DOCSLIB.ORG

Biiet» January 1996 Rag from Citr 101.9! M Free F

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biiet» January 1996 Rag from Citr 101.9! M Free F WW 1 ^^-*. _ DI^fe^________fl_ [ ^k_ 1 __^^ »BiiEt» January 1996 rag from CiTR 101.9! m Free F , M • i f j ft. ,_A- , # iP « _'•:,, A* ^ ;v^m: k ,mMMSm H W'A 'r*5"^||||i| U*4ci d © Super Friendz © Red ReIc Mea t © Boss Hog © Ashley Maclsaac The Snitches © Velvets Returnis ! © Plus how you can save CiTR '•"•"ip^pipSUPjjf^ • mm • . Die-cover "I should be laughing, I -should be laughing..." This month's gloomy cover by Allster MacKinnon of Montreal. Pig-contents JUST SAYYES 6 REP RED MEAT 10 THE SNITCHES 10 BOSS HOG 11 ASHLEY MACISAAC 12 SUPER FRIENDZ 13 NARDWUAR VS. LARS OF RANCID 14 Vancouver special 5 dear .00365% 7 between the lines 6> interview hell 9 7' \b shindig 19 real live action 21 under review 22 velvets christian comics 23 on the dial 25 datebook 26 Pig-Staff Editor; dylanarlfflth Art Director: ken paul Ad Pimp: kevln pendergraft, Graphic Design/Layout; ken paul, keveln pendergraft, lee vegas. ODVttE" ililPOTO mark pilon ProductlonAsslstants: krlst* petal-****, mark pilon 534 SEYMOUR STREET,VANCOUVER, B.C., CANADA V6B 3J5 Copy Editors: petra fisher, x-tlna zeller Prggram guide; miko hoffman Charts: poo-head mallet TEL (604) 669-6644 © FAX (604) 669-7978 Datebook: sophle hamley Distribution: matt etefflch AT LEAST TWO SHIPMENTS WEEKLY FROM THE U.K. & THE U.S.A. US Distribution; krlsta peters Discorder On-line: brian wieser, ben lal, ryan & his chums CALL OR FAX TO MAIL ORDER G linda echolten TECHNO, HOUSE, TRIP-HOP, AMBIENT, "DiSCORDER" 1996 by the Student Radio Society of the University of British Columbia. All rights reserved. Circulation 20,000. TRANCE, SOUL, GARAGE, HANDBAG, ACIDJAZZ, HIP-HOP, Subscriptions, payable in advance, to Canadian residents aro $15 for one year, to residents of the USA are $ 15 USD; $24 CDN elsewhere. Single copies are $2.00 (to cover postage, of course). JUNGLE, ALTERNATIVE, POP & HI-NRG, ON VINYL OR CD. Please make checks or money orders payable to DiSCORDER Magazine. DEADLINES: Copy deadline for the February issue is January 10th. Ad space is available until D.J. TAPES, SLIPMATS, MAGAZINES, POSTERS & T-SHIRTS January 12th and can be booked by calling Kevin at (604) 822-3017 ext. 3. Our rates art available upon request. DiSCORDER is not responsible for loss, damage, or any other injury to unsolicited manuscripts, unsolicited artwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc (Mac, preferably) or in type. As always, English is preferred. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM at well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822-2487, our office at 822-3017 ext. 0, or our news and sports lines at 822- 3017 ext. 2. Fax us at 822-9364, e-mail us at [email protected], visit our web site at http:/ EVERYTHING ON SALE BOXING DAY /www.ams.ubc.ca/citr or just pick up a goddamn pen and -write #233-6138 SUB Blvd., Van­ couver, B.C. CANADA V6T 1Z1. CITR WEEK timber > thread1 mm » johnny | &.:*"tfie reatfpacie* i^gx^oupiis * stfi#iwfl JAN 15-19 stMShbidiq! ^ontaii events in SUB concourse Special thanks to all participating bands, volunteers, Tues-Thurs 12:30pm >rs, the Starfish Room regular patrons and of tfie Railway Club. winners for Shindig 1995 are 1st: The Readymade Want to find out wore about CiTR? tin * nd: 1000 Stamps Visit th&^P concourse 10am-4pm stsiri 3rd: Plpedream Tuesday to Thursday, come up and visit itf*W us in room 1M, or reach us by phone po^nd • sugarcajii mtWof vM at %TL-$ wfter•• thrpatf email at ci U • johjjnj /niajw], Ihe sal VOTE YES FOR SEE YOU NEXT YEAR MISKWEM greenhouse THE CONTROL ROOM Al CITR JAN 15-19 ||1 kmt»me«m4*l^*>* /^, " pREDSIONSOUNO (see page 6) COCAC DIRTt to be heard on this tape. But if you seek inspired song writing and There you go - a brief ond bouncy Vancouver Special. I'm told that decent playing, check out the Emptys. DiSCORDER is on o squeeze for space this month, so I've been asked Challenging the Emptys for ihe pop-rock cassette crown is 308, As this is the season of giving, it's been great to see two successful to keep it brief. Well, too bad it onfy c year, because, who greased ihe alley wilh a wry inclusion of an expired in-store benefits happen in Vancouver this month. Two all ages shows at the even ihough there's pnillions (well, at leasl a couple) of fine cassettes coupon for 20% off Leibniz German biscuits. This trio, featuring Jared St. James Community Square, one for Women's Shelters and Rape that deserve mention in ihis praise-heavy c id slag-shy column, I need on drums and two guys name Jeff on stringed power tools, has a gift Relief and the other for Women Against Violence Against Women, all the brakes I can get. That's not a gift hin , just poor spelling. Talk to for writing memorable songs, and the rough basement recording con­ raised a combined total of $1500 for those causes. Another benefit is ya next month. tributes some punk rock cred to the whole show. The ten cuts on Ab­ set to happen on January 19lh at the New York Theatre, wilh the ducted by Aliens are fun and hummable and, as most evident in "My bands Daytona, ten days late, th* Sweaters, the Cowards, Life" (where ihe onfy lyrics are "My life is going nowhere"), spunkify AU-AGiS SfVOfV/ Preston, and Bogue playing for the Environmental Youth Alliance. simple. Fears that the Police had finished it for power-pop trios are Congratulations go out to this year's Shindig winners Tho allayed by such grass-roots audio cave paintings as this. Friday, January 19: Environmental Youth Alliance Benefit w/ Roadymado, as well as the other finalists 1000 Stamps and Wiggler is an interesting solo lo-fi recording project lhat should Daytona, tens days late, the Sweaters, the Cowards, Preston, and Pipodroam, and all of the olher bands who entered CiTR's battle of appeal to 4-track minds everywhere. The 17 songs on No the Yeah Bogue af the New York Theatre (7:00). the bands this year. You now have eight months to get your tapes/ are an onslaught of indie-rock in-jokes and postmodern parody. There vinyl/CDs in to QTR to enter Shindig '96. are voice-manipulated generation-benders ("Adult", "We Love You, NeoBeat performer Ralph has a busy January scheduled, with I'm sorry!! Junior"), hero-worship satire ("Mulligan (Hooray for...)"), and air-punch­ several live performances and a release of a new Ralph CD-EP called I don't know what it ie about photo ing space-metal (ihe instrumental "Panfried"). A version of cub's "Go Orymp'ia '66, a tribute to '60s UK beat music and '50s poetry, re­ credits, but it seems that almoet Fish" slogs along like a mix of industrial-strength molasses and tar- corded last year at the Gastown Music Hall. As well, he'll be on a every month I either credit the flavoured Cheez Whiz, and it is so unrecognizable lhat I'm left won­ compilation of spoken word featuring Henry Rollins, Lydia Lunch, wrong photographer or forget to dering if Wiggler actually had the local classic in mind when initially credit anyone at all. The latter was Richard Hell and many others. recording this 'cover'. The principal reference I should make here is the case back in November when I ne­ It was supposed to be the farewell show for Japan's Teengenerate early Ween, especially when the Scolchgard-powered bong was be­ glected to thank CLANCY DENNEHY for on December 8 at the Hungry Eye, but it turned out to be the final ing used as God intended. "No the Yeah" is Wggler's first release, ie super deluxe photo of Download. Mark performance of Vancouver's Bum as well, as they broke up that night. Spybey he supplied for our cover. Sorry, and while it is the tape I'm chiefly familiar with, it should be noted that Apparently, their lack of success outside of Spain (where a huge fol­ — 6orry. Now please stop being 60 he's since put out another one that is even more ambitious in its utilisa­ lowing was developed through tours and record n ' the Marks. tion of bedroom recording technology. factor. More Mint nupluals: Lisa Marr, former Discorder editor and current singer-bassist of cub, has recently married Ronnie Barnett of Los Angeles' Muffs. Perhaps not coincidentalfy, cub will be breaking from their tour­ ing hiatus to join the Muffs for a New Year's Eve per­ formance at Maxwell's in Hoboken, New Jersey. Nettwerk Records have signed Vancouver's Another White Male. No word on a new album release ihough. Vancouver's (and Canada's??) loudest band, Facepuller, will now have their new CD distributed in the United Slates and Europe through the legen­ dary Alternative Tentacles label out of San Francisco. It will be made available as both CD and full length vinyl, but to obtain the vinyl in Canada, you'll need to buy it as an import. That's all ihe dirt I could dig up for this month. See Yal :) 1995 has been a strangely quiet year For Christmas demos. Normally, I receive a small handful of Christ­ mas cassettes which range from the pathetically banal to the refreshingly weird, wilh a few in between lhat just plain rock out.
Load more

Recommended publications
  • O Porquê Da Existência De Festivais Punk Na Europa
    Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement.
    [Show full text]
  • Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
    Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well.
    [Show full text]
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • Freezine Pdf0040.Pdf
    09/2012 Mighty v osmém vydání zdá se teď být jen zdání jako deštík, co nás zkrápěl každý den, ať kdokoli pěl. Mírný vánek na Čápáku vál kdekdo z nás se hurikánu bál bylo vše však velmi krásné, Mysli naše byly jasné. Ačkoliv jsem předala před časem vedení To však spíše trochu kecám, Mighty Freezinu Anselmovi, pořád na Mighty nikdo není sám, samozřejmě cítím vůči tomuto výjimečnému přítele či přítelkyni, časopisu náklonnost, něžnost a jsem na něj ať morgana či jackyni, tak trochu pyšná. Anselmo s Marcelem si do- každý najde, co hledá, cela dobře vedou, na to, že jsou to jen muži. (někdy až do oběda). Dnes, když můžu oslovit statisíce čtenářů Každopádně štěstí tryská v úvodníku, nevím, jak nejlépe vystihnout ze Čápova letiska. vše, čím mé srdce překypuje. Rozhodla jsem se tedy poctít vás (nás všechny) uměním Bylo to zas velmi hutné nejvyšším: poezií. Mohla bych tuto skvělou Nyní je to trochu smutné, báseň zařadit do své sbírky, která bude brzy ale jelikož to letí, vydána (a bude to bestseller, takže sledujte brzy bude, milé děti, svá oblíbená knihkupectví a včas si toto Mighty číslo nula devět - výjimečné dílo obstarejte). Ale raději ji stačí přečíst několik vět věnuji vám, milí obyčejní mighty lidé. Mám každý měsíc. Tenhle plátek vás (docela) ráda. Vaše Mq pak ohlásí ten velký svátek! DYING Ladrogang presents FETUS 23.9. Klub 007 Strahov THE KLINGONZ (uk/irl), ROCKET DOGZ (cz) Psychobilly rock´n´roll invasion from outter space! 30.9. Klub 007 Strahov Revocation 02.10.2012 Cerebral Bore WARHEAD (jap), FUK (uk, ex-Chaos UK), PORKERIA (usa) ostravaostrava - bbarakBARRÁK This is kick ass punk! Japan vs UK vs Texas! 4.10.
    [Show full text]
  • Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
    THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….………….
    [Show full text]
  • Sumdog Spelling Words
    Sumdog spelling words a acrobat age amuse applauded assemble babies aardvark acrobatic ageless amusement applause assent baboon abandon across aggression amusements apple assessment baboons abandoned act aggressive an appliance assignment baby abbey action ago anagram applicable assist baby’s abbeys active agony analyse applicably assistance babysitter abbreviation activity agoraphobia analysis application assistant back abducted actor agree ancestor applied assorted backbone Aberdeen actress agreeable anchor applies assume backed abilities actual agreed ancient apply assurance backfired ability actually agreement and applying asterisk backflip able adapt aground android appointment asteroid background abnormal add ahead angel apprentice astonish backhand abnormalities addict ahoy angelic apprenticeship astonishing backing aboard addiction aid anger apprenticeships astrology backpack abominable addition ail angle approach astronaut backside aboriginal additional aim angler appropriate astronomy backstage about address aimless angles approximate at backstretch above addressed air angrier April ate backstroke abracadabra addresses Airdrie angriest aqua athlete backup abrasive adjective airport angrily aquaplane athletic backward abroad adjust aisle animal aquarium atlas backwards abrupt adjustment ajar animals aquatic atmosphere backyard absence admiration alarm ankle aqueduct atom bacon absent admire albatross anniversaries arachnophobia atomic bacteria absolute admission album anniversary arc attach bad absolutely admit alcohol announce
    [Show full text]
  • That's All Folks!
    That’s All Folks! That’s right, folks – ALL BINGOS STARTING with EACH LETTER of the ALPHABET. compiled by Jacob Cohen, Asheville Scrabble Club All 7s Starting S- SABATON AABNOST piece of armor for foot [n -S] SABAYON AABNOSY sauce of whipped egg yolks, sugar, and wine [n -S] SABBATH AABBHST sabbat (assembly of demons and witches) [n -S] SABBATS AABBSST SABBAT, assembly of demons and witches [n] SABBING ABBGINS SAB, to sob (to cry with convulsive catching of breath) [v] SABEING ABEGINS SABE, to savvy (to understand (to grasp mentally)) [v] SABERED ABDEERS SABER, to strike with saber (type of sword) [v] SABICUS ABCISSU SABICU, Caribbean tree [n] SABINES ABEINSS SABINE, savin (evergreen shrub) [n] SABKHAS AABHKSS SABKHA, coastal, flat, periodically flooded area in northern Africa [n] SABLEST ABELSST SABLE, dark, gloomy [adj] SABOTED ABDEOST SABOT, wooden shoe [adj] SABRING ABGINRS SABRE, to saber (to strike with saber (type of sword)) [v] SACATON AACNOST perennial grass [n -S] SACBUTS ABCSSTU SACBUT, sackbut (medieval trombone) [n] SACCADE AACCDES rapid, jerky movement of eye [n -S] SACCATE AACCEST having sac (pouch-shaped structure in animal or plant) [adj] SACCULE ACCELSU small sac [n -S] SACCULI ACCILSU SACCULUS, saccule (small sac) [n] SACHEMS ACEHMSS SACHEM, Native American chief [n] SACHETS ACEHSST SACHET, small bag containing perfumed powder [n] SACKBUT ABCKSTU medieval trombone [n -S] SACKERS ACEKRSS SACKER, one that sacks (to put into sack (large bag)) [n] SACKFUL ACFKLSU as much as sack can hold [n -S, -KSFUL] SACKING ACGIKNS material
    [Show full text]
  • Download PDF > Riot Grrrl \\ 3Y8OTSVISUJF
    LWSRQOQGSW3L / Book ~ Riot grrrl Riot grrrl Filesize: 8.18 MB Reviews Unquestionably, this is actually the very best work by any article writer. It usually does not price a lot of. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Augustine Pfannerstill) DISCLAIMER | DMCA GOKP10TMWQNH / Kindle ~ Riot grrrl RIOT GRRRL To download Riot grrrl PDF, make sure you refer to the button under and download the document or gain access to other information which might be related to RIOT GRRRL book. Reference Series Books LLC Jan 2012, 2012. Taschenbuch. Book Condition: Neu. 249x189x10 mm. Neuware - Source: Wikipedia. Pages: 54. Chapters: Kill Rock Stars, Sleater-Kinney, Tobi Vail, Kathleen Hanna, Lucid Nation, Jessicka, Carrie Brownstein, Kids Love Lies, G. B. Jones, Sharon Cheslow, The Shondes, Jack O Jill, Not Bad for a Girl, Phranc, Bratmobile, Fih Column, Caroline Azar, Bikini Kill, Times Square, Jen Smith, Nomy Lamm, Huggy Bear, Karen Finley, Bidisha, Kaia Wilson, Emily's Sassy Lime, Mambo Taxi, The Yo-Yo Gang, Ladyfest, Bangs, Shopliing, Mecca Normal, Voodoo Queens, Sister George, Heavens to Betsy, Donna Dresch, Allison Wolfe, Billy Karren, Kathi Wilcox, Tattle Tale, Sta-Prest, All Women Are Bitches, Excuse 17, Pink Champagne, Rise Above: The Tribe 8 Documentary, Juliana Luecking, Lungleg, Rizzo, Tammy Rae Carland, The Frumpies, Lisa Rose Apramian, List of Riot Grrl bands, 36-C, Girl Germs, Cold Cold Hearts, Frightwig, Yer So Sweet, Direction, Viva Knievel. Excerpt: Riot grrrl was an underground feminist punk movement based in Washington, DC, Olympia, Washington, Portland, Oregon, and the greater Pacific Northwest which existed in the early to mid-1990s, and it is oen associated with third-wave feminism (it is sometimes seen as its starting point).
    [Show full text]
  • Disidentification and Evolution Within Riot Grrrl Feminism Lilly Estenson Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2012 (R)Evolution Grrrl Style Now: Disidentification and Evolution within Riot Grrrl Feminism Lilly Estenson Scripps College Recommended Citation Estenson, Lilly, "(R)Evolution Grrrl Style Now: Disidentification and Evolution within Riot Grrrl Feminism" (2012). Scripps Senior Theses. Paper 94. http://scholarship.claremont.edu/scripps_theses/94 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. (R)EVOLUTION GRRRL STYLE NOW: DISIDENTIFICATION AND EVOLUTION WITHIN RIOT GRRRL FEMINISM by LILLY ESTENSON SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR CHRIS GUZAITIS PROFESSOR KIMBERLY DRAKE April 20, 2012 Estenson 1 Table of Contents Introduction ---------------------------------------------------------------------------------------- 2 Chapter 1: Contextualizing Riot Grrrl Feminism ---------------------------------------- 20 Chapter 2: Feminist Praxis in the Original Riot Grrrl Movement (1990-96) ------- 48 Chapter 3: Subcultural Disidentification and Contemporary Riot Grrrl Praxis --- 72 Conclusion ----------------------------------------------------------------------------------------- 97 Works Cited -------------------------------------------------------------------------------------
    [Show full text]
  • Kid Congo Powers Double Record Release Party
    KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.).
    [Show full text]
  • 'Race Riot' Within and Without 'The Grrrl One'; Ethnoracial Grrrl Zines
    The ‘Race Riot’ Within and Without ‘The Grrrl One’; Ethnoracial Grrrl Zines’ Tactical Construction of Space by Addie Shrodes A thesis presented for the B. A. degree with Honors in The Department of English University of Michigan Winter 2012 © March 19, 2012 Addie Cherice Shrodes Acknowledgements I wrote this thesis because of the help of many insightful and inspiring people and professors I have had the pleasure of working with during the past three years. To begin, I am immensely indebted to my thesis adviser, Prof. Gillian White, firstly for her belief in my somewhat-strange project and her continuous encouragement throughout the process of research and writing. My thesis has benefitted enormously from her insightful ideas and analysis of language, poetry and gender, among countless other topics. I also thank Prof. White for her patient and persistent work in reading every page I produced. I am very grateful to Prof. Sara Blair for inspiring and encouraging my interest in literature from my first Introduction to Literature class through my exploration of countercultural productions and theories of space. As my first English professor at Michigan and continual consultant, Prof. Blair suggested that I apply to the Honors program three years ago, and I began English Honors and wrote this particular thesis in a large part because of her. I owe a great deal to Prof. Jennifer Wenzel’s careful and helpful critique of my thesis drafts. I also thank her for her encouragement and humor when the thesis cohort weathered its most chilling deadlines. I am thankful to Prof. Lucy Hartley, Prof.
    [Show full text]