Articles the Perils of the Present, Theory, and the University
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Context in Literary and Cultural Studies COMPARATIVE LITERATURE and CULTURE
Context in Literary and Cultural Studies COMPARATIVE LITERATURE AND CULTURE Series Editors TIMOTHY MATHEWS AND FLORIAN MUSSGNUG Comparative Literature and Culture explores new creative and critical perspectives on literature, art and culture. Contributions offer a comparative, cross-cultural and interdisciplinary focus, showcasing exploratory research in literary and cultural theory and history, material and visual cultures, and reception studies. The series is also interested in language-based research, particularly the changing role of national and minority languages and cultures, and includes within its publications the annual proceedings of the ‘Hermes Consortium for Literary and Cultural Studies’. Timothy Mathews is Emeritus Professor of French and Comparative Criticism, UCL. Florian Mussgnug is Reader in Italian and Comparative Literature, UCL. Context in Literary and Cultural Studies Edited by Jakob Ladegaard and Jakob Gaardbo Nielsen First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Text © Contributors, 2019 Images © Contributors and copyright holders named in the captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). -
Material Culture and the Performance of Race
Dances with Things: Material Culture and the Performance of Race The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Bernstein, Robin. 2009. Dances with things: Material culture and the performance of race. Social Text 27(4): 67-94. Published Version doi:10.1215/01642472-2009-055 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3659694 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Dances with Things Material Culture and the Performance of Race Robin Bernstein In a photograph from Yale University’s Beinecke Rare Book and Manu- script Library, a light-skinned woman stands behind a larger-than-life- size caricature of an African American eating a slice of watermelon (fig. 1).1 The young man, shoeless and dressed in rags, perches on a fence. The woman poses behind the cutout; her hand gently over- laps with the caricature’s. She bares her teeth, miming her own bite from the fruit. A typed caption on the back of the image indicates that the photograph was taken at the Hotel Exposition, a gathering of pro- fessionals from the hotel industry, in New York City’s Grand Central Palace. At some point, a curator at the Beinecke penciled “c. 1930.” How might one read this ugly, enig- matic image, this chip of racial history archived at Yale? Taking a cue from Robyn Wiegman, who has influentially called for a transition from questions of “why” to “how” with regard to race, one might Figure 1. -
Anglo-Saxon Literary Landscapes Literary Anglo-Saxon
ENVIRONMENTAL HUMANITIES IN PRE-MODERN CULTURES Estes Anglo-Saxon Literary Landscapes Heide Estes Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Anglo-Saxon Literary Landscapes Environmental Humanities in Pre‑modern Cultures This series in environmental humanities offers approaches to medieval, early modern, and global pre-industrial cultures from interdisciplinary environmental perspectives. We invite submissions (both monographs and edited collections) in the fields of ecocriticism, specifically ecofeminism and new ecocritical analyses of under-represented literatures; queer ecologies; posthumanism; waste studies; environmental history; environmental archaeology; animal studies and zooarchaeology; landscape studies; ‘blue humanities’, and studies of environmental/natural disasters and change and their effects on pre-modern cultures. Series Editor Heide Estes, University of Cambridge and Monmouth University Editorial Board Steven Mentz, St. John’s University Gillian Overing, Wake Forest University Philip Slavin, University of Kent Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Heide Estes Amsterdam University Press Cover illustration: © Douglas Morse Cover design: Coördesign, Leiden Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 944 7 e-isbn 978 90 4852 838 7 doi 10.5117/9789089649447 nur 617 | 684 | 940 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The author / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Thinking Art Thinking
CRMEP Books – Thinking art – cover 232 pp. Trim size 216 x 138 mm – Spine 18 mm 4-colour, matt laminate Caroline Bassett Dave Beech art Thinking Ayesha Hameed Klara Kemp-Welch Jaleh Mansoor Christian Nyampeta Peter Osborne Ludger Schwarte Keston Sutherland Giovanna Zapperi Thinking art materialisms, labours, forms isbn 978-1-9993337-4-4 edited by CRMEP BOOKS PETER OSBORNE 9 781999 333744 Thinking art Thinking art materialisms, labours, forms edited by PETER OSBORNE Published in 2020 by CRMEP Books Centre for Research in Modern European Philosophy Penrhyn Road campus, Kingston University, Kingston upon Thames, kt1 2ee, London, UK www.kingston.ac.uk/crmep isbn 978-1-9993337-4-4 (pbk) isbn 978-1-9993337-5-1 (ebook) The electronic version of this work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License (CC-BYNC-ND). For more information, please visit creativecommons.org. The right of the contributors to be identified as authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988 Designed and typeset in Calluna by illuminati, Grosmont Cover design by Lucy Morton at illuminati Printed by Short Run Press Ltd (Exeter) A catalogue record for this book is available from the British Library Contents Preface PETER OSBORNE ix MATERIALISMS 1 Digital materialism: six-handed, machine-assisted, furious CAROLINE bASSETT 3 2 The consolation of new materialism KESTOn sUtHeRLAnD 29 ART & LABOUR 3 Art’s anti-capitalist ontology: on the historical roots of the -
Valences of the Dialectic Fredric Jameson
VALENCES OF THE DIALECTIC FREDRIC JAMESON VALENCES OF THE DIALECTIC VALENCES OF THE DIALECTIC N FREDRIC JAMESON First published by Verso 2009 Copyright © Fredric Jameson 2009 All rights reserved The moral right of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG USA: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-877-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Garamond by WestKey Ltd, Falmouth, Cornwall Printed in the United States by Maple Vail for Roberto Schwarz and Grecia de la Sobera and for Perry Anderson O Wechsel der Zeiten! Du Hoffnung des Volkes! Contents I. THE THREE NAMES OF THE DIALECTIC 1 The Three Names of The Dialectic 3 II. HEGEL WITHOUT AUFHEBUNG 2 Hegel and Reification 75 3 Hegel’s Contemporary Critics 102 III. COMMENTARIES 4 Marx’s Purloined Letter 127 5 Deleuze and Dualism 181 6 “History and Class Consciousness” as an Unfinished Project 201 7 Sartre’s Critique, Volume One: An Introduction 223 8 Sartre’s Critique, Volume Two: An Introduction 241 IV. ENTRIES 9 Commodification 257 10 Cultural Revolution 267 11 Persistencies of the Dialectic: Three Sites 279 12 Lenin as Political Thinker 291 13 Rousseau and Contradiction 303 14 Ideological Analysis: A Handbook 315 V. -
The Anxiety of Influence: a Theory of Poetry Free
FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics. -
Postmodern Temptations
Book Reviews Postmodern Temptations Fredric Jameson, Postmodernism,or, The CulturalLogic of Late Capital- ism. Durham: Duke University Press, 1991. Pp. xxii, 438. $34.95 (cloth), $19.95 (paper). Robert Post Pereat mundus, fiat philosophia,fiat philosophus, fiam! Fredric Jameson has long been among our most sophisticated and influential cultural critics. Combining Marxism2 and structuralism, 3 Jameson's persistent effort has been to locate and fix the social dimen- sions of structural cultural patterns. In his most recent book, Postmodernism, or, The Cultural Logic of Late Capitalism, Jameson applies this perspective to the important phenomenon of postmodern- 1. FRIEDRICH NIETZSCHE, ON THE GENEALOGY OF MORALS (Francis Golflng trans., 1956) 243. 2. FREDRIC JAMESON, MARXISM AND FORM: TWENTIETH-CENTURY DIALECTICAL THEORIES OF LITERATURE (1971); FREDRIC JAMESON, LATE MARXISM: ADORNO, OR, THE PERSISTENCE OF THE DIALECTIC (1990). 3. FREDRIC JAMESON, THE PRISON-HOUSE OF LANGUAGE: A CRITICAL ACCOUNT OF STRUCTURALISM AND RUSSIAN FORMALISM (1972). 4. FREDRIC JAMESON, THE POLITICAL UNCONSCIOUS: NARRATIVE AS A SOCIALLY SYMBOLIC ACT (1981). Yale Journal of Law & the Humanities, Vol. 4, Iss. 2 [1992], Art. 9 Yale Journal of Law & the Humanities [Vol. 4: 391 ism.5 The book ought to be required reading for the many legal academ- ics who have greeted the advent of postmodernism with unrestrained enthusiasm. Jameson, through close attention to the actual cultural manifestations of postmodernism, tells a far darker tale. Postmodernism, Jameson tells us, expresses "an inverted millenarian- ism in which premonitions of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that."6 The postmodern condition defines itself through its interrogation of the great movements of the past, especially of modernism. -
Jameson on Jameson: Conversations on Cultural Marxism / Fredric Jameson; Edited by Ian Buchanan
Jameson on Jameson post-contemporary interventions Series Editors: Stanley Fish and Fredric Jameson Jameson on Jameson conversations on cultural marxism Edited by ian buchanan Duke University Press Durham & London 2007 © 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Amy Ruth Buchanan Typeset in Minion by G&S Typesetters. Library of Congress Cataloging-in-Publica- tion Data appear on the last printed page of this book. Every eff ort has been made to trace copyright holders and to obtain their permission for the use of copyright material. Th e editors would be pleased to be notifi ed of corrections that should be incorporated in future editions of this book. Finally, the editors would like to give thanks to Tanya Buchanan who did an enormous amount of behind-the-scenes work to help realize this project. for my students contents Foreword • ix Introduction: On Not Giving Interviews • 1 Interview with Leonard Green, Jonathan Culler, and Richard Klein • 11 Interview with Anders Stephanson • 44 Interview with Paik Nak-chung • 74 Interview with Sabry Hafez, Abbas Al-Tonsi, and Mona Abousenna • 99 Interview with Stuart Hall • 113 Interview with Michael Speaks • 123 Interview with Horacio Machín • 135 Interview with Sara Danius and Stefan Jonsson • 151 Interview with Xudong Zhang • 171 Interview with Srinivas Aravamudan and Ranjana Khanna • 203 Bibliography • 241 Interviewers • 269 Index • 273 Foreword You have to take the work as a whole, to try and follow rather than judge it, see where it branches out in diff erent directions, where it gets bogged down, moves forward, makes a breakthrough; you have to accept it, welcome it, as a whole. -
The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1
ISSN 1751-8229 Volume Thirteen, Number One The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1 Ed Graham, Simon Fraser University Ed Graham is a PhD candidate at Simon Fraser University, Vancouver. He holds an MA in Philosophy from the University of Amsterdam and a BA in English Literature from the University of Warwick. His research interests include Marxism and critical theory, contemporary literature and culture, and utopian studies. 1 A version of this paper was presented for a panel on “Remobilizing Utopia” (Seattle, 20 May 2018), part of the annual Red May Seattle series. Many thanks to Morgan Young and Philip Wohlstetter for the invitation to speak. Special thanks also to Clint Burnham and Carolyn Lesjak for the advice and encouragement, and to Burnham for allowing me to write this paper as part of a directed study. Incorporating a diverse and eclectic range of theory and cultural forms, both Fredric Jameson and Slavoj Žižek have persistently foregrounded Marxist questions of ideology, totality and utopia at points where they seem unfashionable and outmoded. As a phrase attributable to both thinkers, Jameson and Žižek share a commitment to writing in and against a time where it has become “easier to imagine the end of the world than the end of capitalism.” Broadly speaking, in terms of a shared politics, both advocate seeing the system whole and keeping open the possibility of an “outside” to capitalism. As shown in his call for an aesthetic of cognitive mapping, the enabling of “a situational representation on the part of the individual subject to that vaster and properly unrepresentable totality which is the ensemble of society’s structures as a whole,” Jameson’s insistence on retaining the category of totality under a nominalist postmodern social order is related to keeping alive “the very idea of utopia” (Jameson 1991: 51; Jameson 1988: 6). -
The Work of Fredric Jameson
CRITICAL =CHANCE #t 4 : Fall 1983 The Work of Fredric Jameson General Editor's Preface . JAMES J. SOSNOSKI .....................................11 Introduction STEVE NIMIS ........................................... iii Bibliography of Fredric Jameson ............................................. v ItThe Ideological Analysis of Spacet1 FREDRIC JAMESON ........................................ 1 "Does Jameson Have Any Use For Allegory?" CAROL P. JAMES ........................................I 6 "The Jam son Ef feett1 JAMES H. KAVANAUCH ....................................29 'IThe Political Unconscious of Jameson ' s The Political Unconscious" JAMES IFFLAND ..........................................40 "The Marxism Ceconstruction Debate" MICHAEL RYAN ...........................................59 Critical Exchange is published by The Society for Critical Exchange, a not-for-profit corporation organized to encourage "Jameson and the Dialectical Use of CRnre Criticism" cooperative research in criticism and theory. JUNEHOWAARD ............................................ 70 Material published in Critical Exchange is copyrighted by the I1Imagining the Real: Jameson's Use of Lacan" MICHAEL CLARK.. .81 Society with rights re-assigned to authors upon publication. ....................................... For information write: James J. Sosnoski The Society for Critical Exchange "The Dialectic of Utopia and Ideology in Spanish P. 0. Box 475 Golden Age Poetry" Oxford, Ohio 45056 JOHN BEE% EY .........................................102 Funding support -
Traveling Theory: Fredric Jameson's Interpretations of the Cultural Revolution and Maoism
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 20 (2018) Issue 3 Article 5 Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism Xian Wang University of Notre Dame Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Chinese Studies Commons, Comparative Literature Commons, and the European Languages and Societies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Wang, Xian. "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism." CLCWeb: Comparative Literature and Culture 20.3 (2018): <https://doi.org/10.7771/1481-4374.3271> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Review of Fredric Jameson, the Modernist Papers
Bryn Mawr Review of Comparative Literature Volume 8 Article 5 Number 1 Fall 2009/Spring 2010 Fall 2009 Review of Fredric Jameson, The oM dernist Papers. G. S. Sahota University of California, Santa Cruz Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Sahota, G. S. (2009). Review of "Review of Fredric Jameson, The odeM rnist Papers.," Bryn Mawr Review of Comparative Literature: Vol. 8 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 For more information, please contact [email protected]. Sahota: Sahota on Jameson Fredric Jameson, The Modernist Papers. New York: Verso, 2007. 160 pp. ISBN 9781844670963. Reviewed by G.S. Sahota, University of California, Santa Cruz Zero Figurality, or Imperialism and Form The controversies around the work of Fredric Jameson will, at least for the time being, rest on the fault lines of a politics of Time itself. Only the future will decide if the incorporation of postmodern currents into the legacy of the Hegelian dialectic will have potentiated the final Negation, actualizing a post-capitalist Utopia; or if, on the contrary, the postmodern merely bogs down the legacy of Revolution in the unending sameness of a rhetoric of difference and deferral, unwittingly clearing the way toward the end times of humanity as such. In the meantime, Jameson's wager that Marxism needs to absorb the postmodern has illuminated, with characteristic flash, tenebrous spheres of the cultures of capitalism—like a brisk lightning storm across the dusky Great Plains.