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Movie Museum JANUARY 2012 COMING ATTRACTIONS
Movie Museum JANUARY 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! WATERBOYS PENGUINS IN THE SKY– CRADLE SONG 2 Hawaii Premieres! LATE BLOOMERS (2001-Japan) ASAHIYAMA ZOO aka Canción de cuna NOT WITHOUT YOU (2006-Switzerland) in Japanese with English (2008-Japan) (1994-Spain) aka Bu Neng Mei You Ni in Swiss German with English subtitles & in widescreen in Japanese with English in Spanish with English (2009-Taiwan) subtitles & in widescreen with Satoshi Tsumabuki, subtitles & in widescreen subtitles & in widescreen in Hakka/Mandarin w/English with Stephanie Glaser. Hiroshi Tamaki, Akifumi with Toshiyuki Nishida, 12:00 & 7:30pm only subtitles & in widescreen 12:00, 3:15 & 6:30pm only Miura, Naoto Takenaka, Yasuhi Nakamura, Ai Maeda, ---------------------------------- 12:00, 3:15 & 6:30pm only ---------------------------------- Koen Kondo, Kaori Manabe. Keiko Horiuchi, Zen Kajihara. I KNOW WHERE I'M ---------------------------------- NOT WITHOUT YOU GOING! (1945-British) LATE BLOOMERS aka Bu Neng Mei You Ni Directed and Co-written by Directed by with Wendy Hiller, Roger (2006-Switzerland) (2009-Taiwan) Shinobu Yaguchi. Masahiko Tsugawa. Livesey, Finlay Currie. in Swiss German with English in Hakka/Mandarin w/English Directed by Michael Powell subtitles & in widescreen subtitles & in widescreen 12:00, 1:45, 3:30, 5:15, 12:30, 2:30, 4:30, 6:30 and Emeric Pressburger. with Stephanie Glaser. 1:30, 4:45 & 8:00pm only 2:00, 3:45 & 5:30pm only 5 7:00 & 8:45pm 6 & 8:30pm 7 8 1:45, 5:00 & 8:15pm only 9 2 Hawaii Premieres! Martin Luther King Jr. Day Hawaii Premiere! Hawaii Premiere! MONEYBALL DISPATCH MONSIEUR BATIGNOLE THE LAST LIONS 2 Hawaii Premieres! (2011) THE FIRST GRADER (2011) (2002-France) in widescreen (2011-US/Botswana) in widescreen in French/German w/English in widescreen (2010-UK/US/Kenya) with Michael Bershad. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Annual Report 2011
Persatuan Warisan Pulau Pinang Penang Heritage Trust Registered Address: Penang State Museum, Lebuh Farquhar, 11200 Penang, Malaysia Annual Report 2011 26, Church Street, City of George Town, 10200 Penang, Malaysia Tel: 604-264 2631 Fax: 604-262 8421 E-mail: [email protected] Website: http://www.pht.org.my 1 | P a g e Annual General Meeting 2011 3.30 p.m., Sunday, 25 th September 2011 Venue: E & O Hotel, Farquhar Street George Town, Penang Agenda 1. To consider and approve: • The Minutes of the PHT Annual General Meeting – 28th November 2010 • The PHT Annual Report 1 st September 2010– 31 st August 2011 • The PHT Financial Report ending 31st December 2010 2. Election of Office Bearers (2012-2013) 3. Other Matters 2 | P a g e Penang Heritage Trust President's Message We are most fortunate to live in a heritage city with a rich history, amazing architecture, remarkable traditions and a multicultural community. These things used to be taken for granted, and have survived largely because of the slow pace of urban change in the past. But now the world knows that George Town is special and the local people feel it too. Ironically, the World Heritage listing has contributed to a sudden surge of attention and interventions, and this rapid rate of change is threatening to destroy the things which we have learnt to appreciate. Our history, heritage and community have been recognized as possessing 'outstanding universal values' which must be protected in order to keep our World Heritage listing for George Town. Indeed, these values should be embedded in our approach to development. -
ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) 《辛亥革命》电影民族主义的分析《Xīnhài Gémìng》 Diànyǐng Mínzú Zhǔyì De Fēnxī
ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) 《辛亥革命》电影民族主义的分析《Xīnhài gémìng》 diànyǐng mínzú zhǔyì de fēnxī SKRIPSI LIANA DEVI SIBARANI 140710052 PROGRAM STUDI SASTRA CINA FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA LEMBAR PERNYATAAN ORISINALITAS PERNYATAAN ORISINALITAS Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu Perguruan Tinggi dan sepanjang pengetahun saya juga tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebutkan dalam daftar pustaka. Medan, 18 Oktober 2018 Materai 6000 LIANA DEVI SIBARANI 140710052 UNIVERSITAS SUMATERA UTARA ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) OLEH : LIANA DEVI SIBARANI 140710052 ABSTRAK Penelitian ini berjudul Analisis Aspek Nasionalisme pada Film Xīnhài gémìng (辛亥革命). Latar belakang penelitian ini beranjak dari ketertarikan terhadap karya sastra yang berlatar tentang perjuangan kaum revolusioner untuk mencapai kemerdekaan. Dua hal yang menjadi rumusan masalah penelitian ini yaitu (1) apa saja aspek nasionalisme pada film Xinhai Geming (2) bagaimana faktor yang mempengaruhi nasionalisme pada film Xinhai Geming. Tujuan penelitian ini adalah mencari, mengungkapkan dan mendeskripsikan kedua rumusan masalah tersebut secara utuh dan terperinci. Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Teori yang digunakan dalam penelitian ini adalah teori sosiologi sastra menurut Wellek dan Warren dan teori nasionalisme menurut Boyd C Shafer. Sumber data yang digunakan dalam penelitian ini adalah film Xinhai Geming yang disutradarai oleh Zhang Li dan Jackie Chan yang berdurasi 125 menit dan dirilis oleh Shanghai Film Group pada tanggal 23 September 2011. -
EO-Edition-V24.Pdf
JUNE 2018 I E&O EDITION E & O EDITION 24 24 KDN No. PP14668/04/2013(032004) WWW.EASTERNANDORIENTAL.COM E&O EDITION 24 PUBLISHED BY THE BEACH POOL AT EASTERN & ORIENTAL BERHAD (555-K) Level 3A (Annexe), Menara Milenium QUAYSIDE SEAFRONT 8 Jalan Damanlela, Damansara Heights RESORT CONDOMINIUMS 50490 Kuala Lumpur, Malaysia Part of a 4.5-acre waterpark created exclusively for the residens of this T 603 2095 6868 F 603 2095 0231 award-winning development. E [email protected] PRINTED BY CLASSIC OFFSET PRINT SDN BHD (729079-M) 11 Jalan Alfa Impian 2 Taman Perindustrian Alfa Impian 43300 Balakong, Selangor, Malaysia T 603 8964 5661 F 603 8964 5669 Chapter One Chapter Two Chapter Three 05 17 41 E&O HOTEL ON THE SILVER SCREEN AN INTERLACE OF TWO CULTURES ORGANIC WELLNESS Revisit popular movies that were filmed THROUGH ASIAN THERAPIES at the E&O Hotel 22 Discover the region’s best-loved QUAYSIDE TAKES HOME THE GOLD therapies at Pañpuri Organic Spa 12 Quayside Seafront Resort Condominiums’ SCREEN SENSATIONS impressive win at EdgeProp Malaysia’s Best 44 Four hotspots for movie lovers in Penang Managed Property Awards 2018 COMMUNITY AND CONVERSATIONS THROUGH 28 MOVIES THREE TIMES THE CHARM Hin Bus Depot’s Tuesday Screenings is a E&O wins at the PropertyGuru Asia Property fun community affair that facilitates social Awards (Malaysia) 2018 discussions 34 48 THAI-STYLE HEALING IN MAKE THE REST OF 2018 COUNT THE HEART OF KUALA LUMPUR Arts and entertainment to last the rest Bali Thai Family Wellness Centre brings their of 2018 style of pampering to St Mary Place 50 36 BE TRANSPORTED BY THE OLD 5 REASONS TO VISIT THE ROYAL WORLD CHARM OF JIUFEN SELANGOR VISITOR CENTRE, Taiwan’s ancient mining town that inspired PENANG Studio Ghibli’s Spirited Away From Star Wars collectibles to a melon pot that saved a life, there are plenty of reasons to stop by this well-appointed gallery 38 A BRAN TO BE RECKONED WITH Homegrown fashion label Bran et Daguet proves it’s a force to be reckoned with All materials published remain the property of Eastern & Oriental Berhad. -
Masculinities in Transcultural Spaces–Negotiations of Masculinities in Ang Lee's Films
Masculinities in Transcultural Spaces – Negotiations of Masculinities in Ang Lee’s Films Dissertation zur Erlangung des akademischen Grades Doktorin der Philosophie (Dr. phil.) eingereicht an der Sprach- und Literaturwissenschaftliche Fakultät der Humboldt-Universität zu Berlin von Yumin Zhang Prof. Dr. –Ing. Dr. Sabine Kunst Prof. Dr. Ulrike Vedder Präsidentin Dekanin der Humboldt-Universität zu Berlin der Sprach- und literaturwissenschaftliche Fakultät Gutachterinnen und Gutachter: 1. PD Dr. Reinhard Isensee 2. Prof. Dr. Nicole Waller Datum der mündlichen Prüfung: 1.12.2017 TABLE OF CONTENTS ACKNOWLEDGEMENT ............................................................................................. 3 ABSTRACT ................................................................................................................... 4 INTRODUCTION ......................................................................................................... 5 1. LITERATURE REVIEW AND THEORETICAL FRAMEWORK ....................... 18 1. 1 Previous Studies on Ang Lee and His Films .................................................... 18 1.1.1 Bicultural Identity and Cultural Translation ............................................... 19 1.1.2 Orientalism? ................................................................................................ 21 1.1.3 A Gender Perspective: Homosexuality and Femininity .............................. 22 1.2 Theoretical Framework ..................................................................................... -
China on Screen
Chris Berry and Mary Farquhar China on Screen CINEMA AND NATION ~ll!"<i\tl:K!iii'" HONG KONG UNIVERSITY PRESS Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong Copyright© Christopher Berry and Mary Farqhuar 2006 fSBN-rr 978-962-209-806-0 ISBN-ro: 962-209-806-1 This edition published by Hong Kong University Press is available in East and Sollth-East Asia. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, withollt prior written permission from the publisher. Printed and bound in the United St.ates. Cover and title page photo: From Hero (2002 / 2004), directed by Zhang Yimoll, visual effects by Animal Logic © EDKO Film. Used with permission. Special thanks to /et Li, Elite Group Enterprises, and Animal Logic. Contents List of Illustrations vii Acknowledgments ix A Note on Translation and Romanization xiii 1 Introduction: Cinema and the National r 2 Time and the National: History, Historiology, Haunting 17 3 Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism 47 4 Realist Modes: Melodrama, Modernity, and Home 75 5 How Should a Chinese Woman Look? Woman and Nation w8 6 How Should Chinese Men Act? Ordering the Nation 135 7 Where Do You Draw the Line? Ethnicity in Chinese Cinemas 169 8 The National in the Transnational 195 Chronology 223 Notes 233 European-language Bibliography 265 Chinese-language Bibliography 287 Film List 293 Index 301 List of Illustrations FIGURES 2.1 a-2.1d. -
History 275: CHINA in the WORLD: 1895-1919 Fall 2012
History 275: CHINA IN THE WORLD: 1895-1919 Fall 2012 Professor Jerry Dennerline Office hours: Tues/Thurs 1:30-2:00 Office: Chapin 12 Wed. 1:00-3:00 E-mail: [email protected]; phone (office hours): 542-2486 And by appointment Course Materials The following books are available for purchase at Amherst Books: Paul Cohen, History in Three Keys: The Boxers as Event, Experience, and Myth. ISBN 0231106513 David B. Gordon. Sun Yatsen: Seeking a Newer China. Prentice Hall, 2010. ISBN 9780321333063, 0321333063 Ida Pruitt (with Ning Lao T’ai-t’ai), A Daughter of Han: The Autobiography of a Chinese Working Woman. ISBN 0804706069 Copies of these books are also on reserve at Frost Library. A Collection of Readings, in two or three installments, will be available at the History Department Office, Chapin 11. There will be a fee to cover the expense of permissions and photo-copying. Additional readings and films are marked in the syllabus as on reserve, e-reserve, on line, or “streamed.” Course Description and Requirements This course is designed as an introduction to local and global themes in the history of modern China. We will focus on the period between the Sino-Japanese War of 1894-95 and the Treaty of Versailles and Chinese May Fourth Movement of 1919, which launched the Communist revolution. The major issues of this period have taken on new significance since the end of the Cold War. They include 1) Chinese responses to and participation in the developing global economy, 2) approaches to political, economic, and cultural reform, 3) problems of national and cultural identity in China and abroad, 4) modern experience and new issues of class, gender, and educational status. -
If Applicable) and the Author(S) 2018 AHJ Magnan-Park Et Al. (Eds.
INDEX 0-9 political commentary, 436, 437, 444 100,000 Bad Jokes, 335 pro-democracy, 439 1951 United Nations treaty, 692 social media, 428. See also Activism, 1965 Immigration and Naturalization digital Act, 477, 479 youth, 440 1968 Czechoslovakia. See Prague Spring Actor 1997 Handover, 691, 694 and image, 652, 653, 655, 656, 659, 2014 Umbrella Movement, 691 663 2046 (2004 flm), 111, 113, 115 refective of human nature, 653 20th Century Fox’s, 335 as transcending the self, 652 3D, 81, 82, 85 Actor–network theory (ANT), 172 “386 generation”, 541 Actualités sénégalaise (Senegalese News- 5D, 82 reels), 42 7D, 82 Advertising, 80, 111, 141, 205, 230, 542, 610 Advertising culture, 62 A and sanitization, 62 Abbas, Ackbar, 385, 439, 564, 571 Aesthetic of slow, 569, 570. See also Cin- space of disappearance, 564 ema of slowness Abenomics, 416 The Aesthetics of Hunger, 38. See also Abe, Shinzo, 416 The Aesthetics of Violence Above-the-line personnel, 26 The Aesthetics of Violence, 38 Academy Awards, 619, 623 Affective community, 497, 502 Accented cinema, 76 Affects, 491, 492, 498, 501, 502 “Achoo Cha Cha”, 573, 575 Affrmative, 621 Acland, Charles, 133, 135, 137, 144, Afghanistan, 690, 693–695, 700–702 146 Africa Acoustic persona, 381 as the ultimate Other, 41 Activism African Arts Festival, 43 digital, 438 Afrique sur Seine (1955), 42 fan, 438 Ahn, SooJeong, 27 © The Editor(s) (if applicable) and The Author(s) 2018 709 A. H. J. Magnan-Park et al. (eds.), The Palgrave Handbook of Asian Cinema, https://doi.org/10.1057/978-1-349-95822-1 710 INDEX Ahwaz, 489 Animation, 375, 385, 618, 619, 624 Ah Ying (Fong), 61, 65 Anime, 21, 614, 616, 617, 619, 620 Aiello, Danny, 354 Anna and the King, 472, 473 Aikawa, Sho, 284–286, 288 Another World We Are Making:Haen- Aikoku 愛国, 281 dang-dong People 2 (1999), 638 Aimless Bullet (Yu), 59 Antalya Golden Orange Film Festival, 74 Akin, Fatih, 76 Anthology flm, 82. -
The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM ISSN 1554-6985 VOLUME IV · NUMBER (/current) 2 SPRING/SUMMER 2009 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS "Nisht kayn Desdemona, nisht kayn Dzulieta": Yiddish Farrah Adaptations of The Merchant of Venice and the Early Modern Lehman Father-Daughter Bond (/782243/show) (pdf) (/782243/pdf) Time Lord of Infinite Space: Celebrity Casting, Andrew Romanticism, and British Identity in the RSC's "Doctor Who James Hamlet" (/782252/show) (pdf) (/782252/pdf) Hartley A SIAN SHAKESPEARES ON SCREEN: TWO F ILMS IN PERSPECTIVE E DITED BY ALEXA HUANG Alexa Introduction (/1404/show) (pdf) (/1404/pdf) Huang Mark Extending the Filmic Canon: The Banquet and Maqbool Thornton (/1405/show) (pdf) (/1405/pdf) Burnett Martial Arts and Masculine Identity in Feng Xiaogang's The Yu Jin Ko http://borrowers.uga.edu/7158/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM Banquet (/1406/show) (pdf) (/1406/pdf) Amy Shakespeare: It's What's for Dinner (/1407/show) (pdf) Scott- (/1407/pdf) Douglass Woodcocks to Springes: Generic Disjunction in The Banquet Scott (/1410/show) (pdf) (/1410/pdf) Hollifield Spectator Violence and Queenly Desire in The Banquet Rebecca (/1411/show) (pdf) (/1411/pdf) Chapman Interiority, Masks, and The Banquet (/1413/show) (pdf) Yuk Sunny (/1413/pdf) Tien The Banquet as Cinematic Romance (/1414/show) (pdf) Charles (/1414/pdf) Ross A Thousand Universes: Zhang Ziyi in Feng Xiaogang's The Woodrow Banquet (/1418/show) (pdf) (/1418/pdf) B. -
C:\Documents and Settings\Jpdennerline\My
Amherst College Fall 2010 History 57/Asian Langs & Civs 49 Tues/Thurs 10:00-11:20 CHINA IN THE WORLD: 1895-1919 Professor Jerry Dennerline Office hours: Tues/Thurs 3:30-4:00 Office: Chapin 12 Wed. 1:00-3:00 E-mail: [email protected]; phone (office hours): 542-2486 And by appointment Course Materials The following books are available for purchase at Amherst Books: Ida Pruitt (with Ning Lao T’ai-t’ai), A Daughter of Han: The Autobiography of a Chinese Working Woman. ISBN 0804706069 Paul Cohen, History in Three Keys: The Boxers as Event, Experience, and Myth. ISBN 0231106513 Copies of these books are also on reserve at Frost Library. A Collection of Readings, in two or three installments, will be available at the History Department Office, Chapin 11. There will be a fee to cover the expense of permissions and photo-copying. Additional readings and films are marked in the syllabus as on reserve, e-reserve, on line, or “streamed.” Course Description and Requirements This course is designed as an introduction to local and global themes in the history of modern China. We will focus on the period between the Sino-Japanese War of 1894-95 and the Treaty of Versailles and Chinese May Fourth Movement of 1919, which launched the Communist revolution. The major issues of this period have taken on new significance since the end of the Cold War. They include 1) Chinese responses to and participation in the developing global economy, 2) approaches to political, economic, and cultural reform, 3) problems of national and cultural identity in China and abroad, 4) modern experience and new issues of class, gender, and educational status. -
Chinese Drama About 1911 Minutes Too Long LIZ BRAUN a Huge Mess
70 SHOWBIZ The Toronto Sun n FRIDAY, OCTOBER 7, 2011 Miles would be proud Five Weeks pays tribute to legendary Davis with some jazz heavy hitters brownman It’s that time of year again. SCRATCH THIS! Trumpeter Brownman A monthly film series, returns to Trane Studio to Undercurrents at The Under- remind us of the genius who ERROL ground, kicks off tonight in NOW was Miles Davis and the leg- fine style with a documentary acy he left behind by playing NAZARETH about Lee (Scratch) Perry, the music from the mercurial leg- Rhythms N’ Rhymes eccentric and hugely influen- HEAR end’s various eras. tial reggae producer. Five Weeks for Miles began all of ourselves over to Miles’ The film begins in rural THIS! last Saturday, but you have music ... to try and do the man Jamaica, looking into Per- ERROL’S CAN’t mISS LIST the opportunity to swing by and his vision justice.” ry’s mysterious youth as well the spot to hear Brownman Here are the themes being as the notorious events of HarbourKIDS: fronting four all-star quintets explored in the series: his peak production years in Monster, a free three- who’ll do their damndest to Sat. Oct. 8: Birth of the Cool Kingston in which he men- 1 day festival “creatively do Davis proud. — Post-Bop Miles tored a young Bob Marley, cre- investigating the scary, “For those who appreciate Sat. Oct 15: Plugged Nickel ated the sound of reggae as we funny and exciting jazz as a true art form, Five — The Shorter Years now know it, pioneered a new potential of monsters” Weeks for Miles represents Sat.