Shiver Trilogy Discussion Guide
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BEAUTY and the BEAST STUDY GUIDE the Story of Beauty and the Beast Has Been Around Since 1740
BEAUTY AND THE BEAST STUDY GUIDE The story of Beauty and the Beast has been around since 1740. A woman named Gabrielle-Suzanne Barbot de Villeneuve wrote the tale, titled La belle et la bête. The Disney movie is actually based on a later version of this story, written in 1756 by Jeanne-Marie Leprince de Beaumont that far DID YOU KNOW? surpassed Villeneuve’s in popularity. The original themes of the story were class disparity and country life as opposed to noble life. FOR FURTHER STUDY… Follow this link to read the original tale of Beauty and the Beast. Fill out this Venn diagram comparing Beaumont’s tale with the Disney version. https://www.pitt.edu/~dash/beauty.html TALE AS OLD AS TIME… Beauty and the Beast is one of the most beloved stories of all time. How many adaptations can you think of that follow this basic storyline? MORE ADAPTATIONS… Once Upon a Time, TV series Beauty and the Beast, 2017 Beastly, 2011 La Belle et la Bete, 1946 The Beautician and the Beast, 1997 HISTORICAL BACKGROUND There’s actually no concrete setting for Beauty and the Beast, but Disney settled on the 1750s as inspiration for this storybook tale. This is pre-revolution France, as the big French Revolution started in 1789. France was, however, facing large tensions between the bourgeoisie (wealthy) and the proletariat (poor). We can assume the king of all France during this time is Louis XV, a highly unpopular king due to his affairs, losing the territory of Canada during the Seven Years’ War, and just being overall a weak king. -
Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
An Analysis of Code in the Novel the Twilight Saga “Eclipse” by Stephenie Meyer
AN ANALYSIS OF CODE IN THE NOVEL THE TWILIGHT SAGA “ECLIPSE” BY STEPHENIE MEYER A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English Literature Department Of the Faculty of Adab and Humanities Of UIN Alauddin Makassar By FATMAWATI RUMAYOMI Reg. No. 40300108016 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2012 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar hasil karya penulis sendiri. Jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau disusun oleh orang lain secara keseluruhan atau sebahagian, maka skripsi dan gelar yang diperoleh karenanya, batal demi hukum dan siap dipertanggung jawabkan. Makassar, September 2012 Penulis, FATMAWATI RUMAYOMI NIM 40300108016 ACKNOWLEDGMENT Alhamdulillahi Rabbil „Alamin, the writer praises to the almighty ALLAH swt for His blessing and merciful so he can complete this thesis. Peace and salutation are addressed to the beloved and chosen messenger Muhammad SAW who has guided human beings from the darkness to the lightness, from stupid era to the clever era. The writer realizes that this thesis could not be completed without getting assistance, guidance, understanding and encouragement from many people. Therefore, she would like to express her deepest gratitude to the following people: 1. The writer‟s beloved parents, B. Tahaya and Matelda R. for their love, patience, and sincere prayers for her safety and success. 2. The Rector of UIN Alauddin Makkassar, Prof. DR. H. A. Qadir Gassing HT., M.S. who has given her a chance to study in the English and Literature Department so that she could finish her study. -
Study Guide Prepared by Jeri Hammond and Ann Sorvari
Disney’s Beauty and the Beast a Wheelock Family Theatre Study Guide prepared by Jeri Hammond and Ann Sorvari 200 Riverway │ Boston, MA 02215-4176 box office: 617.879.2300 │ www.wheelockfamilytheatre.org Be Our Guest at Wheelock Family Theatre’s Production of Disney’s Beauty and the Beast The story of Beauty and the Beast brings to Wheelock Family Theatre audiences a spunky, intellectually curious heroine in Belle. She is admirable from the first for her loyalty to her eccentric father, her love of reading (even though it brands her as “different”), and her refusal to accept a proposal of marriage from an arrogant and boastful nobleman. Over the course of the play, she learns that love sometimes comes from the least likely and least romantic of sources, that the surface is not the whole truth, and that home is where the heart is. Her Beast learns that love cannot be forced, that love means freeing, not caging, your beloved, and that true power comes from giving it away. These two are surrounded by an entertaining collection of characters—some comic, some caring, some evil, some beastly, some silly—who add spice to the central story and help underscore the overall message about the unselfish generosity of love. Welcome to the heartwarming world of this wonderful tale! On Your Way to the Theatre… Beauty and the Beast is a story with which many, or even all, students are likely to be familiar, especially in the Disney animated film version, which is the basis for the WFT production. Some students may be curious to see how a live stage production will deal with Lumiere, Mrs. -
Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment
NEWS RELEASE Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment 10/4/2011 Helen of Troy Secures Global Rights to Market PRO Beauty Tools® Twilight Limited Edition Collection Coinciding With Big Screen and DVD Releases EL PASO, Texas, Oct. 4, 2011 /PRNewswire via COMTEX/ -- Helen of Troy Limited (NASDAQ, NM: HELE) designer, developer and worldwide marketer of brand-name household and personal care products, today announced that it has acquired a global license to 'The Twilight Saga' from Summit Entertainment in order to market a special collection of styling appliances under their PRO Beauty Tools® brand. The exclusive 'Twilight' Limited Edition Collection by PRO Beauty Tools is set for retail launch on October 1, 2011, just prior to 'The Twilight Saga: Breaking Dawn - Part 1' hitting theaters on November 18th. Gerald J. Rubin, Chairman, Chief Executive Officer and President, stated, "Helen of Troy is delighted to be working with Summit Entertainment because both companies are dedicated to the same target audience, young women who demand cutting edge trends with a great flair of style. There is a lot of synergy between our Pro Beauty Tools brand and The Twilight Saga phenomenon. Together we have the opportunity to bring value-added products to a fan base that is thirsting for more brand extensions." Summit Entertainment, the film studio behind 'The Twilight Saga' film franchise, which has already released 'Twilight,' 'The Twilight Saga: New Moon,' and 'The Twilight Saga: Eclipse,' has given PRO Beauty Tools a license to develop, produce, and distribute Twilight Saga branded hair appliances and beauty tools worldwide. -
Audience Guide, Beauty and the Beast
Audience Guide Choreography by Lew Christensen Staged by Leslie Young Music by Pyotr I. Tchaikovsky The Benedum Center for the Performing Arts February 14 - 23, 2020 Artists: Hannah Carter, Alejandro Diaz | Photo: Duane Rieder Created by PBT’s Department of Education and Community Engagement, 2020 The Pittsburgh Ballet Theatre Education Department is grateful for the support of the following organizations: Allegheny Regional Asset District Highmark Foundation Anne L. and George H. Clapp Charitable Trust BNY Jack Buncher Foundation Mellon Foundation Peoples Natural Gas Claude Worthington Benedum Foundation Pennsylvania Council on the Arts Eat ‘n Park Hospitality Group Pennsylvania Department of Community and Economic Edith L. Trees Charitable Trust Development ESB Bank Pittsburgh Cultural Trust Giant Eagle Foundation PNC Bank—Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. and Lucy K. Schoonmaker The Heinz Endowments Henry C. Frick Educational Fund of The Buhl Foundation Contents 2 The Origins of Beauty and the Beast 3 Select List of Beauty and the Beast Adaptations 4 About the Ballet 5 Synopsis 6 The Music 6 The Choreography 9 The Répétiteur 9 Costumes and Sets 12 Theater Programs 12 Theater and Studio Accessibility Services 1 The Origins of Beauty and the Beast When it was published in 1740, Beauty and the Beast was a new take on an centuries-old canon of stories, fairy tales and myths, found in all cultures of the world, about humans who fall in love with animals. Maria Tatar, author of Beauty and the Beast: Classic Tales About Animal Brides and Grooms from Around the World, notes that these stories - about love, courtship, romance, marriage - give “a vivid, visual grammar for thinking about abstractions: cruelty and compassion, hostility and hospitality, predators and victims.”* They explore issues that are “as old as time:” the layers, complexities and contradictions at the heart of relationships. -
Download Date 24/09/2021 22:16:07
Re-enchanting Beauty and the Beast: Undoing and Redoing the Classic Item Type text; Electronic Thesis Authors Bemis, Caitlin Mae-Anjanette Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 22:16:07 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/318819 Abstract The tale of “Beauty and the Beast” is a well-known classic. In the past fifty years, the tale has often been retold and subsequently expanded. These expansions include more characters and plot twists that make the story more interesting and appealing to contemporary audiences and writers alike. Primarily, the new characters and plot additions bring new depth to the titular characters. Overall, the two become more well-rounded and three-dimensional in contrast to the original archetypal and contrived characters they were in the original tale. While nothing is wrong with fairy tales in and of themselves, typical modern audiences crave stories with more depth and less contrived of a feel to them. The retellings are still contrived, as the general tale remains the same and the author is simply adding to it. The purpose of the additions is to make the story come across as less contrived. Through the examination of two books by Robin McKinley: Beauty and Rose Daughter; two books by Mercedes Lackey: The Fire Rose and Beauty and the Werewolf; as well as Disney’s Beauty and the Beast and Daniel Barnz’s Beastly, I explore the various approaches and how the story comes across in its new medium. -
Beauty and the Beast: Across Cultures and Time
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2013 Beauty and the Beast: Across Cultures and Time. Bridgette Johnson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/honors Part of the English Language and Literature Commons Recommended Citation Johnson, Bridgette, "Beauty and the Beast: Across Cultures and Time." (2013). Undergraduate Honors Theses. Paper 104. https://dc.etsu.edu/honors/104 This Honors Thesis - Withheld is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Johnson 1 Beauty and the Beast: Across Cultures and Time By: Bridgette Johnson Johnson 2 Table of Contents Introduction 3 Part One: The Classic Tales Chapter One: The Beauty 8 Chapter Two: The Beast 16 Part Two: The Modern Tales Chapter One: The Beauty 24 Chapter Two: The Beast 31 Epilogue 38 Johnson 3 Introduction The tale of Beauty and the Beast has enchanted audiences since Lucius Apuleius wrote “Cupid and Psyche” in the second century in The Golden Ass . The idea of a beautiful woman falling in love with a man whom is hideous, or whom she is not allowed to look upon has stubbornly persisted into the twenty-first century, especially since Disney turned the story into an animated feature film in 1991. Both Beauty and the Beast take different forms in different cultures and evolve even more when the classic tales are compared to modern retellings. -
Narrative Descriptions in Stephenie Meyer's Twilight Saga. a Corpus Stylistics Perspective DOI
Umanistica Digitale - ISSN:2532-8816 - n.6, 2019 D. Cesiri, F. C ccetta – Narrati"e descri$ti ns in Ste$%enie Me'er(s )wilig%t Saga. A c r$,s st'listics pers$ecti"e D-I: htt$:..# i.org.10.6092/issn.2532-8816.8745 Narrati"e #escri$ti ns in Ste$%enie Me'er1s )*ilig%t Saga. + c r$,s st'listics $ers$ecti"e Daniela Cesiri – Francesca C ccetta Uni"ersit2 Ca( F scari 3enezia [email protected] [email protected] +5stract. )%e $resent st,#' #ra*s n cor$,s st'listics 6c7. 8389: 819]: 8269: 820], t name a 7e*; t in"estigate t%e narrati"e st'le in Ste$%enie &e'er1s The Twilight Saga 62005- 2008). In $articular, it 7 cuses n <e'* r#s generate# ,sing Wordsmith Tools version 7 836], an# t%e =NC as a re7erence corp,s. >,alitati"e an# ?,antitati"e anal'ses s% * t%at t%e m st 7re?,ent lexical * r#s 6n ,ns, a#Aecti"es, an# "erbs; re7lect t%e *riter1s 7 cus n care7,ll' selecte# $%'sical elements 7 t%e characters. & re s$eci7icall', t%e n ,ns $re7erentiall' #en te s$eci7ic $%'sical attri5,tes 7 t%e characters, t%e a#Aecti"es $r vi#e a general #escri$ti n 7 t%e $r tag nists an# t%e setting, *%ile t%e "erbs ,se# $resent t%e acti ns 7 all t%e characters, t%eir interacti n *it% t%e t%er $r tag nists, an# t%eir $ siti n in t%e narrati"e sit,ati n. -
30 on Eclipses
eclipse also magnificently defies On photographic representation. Capturing an eclipse’s image or recounting it through language is akin Eclipses to fleshing out an imperishable portrait of a fleeting ghost. While a total solar eclipse When Language and predictably occurs somewhere on the Photography Fail planet approximately once every 18 months, the August 21, 2017 eclipse was the first to align above the United On August 21, the earth, moon, and States in 38 years, with the last sun’s celestial postures aligned in occurring on February 26, 1979.6 performance of the perfect spectral Recognizing the uncanny qualities of mirage: the moon appeared to slip this celestial affair, both Sarah from its orbit, and like an unknown Charlesworth and Annie Dillard body blotting out the light at the end employed the 1979 eclipse as subject of a narrow tunnel, briefly obscured matter for two distinct works that the violent, ultraviolet orb of the sun. mined its respective photographic In Los Angeles, outside the and poetic properties. slender path of totality that threaded In Dillard’s classic essay, “Total across the contiguous United States, Eclipse,” the author intimately the sun remained as a sliver, a toenail, recounts her personal experience of or a fractured oval; the drop in air the eclipse, narrating the ways in temperature was only marginally which language becomes unmoored perceptible. A naked glance upwards from the actual somatic experience of would be rewarded with a crescent- being consumed by the moon’s shaped scar seared into the retina. shadow (“Language can give no sense Elsewhere, those situated within of this sort of speed”7). -
Fairy Tale Retellings
Court of Thorns and Roses by Sarah J. East by Edith Pattou Maas Rose agrees to live with a magical bear in When huntress Feyre kills a wolf in the his ice castle in the north and helps him to woods, a creature arrives to demand return to his human form by breaking the Fairy Tale retribution for it. Dragged to a magical land, curse a Troll Queen has put on him. Feyre discovers that her captor is not an animal, but Tamlin--one of the immortal faeries who once ruled their world. Sisters Red by Jackson Pearce Spindle’s End by Robin McKinley Rosie March once felt her bond with her sister was unbreakable. Owing Scarlett her Retellings A wicked fairy appears on the princess Briar life, Rosie hunts fiercely alongside her. Rose’s name-day and places a curse on the Now Rosie dreams of a life beyond the baby, claiming that the child will prick her wolves and finds herself drawn to Silas, a finger on a spindle and fall into deathly young woodsman. sleep. The princess is rescued on her name-day and secretly taken away. Cinder by Marissa Meyer Ash & Bramble by Sarah Prineas Cinder, a gifted mechanic, is a cyborg. But When the glass slipper just doesn’t fit… when her life becomes intertwined with the The tale of Cinderella has been retold handsome Prince Kai’s, she suddenly finds countless times. But what you know is not herself at the center of an intergalactic the true story. struggle, and a forbidden attraction. First in a series. -
Tale As Old As Time
University of Iceland School of Humanities Department of English Tale as Old as Time Disenchanting the Beast B.A. Essay Karitas Marý Bjarnadóttir Kt.: 060297-2589 Leiðbeinandi: Dr. Jessica Murphy May 2020 ABSTRACT Representations of the beastly bridegroom have become entangled with their respective brides and female sexual desires. Modern stories of human brides and their animal grooms tend to favour the latter. This essay applies a feminist approach when exploring the evolution of the animal groom within the Beauty and Beast motif. It examines different representations of beastly grooms and brides and varying interpretations of female and male narrators and illustrators. The bear as the Beast is a common figure and evolving views towards the bear as a Beast over the centuries are explored. This essay discusses two exemplar stories for the Beauty and Beast motif, Apuleius’ “Cupid and Psyche” and Madame Leprince de Beaumont’s “Beauty and the Beast.” Comparisons are made between the two aforementioned works, as well as Disney’s 1991 and 2017 adaptations of Beauty and the Beast, the Nordic tale “East of the Sun and West of the Moon” and other works. This essay examines how and why the Beast’s character has transformed from a self-deprecating, gentlemanly creature to a complacent narcissist. In earlier versions the Beast is considered to be the other and a supporting character to a young girl’s maturation into womanhood. However, modern retellings have starred the Beast as the main protagonist. This essay explores these trends and their plausible causes by reflecting on the history of the animal bridegroom motif and the culture and time in which it was written.