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The Egyptian Enlightenment and Mann, Freud, and Freund
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 1 Article 4 The Egyptian Enlightenment and Mann, Freud, and Freund Rebecca C. Dolgoy University of Oxford Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Dolgoy, Rebecca C. -
I the Sacred Act of Reading: Spirituality, Performance, And
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature By Anne Margaret Castro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2016 Nashville, Tennessee Approved: Vera Kutzinski, Ph.D. Ifeoma Nwankwo, Ph.D. Hortense Spillers, Ph.D. Marzia Milazzo, Ph.D. Victor Anderson, Ph.D. i Copyright © 2016 by Anne Margaret Castro All Rights Reserved To Annette, who taught me the steps. iii ACKNOWLEDGEMENTS I am deeply grateful for the generous mentoring I have received throughout my graduate career from my committee chairs, Vera Kutzinski and Ifeoma Nwankwo. Your support and attention to this project’s development has meant the world to me. My scholarship has been enriched by the support and insight of my committee members: Hortense Spillers, Marzia Milazzo, and Victor Anderson. I would also like to express my thanks to Kathryn Schwarz and Katie Crawford, who always treated my work as valuable. This dissertation is a testament to the encouragement and feedback I received from my colleagues in the Vanderbilt English department. Thanks to Vera Kutzinski’s generosity of time and energy, I have had the pleasure of growing through sustained scholarly engagement with Tatiana McInnis, Lucy Mensah, RJ Boutelle, Marzia Milazzo and Aubrey Porterfield. I am thankful to Ifeoma Nwankwo’s work with the Drake Fellowship, which gave me the opportunity to conduct oral history interviews with Dr. Erna Brodber and Petal Samuel, in Woodside, Jamaica. My experiences in Jamaica deeply affected the way I approach my scholarship. -
LALIBELA Ethiopia, Africa
LALIBELA Ethiopia, Africa Unesco World Heritage Site in 1978 According to oral tradition, Ethiopia was founded by Ethiopicus, the great-great- grandson of Noah. His son, named Axumai, founded the capital of Axum and a dynasty that reigned for 97 generations. His last queen, named Makeda (Queen of Sheba). She visited King Solomon in Jerusalem and returned pregnant. Her son Menelik I was the first of the Solomonic dynasty which ruled almost uninterruptedly until 1974 when Haile Selassie was deposed. Within the latter dynasty the best known king was Lalibela (1133-1173) and according to tradition, he travelled to Jerusalem just before the city fell into Muslim hands and then decided to create a new Jerusalem in Ethiopia, giving his name to this city of churches. The churches of Lalibela were built between the 7th and 13th centuries. They are carved from single blocks of red basaltic rock, without bricks, wood or mortar. Chisels, axes and shovels were used to carve into the porous volcanic surface. There are 4 free-standing churches and the others are attached to the rock. The churches were linked by passages and over time a multitude of hollows and caves were cut into the rock around the temples. These cavities were used as tombs (bones can still be seen) and as dwellings for hermits. Why were the churches built "underground"? • Where Lalibela is, there is no stone or wood to build with, there is only the rock where the churches were excavated. • The temples were hidden from the eyes of the Arabs, who were harassing Ethiopia at the time. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title One Law for Us All: A History of Social Cohesion through Shared Legal Tradition Among the Abrahamic Faiths in Ethiopia Permalink https://escholarship.org/uc/item/5qn8t4jf Author Spielman, David Benjamin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles One Law For Us All: A History of Social Cohesion through Shared Legal Tradition Among the Abrahamic Faiths in Ethiopia A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African Studies by David Benjamin Spielman 2015 ABSTRACT OF THE THESIS One Law For Us All: A History of Social Cohesion through Shared Legal Tradition Among the Abrahamic Faiths in Ethiopia by David Benjamin Spielman Master of Arts in African Studies University of California, Los Angeles, 2015 Professor Ghislaine E. Lydon, Chair This thesis historically traces the development and interactions of Christianity, Judaism, and Islam in Ethiopia. This analysis of the interactions between the Abrahamic faiths is primarily concerned with identifying notable periods of social cohesion in an effort to contest mainstream narratives that often pit the three against each other. This task is undertaken by incorporating a comparative analysis of the Ethiopian Christian code, the Fetha Nagast (Law of Kings), with Islamic and Judaic legal traditions. Identifying the common threads weaved throughout the Abrahamic legal traditions demonstrates how the historical development and periods of social cohesion in Ethiopia were facilitated. ii The thesis of David Benjamin Spielman is approved. Allen F. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
O. Lake the Many Voices of Rastafarian Women
O. Lake The many voices of Rastafarian women : sexual subordination in the midst of liberation Author calls it ironic that although Rasta men emphasize freedom, their relationship to Rasta women is characterized by a posture and a rhetoric of dominance. She analyses the religious thought and institutions that reflect differential access to material and cultural resources among Rastafarians. Based on the theory that male physical power and the cultural institutions created by men set the stage for male domination over women. In: New West Indian Guide/ Nieuwe West-Indische Gids 68 (1994), no: 3/4, Leiden, 235-257 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/01/2021 06:46:12PM via free access OBIAGELE LAKE THE MANY VOICES OF RASTAFARIAN WOMEN: SEXUAL SUBORDINATION IN THE MIDST OF LIBERATION Jamaican Rastafarians emerged in response to the exploitation and oppres- sion of people of African descent in the New World. Ironically, although Rasta men have consistently demanded freedom from neo-colonialist forces, their relationship to Rastafarian women is characterized by a pos- ture and a rhetoric of dominance. This discussion of Rastafarian male/ female relations is significant in so far as it contributes to the larger "biology as destiny" discourse (Rosaldo & Lamphere 1974; Reiter 1975; Etienne & Leacock 1980; Moore 1988). While some scholars claim that male dom- ination in indigenous and diaspora African societies results from Ëuropean influence (Steady 1981:7-44; Hansen 1992), others (Ortner 1974; Rubin 1975; Brittan 1989) claim that male physical power and the cultural institu- tions created by men, set the stage for male domination over women in all societies. -
Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2020 Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health Jake Wumkes University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the African Studies Commons, Other Languages, Societies, and Cultures Commons, and the Religion Commons Scholar Commons Citation Wumkes, Jake, "Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8311 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Mystic Medicine: Afro-Jamaican Religio-Cultural Epistemology and the Decolonization of Health by Jake Wumkes A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Latin American, Caribbean, and Latino Studies Department of School of Interdisciplinary Global Studies College of Arts & Sciences University of South Florida Major Professor: Bernd Reiter, Ph.D. Tori Lockler, Ph.D. Omotayo Jolaosho, Ph.D. Date of Approval: February 27, 2020 Keywords: Healing, Rastafari, Coloniality, Caribbean, Holism, Collectivism Copyright © 2020, Jake Wumkes Table of Contents Abstract ........................................................................................................................... -
The Development of Baptist Thought in the Jamaican Context
THE DEVELOPMENT OF BAPTIST THOUGHT IN THE JAMAICAN CONTEXT A Case Study by MICHAEL OLIVER FISHER Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (Theology) Acadia University Spring Convocation 2010 © by MICHAEL OLIVER FISHER, 2010. CONTENTS ACKNOWLEDGMENTS………………………………………………...................................…………… vi LIST OF ABBREVIATIONS…………………………………………………………….………………..…. vii ABSTRACT……………………………………………………………………………………………….…...… viii INTRODUCTION……………………………………………………………………………....……………..... 1 CHAPTERS: 1. BAPTIST LIFE AND THOUGHT AS CONTEXT…………………………………………... 5 1.1 The Polygenetic Nature of Baptist Origins……………….…………… 7 1.2 A Genetic History of Baptist Thought…………………………………… 13 1.3 General Patterns in Baptist Thought…………………………….…….... 25 1.4 Relevant Themes in Baptist Life and Thought……......………...…... 34 2. THE HISTORY OF BAPTISTS IN JAMAICA………………….…………………………....... 41 2.1 A Chronological History of Jamaica………………..…………..………… 42 2.2 An Introduction to the Baptist Mission……....……………….………… 51 2.2.1 American Influences…………………..…………………………….. 53 2.2.2 British Influences……………………...……………………………… 59 2.3 The Development of the Baptist Mission in Jamaica...………….…. 72 3. FOUNDATIONS OF AFRO‐CHRISTIAN THOUGHT IN JAMAICA……………….… 91 3.1 Bases of Jamaican Religious Thought………………………...………..... 93 3.1.1 African Religious Traditions……………………………...….…… 94 3.1.2 Missiological Religious Thought…………………………….…... 101 3.2 The Great Revival and the Rise of Afro‐Christian Theology......... 118 3.3 Features of Jamaica Religious -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
The Rastafarian Movement in Jamaica Bachelor’S Diploma Thesis
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce Michal Šilberský Michal 2010 Michal Šilberský 20 10 10 Hřbet Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Michal Šilberský The Rastafarian Movement in Jamaica Bachelor’s Diploma Thesis Supervisor: Mgr. Martina Horáková, Ph. D. 2010 - 2 - I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature - 3 - I would like to thank my supervisor Mgr. Martina Horáková, Ph.D. for her helpful advice and the time devoted to my thesis. - 4 - Table of Contents 1. Introduction 6 2. History of Jamaica 8 3. The Rastafarian Movement 13 3.1. Origins 13 3.2. The Beginnings of the Rastafarian Movement 22 3.3. The Rastafarians 25 3.3.1. Dreadlocks 26 3.3.2. I-tal 27 3.3.3. Ganja 28 3.3.4. Dread Talk 29 3.3.5. Ethiopianism 30 3.3.6. Music 32 3.4. The Rastafarian Movement after Pinnacle 35 4. The Influence of the Rastafarian Movement on Jamaica 38 4.1. Tourism 38 4.2. Cinema 41 5. Conclusion 44 6. Bibliography 45 7. English Resumé 48 8. Czech Resumé 49 - 5 - 1. Introduction Jamaica has a rich history of resistance towards the European colonization. What started with black African slave uprisings at the end of the 17th century has persisted till 20th century in a form of the Rastafarian movement. This thesis deals with the Rastafarian movement from its beginnings, to its most violent period, to the inclusion of its members within the society and shows, how this movement was perceived during the different phases of its growth, from derelicts and castaways to cultural bearers. -
Pablo Moses Ft Harrison 'Groundation' Stafford
PABLO MOSES FT HARRISON 'GROUNDATION' STAFFORD « The Itinuation (single) » : 10.03.2017 Premier extrait du nouvel album The Itinuation (Mai 2017) http://pablomosesmusic.com/ https://www.facebook.com/pablo.moses1?fref=ts ROOTS REGGAE THE ITINUATION est le premier single extrait du TRACKLISTING nouvel album de Pablo Moses "The Itinuation" dont0 la sortie est prévue pour Mai 2017. Réalisé par THE ITINUATION - Single #1 Harrison Stafford, le leader/chanteur de 1er extrait de l'album The Itinuation Groundation a mis tout son savoir-faire et son Sortie confirmée Mai 2017 talent au service de Pablo Moses. 01 - The Itinuation Le résultat : du grand Pablo Moses ou le résultat est à Ft Harrison 'Groundation' Stafford la hauteur de cette rencontre au sommet. Enregistré au ISRC : FR-P29-17-0115-0 légendaire Studio Mixing Lab à Kingston avec la Album credits Produced by Pablo Moses and Harrison Stafford crème des musiciens jamaïcains, parmi lesquels Recorded at Mixing Lab - Kingston, Jamaica by Danny « Axeman » Thompson à la basse, Dalton Hasani “Snysh” Williams Executive Producer Cyril Dohar for Songs of Browne aux guitares, Desi Jones à la batterie, le Grounded music regretté Nambo Robinson au trombone, Robbie Lynn au piano et bien d'autres légendes qui ont fait l'Histoire de la musique jamaïcaine. La sortie de cet album sera r suivie d’une grande tournée européenne. Casting Album "The Itinuation" CLIP "The Intinuation Ft Harrison Stafford" à venir Pablo Moses - lead vocals TEASER disponible : https://youtu.be/JLT86IUn658 Desi Jones - drums Danny “Axeman” Thompson - bass Dalton Browne - guitar Robbie Lyn - piano, organ, synth Harry T - Nyabinghi drums Hector “Roots Percussionist” Lewis - percussion Dean Fraser - sax (alto & tenor) Dwight Richards - trumpet Ronald “Nambo” Robinson - trombone Sherida Sharpe - harmony vocals Roslyn Williams - harmony vocals Nicole Nikki Burt - harmony vocals Pablo Moses © N'Krumah Lawson Daku (Jamaica 2017) NOUVEL ALBUM - THE ITINUATION CO-PRODUIT PAR HARRISON 'GROUNDATION' STAFFORD SORTIE MONDIALE : FIN MAI 2017 .