X Marks the Spot for Wave Energy

Total Page:16

File Type:pdf, Size:1020Kb

X Marks the Spot for Wave Energy PIPE LINENOT JUST SURFERS * NOT JUST SEWAGE * THE NEWSLETTER OF SAS * SAS head to head with EA over Brighton * SAS and O’Neill celebrate primary schools project week * SAS / Aloha Cornish & Open - UK’s greenest surf festival * Crystal Ball sparkles ISSUE ISSUE 6 2 * OCTOBER 2005 OCTOBER * X MARKS THE SPOT FOR WAVE ENERGY WHO’S WHO AT SAS? HOW TO FIND US... ■ Campaign Director (full time) Richard Hardy ([email protected]) ■ Campaign Assistant (full time) Andy Cummins ([email protected]) ■ Campaign Researcher (full time) Andrew Knights ([email protected]) ■ Office Manager (full time) Wendy Nicolson ([email protected]) ■ Finance Manager (part time) Vincent McDermott ([email protected]) ■ Events & Sponsorship (part time) Michelle England ([email protected]) ■ Merchandise Manager (part time) Kate Wilde ([email protected]) ■ Merchandise Assistant (part time) Heidi Peasley ([email protected]) ■ Membership/Admin Assistant (full time) Pippa Shemmings ([email protected]) ■ Sales/Admin assistant (full time) Claire Bentley ([email protected]) ■ Everyone can be contacted on 01872 553 001 WHO DOES WHAT FOR PIPELINE ■ Editor: Richard Hardy ■ Surfers Against Sewage, Wheal Kitty Workshops, St. Agnes, Cornwall TR5 0RD ■ Main Office: 01872 553 001 ■ Campaign Office: 01872 555 950 ■ Merchandise: 01872 555 955 ■ Sponsorship: 01872 555 945 ■ Fax: 01872 552 615 ■ Internet: www.sas.org.uk ■ Email: [email protected] ■ Graphic Design: Greig Stevens [email protected] ■ Photographers: Rob Smith, Mike Greenslade, Andy Hughes, Greg Martin, Andy Cummins, Richard Hardy ■ Printing: Brewers of Helston 01326 558000 Printed on 100% post-consumer waste recycled paper using vegetable based inks PIPELINE.ISSUE.62.PAGES.02/03 editorial The G8 Summit in July failed to agree a mandatory cut in greenhouse gas emissions. It has been widely condemned as an opportunity missed and so our planet continues to warm. With the summer now finished we’re gearing up to campaign for an embracement of offshore renewable energy devices and to introduce some radical changes to the way the water industry plans its investment. Both are needed to prevent much of the hard work we’ve done being undone because of an increase in water pollution incidents relating to changes in climate. With another packed out and memorable SAS Ball behind us the campaign season is back! Thanks for your support. RICH HARDY CELEBRATING 15 YEARS OF SAS CAMPAIGNING AT THE CRYSTAL BALL... THANKS TO SMUGGLERS FOR MAKING OUR CAKE! CAMPAIGN REPORT SAS FLOAT GIANT ‘X’ OFF THE COAST OF CORNWALL TO SUPPORT RENEWABLE ENERGY SAS fl oated a giant green ‘X’ 12 miles off devices may be deployed in the coming without pollution and depletion of the the coast of St Ives in Cornwall to show years. The Wave Hub project is seeking Earth’s natural resources. both our support for renewable energy to encourage the development of wave The Wave Hub is still subject to gaining and to urge world leaders to vote for clean energy technology in the South West with the necessary approvals and funding and safe energy options at the G8 summit the electricity being produced exported to before construction could begin in the in Edinburgh, where climate change was the shore and into the National Grid via a summer of 2006. high on the agenda. buried cable. As everyday wave users SAS are fully SAS campaigners took out the fl oating SAS are keen supporters of renewable aware of the huge natural wave energy ‘X’ to a wave buoy marker 12 miles out into energy. In particular we are keen to see resources we have in the UK and just as St Ives Bay 2 days before the G8 Summit. the marine renewable energy sector we enjoy their energy for recreation we The buoy is currently collecting wave develop as we believe this to be an believe that same energy should also data as part of the wave hub project but excellent natural platform to help the UK be captured to create electricity. We are also marks the site where wave energy generate clean, green and safe electricity also very aware of the impact pollution PIPELINE.ISSUE.62.PAGES.04/05 SAS FLOAT GIANT ‘X’ Check out the sciencescience behind wavewave energyenergy on page 10 and 11. is hahavingving on our wwaterater enenvironmentvironment presspress forfor immediateimmediate solutionssolutions toto tackletackle From the start of 2005 SAS have been from current ‘dirty energy’ technologies. climate change so that more projects like in partnership with renewable energy In particular the fi nding of radioactive the Wave Hub can be undertaken, but we provider Ecotricity. For every customer particles at 2 surfi ng beaches close to were disappointed by a failure from world that changes over to Ecotricity (it won’t the Dounreay Nuclear Reprocessing Plant leaders to commit to target dates. cost you a penny more as they match the in North Scotland has reiterated the Media coverage: ITV Westcountry, price of your regional electricity supplier!) importance of developing cleaner and BBC Radio Cornwall, Pirate FM, Western mentioning SAS, Ecotricity will donate £15 SAFER energy technologies as a matter Morning news, Cornishman, West Briton, to the SAS clean and safe water campaign. of urgency. Wavelength, Surfers Path Sign up here! RH SAS had hoped that world leaders in Watch a short fi lm of this campaign www.ecotricity.co.uk/partners/referrers/ Edinburgh would both acknowledge and action at www.av3.co.uk/saswavehub.htm SurfersAgainstSewage/sas1.html CAMPAIGN REPORT SMALL PHOTO: WORTHING HERALD WORTHING SMALL PHOTO: SAS GO HEAD TO HEAD WITH THE ENVIRONMENT AGENCY OVER BRIGHTON SEWAGE PLANS SAS actioned outside the Environment Agency on Wednesday of adding UV could be as low as £1.5 million. Plans are to build a the 3rd of August in a demo that called for them to support full new long sea outfall costing £4 million, but the current long sea sewage treatment for Brighton and Hove. outfall could instead be used to discharge UV treated effl uent. In the latest of our Brighton campaign actions we arrived at This could allow an overall saving on the project of £2.5 million. the EA offi ces in Worthing to deliver a larger than life copy of the Following the action SAS met with Environment Agency staff discharge consent currently lodged by Southern Water at the EA. to discuss this proposal and told them that in the interests We stamped the words ‘requires UV treatment’ across the front of sustainability and bathing water quality, the EA should be as a sign of SAS’ wishes. requiring Southern Water to add UV to the proposed secondary SAS believe the EA should support our campaign to ensure UV level treatment process. In addition, the EA should insist on all disinfection is applied to the Southern Water application, both in sewage and wastewater treatment schemes to reuse not waste terms of improving bathing water quality and in the interests of water, as part of an overall strategy to conserve water. RH sustainability. If the EA were to endorse the Southern Water application as FURTHER ACTION FROM YOU NEEDED! it currently stands, it would be giving its approval to wasting If you haven’t already done so please support our campaign millions of gallons of wastewater that, with an extra level of call to the Secretary of State for the Environment to call in treatment, could be reused. the Southern Water discharge consent applications for her This would not be good environmental practice, especially at determination under the Water Resources Act 1991. The easiest a time when the Southern Water region needs to be conserving way to do this is sign our e-card online at water and planning for a future where water shortages are www.sas.org.uk/pr/brighton_vicvirus_sept_2005.asp increasingly more likely. Recent fi gures from DEFRA have shone further light on the cost Media Coverage: Meridian TV, BBC Southern Counties Radio, of providing an extra level of treatment. SAS now believe the cost Southern FM, Worthing Herald, The Argus. PIPELINE.ISSUE.62.PAGES.06/07 CAMPAIGN ROUND-UP EU WATER LEGISLATION SAS met with Richard Caborn, the Minister for Sport recently. Approximately 10% of the UK population take part in recreational water sports annually (not including bathing). This fi gure is rising and the Minister suggested it might be a lot larger. This means that over 6 million people are using recreational waters annually. Good news for the Government, who are trying to encourage the public to be more active and healthy - or is it? BEACH LITTER Those using designated waters for recreation which PORTHTOWAN BEACH, CORNWALL - SEPTEMBER 17th. meet the current Bathing Water Directive ‘mandatory’ With the help of some fantastic Eco Ventures water quality standard have a 12% - 15% risk of volunteers on a very nice autumn day SAS collected contracting gastroenteritis according to the World Health over 9,000 pieces of marine litter, over 90% of which Organisation (WHO). That’s leaving a lot of people on the was plastic (very persistent in the marine environment) toilet after a surf! as part of the MCS Beachwatch weekend. Picking up SAS have called on the Sports Minister to help us call over 9,000 pieces is a fantastic feat, however, we were for clean and safe recreational waters as part of our all shocked by the colossal amount of marine litter ongoing campaign to improve European legislation. By still on the beach when we left. This is mirrored across title alone this Minister should be more supportive of our the country and SAS will be stepping up its Beach plight and SAS will work hard to ensure we gain his full Litter campaign over the coming months to tackle this support in EU discussions.
Recommended publications
  • Unikum Der Studentinnenschaft Der Universität Bern
    121 unikummagazin der studentinnenschaft der universität bern der komet kommt Die Schicksalsboten vom Himmel Die Wahrscheinlichkeit, dass ein Himmelskörper auf die Erde trifft und irdisches Leben auslöscht, ist gross, nahezu hundert Prozent. Ungewiss ist indes nur, wann ein solches Ereignis eintritt. Impakte ausserirdischer Körper hat es in der Vergangenheit gegeben und könnte es auch in naher Zukunft geben. Der Komet Shoemaker-Levy9 knallt am 16. Juli 1994 auf den Jupiter. Blüht das bald der Erde? 30. Juni 1908, Tunguska, Sibirien. Es renquelle von erdnahen Kometen und As- sichtbar. Dies war das erste Mal, dass die kracht und donnert Kanonenfeuer in der teroiden auf einer Skala von 0 bis 10 be- Auswirkungen einer derartigen Kollision Taiga. Der Himmel wird von Feuersäulen schreibt, wurde der 320 Meter grosse Ge- von der Erde aus beobachtet werden konn- horizontal gespalten, der Boden schwankt, stirnsbrocken zunächst auf der Stufe 1 ein- ten. Die Bilder des Einschlags gingen um 2 000 Quadratkilometer Wald werden in- geordnet – per Definition «ein Ereignis, das die Welt. Der Gedanke, dass ein ähnliches nert Sekunden plattgewalzt. sehr unwahrscheinlich ist». Dies wurde in Ereignis auf der Erde möglich wäre, trat Dieses Ereignis gilt bis heute zwar als nicht einer ersten Pressemitteilung vom 23. De- ins Bewusstsein der Menschen. zweifelsfrei geklärt, doch deutet vieles da- zember 2004 publik gemacht und des Apo- Der spektakuläre Jupiter-Crash hat nicht rauf hin, dass es sich um die Explosion phis fulminante Medienkarriere war damit nur augenblicklich eine neue zivilisato- eines in die Erdatmosphäre eintretenden, lanciert. Noch gleichentags erklomm Apo- rische Bedrohung in die Welt geschafft, 60 Meter grossen Asteroiden handelte.
    [Show full text]
  • Musicking and Surfing
    Ethnomusicology Ireland 1(2011) 21 PLAYING TOGETHER AND SOLITARY PLAY: MUSICKING AND SURFING by Timothy J. Cooley (Cuailgne) Ensemble.1 Something happens when we music together. We’ve all felt it. Maybe it was the church, school, or university choir when during mid-motet something clicked and you lost a bit of yourself while simultaneously gaining an ensemble. Or maybe it was dancing—another form of musicking—when you lost yourself in the movements, sounds, sights and smells of the event. Or was it the band or orchestra rehearsal as it finally came together. Or the old-time or céilidh session where your own fiddle playing seemed to flow from somewhere other than your own hands as you seemed to join the band in a moment of communitas, when you lost a sense of time, and achieve something truly beautiful. This type of musical being-in-the-world, as Jeff Todd Titon has called it (2008: 31), is one of the reasons I suspect most of us engage in musicking. I would go so far as to propose that pleasure in musicking is a universal human experience, but that this pleasure is a byproduct of musical participation, not the reason for its universality. Pleasure does not seem to lead to human universals—rather need does. All humans need food, water, air, sleep, intimate human contact—those needs are all obvious. Our apparent human need for language, musicking including dancing, as well as visual forms of expression are less well understood. The physician Oliver Sacks tells us that music engages more of the human brain than does language (2007).
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]
  • Print G Lemonade Itunes Booklet
    Ride Let the Music Play featuring Ben Harper and Marc Broussard G. Love: Vocals, Guitar, Harmonica, Lead Guitar, Tambourine G. Love: Vocals, Guitar, Hand Claps Pete Donnelly: Bass, Electric Guitar, Background Vocals Ben Harper: Lead Vocals, Weisenborn Guitar, Wurlitzer Piano, Chuck Treece: Drums Hand Claps Marc Broussard: Lead Vocals Ain’t that Right Jeffrey Clemens: Drums, Hand Claps G. Love: Vocals, Guitar Jimi “Jazz” Prescott: String Bass, Hand Claps Chuck Treece: Drums, Bass, Background Vocals, Percussion Carlos Baiza: Congas & Percussion Jason Yates: Wurlitzer Piano JP Plunier: Hand Claps Pete Donnelly: Background Vocals Chris DiBeneditto: Hand Claps Hot Cookin’ Desiree Casimiro: Hand Claps G. Love: Vocals, Guitar, Harmonica Free Donavon Frankenreiter: Lead Guitar Solo G. Love: Vocals, Guitar Jeffrey Clemens: Drums, Background Vocals Chuck Treece: Drums, Percussion Jimi “Jazz” Prescott: String Bass Jimi “Jazz” Prescott: String Bass Carlos Baiza: Congas & Percussion Jason Yates: B3 Organ Steve Molitz: Wurlitzer Piano, B3 Organ Lady Alma: Background Vocals Can’t Go Back to Jersey Beautiful featuring Tristan Prettyman G. Love: Vocals, Guitar, Harmonica G. Love: Vocals, Guitar Jeffrey Clemens: Drums, Background Vocals Tristan Prettyman: Vocals, Guitar Jimi “Jazz” Prescott: String Bass Jimi “Jazz” Prescott: String Bass Chuck Treece: Background Vocals Chuck Treece: Drums Mark Boyce: B3 Organ, Background Vocals Jeffrey Clemens: Drums Missing My Baby Carlos Baiza: Congas & Percussion G. Love: Vocals, Guitar Mark Boyce: Wurlitzer Piano Jimi “Jazz” Prescott: String Bass Dave Hidalgo: Viola Jeffrey Clemens: Drums Rainbow featuring Jack Johnson Mark Boyce: Wurlitzer Piano Jack Johnson: Vocals, Guitar Dave Hidalgo: Viola G. Love: Vocals, Guitar, Harmonica Holla! Jeffrey Clemens: Drums G. Love: Vocals, Guitar Jimi “Jazz” Prescott: String Bass Chuck Treece: Bass & Percussion Anton Pukshansky: Piano Jeffrey Clemens: Drums, Background Vocals Breakin’ Up Carlos Baiza: Congas & Percussion G.
    [Show full text]
  • «Después Del Concierto Buscaré Olas Por Aquí»
    ENGLISH VERSION «Después del concierto buscaré olas por aquí» El cantante y surfero hawaiano iluminará esta noche Kobetas con su folk pop, muy lejos de las pretensiones de las grandes estrellas 09.07.11 - JOSU OLARTE | BILBAO. Como buen hawaiano, la primera pasión de Jack Johnson fue el surf. Tenía un prometedor futuro profesional sobre las olas, pero una peligrosa caída en un fondo coralino le obligó a abandonar el circuito. Estudió cine en California y se dedicó a hacer películas de surf en las que incluyó como banda sonora esas suaves, positivas y luminosas canciones de pop y rock acústico con aromas caribeños que, desde hace una década, viene volcando en seis discos de los que ha vendido más de ocho millones de copias. Célebre por accidente, Johnson ejerce de tipo sencillo y natural junto a una playa de Oahu (norte de Hawai), donde vive. Se dedica a surfear y a grabar en su estudio alimentado por el sol. De su paso por Bilbao y de cómo se las ingenia para conciliar el estrellato pop con la vida familiar, el surf y la militancia ecológica habló antes de presentarse anoche en el BBK Live con su jam band habitual, integrada por Adam Topol (batería), Merlo Podlewski (bajo) y su amigo y compañero en la Animal Liberation Orchestra, Zach Gill (piano, percusión). - Suele girar en verano. ¿Necesita el sol de Hawai? - Sí. Y mi familia suele venir conmigo. Son como nuestras vacaciones. Cuando toco, mis tres pequeños están en la cama. Al día siguiente preparamos alguna excursión por la zona en la que estemos y aprovecho, si puedo, para hacer surf.
    [Show full text]
  • Music in Surf Town Typology Anne Barjolin
    Music in surf town typology Anne Barjolin To cite this version: Anne Barjolin. Music in surf town typology: Alternative spaces of a subculture. ”Sounds, scenes and urban policies : contemporary issues and new horizons for the geographies of music”, Association of American geographers & International association for the study of Popular Music, New Orleans, 10-14 avril 2018, 2018, New Orleans, United States. hal-02107789v2 HAL Id: hal-02107789 https://hal.archives-ouvertes.fr/hal-02107789v2 Submitted on 12 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License MUSIC IN SURF TOWN TYPOLOGY 1 AAG Annual Conference—New Orleans, April 10-14, 2018 Sounds, Scenes and Urban Policies: Contemporary Issues and New Horizons for the Geographies of Music. IASPM (International Association for the Study of Popular Music) AAG (Association of American Geographers) Music in surf town typology: Alternative spaces of a subculture Anne Barjolin-Smith Doctoral Candidate at the University Paul Valery, Montpellier 3, France From the physical space in which music We move past the myth of a surf music culture comes to life to a mythology built around marked by Californian exclusive aesthetics to ideological scenes, the place in which a type get closer to a legitimist music used as a of music is developed or consumed plays a platform that contributes to mark local vital role on its evolution and its conservation.
    [Show full text]
  • List of Songs Related to Climate Change and Human Impact on the Environment Compiled by Richard L
    List of Songs Related to Climate Change and Human Impact on the Environment Compiled by Richard L. Wallace, Ursinus College Environmental Studies Program January 2009 A Sharon Abreu – various songs (www.sharmuse.com) Agnostic Front – “Toxic Shock” Alabama – “Pass It On Down” Linda Allen – “We Are the Rainbow Sign” Dave Alvin – “Mother Earth” Arrested Development – “Children Play With Earth” B Bad Religion – “Kyoto Now!” Ann Bailey – “Excuse Me Sir, That’s My Aquifer” The Beach Boys – “Don’t Go Near the Water” Adrian Belew – “Burned By the Fire We Make” Adrian Belew – “Hot Zoo” Adrian Belew – “House of Cards” Adrian Belew – “The Lone Rhinoceros” Adrian Belew – “Men in Helicopters” Adrian Belew – “Modern Man Hurricane Blues” Adrian Belew – “Only a Dream” The Bears – “Save Me” Dan Berggren – “The Power from Above” Blue Oyster Cult – “Godzilla” Ken Boothe – “The Earth Dies Screaming” Billy Bragg – “The Price of Oil” Jon Braman – “The Weather” Jon Braman – “Time Has Come” Breaking Laces – “Global Warming Day” Jackson Browne – “Before the Deluge” Jackson Browne – “Doctor My Eyes” Jimmy Buffett ‐ “Volcano” T Bone Burnett – “Humans from Earth” The Byrds – “Hungry Planet” C Cake – “Carbon Monoxide” Cake – “Long Line of Cars” Capitol Steps – “God Bless My SUV” Captain Sea Level Rise – “When the North Pole Melts” Johnny Cash – “Don’t Go Near the Water” Cerrone – “Supernature” Tom Chapin – Various songs from the albums “This Pretty Planet”, “Mother Earth”, “Moonboat”, etc. Daryl Cherney – “Dead Ducks” Jimmy Cliff – “Save Our Planet Earth” Bruce Cockburn – “Beautiful Creatures” Bruce Cockburn – “If a Tree Falls” Bruce Cockburn – “Last Night of the World” Bruce Cockburn – “The Trouble with Normal” Bruce Cockburn – “Wondering Where the Lions Are” Stephen M.
    [Show full text]
  • To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
    To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat.
    [Show full text]
  • Top Songs of the 2000'S.Pages
    Top Songs of the 2000ʼs 1. Somebody Told Me - 21. White People For 40. Read My Mind - The The Killers Peace - Against Me! Killers 2. In The End - Linkin 22. I'm Shipping Up to 41. Rooftops - Park Boston - Dropkick Lostprophets 3. Los Angeles is Burning Murphys 42. Maybe Tomorrow - - Bad Religion 23. Falling Down - Stereophonics 4. Headstrong - Trapt Atreyu 43. Far Behind - Social 5. Thrash Unreal - 24. Fix You - Coldplay Distortion Against Me! 25. Knights of Cydonia - 44. Big Casino - Jimmy 6. Viva La Vida - Coldplay Muse Eat World 7. All These Things That 26. Somewhere Else - 45. A Different Kind of I've Done - The Killers Razorlight Pain - Cold 8. One Step Closer - 27. I Believe in a Thing 46. Straight Out of Line - Linkin Park Called Love - The Godsmack 9. The '59 Sound - Darkness 47. Somewhere I Belong Gaslight Anthem 28. Human - The Killers - Linkin Park 10. Mr. Brightside - The 29. Audience of One - 48. We're All To Blame - Killers Rise Against Sum 41 11. Walk Away - 30. America - Razorlight 49. Sex On Fire - Kings of Dropkick Murphys 31. Smokers Outside the Leon 12. Re-Education Hospital Doors - Editors 50. Anthem - Zebrahead (Through Labor) - Rise 32. Island in the Sun - 51. Dashboard - Modest Against Weezer Mouse 13. Munich - Editors 33. Crawling - Linkin 52. Beverly Hills - Weezer 14. Use Somebody - Park 53. Take Me Out - Franz Kings of Leon 34. Who's Gonna Save Ferdinand 15. Clocks - Coldplay Us - The Living End 54. Savior - Rise Against 16. When You Were 35. Sunshine Highway - 55. In the Morning - Young - The Killers Dropkick Murphys Razorlight 17.
    [Show full text]
  • Various Pure Acoustic Mp3, Flac, Wma
    Various Pure Acoustic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Pure Acoustic Country: Europe Released: 2006 Style: Acoustic MP3 version RAR size: 1994 mb FLAC version RAR size: 1731 mb WMA version RAR size: 1438 mb Rating: 4.5 Votes: 488 Other Formats: MP4 AC3 MIDI AHX DXD DTS WAV Tracklist 1-1 –Jack Johnson Breakdown 1-2 –James Blunt High 1-3 –Coldplay Fix You 1-4 –Keane Somewhere Only We Know 1-5 –Snow Patrol Run 1-6 –Blur For Tomorrow 1-7 –R.E.M. The One I Love 1-8 –Athlete Wires 1-9 –Ben Harper Diamonds On The Inside 1-10 –Matt Costa Cold December 1-11 –G. Love Booty Call 1-12 –ALO * Animal Liberation Orchestra Girl, I Wanna Lay You Down 1-13 –Ryan Adams Wonderwall 1-14 –Rufus Wainwright California 1-15 –Doves Willow's Song 1-16 –Suzanne Vega Marlene On The Wall 1-17 –Paul Weller You Do Something To Me 1-18 –Radiohead Fake Plastic Trees 1-19 –Oasis Stop Crying Your Heart Out 2-1 –John Lennon Love 2-2 –KT Tunstall Heal Over 2-3 –Katie Melua Nine Million Bicycles 2-4 –Norah Jones Come Away With Me 2-5 –Joss Stone Fell In Love With A Boy 2-6 –Donavon Frankenreiter It Don't Matter 2-7 –Corinne Bailey Rae Enchantment 2-8 –Richard Ashcroft Break The Night With Colour 2-9 –Stephen Fretwell Emily 2-10 –Nerina Pallot Dear Frustrated Superstar 2-11 –Feist Mushaboom 2-12 –Air All I Need 2-13 –Röyksopp What Else is There? 2-14 –Dirty Vegas Days Go by 2-15 –Turin Brakes Painkiller 2-16 –Soundgarden Black Hole Sun 2-17 –Nickelback How You Remind Me 2-18 –Bernard Fanning Wish You Well 2-19 –José González Heartbeats Companies, etc.
    [Show full text]
  • Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol
    slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #291 • March 2013 • slugmag.com Publisher: Eighteen Percent Gray Marketing Manager: Editor: Angela H. Brown Karamea Puriri Managing Editor: Esther Meroño Marketing Team: Ischa B., Stephanie Contributing Editor: Ricky Vigil Buschardt, Emily Burkhart, Sabrina Costello, Junior Editor: Alexander Ortega Taylor Hunsaker, Kristina Sandi, Brooklyn Office Coordinator:Gavin Sheehan Ottens, Angella Lucisano, Nicole Roccanova, Copy Editing Team: Rebecca Vernon, Briana Buendia, Raffi Shahinian, Victoria Love- Ricky Vigil, Esther Meroño, Liz Phillips, Alex- less, Zac Freeman, Cassie Anderson ander Ortega, Mary Enge, Cody Kirkland, Social Media Coordinator: Catie Weimer Johnathan Ford, Eleanor Scholz, Alex Cragun, Rachel Miller, Katie Bald, Hannah Christian, Distribution Manager: Eric Granato Katie Panzer Distro: Eric Granato, Tommy Dolph, Tony Bassett, Joe Jewkes, Nancy Burkhart, Joyce Cover Design: Joshua Joye Bennett, Adam Okeefe, Ryan Worwood, Lead Designer: Joshua Joye John Ford, Cody Kirkland, Nate Brooks, Matt Design Team: Eric Sapp, Eleanor Scholz Pothier, Phil Cannon Design Intern: Jeremy Riley Ad Designers: Kent Farrington, Sumerset Senior Staff Writers: Mike Brown, Mariah Bivens, Christian Broadbent, Kelli Tompkins, Mann-Mellus, James Orme, Lance Saunders, Maggie Call, Eric Sapp, Brad Barker, Lindsey Bryer Wharton, Peter Fryer, James Bennett, Morris, Paden Bischoff, Maggie Zukowski, Ricky Vigil, Gavin Hoffman, Jon Robertson, Thy Doan Esther Meroño, Rebecca Vernon, Jimmy Website Design: Kate Colgan Martin, Ben Trentelman, Princess Kennedy, Office Intern: Carl Acheson Sean Zimmerman-Wall, Cody Hudson, Shawn Illustrators: Ryan Perkins, Phil Cannon, Mayer, Rio Connelly, Courtney Blair, Dean Benji Pierson, Maggie Zukowski, Sean O. Hillis, Chris Proctor, Alexander Ortega, Hennefer, Robin Banks, Timm Paxton, Dylan Jeanette D.
    [Show full text]