London Metropolitan Archives Cook Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two. -
CAMDEN STREET NAMES and Their Origins
CAMDEN STREET NAMES and their origins © David A. Hayes and Camden History Society, 2020 Introduction Listed alphabetically are In 1853, in London as a whole, there were o all present-day street names in, or partly 25 Albert Streets, 25 Victoria, 37 King, 27 Queen, within, the London Borough of Camden 22 Princes, 17 Duke, 34 York and 23 Gloucester (created in 1965); Streets; not to mention the countless similarly named Places, Roads, Squares, Terraces, Lanes, o abolished names of streets, terraces, Walks, Courts, Alleys, Mews, Yards, Rents, Rows, alleyways, courts, yards and mews, which Gardens and Buildings. have existed since c.1800 in the former boroughs of Hampstead, Holborn and St Encouraged by the General Post Office, a street Pancras (formed in 1900) or the civil renaming scheme was started in 1857 by the parishes they replaced; newly-formed Metropolitan Board of Works o some named footpaths. (MBW), and administered by its ‘Street Nomenclature Office’. The project was continued Under each heading, extant street names are after 1889 under its successor body, the London itemised first, in bold face. These are followed, in County Council (LCC), with a final spate of name normal type, by names superseded through changes in 1936-39. renaming, and those of wholly vanished streets. Key to symbols used: The naming of streets → renamed as …, with the new name ← renamed from …, with the old Early street names would be chosen by the name and year of renaming if known developer or builder, or the owner of the land. Since the mid-19th century, names have required Many roads were initially lined by individually local-authority approval, initially from parish named Terraces, Rows or Places, with houses Vestries, and then from the Metropolitan Board of numbered within them. -
Northbank Book
STRANDS OF HISTORY Northbank Revealed Clive Aslet Strands of History Northbank Revealed by Clive Aslet First published in 2014 by Wild Research, 40 Great Smith Street, London SW1P 3BU www.wildsearch.org © Wild Research 2014 All rights reserved The Northbank BID West Wing, Somerset House, Strand, London WC2R 1LA www.thenorthbank.org ISBN 978-0-9576966-2-4 Printed in Poland by ? ‘Looking to Northumberland House, and turning your back upon Trafalgar Square, the Strand is perhaps the finest street in Europe, blending the architecture of many periods; and its river ways are a peculiar feature and rich with associations.’ Benjamin Disraeli, Tancred: or, The New Crusade, 1847 ‘I often shed tears in the motley Strand for fullness of joy at so much life... Have I not enough, without your mountains?’ Charles Lamb, turning down an invitation from William Wordsworth to visit him in the Lake District Contents Foreword 10 Chapter One: The River 14 Chapter Two: The Road 26 Chapter Three: Somerset House 40 Chapter Four: Trafalgar Square 50 Chapter Five: Structural Strand: Charing Cross Station and Victoria Embankment 58 Chapter Six: Serious Strand: The Law Courts 64 Chapter Seven: Playful Strand: Shopping, Hotels and Theatres 72 Chapter Eight: Crown Imperial: The Strand Improvement Scheme 82 Chapter Nine: Art Deco and Post War 94 Chapter Ten: The Future 100 Image Acknowledgements 108 Further Reading 110 About Wild Research 111 7 8 About the Author Acknowledgements Clive Aslet is an award-winning writer and Maecenas molestie eros at tempor malesuada. journalist, acknowledged as a leading authority Donec eu urna urna. -
A Biographical Case Study of Social Mobility in Victorian Britain
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The knight from nowhere : a biographical case study of social mobility in Victorian Britain https://eprints.bbk.ac.uk/id/eprint/40324/ Version: Full Version Citation: Powell, Victoria Elizabeth (2018) The knight from nowhere : a biographical case study of social mobility in Victorian Britain. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 ‘The Knight from Nowhere’: A Biographical Case Study of Social Mobility in Victorian Britain Victoria Elizabeth Powell Department of History, Classics & Archaeology Birkbeck, University of London Submitted for the degree of Doctor of Philosophy (PhD) June 2017 2 Abstract This study re-examines social mobility in Victorian Britain, focusing on the experiences of the actor Henry Irving (1838-1905). Irving rose from ‘humble’ beginnings to become one of the most respected men in Victorian society, and was the first actor to receive a knighthood. The Victorians celebrated the possibilities of social mobility, or ‘self-making’ as they termed it, through independence, diligence and thrift, pointing to exemplary figureheads such as Irving. But self-making was a cultural fantasy, and this study tracks Irving’s experiences to investigate the realities of his unusual achievement. I explore life in the rural and urban places where Irving lived, and position him within cultures of education, theatre, and artistic bohemia. In this way I signal the importance of such contexts in modulating experience, behaviour, and bodily comportment. -
Lost Buildings of Nottingham : Britain in Old Photographs Pdf, Epub, Ebook
LOST BUILDINGS OF NOTTINGHAM : BRITAIN IN OLD PHOTOGRAPHS PDF, EPUB, EBOOK Douglas Whitworth | 128 pages | 06 Jul 2010 | The History Press Ltd | 9780752454870 | English | Stroud, United Kingdom Lost Buildings of Nottingham : Britain in Old Photographs PDF Book The School has 95 academic staff, undergraduate students and post-graduate students, The School houses five divisions:. Retrieved April 19, Station, District and regional averages — Birthplace of William Blake at No. Taking sole control in when his business partner died. The financier Frank Bowden brought a small bicycle maker in Raleigh Street, Nottingham, which grew to become the Raleigh Bicycle Company, one of the oldest bicycle companies in the world. Rebuilt by William Kent. Montagu House, Portman Square. Houses on the bridge were demolished in —, the rest after the completion of a new bridge by John Rennie in Much of British India was governed from here until the British government took control in Part of a cluster of alleys and courts demolished to make way for the Royal Courts of Justice. Since [14] Sutton Bonington has had an official Met Office listed automatic weather monitoring station situated on the university campus. Download as PDF Printable version. Whitehall Palace 15th—17th century Whitehall The largest palace in Europe, residence of English monarchs from to The Trent Building serves as one of the main administrative buildings of the University of Nottingham. Designed by Charles Fitzroy Doll. Moved in , rebuilt in after being declared structurally unsound, and closed in School founded in St Martins-le-Grand. Retrieved April 1, The further 80 hectares of land is used for an intensively managed rotation of grass, fodder crops and maize for silage. -
"H.B." and Laurence Irving
WILLIAM HUE 2 NO VISCOUNT LEVERHULME " H.B." and Laurence Irving "H. B." "H.B." and Laurence Irving By Austin Brereton With Eight Illustrations London Grant Richards Ltd. mdccccxxii ?N Ttbt PRINTED IN GREAT BRITAIN BV THE RIVERSIDE PRESS LIMITED EDINBURGH Contents PART I. "H.B." CHAPTER I. CHILDHOOD . .15 II. OXFORD . ?6 III. THE STAGE OR THE BAR . .40 " " IV. YOUNG HAMLET . -53 V. MARRIAGE AND LONDON . .62 VI. CRICHTON AND JEFFREYS . .68 VII. IN AMERICA . .81 VIII. His OWN MANAGER . .92 IX. MATHIAS IN LONDON . 101 X. HAMLET . .120 XI. AUSTRALIA AND HOME . 139 XII. AUTHOR AND CRIMINOLOGIST . -149 PART II. LAURENCE XIII. MARLBOROUGH TO RUSSIA . 165 XIV. ACTOR AND AUTHOR .... 172 XV. SUCCESS IN SHAKESPEARE . .177 XVI. BRIEUX AND DOSTOIEVSKY . 183 XVII. HAMLET AND SKULE .... 189 XVIII. TYPHOON AND CANADA . 199 XIX. A TRAGIC END . .216 APPENDIX . .227 INDEX . .235 5 Illustrations " H.B." . Frontispiece PAGE " " HARRY . .... 48 THE BROTHERS . .96 HARRY AS HAMLET . .128 " H.B." AND LAURENCE . .144 With the Bust of their Father LAURENCE IRVING ..... 163 LAURENCE AS CHARLES SURFACE . 176 LAURENCE AS RICHARD LOVELACE . 192 " The portrait of" Harry is from a photograph by Elliott and Fry, that of The Brothers by Window and Grove, of Laurence Irving by J. Beagles and Co., of Laurence as Charles Surface by W. and D. Downey, of Laurence as Richard Lovelace by Norman May and Co., Cheltenham. 6 Introduction the afternoon of a summer day, nearly thirty-nine years ago, a lonely man sat in ONhis study awaiting the arrival of his two sons. He was at the zenith of his career. -
Anthony | Mord an Der Music Hall
Anthony | Mord an der Music Hall Barry Anthony Mord an der Music Hall Verbrechen und Laster im viktorianischen London Aus dem Englischen übersetzt von Holger Hanowell Reclam © Barry Anthony 2015 Published by arrangement with I. B. Tauris & Co Ltd, London Die Originalausgabe erschien unter dem Titel Murder, Mayhem and Music Hall. The Dark Side of Victorian London bei I. B. Tauris & Co Ltd, London. 2018 Philipp Reclam jun. GmbH & Co. KG, Siemensstraße 32, 71254 Ditzingen Umschlaggestaltung: zero-media.net Umschlagbbildung: INTERFOTO / Mary Evans (Bild-Nr.: 01686422) Druck und buchbinderische Verarbeitung: Kösel GmbH & Co. KG, Am Buchweg 1, 87452 Altusried-Krugzell Printed in Germany 2018 RECLAM ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart ISBN 978-3-15-011058-4 Auch als E-Book erhältlich www.reclam.de Inhalt 1 Wo ist Troja geblieben? 7 2 Die »Love« verschwindet 24 3 Die Dunklen Bögen 43 4 Der Lord Chief Baron des Coal Hole 68 5 Ladenhüter und schicke Sachen 89 6 Ernst sein ist alles … und Frederick 108 7 Sam und Maud 132 8 Über die Stränge schlagen 141 9 Ins Unbekannte spähen 165 10 Auf der Suche nach Dummköpfen auf dem Strand 185 11 Die Fallsammlung des Maurice Moser 199 12 Alias Jack the Ripper 214 13 Morphiumkristalle 230 14 Ein Adelphi-Drama 240 15 Madame St John 259 16 Der Hinterhof von St. Clement’s 277 Zeittafel 321 Anmerkungen 323 Literaturhinweise 333 Verzeichnis der Abbildungen 334 Register 335 Inhalt 5 1 Wo ist Troja geblieben? »Ich denke immer«, sagte der blonde Mann, während der Zug langsam über die Blackfriars Bridge fuhr, »dass die Reihe der Straßenlaternen dort drüben und ihr Widerschein im Fluss der schönste Anblick in ganz London sind.« »Wenn ich das sehe«, sagte der dunkelhaarige Mann, »muss ich immer daran denken, dass dahinter der Strand liegt.« »Und über dem Strand ist, Gott sei es gedankt«, warf die Frau des blonden Mannes ein, »der Himmel.« »Und darunter?«, wollte der Dunkelhaarige wissen. -
Folger Henderson/Waverley (16-Jan-1990) 06/10/89
FOLGER HENDERSON/WAVERLEY (16-JAN-1990) 06/10/89 06/10/89 W3:97 THEA: LONDON/TH.R./DRURY LANE DATE: 1-JAN-1800 TYPE: PAGEANT WORK: VARIOUS BILL: W3:97 SPEC: DATE QUERY PART. BILL. W3:99 THEA: EDINBURGH/TH.R. [SCOTLAND] DATE: 22-MAY-1824 TYPE: HISTORICAL AND NATIONAL DRAMA ACTS: 5 MAIN: WAVERLEY AUTHOR: CALCRAFT COMP: J. DEWAR WORK: WAVERLEY BILL: W3:99 FORD: X3 LEAD: AS AT 22-MAY-1824 (SEE W3:99) SONG: “AND YE SHALL WALK IN SILK ATTIRE” AND “NID-NODDIN”—MISS HALFORD SPEC: BENEFIT—MISS HALFORD; “SECOND TIME IN ANY THEATRE”; “(AS REVISED AND CURTAILED)”; SATURDAY W3:101 THEA: UNKNOWN DATE: 28-JUL-1825 TYPE: HISTORICAL DRAMA MAIN: WAVERLEY/OR THE LAST OF THE STUARTS AUTH: I. CALCRAFT [SIC] COMP: A.LEE WORK: WAVERLEY BILL: W3:101 FORD: X3N0TE? LEAD: PRINCE CHARLES-MR.HOOPER;BARON BRADWARDINE-MR.REES;FERGUS- MR. VANDENHOFF; WAVERLEY-MR.BASS; ROSE-MRS.HAYDN CORRI; FLORA- MISS KENNETH SPEC: QUERY THEATRE; PART BILL; QUERY FORD; “FIRST TIME AT THIS THEATRE, ON MONDAY NIGHT LAST"/"FOR THE THIRD TIME"; G.A. OUT-MR. COOPER AND MASTER BURKE; BILL MAKES MENTION OF DEATH OF FLORA; THURSDAY W3:102 THEA: CORK, TH.R., GEORGE'S ST. -1- FOLGER HENDERSON/WAVERLEY (16-JAN-1990) 06/10/89 DATE: 13-AUG-1825 TYPE: HISTORICAL DRAMA ACTS: 5 MAIN: WAVERLEY;OR,THE LAST OF THE STUARTS COMP: A.LEE WORK: WAVERLEY BILL: W3:102 LEAD: PRINCE CHARLES-MR. BRINDAL; BARON BRADWARDINE-MR. LATHAM; FERGUS-MR. ABBOTT; WAVERLEY-MR.SOUTHWELL; FLORA-MISS JARMAN; ROSE-MISS FORDE SONG: "HIGHLAND LADDIE"AND"CHARLEY IS MY DARLING"-MISS FORDE SPEC: SATURDAY; "RECIEVED...ENTHUSIASTIC APPLAUSE...MONDAY AND WEDNESDAY NIGHT"; BILL MENTIONS DEATH OF FLORA; "PERFORMED.. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or ' target" for pages apparently lacking from the document photographed is "Missing PagB(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at die upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Players of the Period
FROM PHOTOGRAPH BY WALERY 1 6 EGE EE w A 4, R NT STR T, PLAYERS OF THE PERIOD . A SERIES OF A NE CD TAL B O , I GRAPHICAL AND O , CRITIC L M A ON OGRAP HS OF THE LEADIN G E N GLISH A CT RS OF THE DA O Y. R U R G O D D RD A T H A , with gumfiuus gfluztm finm BY “ ' LM E D B D L D BRY PHIL MAY A A , FR . ARNAR , A FRE AN , . B D P T IDGE GE GES PILOTELLE j ERNAR AR R , OR , F T W E D Tc H. S E . O N N , , G O F T H B E AN D A G U I PHOTO RAPHS E SU J CTS U TO RAPH Q OTAT ONS . R E SE I S. LO D O : DEAN SON 1 6 0A FL S . N N , , EET TREET 1 8 1 9 . P RE FA TOR Y N O TE . O a ttem t h as ee n m a e h N p b d in t is volu m e to give a qu ite com plete record of th e careers an d im pers on a t n s o th e P a ers o th e P er w th wh m it ea s io f l y f iod i o d l . Su ch a n u n dertak ing wo u ld be beyon d th e s cope an d re n to th e u r s e o th e w rk th e aim o wh ch is fo ig p po f o , f i ra ther th e aid o rem n s cen ces o u ar act rs in , by f i i f pop l o th e r r n c a a rts s u em en te ers n a an d ro i p i ip l p , ppl d by p o l p ess ion al a n ec tes an d ra h ca n tes rtra ts an d f do biog p i l o , po i , ch aracter-s ketches to e ct e n an d en c re re , d pi by p p il p s en tative playe rs in th e rOle s with wh ich they are m os t w e iden ti e a n d s o s t m u ate th e m em r es o a id ly fid, i l o i f pl y oers an d ca u in the r m n s c u n t es s rec ect n s g , ll p i i d o l oll io d th e of pleas an t h ou rs owed to th e arts of th e actor an t e ra m a t s t a n d to th e a m u r o th e m ern s a , d i , gl o f od g m wh ch er ect n o m ech an cal a n d art s t c real s i , by p f io f i i i i etr a n d u s n m rts an e em en t o r m an ce an d p y ill io , i po l f o o P RE FA TOR TE vi Y NO . -
DICKENS CATALOGUE Jarndyce
THE DICKENS CATALOGUE Jarndyce Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCXXXIX AUTUMN 2019 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy & Ed Lake. All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. High resolution images are available for all items, on request; please email: [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE include (price £10.00 each unless otherwise stated): XIX Century Fiction Part I; Turn of the Century; Women Writers, Parts 1 - IV (£35) Books & Pamphlets 1505-1833; Plays, 1623-1980; Novels, 1740-1940, European Literature in Translation; Bloods & Penny Dreadfuls. JARNDYCE CATALOGUES IN PREPARATION include: Pantomimes, Extravaganzas & Burlesques; English Language, including dictionaries; The Museum: Jarndyce Miscellany; XIX Century Fiction Part II; The Romantics. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. A SUBSCRIPTION SERVICE is available for Jarndyce Catalogues for those who do not regularly purchase. Please send £20.00 (£35.00 / U.S.$45.00 overseas, airmail) for four issues, specifying the catalogues you would like to receive. -
Abbey Theatre (Dublin) 4, 161, 215 Ackroyd, Heather 120 Acts Of
Index Abbey Theatre (Dublin) 4, 161, 215 Bacchae, The 41 Ackroyd, Heather 120 Badejo, Peter 162 Acts of Man, The 131 Baker, Bobby 113-14, 120, 131, 163 Adams, John 189 Ballard, J.G. 109 After the Fall 229 Barba, Eugenio 139 Akademia Ruehl 142, 144, 145 Barker, Howard 12, 31, 33-8, 41, Albee, Edward 174 46-7,51,181,183-5,186,201-4 Alchemist, The 210-11 Barclays New Stages 17 Aldwych Theatre 209 Barlow, Tim 24 Alexander, Janec 139, 143 Barnes, Peter 183 Ali, Tariq 32 Bart, Lionel 79, 84 Alison Andrews Company 120 Bartholomew Fair 230 All in the Family 178 Bartlett, Neil 114-15, 120, 130, All That Fall 173 132-4, 135, 146 Almeida Theatre 24, 34, 37, 157, Barton,John 41 202,226,228,229 Basement, The 177 Anderson, Lindsay 48 Bastille Dances, The 118, 156-7 Andorra 173 Battersea Arts Centre 132 Andrews, Julie 81 Bausch, Pina 10 Andromache 206, 226 Beaton, Cecil 81 Animal 116-17 Bechtler, Hildegard 216, 229 Anouilh, Jean 228 Beckett, Samuel 173-4, 177 Antony and Cleopatra 60 Bed Sitting Room, The 25 Appeal Products 110 Behean, Katy 43 Arcadians, The 82 Belle af Brittany 82 Archers, The 22 Belle af Mayfair 82 Architecture for Babies 112 Belle of New York 82 Arden, Annabel 212-15 Belt and Braces Roadshow 15 Arden, John 12, 15, 174, 177, 190 Bennett, Alan 14, 177 Arts Council of Great Britain 6, 15, Bennett, Oliver 159 153, 155, 164, 184-7, 189, 190, Bergman, Ingmar 136 198,--9, 200, 203 Berkeley, Busby 85 As You Like It 60, 208 Berkoff, Steven 14,25-9, 41, Ascherson, Neal 128 50-1,90 Ashford, John 11 Bernstein, Leonard 226 Asian Theatre Co-operative