Meyer Trust Takes on the E Word
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Louie Louie Investigation Demonstrates, the FBI Felt That Such Matters Were Theirs to Judge Even After Several Other Government Agencies Had Given Their Clearance
Herrick 1 Aidan Herrick Matthew Lasar History 190U December 18, 2014 Rock, Race, and Payola: The FBI and The Kingsmen’s “Louie Louie” In the spring of 1964, the Federal Bureau of Investigation launched one of its most infamous cases. After receiving numerous reports on a potentially dangerous item that had circulated prolifically around the United States, FBI offices from California to Florida began launching their own investigations into this threat. Much like a virus, the FBI had seen this enemy before, but it took a new form every time it reappeared. Their foe? Rock n’ roll. The new strain? None other than “Louie Louie,” as performed by The Kingsmen. Though clearly a silly waste of time to modern audiences that are used to Top 40 songs that border on pornographic, in 1964 Louie Louie and music like it had a reputation for stirring up trouble. If the FBI could find anything obscene about it, such a discovery could launch another rock ‘n’ roll witch hunt like the one rock had experienced during the Payola scandal five years prior. If a dirty utterance were to be found, the FBI would have another feather in its cap, proving their self-proclaimed position as a moral bulwark against enemies of American virtue. Should a single piece of foul language be present anywhere in the two minute and forty-seven second recording, what more would be necessary to a white society scared of a black uprising to prove that all this “jungle music” was corrupting their kids? In a Rube Goldberg-esque political mess, the FBI opened this investigation not so much because of the song itself, but because of a general paranoid atmosphere in the United States about race, sex and rock. -
The Myth of Portlandia
Portland State University PDXScholar Institute of Portland Metropolitan Studies Publications Institute of Portland Metropolitan Studies Winter 2013 The Myth of Portlandia Sara Gates Follow this and additional works at: https://pdxscholar.library.pdx.edu/metropolitianstudies Part of the Television Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Gates, S. (2013) The Myth of Portlandia. Winter 2013 Metroscape, p. 24-29. This Article is brought to you for free and open access. It has been accepted for inclusion in Institute of Portland Metropolitan Studies Publications by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. The Myth of Portlandia Portlandia, Grimm, Leverage An interview with Carl Abbott and Karin Magaldi by Sara Gates arl Abbott is a professor of Urban Studies and Planning at Portland State C University and a local expert on the intertwining relationships between the growth, urbanization, and cultural evolutions of cities. Since beginning his tenure at PSU in 1978, Dr. Abbott has published numerous books on Portland itself, as well as the urbanization of the American West; his most recent is Portland in Three Centuries: The Place and the People (2011). Karin Magaldi is the department chair of Theatre & Film at PSU, with extensive experience in teaching screenwriting and production. In addition to directing several PSU departmental productions, she has also worked with local theatre groups including Portland Center Stage, Third Rail Repertory, and Artists Repertory Theatre. Recently, Metroscape writer Sara Gates sat down with Dr. -
Film Financing
2017 An Outsider’s Glimpse into Filmmaking AN EXPLORATION ON RECENT OREGON FILM & TV PROJECTS BY THEO FRIEDMAN ! ! Page | !1 Contents Tracktown (2016) .......................................................................................................................6 The Benefits of Gusbandry (2016- ) .........................................................................................8 Portlandia (2011- ) .....................................................................................................................9 The Haunting of Sunshine Girl (2010- ) ...................................................................................10 Green Room (2015) & I Don’t Feel at Home in This World Anymore (2017) ...........................11 Network & Experience ............................................................................................................12 Financing .................................................................................................................................12 Filming ....................................................................................................................................13 Distribution ...............................................................................................................................13 In Conclusion ...........................................................................................................................13 Financing Terms .....................................................................................................................15 -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
TWO LOUIES, April 2003
OREGON MUSIC / APRIL 2003 photo Buko Page 2 - TWO LOUIES, April 2003 TWO LOUIES, April 2003 - Page 3 photo Buko hirty years after recording “Louie Louie” the estranged members of the Kingsmen reunite in the Two Louies kitchen to welcome Billy Gibbons of ZZ Top to Portland. Kingsmen drummer Lynn Easton, vocalist Jack Ely and guitarist Mike Mitchell recorded “Louie Louie” as a demo for Ta cruise ship gig. Ely quit shortly thereafter. This month the UK’s Mojo Magazine selected the Kingsmen’s “Louie Louie” #1 on their Ultimate Jukebox of The 100 Singles You Must Own. April 15th RCA Victor releases the new ZZ Top album “Mescalero” followed by the “Beer Drinkers & Hell Rais- ers 2003 Tour” beginning April 25th. Look for Mister Gibbons on the streets of Portland the second or third week of June. LL if anybody has an address, telephone number PDX KISS GUITARIST or email for Joe. I must have thought this was Greetings Two Louies, an audition for a new Buster Keaton fi lm. That Back from Vegas and the KISS show at the Yellow Pages tee shirt was purchased for $1.25 at Palms featuring my pal Tommy Thayer! Flew down the Salvation Army, I cut off the sleeves like any with John Thayer, Tommy put us up at the Palms young rocker would do in 1983. I wanted to take and passes all around. After a nice preshow visit BED STAINS the band to Los Angeles but no takers, so I mar- with the band we were herded down to the Maloof’s “Tommy breathed new life into the boys that night, even Peter was pounding harder then usual. -
Oregon Media Outlets
Oregon Media Outlets Newswire’s Media Database provides targeted media outreach opportunities to key trade journals, publications, and outlets. The following records are related to traditional media from radio, print and television based on the information provided by the media. Note: The listings may be subject to change based on the latest data. ________________________________________________________________________________ Radio Stations 28. KKNU-FM [New Country 93] 1. All Things Considered 29. KLAD-FM [92.5 KLAD] 2. Cooking Outdoors w/ Mr. BBQ 30. KLCC-FM 3. Green Tips 31. KLDZ-FM [Kool 103.5] 4. GROUND ZERO WITH CLYDE LEWIS 32. KLOO-AM [Newsradio 1340 (KLOO)] 5. Honky Tonk Hour 33. KLOO-FM [106.3 KLOO] 6. Jefferson Public Radio 34. KMED-AM [NewsTalk 1440] 7. K218AE-FM 35. KMGE-FM [Mix 94.5] 8. K265CP-FM 36. KMGX-FM [Mix 100.7] 9. K283BH-FM 37. KMHD-FM 10. KACI-AM [Newsradio 1300] 38. KMUN-FM 11. KACI-FM [K-C 93.5] 39. KMUZ-FM 12. KBCC-LP 40. KNRK-FM [94/7 Alternative Portland] 13. KBCH-AM 41. KNRQ-FM [Alternative 103.7 NRQ] 14. KBFF-FM [Live 95-5] 42. KODL-AM [Radio Freshing] 15. KBND-AM [Newstalk 1110] 43. KODZ-FM [KOOL 99.1] 16. KBOO-FM [K-Boo] 44. KPFA-FM [Pacifica Radio] 17. KCFM-AM 45. KPNW-AM [Newsradio 1120] 18. KCMX-FM [Lite 102] 46. KPOV-FM 19. KCUW-LP 47. KPSU-AM 20. KDUK-FM [104.7 KDUK] 48. KPVN-LP 21. KDYM-AM [Juan] 49. KRCO-AM 22. KEC42-FM 50. KRKT-FM [99.9 KRKT] 23. -
Elliott Smith Dead at by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
WAV / Kotori Magazine Issue 6 the Prodigy Dilated Peoples George
WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE TM MUSIC/ART/POLITICS/CULTURE MUSIC/ART/POLITICS/CULTURE 006 / THE PRODIGY DILATED PEOPLES - GEORGE CLINTON FLIGHT COMICS - METRIC - SASHA & DIGWEED GRAM RABBIT MALKOVICH MUSIC DJ MUGGS PORTUGAL. THE MAN GOAPELE TIM FITE TWO GALLANTS USA $3.99 CANADA $4.99 ISSUE 6 SILVERSUN PICKUPS 0 6 0 74470 04910 4 BOMBAY DUB ORCHESTRA KOTORIMAG.COM RSE7!6SPRINGADPDF0- # - 9 #- -9 #9 #-9 + TABLE OF CONTENTS DILATED PEOPLES 12 They’re almost prophetic, hooking up with Kanye and Alchemist before most of the world even knew those names...now they’re back, and with 20/20, their vision is better than ever. Baby, Rakaa, and Evidence get all loose with our one and only Simonita. THE PRODIGY 40 Let the madness ensue as Maxim, Keith, and Liam reload The Prodigy cannon for another go round. Safety and sanity be damned. The electronic music world has never been the same since the Firestarter grabbed hold of us in the 90s. In this issue we explore the trials and tribs of megastardom and the never ending struggle to retain the punk rock performance belt they’ve been brandishing for years. GEORGE CLINTON 48 “Think! It ain’t illegal yet!!” That’s about the only venture outside the halls of justice that the P Funk Master has been able to afford of WOLFMOTHER late. Four score and seven lawyers later, the 08 man who fostered the groove for a nation of hip “You ever heard of Wolfmother?” ‘No.’ hop protagonists gets his pay day and let’s his “WOLFMOTHER WOLFMOTHER WOLF- story be told here in this exclusive interview.