Film Credits (In Order of Discussion)
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FILM CREDITS (IN ORDER OF DISCUSSION) The Outlaw (1943) Directors: Howard Hughes, Howard Hawks Screenplay: Jules Furthman, Howard Hawks, Ben Hecht Cinematographers: Gregg Toland, Lucien Ballard Editor: Wallace Grissell Music: Victor Young Art Director: Perry Ferguson Running time: 116 minutes Format: 35 mm, in black and white Cast: Jack Buetel (Billy the Kid), Jane Russell (Rio McDonald), Thomas Mitchell (Pat Garrett), Walter Huston (Doc Holliday), Mimi Aguglia (Guadalupe), Joe Sawyer (Charley Woodruff), Gene Rizzi (Stranger), Martin Garralaga (Mike, Waiter), Emory Parnell (Dolan), Edward Pell, Sr. (Swanson, Deputy), Julian Rivero (Pablo) High Noon (1952) Director: Fred Zinnemann Screenplay: Carl Foreman, from John W. Cunningham’s short story “The Tin Star,” which first appeared in Collier’s Magazine in 1947 Cinematographer: Floyd Crosby Editor: Elmo Williams Music: Dimitri Tiomkin Production Designer: Rudolph Sternad Running time: 85 minutes Format: 35mm, in black and white Cast: Gary Cooper (Marshal Will Kane), Thomas Mitchell (Mayor Jonas Henderson), Lloyd Bridges (Deputy Marshal Harvey Pell), Katy Jurado (Helen Ramírez), Grace Kelly (Amy Fowler Kane), Otto Kruger (Judge Percy Mettrick), Lon Chaney, Jr. (Martin Howe), Harry Morgan (Sam Fuller), Ian MacDonald (Frank Miller), Eve McVeagh (Mildred Fuller), Morgan Farley (Dr. Mahin, Minister), Harry Shannon (Cooper), Lee Van Cleef (Jack Colby), Robert J. Wilke (Jim Pierce), Sheb Wooley (Ben Miller) Johnny Guitar (1954) Director: Nicholas Ray Screenplay: Philip Yordan (a.k.a. Ben Maddow), Roy Chanslor, Nicholas Ray Cinematographer: Harry Stradling Editor: Richard L. Van Enger Music: Victor Young 221 FILM CREDITS (IN ORDER OF DISCUSSION) Art Director: James W. Sullivan Costume Designer: Sheila O’Brien Running time: 110 minutes Format: 35mm, in color Cast: Joan Crawford (Vienna), Sterling Hayden (Johnny “Guitar” Logan), Mercedes McCambridge (Emma Small), Scott Brady (Dancin’ Kid), Ward Bond (John McIvers), Ben Cooper (Turkey Ralston), Ernest Borgnine (Bart Lonergan), John Carradine (Old Tom), Royal Dano (Corey), Frank Ferguson (Marshal Williams), Paul Fix (Eddie), Rhys Williams (Mr. Andrews), Ian MacDonald (Pete), Trevor Bardette (Jenks), Frank Marlowe (Frank, Bartender), John Maxwell (Jake, Bank Clerk), Robert Osterloh (Sam), Will Wright (Ned, Bank Teller) The Man from Laramie (1955) Director: Anthony Mann Screenplay: Philip Yordan (a.k.a. Ben Maddow) & Frank Burt, from “The Man from Laramie” serial by Thomas T. Flynn, first published in The Saturday Evening Post in 1954 Cinematographer: Charles Lang Editor: William Lyon Music: George Duning, Lester Lee Art Director: Cary Odell Running time: 104 minutes Format: 35 mm, in color Cast: James Stewart (Will Lockhart), Arthur Kennedy (Vic Hansbro), Donald Crisp (Alec Waggoman), Cathy O’Donnell (Barbara Waggoman), Alex Nicol (Dave Waggoman), Aline MacMahon (Kate Canaday), Wallace Ford (Charley O’Leary), Jack Elam (Chris Boldt), John War Eagle (Frank Darrah), James Millican (Tom Quigby), Gregg Barton (Fritz), Boyd Stockman (Spud Oxton), Frank DeKova (Padre), Eddy Walker (Dr. Selden) Seven Men from Now (1956) Director: Budd Boetticher Screenplay: Burt Kennedy Cinematographer: William H. Clothier Editor: Everett Sutherland Music: Henry Vars Art Director: Leslie Thomas Running time: 78 minutes Format: 35 mm, in color Cast: Randolph Scott (Ben Stride), Gail Russell (Annie Greer), Lee Marvin (Bill Masters), Walter Reed (John Greer), John Larch (Payte Bodeen), Donald “Red” Barry (Clete), Fred Graham & Cliff Lyons (Henchmen), John Beradino (Clint), John Phillips (Jed), Chuck Roberson (Mason), Stuart Whitman (Cavalry Lt. 222 FILM CREDITS (IN ORDER OF DISCUSSION) Collins), Pamela Duncan (Señorita Nellie), Steve Mitchell (Fowler), Fred Sherman (Prospector) Air Force (1943) Director: Howard Hawks Screenplay: Dudley Nichols, William Faulkner Cinematographer: James Wong Howe Editor: George Amy Music: Franz Waxman Art Director: John Hughes Costume Designer: Milo Anderson Running time: 124 minutes Format: 35 mm, in black and white Cast: John Ridgely (Pilot), Gig Young (Co-pilot), Arthur Kennedy (Bombardier), Charles Drake (Navigator), Harry Carey (Crew Chief Sergeant White), George Tobias (Assistant Crew Chief), Ward Wood (Radio Operator), Ray Montgomery (Assistant Radio Operator), John Garfield (Aerial Gunner Joe Winocki), James Brown (Pursuit Pilot-Passenger), Stanley Ridges (Major Mallory), Willard Robertson (Colonel at Hickam Field), Moroni Olsen (Colonel Blake), Edward Brophy (Marine Sergeant J. J. Callahan), Richard Lane (Major W. G. Roberts), Bill Crago (Lieutenant P. T. Moran), Faye Emerson (Susan McMartin), Addison Richards (Major Daniels), James Flavin (Major A. M. Bagley), Murray Alber (Butch, Demolition Squad Corporal), Ann Doran (Mrs. Mary Quincannon), William Forrest (Group Commander Jack Harper), Maurice Murphy (Harper’s Co-pilot), Dorothy Peterson (Mrs. Chester), Walter Sande (Joe, Mechanic at Clark Field) Why We Fight (1942–45) Prelude to War (1942) Director: Frank Capra, Anatole Litvak Screenplay: Anthony Veiller, Eric Knight, Julius J. Epstein, Philip G. Epstein, Robert Heller Cinematographer: Robert J. Flaherty Editor: William Hornbeck Music: Hugo Friedhofer, Leigh Harline, Arthur Lange, Cyril J. Mockridge, Alfred Newman, David Raksin Running time: 52 minutes Format: 35 mm, in black and white Narrator: Walter Huston The Nazis Strike (1943) Directors: Frank Capra, Anatole Litvak Screenplay: Julius J. Epstein, Philip G. Epstein, Eric Knight, Anthony Veiller Cinematographer: Robert J. Flaherty 223 FILM CREDITS (IN ORDER OF DISCUSSION) Editor: William Hornbeck Music: Dmitri Tiomkin, Anthony Collins, Louis Gruenberg, Leigh Harline, John Leipold, Roy Webb Running time: 41 minutes Format: 35 mm, in black and white Narrator: Walter Huston, Anthony Veiller Divide and Conquer (1943) Directors: Frank Capra, Anatole Litvak Screenplay: Julius J. Epstein, Philip G. Epstein Cinematographer: Robert J. Flaherty Editors: William Hornbeck, William A. Lyon Music: William Lava Running time: 57 minutes Format: 35 mm, in black and white Narrator: Anthony Veiller, Warren J. Clear, John Litel The Battle of Britain (1943) Directors: Frank Capra, Anthony Veiller Screenplay: Julius J. Epstein, Philip G. Epstein, S. K. Lauren Cinematographer: Robert J. Flaherty Editor: William Hornbeck Music: Max Steiner, Howard Jackson, William Lava Running time: 54 minutes Format: 35 mm, in black and white Narrator: Walter Huston, John B. Hughes, Frieda Inescort, Anthony Veiller The Battle of Russia (1943) Directors: Frank Capra, Anatole Litvak Screenplay: Julius J. Epstein, Philip G. Epstein, Robert Heller, Anatole Litvak, John Sanford, Anthony Veiller Cinematographer: Robert J. Flaherty Editor: William Hornbeck Music: Dmitri Tiomkin Running time: 83 minutes Format: 35 mm, in black and white Narrator: Anthony Veiller The Battle of China (1944) Directors: Frank Capra, Anatole Litvak Screenplay: Julius J. Epstein, Philip G. Epstein Cinematographer: Robert J. Flaherty Editor: William Hornbeck 224 FILM CREDITS (IN ORDER OF DISCUSSION) Music: Dmitri Tiomkin Running time: 65 minutes Format: 35 mm, in black and white Narrator: Anthony Veiller War Comes to America (1945) Directors: Frank Capra, Anatole Litvak Screenplay: Julius J. Epstein, Philip G. Epstein, Emma Lazarus, Anatole Litvak, Anthony Veiller Cinematographer: Robert J. Flaherty Editor: William Hornbeck Music: Dmitri Tiomkin Running time: 70 minutes Format: 35 mm, in black and white Narrators: Walter Huston, Lloyd Nolan The Red Badge of Courage (1951) Director: John Huston Screenplay: John Huston & Albert Band, from the 1895 novel of the same name by Stephen Crane Cinematographer: Harold Rosson Editor: Ben Lewis Music: Bronislau Kaper Art Directors: Cedric Gibbons, Hans Peters Running time: 69 minutes Format: 35mm, in black and white Cast: Audie Murphy (The Youth), Bill Mauldin (The Loud Soldier), Douglas Dick (The Lieutenant), Royal Dano (The Tattered Man), John Dierkes (The Tall Soldier), Arthur Hunnicutt (Bill Porter), Tim Durant (The General), Andy Devine (The Cheery Soldier), Robert Easton (Thompson), Jimmy Clark (Stevens), Emmett Lynn (Jake, Veteran) Between Heaven and Hell (1956) Director: Richard Fleischer Screenplay: Harry Brown, Francis Gwaltney Cinematographer: Leo Tover Editor: James B. Clark Music: Hugo Friedhofer Art Directors: Addison Hehr, Lyle R. Wheeler Costume Designer: Mary Wills Running time: 94 minutes Format: 35mm, in color 225 FILM CREDITS (IN ORDER OF DISCUSSION) Cast: Robert Wagner (Sergeant First Class Sam Francis Gifford), Terry Moore (Jenny Gifford), Broderick Crawford (Captain “Waco” Grimes), Buddy Ebsen (Private Willie Crawford), Robert Keith (Colonel Cousins), Brad Dexter (Lieutenant Joe “Little Joe” Johnson), Mark Damon (Private Terry), Ken Clark (Morgan), Harvey Lembeck (Private Bernard “Bernie” Meleski), Skip Homeier (Private Swanson), L. Q. Jones (Private Kenny), Tod Andrews (Lieutenant Ray Mosby), Biff Elliot (Tom Thumb), Bart Burns (Private Raker), Scatman Crothers (George), Sam Edwards (Soames), Darlene Fields (Mrs. Raker), Frank Gerstle (Colonel Miles), Frank Gorshin (Private Millard), Gregg Martell (Sellers), Scotty Morrow (Roy Raker), Carl Switzer (Savage) Men in War (1957) Director: Anthony Mann Screenplay: Philip Yordan (a.k.a. Ben Maddow), from the 1949 novel Day Without End (a.k.a. Combat), by Van Van Praag Cinematographer: Ernest Haller Editor: Richard C. Meyer Music: Elmer Bernstein Production Designer: Lewis Jacobs Running time: 102 minutes Format: 35mm, in black and