLAG 2017 INLEIDING Het jaar 2017 vormde het eerste jaar van het nieuwe be- de revolverende inzet van aan het Fonds terugbetaalde verruiming en verbreding van de Production Incentive één Dat er meer nodig is dan het huidige Fondsinstrumentarium leidsplan. Tegen de achtergrond van een snel veranderende middelen voort. Ook zorgde het voor een verbetering van de van de bouwstenen van de investerings agenda vormt. om de productie en zichtbaarheid in binnen- en buitenland markt - waarbij grote internationale spelers de markt in bevoorschotting van producties in afstemming met onder van kwalitatief hoogwaardige speelfilms, animatiefilms, toenemende mate domineren, traditionele marktpartijen als meer CoBO en NPO-fonds om tijdige betaling van diensten Aangezien het totale fondsbudget nagenoeg gelijk bleef, documentaires, series en innovatieve producties van eigen filmdistributeurs, sales agents en omroepen steeds meer en goederen tijdens -
Current Catalog
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29 PALMS, CA Exhibition Project
29 PALMS, CA feature film / art piece by Stefanie Schneider exhibition project (01 / 08) GALERIE SPESSHARDT & KLEIN, BERLIN (kochstrasse 55 - 58) february 12 - march 2 2008 opening reception february 11 18.00 h - 22.00 h press conference february 10 12.00 h - 14:00 h with Stefanie Schneider, Udo Kier, Radha Mitchell, Robert Mack, Max Sharam, Sophie Huber for more information please call 030 / 25 29 35 04 or visit w w w . t w e n t y n i n e p a l m s . c a also note: 29 Palms, CA at CHEAP gossip studio, filmhaus (atrium) selected by BERLINALE / FORUM EXPANDED february 7 - february 17 2008 29 palms, ca synopsis 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and explores the resonance of both within a desert landscape and a transient culture. The characters portrait in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life.