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ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) 《辛亥革命》电影民族主义的分析《Xīnhài Gémìng》 Diànyǐng Mínzú Zhǔyì De Fēnxī

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ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) 《辛亥革命》电影民族主义的分析《Xīnhài Gémìng》 Diànyǐng Mínzú Zhǔyì De Fēnxī ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) 《辛亥革命》电影民族主义的分析《Xīnhài gémìng》 diànyǐng mínzú zhǔyì de fēnxī SKRIPSI LIANA DEVI SIBARANI 140710052 PROGRAM STUDI SASTRA CINA FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA LEMBAR PERNYATAAN ORISINALITAS PERNYATAAN ORISINALITAS Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu Perguruan Tinggi dan sepanjang pengetahun saya juga tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebutkan dalam daftar pustaka. Medan, 18 Oktober 2018 Materai 6000 LIANA DEVI SIBARANI 140710052 UNIVERSITAS SUMATERA UTARA ANALISIS ASPEK NASIONALISME PADA FILM 1911 REVOLUTION (辛亥革命) OLEH : LIANA DEVI SIBARANI 140710052 ABSTRAK Penelitian ini berjudul Analisis Aspek Nasionalisme pada Film Xīnhài gémìng (辛亥革命). Latar belakang penelitian ini beranjak dari ketertarikan terhadap karya sastra yang berlatar tentang perjuangan kaum revolusioner untuk mencapai kemerdekaan. Dua hal yang menjadi rumusan masalah penelitian ini yaitu (1) apa saja aspek nasionalisme pada film Xinhai Geming (2) bagaimana faktor yang mempengaruhi nasionalisme pada film Xinhai Geming. Tujuan penelitian ini adalah mencari, mengungkapkan dan mendeskripsikan kedua rumusan masalah tersebut secara utuh dan terperinci. Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Teori yang digunakan dalam penelitian ini adalah teori sosiologi sastra menurut Wellek dan Warren dan teori nasionalisme menurut Boyd C Shafer. Sumber data yang digunakan dalam penelitian ini adalah film Xinhai Geming yang disutradarai oleh Zhang Li dan Jackie Chan yang berdurasi 125 menit dan dirilis oleh Shanghai Film Group pada tanggal 23 September 2011. Hasil dari penelitian ini adalah aspek nasionalisme dan faktor yang mempengaruhi nasionalisme dalam film yang diwakili oleh beberapa potongan kutipan dan adegan yang menunjukkan nasionalisme pada film. Nasionalisme yang dimiliki oleh masyarakat Tionghoa sebagai pengabdian dan semangat juang untuk membangun rakyatnya demi tercapainya misi bangsa. Kata kunci : Nasionalisme; Sosiologi Sastra; Film Xinhai Geming UNIVERSITAS SUMATERA UTARA ABSTRACT This research is entitled Analysis of Nationalism Aspects in the Film Xīnhài gémìng (辛亥革命). The background of this study moved from an interest in literary work set against the struggle of the revolutionaries to achieve independence. Two things that formulate the research problem are (1) what are the aspects of nationalism in the film Xinhai Geming (2) how are the factors that influence nationalism in the film Xinhai Geming. The purpose of this research is to find, express and describe the two formulations of the problem in a complete and detailed manner. The research method used in this study is a qualitative descriptive method. The theory used in this study is the theory of literary sociology according to Wellek and Warren and the theory of nationalism according to Boyd C Shafer. The data sources used in this study were the Xinhai Geming film directed by Zhang Li and Jackie Chan which lasted 125 minutes and was released by the Shanghai Film Group on September 23, 2011. The results of this study were aspects of nationalism and factors that influenced nationalism in the film. represented by several quotations and scenes that show nationalism in the film. Nationalism possessed by the Chinese community as devotion and fighting spirit to build its people for the achievement of the nation's mission. Keywords: nationalism; Sociology of Literature; Xinhai Geming film UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Puji syukur penulis panjatkan kepada Tuhan Yang Maha Esa atas segala limpahan berkat dan karunia-Nya yang telah memberikan waktu dan kesempatan, sehingga penulis dapat menyelesaikan masa perkuliahan dan tugas akhir berupa skripsi yang berjudul “Analisis Aspek Nasionalisme pada Film Xinhai Geming ( 辛亥革命)”. Skripsi ini disusun untuk memenuhi salah satu syarat dalam mencapai gelar Strata-1 pada Program Studi Sastra Cina Fakultas Ilmu Budaya Universitas Sumatera Utara. Dari tahap awal penyusunan skripsi ini sampai dengan selesai, penulis banyak mendapat bantuan dan bimbingan dari berbagai pihak, maka pada kesempatan ini, penulis mengucapkan terimakasih kepada : 1. Bpk. Dr. Budi Agustono., M. S. selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara, beserta Pembantu Dekan I, II, dan III. 2. Bapak Mhd. Pujiono, M.Hum., Ph.D. Selaku Ketua Program Studi Sastra Cina Fakultas Ilmu Budaya Universitas Sumatera Utara. 3. Ibu Niza Ayuningtias, S.S. MTCSOL selaku Sekretaris Program Studi Sastra Cina Fakultas Ilmu Budaya Universitas Sumatera Utara. 4. Ibu Julina, B.A, MTCSOL selaku Dosen Pembimbing I yang telah meluangkan waktu, tenaga dan pikirannya dengan penuh kesabaran untuk membimbing dan membantu penulis menyelesaikan skripsi ini. UNIVERSITAS SUMATERA UTARA 5. Bapak Rudiansyah, S.S. M.Hum selaku Dosen Pembimbing II yang telah meluangkan waktu, tenaga dan pikirannya dengan penuh kesabaran untuk membimbing dan membantu penulis menyelesaikan skripsi ini. 6. Seluruh Dosen Mandarin yang berada di Sastra Cina yang telah mendidik dan membimbing saya selama masa perkuliahan sehingga saya dapat menyelesaikan studi saya di Sastra Cina. 7. Staf karyawan Program Studi Sastra Cina, yang telah membantu penulis selama mengikuti perkuliah sampai akhir penulisan skirpsi. 8. Orang tua tercinta, Suprihatin Hutagaol yang telah mendidik dan membesarkan penulis dengan penuh kesabaran, kasih sayang, perhatian, dan ketulusan sehingga penulis dapat menyelesaikan pendidikan di Perguruan Tinggi ini. 9. Saudara saya, Kak Juli, Kak Maretno, Kak Triana, Kak Santi, Bang Arbob, yang telah mendukung saya, memberikan semangat, saran dan membantu urusan finansial agar bisa menyelesaikan skripsi akhir ini. 10. Seluruh mahasiswa Sastra Cina stambuk 2014 dan yang tidak dapat disebutkan satu per satu, yang selalu ada di saat suka maupun duka, yang telah banyak membantu dalam memberikan semangat, saran dan kritik agar bisa bersama-sama menyelesaikan skripsi akhir ini. 11. Seluruh sahabat penulis, Fitry, Tessalonika, Hervina, Fradenika yang telah membantu dan memberi semangat kepada penulis dalam menyelesaikan skripsi ini. Dan untuk teman-teman lainnya yang tidak UNIVERSITAS SUMATERA UTARA dapat disebutkan satu per satu yang telah banyak mendukung dan memberi masukan kepada penulis. Penulis sangat mengharapkan kritik dan saran yang membangun agar skripsi ini dapat lebih baik dan dapat bermanfaat bagi masyarakat. Akhir kata, saya mengucapkan terimakasih kepada seluruh pihak yang telah membantu. Demikianlah ucapan terimakasih ini saya sampaikan, semoga skripsi ini bermanfaat bagi kita semua. Medan, Oktober 2018 Liana Devi Sibarani UNIVERSITAS SUMATERA UTARA DAFTAR ISI LEMBAR PENGESAHAN.................................................. i LEMBAR PERNYATAAN ORISINALITAS.................... ii ABSTRAK............................................................................. iii ABSTRACT.......................................................................... iv KATA PENGANTAR........................................................... v DAFTAR ISI.......................................................................... viii DAFTAR GAMBAR............................................................. xi BAB I PENDAHULUAN......................................................... 1 1.1 Latar Belakang....................................................................... 1 1.2 Rumusan Masalah.................................................................. 6 1.3 Batasan Masalah..................................................................... 6 1.4 Tujuan Masalah....................................................................... 6 1.5 Manfaat Masalah..................................................................... 7 1.5.1 Manfaat Teoritis....................................................... 7 1.5.1 Manfaat Praktis......................................................... 7 BAB II TINJAUAN PUSTAKA................................................ 8 2.1 Konsep..................................................................................... 8 2.1.1 Film........................................................................... 8 2.1.1.1 Unsur-Unsur Pembentukan Film............... 9 2.1.2 Nasionalisme............................................................ 11 UNIVERSITAS SUMATERA UTARA 2.2 Landasan Teori....................................................................... 13 2.2.1 Teori Sosiologi Sastra............................................. 13 2.2.2 Teori Nasionalisme................................................. 15 2.3 TinjauanPustaka.................................................................... 16 BAB III METODE PENELITIAN........................................... 22 3.1 Data dan Sumber Data............................................................ 22 3.1.1 Sumber Data Primer................................................. 23 3.1.2 Sumber Data sekunder............................................. 23 3.3 Metode Pengumpulan Data..................................................... 24 3.4 Metode Analisis Data.............................................................. 24 3.5 Metode Penyajian Analisis Data............................................ 25 BAB IV PEMBAHASAN..........................................................
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