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The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
St John Smaller For
Early Music Vancouver john sawyer (1937-2017) board of directors Tonight’s performance is dedicated to the memory of John Sawyer (1937-2017). Tony Knox president For such a soft-spoken and Chris Guzy self-effacing gentleman, the vice president impact of John’s life and Spencer Corrigal cpa,ca work on the musical life of treasurer Vancouver and beyond has Sharon Kahn past president been loud and clear. Fran Watters secretary He was a member of the Stuart Bowyer very first undergraduate Sherrill Grace class in music at UBC, and, Ilia Korkh after studies elsewhere, Melody Mason returned as a faculty Tim Rendell cpa,ca member and became a Ingrid Söchting Vincent Tan passionate and popular teacher, with a focus on ÷ early music. He established Photo credit: Daryl Kahn Cline José Verstappen cm a Collegium Musicum, instigated the purchase of historical instruments and a library artistic director emeritus of music to play on them, and inspired in several generations of students an interest in ÷ period performance practice. A number of these went on to become core members of staff the Pacific Baroque Orchestra, to form their own ensembles, and to perform with early Matthew White music groups internationally.. executive & artistic director Nathan Lorch John’s primary role in establishing the Vancouver Society for Early Music (later Early business manager Alicia Hansen Music Vancouver), along with the summer courses they hosted at UBC, led to Vancouver production and summer programme director becoming something of a hotspot for early music performance and study. Jocelyn Peirce development coordinator The main thrust for establishing the Pacific Baroque Orchestra came from John, as did Laina Tanahara the name, as he had previously played concerts with a small group called the Pacific marketing & volunteer coordinator Baroque Ensemble. -
December 1993
Features DAVE ABBRUZZESE With nary a note on Pearl Jam's breakthrough album, Ten, Dave Abbruzzese flew to the top of MD's 1993 Readers Poll in the Up & Coming category. Now the brand-new Five Against One is out, and Dave's really laying down his mark. • Matt Peiken 20 TONY REEDUS Can today's jazz drummer find happiness on both sides of the avant-garde/straight-ahead coin? Well, Tony Reedus has, making him one of the most sought-after skinsmen around. • Ken Micallef 26 ZILDJIAN AT 370 Zildjian certainly should be proud of their long history: Their cymbal design innovations often coincided with the major artistic leaps of our drumset masters. Since the company is celebrating their deep roots in a big way this year, we thought it a good time to check in. • Rick Van Horn 30 Volume 17, Number 12 Cover Photo By Lance Mercer EDUCATION NEWS EQUIPMENT 48 OFF THE 8 UPDATE RECORD Billy Cobham, Mike Portnoy Toss Panos, Lance Huff of David & the Giants, and the Bulletboys' 52 STRICTLY Jim D'Anda, plus News TECHNIQUE The Hi-Hat 138 INDUSTRY BY JOE MORELLO HAPPENINGS 62 DRIVER'S SEAT Big Bands & Bass Drums DEPARTMENTS BY CHARLIE PERRY 4 EDITOR'S 36 PRODUCT OVERVIEW 66 LATIN CLOSE-UP SYMPOSIUM Pearl Masters Maguinho's 6 READERS' Custom Drumkit BY RICK VAN HORN Brazilian Rhythms PLATFORM BY PETE MAGADINI 39 Rhythm Tech 12 ASK A PRO indexTension Drum 94 SHOW Tuners BY ADAM BUDOFSKY DRUMMERS' 16 IT'S SEMINAR QUESTIONABLE Pete Engelhart Crashers Trials & Tribulations BY ADAM BUDOFSKY Of A New York 50 DRUMLINE Show Drummer 40 LP Gajate Bracket BY LARRY CALLAHAN BY ADAM BUDOFSKY 102 CRITIQUE Taw Duplicate X 98 THE JOBBING Products NDEX DRUMMER 126 1993 I BY RICK VAN HORN The Clubdate Business UPDATE BY PETER J. -
George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International Jazz News Jazz Stories
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International jazz news jazz stories Volume 39 Number 4 Oct Nov Dec 2013 More than 50 concerts in venues all around Seattle Keith Jarrett, Gary Peacock, & Jack DeJohnette • Brad Mehldau Charles Lloyd Group w/ Bill Frisell • Dave Douglas Quintet • The Bad Plus Philip Glass • Ken Vandermark • Paal Nilssen-Love • Nicole Mitchell Bill Frisell’s Big Sur Quintet • Wayne Horvitz • Mat Maneri SFJAZZ Collective • John Medeski • Paul Kikuchi • McTuff Cuong Vu • B’shnorkestra • Beth Fleenor Workshop Ensemble Peter Brötzmann • Industrial Revelation and many more... October 1 - November 17, 2013 Buy tickets now at www.earshot.org 206-547-6763 Charles Lloyd photo by Dorothy Darr “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself. -
JACK Dejohnette NEA Jazz Master (2112)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACK DeJOHNETTE NEA Jazz Master (2112) Interviewee: Jack DeJohnette (August 9, 1942 - ) Interviewer: Dr. Anthony Brown with sound engineer Ken Kimery Date: November, 10-11th, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 107 Brown: Today is November 10th, 2011, and this is The Smithsonian Oral History Interview with NEA Jazz Master, percussionist, pianist, bandleader, composer, arranger, educator, and my hero, Jack DeJohnette, in his house in Silver Hollow, Upstate New York. How are you doing today, Mr. DeJohnette? DeJohnette: I'm doing great! Brown: Great, great. DeJohnette: Great. Brown: If we could start the interview by you stating your full name, full birth name, birthplace and birth date? DeJohnette: Okay. Jack DeJohnette…born in Chicago, Illinois in the county of Cook, August 9th, 1942. Brown: And if you could tell us the names of your parents. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 DeJohnette: Yeah, my mother's name was Eva Jeanette Wood and my father's name is Jack DeJohnette Sr. in that case. Brown: Oh, so you're a Jr.? DeJohnette: Yeah, I'm a Jr. Brown: No middle name? DeJohnette: No. Brown: And do you know where your parents are originally from? DeJohnette: Yeah, my mother was from Lionel, Georgia. My father was from Oak Ridge, Louisiana. Brown: And did they meet and marry in Chicago, do you know anything about that? DeJohnette: Mm-hmm. -
Drumsticks • Brushes • Mallets • Specialty Sticks
2014 Mike Fuentes PIERCE THE VEIL DRUMSTICKS • BRUSHES • MALLETS • SPECIALTY STICKS • MARCHING • ENSEMBLE • PRACTICE PADS • ACCESSORIES • CLOTHING MANUFACTURING CHOOSING THE RIGHT STICK Vater’s undivided focus is to give you, the drummer, the highest quality drum sticks, specialty sticks and drum accessories in the world. FOR YOU WITH MIKE JOHNSTON In your search for the right stick, there’s a lot of models When I picked up Vaters that day, I instantly discovered VATER MANUFACTURING: THE FACTS that are available to you. I spent YEARS endorsing one what I had been missing out on for all those years. It particular model with another company before joining didn’t matter what Vater model I pulled out of that bin, - Vater has several Hickory wood suppliers - Vater's Hickory is stress released which - Only the outer 3"-5" of the Hickory tree Vater. For over a decade, I just thought: “Sticks are they all felt great while having their unique differences. that are exclusive to Vater. They produce is done by slowly raising the temperature is used to make drumsticks. This is the live sticks.” That experience really got me thinking and analyzing dowels based on very specific terms to at the end of the drying cycle for 8 hours. part of the tree which is call the Sap Wood. my stick choice and size. Not only were the Vater sticks It never occurred to me to check out any other models, better quality, but my playing had been somewhat produce the finest quality Hickory for This relieves the stress in the wood and or even brands. -
1 (C) Tsunami Edizioni - NEIL DANIELS LA STORIA DEI JUDAS PRIEST DEFENDERS of the FAITH
1 (c) Tsunami Edizioni - www.tsunamiedizioni.com NEIL DANIELS LA STORIA DEI JUDAS PRIEST DEFENDERS OF THE FAITH Traduzione di Stefania Renzetti (c) Tsunami Edizioni - www.tsunamiedizioni.com Titolo originale dell’opera: The Story Of Judas Priest - Defenders Of The Faith © 2010 Omnibus Press (A Division of Music Sales Limited) Copyright © 2011 A.SE.FI. Editoriale Srl - Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com Prima edizione Tsunami Edizioni, giugno 2011 - Gli Uragani 10 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione: Stefania Renzetti Foto di copertina: Ross Halfin - Foto retrocopertina: Bob Leafe/Frank White Photography Progetto copertina: Eugenio Monti Finito di stampare nel giugno 2011 da GESP - Città di Castello ISBN: 978-88-96131-31-2 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l’autorizzazione scritta dell’Editore. (c) Tsunami Edizioni - www.tsunamiedizioni.com SOMMARIO Prefazione di Al Atkins .................................................................................................5 Introduzione ................................................................................................................9 PARTE 1 – IL BLACK COUNTRY: ACCIAIO BRITANNICO UNO: PRIMA DEL’ALBA .........................................................................................15 DUE: 1963-1968 .......................................................................................................19 TRE: 1969-1970 ........................................................................................................27 -
Judas Priest
The Hellion Electric Eye ” Por: TÇwxÜáÉÇ VÄx|àÉÇ eÉwÜ|zâxá A banda “Judas Priest” Formada em meados de 1969, em Birmingham, Inglaterra, a banda vendeu cerca de 40 milhões de discos em 40 anos de existência, influenciando um número significativo de bandas de heavy metal e hard rock. Adaptando peso, velocidade, melodia contagiante e roupas de cabedal com detalhes em metal, os Judas Priest fizeram história. Integrantes atuais: Rob Halford (vocal), K.K. Downing (guitarra), Glenn Tipton (guitarra), Ian JUDAS PRIEST Hill (baixo), Scott Travis (bateria). Ex Integrantes: Al Atkins (vocal), Tim "Ripper" Owens (vocal), John Ellis (bateria), Dave Holland (bateria), Les Binks (bateria), Simon Phillips (bateria), Alan Moore (bateria), John Hinch (bateria). A música “Electric Eye” (Judas Priest). A canção pertence ao álbum “Screaming for Vengeance” de 1982, o oitavo da banda. A canção é baseada no livro "1984" de George Orwell. A faixa está presente nos jogos Grand Theft Auto: Vice City Stories, Guitar Hero Encore: Rocks the 80s e também no Guitar Hero: Smash Hits. A faixa também está disponivel para download no Rock Band. Integrantes: Rob Halford (vocal), Glenn Tipton e K.K. Downing (guitarra), Ian Hill (baixo), e Dave Holland (bateria). DDD O baterista “Dave Holland” aaa vvv Dave Holland nasceu dia 05 de abril de 1948, eee Wolverhampton , West Midlands, Inglaterra. Dave começou na música bem cedo, com a idade de seis anos HHH de idade estudou piano, mas posteriormente passou para a ooo bateria. lll Dave já tocou com: lll aaa The Liberators, Pinkerton’s Assorted Colours, Finders nnn Keepers, Trapeze, Glenn Hughes, Justin Hayward, Judas Priest, The Screaming Jets, Al Atkins, Tony Iommi, e no Judas ddd Priest de 1979 á 1986. -
We Are Proud to Present the Results of the 67Th Annual Downbeat
We are proud to present the results of the 67th Annual DownBeat International Critics Poll, which includes Jazz Album of the Year (page 40) and Historical Album of the Year (page 44). Nina Simone ........................... 122 Anthony Braxton ...................... 88 Pharoah Sanders ..................... 71 Charles Lloyd ........................... 69 Kenny Barron ........................... 64 Tomasz Stanko......................... 58 Paul Bley .................................. 57 Jack DeJohnette ...................... 56 Jimmy Giuffre ........................... 54 Jimmy Heath ............................ 50 John McLaughlin ..................... 47 Shirley Horn ............................. 46 Jaki Byard ................................ 41 Oliver Nelson ............................38 Yusef Lateef ............................. 37 Bobby Hutcherson ...................36 Hank Mobley ............................ 34 Grant Green.............................. 32 Carmen McRae ........................ 32 Gunther Schuller ...................... 31 Kenny Burrell ............................30 Miguel Zenón, winner of the Alto Saxophone category Kenny Barron ........................... 30 Fred Hersch Trio, Sullivan Fortner, Scott LaFaro ..........................67% JD Allen .................................... 28 Live In Europe (Palmetto) ......... 44 Moments Preserved (Impulse!) .. 22 Joe Williams ...........................67% Julian Lage ............................... 28 Charles Lloyd & The Marvels + Lionel Loueke, (Note: Artists must receive -
December 1986
VOL. 10, NO. 12 Features Columns EDUCATION ELECTRONIC INSIGHTS MIDI: An Intro For The Working Percussionist 42 by Jim Fiore ROCK PERSPECTIVES 16th-Note Triplets On Double Bass 70 by Joe Franco DRUM SOLOIST Graham Lear: "Where Am I Going?" by Chuck Kerrigan 74 STRICTLY TECHNIQUE Creative Flam Taps by Charles Outlaw 82 CONCEPTS Perseverance by Roy Burns 102 CLUB SCENE There's No Place Like Home Colbeck by Rick Van Horn 104 Annie EQUIPMENT by SHOP TALK Photo How To Make Your Own Wind Chimes by Mike Myers 84 ELECTRONIC REVIEW SIMON PHILLIPS Bass Drum Trigger Pedals From his early work as a session drummer to his recent playing by Bob Saydlowski, Jr. 106 with Pete Townsend, Simon Phillips has always been at the PRODUCT CLOSE-UP vanguard of current musical trends. He has recently become Tama Power Tower Rack System active as a producer, and he explains why that is such a natural by Rick Van Horn 108 step for him to take, JUST DRUMS 112 16 by Simon Goodwin PROFILES PORTRAITS JAMES STROUD Preservation Hall's Frank Parker One reason, perhaps, that James Stroud is very in-demand in by David Dudine 34 the Nashville studios is that he doesn't approach a project The Neville Brothers' Willie Green from the viewpoint of a drummer; he has a different way of by Robert Santelli 35 looking at things, SHOW DRUMMERS' SEMINAR by Robyn Flans 22 Nick Vincent: The Donnie And Marie Osmond Show by Jim Dinella 64 DAVE HOLLAND ON THE MOVE After going through a succession of drummers, Judas Priest Doug Zagorski: The Biggest Little found Dave Holland, who has survived -
Missouri S&T Magazine, November 1993
Missouri University of Science and Technology Scholars' Mine Missouri S&T Magazine Special Collections Missouri S&T Magazine, November 1993 Miner Alumni Association Follow this and additional works at: https://scholarsmine.mst.edu/alumni-magazine Recommended Citation Miner Alumni Association, "Missouri S&T Magazine, November 1993" (1993). Missouri S&T Magazine. 396. https://scholarsmine.mst.edu/alumni-magazine/396 This Magazine is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Missouri S&T Magazine by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. --. ---.;;.--===:, :::::::= I ....-:. __ .. =:=:=::: .-- .. MSM-UMR ALUMNI ASSOCIATION Cas tlemall Hall. UMR.Rolla.MO 65401-0249 Telephone (314}-341-4145 OFFICEIlS Dear jriends_ Presldenl ROB ERT V. WOLF, '5 1, 244·L McNu" Hall . UMR, Roll •. MO 65401 Your alun . Pr csld cnl-elcct We lnl aSSOCiation celebrated G ERALD l. ST EVENSON, '59 , Jacobs Engin eer Group, 25 1 South Lake Dr. , Pasadena, CA ekend oj October 1.3 F: 1993 HomeCOming the 91 101 and nostalgic occos . Or those who attended it w Vice Pr es id ent W.R "PAT" BROADDUS, '5 5. AAI, P.O. Box 2545, D.lton. GA 30722 with a genero IOn. Alums jrom the class 0 1 1 ;93 as both a joyous Vice Pres id ent us contll1gent 'I I 'retumed I ALFR ED J. BUESCH ER, '611 , Sverdrup Corp., .1 3 723 Rlvcrpon Drive.