Bulletin – July / August 2014

Total Page:16

File Type:pdf, Size:1020Kb

Bulletin – July / August 2014 Tammuz / Av / Elul 5774 Vol. 24. No. 6 July / August 2014 Website: www.agudasisrael.org THE BULLETIN Congregation Agudas Israel 715 McKinnon Ave, Saskatoon S7H 2G2 (306) 343-7023 Fax: (306) 343-1244 Rabbi Claudio Jodorkovsky President: Marsha Scharfstein The 2014 Yom Hashoah Holocaust Memorial Program by Heather Fenyes This year’s Holocaust program was another remarkable example of the huge impact Con- gregation Agudas Israel affects well beyond our building to the general Saskatoon com- munity. This year’s guest speaker, Robbie Waisman is a former Saskatonian who has shared his story twice before. As one of the “boys of Buchenwald”, his message remains resonant. Robbie spoke to over two thousand high school students from Saskatoon and rural communities. Students lined up to hug and thank him for the impact of his message. An- other four hundred were moved and inspired at our Sunday Holocaust Memorial service. This year we were joined by Elias Luf, Director of Missions, Embassy of Israel. During these days of teaching, honouring L-R: Mayor Don Atchison, Elias Luf, Yuval and Danielle and remembering, we were invited to fly continued on page 8 CAI and B’nai Brith Joe Rosenberg Sponsor Theatre in the Memorial Golf Park 2014 Thanks to the continued support of Congre- gation Agudas Israel and B’nai Brith Lodge, Tournament and after a hugely successful first season, Sunday, August 24th Sum Theatre returns to public parks across Saskatoon this summer! Golf 1:30 Riverside Golf and Theatre in the Park 2014 will feature an original FREE family-friendly professional Country Club production of First tee time 1:30 pm The Pied Piper. Cocktails and Dinner: 6:30 pm You are invited to a special preview Adults - $40 performance in Children 13 and under $10 5 and under - free Rauol Wallenberg Park, RSVP Steven Goluboff rd at [email protected] Thursday July 3 at 7pm. Please see sumtheatre.com for the full public performance schedule. This page is sponsored by Gladys Rose of Toronto Deadline for the next Bulletin is August 10, 2014 Young Jewish Adults Group (YAD) by Willow Allen From June Shabbat services, it is our responsibility to be I hope this retreat is something we can 6-8th, 2014, mem- active in shaping the future of the community, continue to do in years to come. bers of the Young a fundamental part of which is spending time Jewish Adults together. Willow Allen and her family recently joined Group (YAD) On behalf of the group, I would like to Congregation Agudas Israel after relocat- and our children thank the Jewish community and the Ma’alot ing to Saskatoon from Vancouver one year were privileged to Grant Program for their support in making ago. She is a doctoral student and graduate spend an amaz- this weekend possible. I would also like researcher in anti-racism and anti-colonial ing weekend at the to sincerely thank the Shlichim, Yuval and pedagogies, and Aboriginal education. gorgeous Shekinah Daniella, and all those who assisted, for all Retreat Centre. their hard work organizing and actualizing The program for the retreat had a variety the programming. of activities, which included some bonding fun, the “Molecule game” and “Pitkeyot”, and plenty of active outdoor fun: hiking, zip lining, and soccer. Moreover, we enjoyed Shabbat morning services outside on the pristine Shekinah Retreat grounds, and heard a very informa- tive talk on “Kosher Sex” by Rabbi Claudio. “Unplugging” for the weekend in a natural environment was a wonderful opportunity for YAD members and their families to get to know one another better. This kind of un- disruptive time away from daily life can act to strengthen relationships, which in turn can ultimately help to create a stronger Jewish community. As Rabbi Claudio said during This page is sponsored by Dr. Syd z'l & Miriam z’l Gelmon of Vancouver 2 Editorial – Words From Israel by Steven Goluboff I am writing this sum- of landing Patsy took me to the Moadonit for the future. But mer editorial from the project in her small town, outside of Tel Aviv, as important as it home of my good friends Ness Tziona. As some of you may recall, is to work with Patty and Micha Puter- Saskatoon United Israel Appeal decided to the children, there man. Patty made Ali- provide some much focused support to this is an expectation yah almost 50 years ago project. Recognizing how there are challenges that the parents Lior and Steven and has made Israel her to ensuring that our donors find relevance are also involved home and has raised three children here. On and importance in our campaign, we felt it in the process allowing them to gain skills my arrival on June 19th, I was picked up at appropriate to place some of our dollars in a and mature in a challenging and demanding the airport by Patsy (Buckwold) Landa and so project we could become close to, particularly environment. As always, in Israel or in Canada began my first visit to Israel since 2008 when when we have someone on the ground actively there are never enough financial or human I spent a wonderful mission with many of our participating such as Patsy who grew up in resources to do the work needed. Our small own congregants and other friends. Patsy and Saskatoon. I was able to witness the tangible campaign, in addition to funding the Shlichim her husband Benny have also been in Israel work that is done with about 100 disadvan- program is truly making a difference for 100 for decades and they also raised three children taged children each year, children who come children in Ness Tziona. here. Patsy and Benny have been involved in from single parent homes, poverty, and social On my second day, I had the pleasure of many philanthropic activities, one of which is chaos. This is an after school program where reuniting with Lior Bachar, who holds down especially dear to Patsy’s heart. Within hours the children are fed and our Tel Aviv desk in Israel. taught basic life skills. Ran, Rachelli, Shira Lior, like all of our Shli- and Tamar With some of the Watching them indulge chim have brought to us Moadonit children in their activities, be that in Saskatoon, a more ac- computer work, art or curate sense of what it is to singing, I could see the be an Israeli and live in an importance of providing extremely complicated part them with an opportu- of the world. Israeli society nity to increase their self- represents a myriad of Jew- esteem and give them a ish and political life, from glimmer of opportunity continued on page 15 FROM OUR CONGREGATIONAL FAMILY The Mission Statement of Congregation Agudas Israel Congregation Agudas Israel is a spiritual, religious, educational and social home committed to deepening the quality of Jewish life in Saskatoon and district. We are an evolving link in the historical traditions of the Jewish people. We are a progressive, democratic and sensitive congregation responding to the widest spectrum of Jewish thought and practice. Written at the 2002 Kallah by the members of Congregation Agudas Israel MAZEL TOV TO: partner Cormac McGettigan and son THANK YOU, SHALOM Noah Fenyes, son of Heather and Les Sean, who have recently moved back from AND YASHER KOACH to: Fenyes, upon being accepted into the Edmonton. Daniella and Yuval who are completing College of Law at Queen’s University. Lauren Scharfstein on being accepted into their year in Saskatoon and returning to Eli Fenyes, son of Heather and Les upon his U of S Law School. Israel graduation from Grade 12 and acceptance at Andrea Scharfstein who graduated from the University of Western Ontario U of S Education. Andrea has moved to GET WELL WISHES TO: Daniel Katzman, son of Susan and David Vancouver. David Kaplan, Elaine Sharfe Katzman upon his convocation from the Happy birthday to Grant Scharfstein who U of S with a BA in Business Economics will be 60 on July 21!! (with Distinction) and Computer Science. Dr. David Kaplan on the birth of a great Abby Holtslander, daughter of Franci granddaughter, Michal, a daughter of THE BULLETIN Editor-in-Chief ....................................Steven Goluboff and Gordon Holtslander for accepting the Jonathan and Yael Kaplan in Jerusalem. Youth Editor .................................... Abbey Holtslander George & Marsha Ivany-President’s First Happy 40th Birthday to Rabbi Claudio. Advertising Manager ....................................Ron Gitlin and Best Scholarship for the University of Circulation Manager ...............................Myla Deptuch Layout & Graphic Design .........................Janet Eklund Saskatchewan valued at $24,000, as well as CONDOLENCES TO: Proof Reading ...................................... Bruce Cameron earning a Guaranteed Entrance Scholarship. Errol Berenbaum and family on the Cost of this issue with mailing .............................$1200 Abby Holtslander and Evan Hardy’s death of his mother, Esther (Pickarsky) Advertisements .............................................. $30/issue Page Sponsorship ...................... $25/issue or $130/year Synchrotron Club for placing 2nd in the Berenbaum in Vancouver. Issues Published .......................................................144 National Science Poster Competition for the Shannon Waldman and family on the death Issues/Year ...................................................................6 of her brother Collin James Chamberlain If you are happy with the Bulletin and enjoy reading it, please Students on the Beamlines Program for the consider sponsoring a page ($25/issue or $130/year). Contact Canadian Light Source. who passed away on June 6, 2014. Steven Goluboff or Ron Gitlin. Jennifer Scharfstein on her engagement to The family of Grace Goluboff who passed E-Mail Address: [email protected], [email protected], [email protected] Sa’ar Glazer. They are living in Israel. away on June 22nd, 2014 at the age of 92. website: http://agudasisrael.org Welcome home to Becky Scharfstein, her Obituary will appear in the next Bulletin.
Recommended publications
  • Gallery Shop | Ground Floor
    Exhibitions / Collections / Studio / Art Library / Shop / Families /Events /ArtExhibitions /Collections /Studio Library /Shop /Families The NewArtGalleryWalsall What's on: June — September 2016 www.thenewartgallerywalsall.org.uk Find us on Facebook Instagram Twitter @newartgallery Cover Image ~ Frank Bowling, Where is Lucienne?, 1971, acrylic on canvas, 308 x 337 cm. Courtesy of the artist and Hales Gallery, London, New York Welcome To The New Art Gallery Walsall Designed by Caruso St John architects The New Art Gallery Walsall opened in February 2000 in the heart of Walsall town centre. Our renowned Garman Ryan Collection was gifted to the Borough in 1973 by Kathleen Garman, widow of the great 20th century sculptor Jacob Epstein. Kathleen was originally from nearby Wednesbury, and although she had spent much of her life in London, wanted to give something back to the Black Country where she had grown up. The Collection includes 365 important works by celebrated artists including Epstein, Van Gogh, Monet, Constable, Picasso, Degas, Matisse and Lucian Freud, alongside a wide range of artworks from across the world. Our Permanent Collection, formed in 1892, has over 3000 works, from Victorian genre paintings to contemporary installations. The changing exhibition programmes focus on the very best in international contemporary art and our Artists’ Studio and Artist Development programmes support artists from across the region. Our education and events programme provides a broad cultural experience for everyone. Exhibition Gallery Roof Terrace Meeting Room Exhibition Galleries Collection Galleries Artists' Studio Collection Galleries Activity Room Art Library / Activity Room The Family Shop Costa Gallery Reception CONTEMPORARY EXHIBITIONS | FLOOR 3 Tania Kovats, All the Sea, 2012 – ongoing, seawater, glass, cork, oak, (365 bottles), 600 x 278.5 cm.
    [Show full text]
  • Modigliani Large Print Guide Room 1–11
    MODIGLIANI 23 November 2017 – 2 April 2018 LARGE PRINT GUIDE Please return to exhibition entrance RO OM 1–11 CONTENTS Room 1 4 Room 2 7 Room 3 18 Room 4 28 Room 5 36 Room 6 43 Room 7 53 Room 8 68 Room 9 77 Room 10 85 Room 11 91 Find Out More 100 5 6 4 7 3 8 2 9 1 10 10 11 Let us know what you think #Modigliani 3 ROOM 1 4 Open To Change When Amedeo Modigliani (1884–1920) decided to leave Italy to develop his career as an artist, there was only one place to go. In 1906, at the age of 21, he moved to Paris. Many factors shaped his decision. Born in the port city of Livorno, he belonged to an educated family of Sephardic Jews (descended from Spain and Portugal), who encouraged his ambition and exposed him to languages and literature. He had seen great Renaissance art and had trained as a painter. But Paris offered excitement. Paris offered variety. There he would encounter ways of thinking, seeing and behaving that challenged and shaped his work. This exhibition opens with a self-portrait, painted around 1915, in which Modigliani presents himself as the tragic clown Pierrot. His contemporaries would have recognised the reference instantly as, at the time, the figure appeared in countless pictures, plays and films. A young person shaping their identity could relate to Pierrot, a stock character open to interpretation, linked to the past and looking towards the future. Pierrot could be comedic, melancholy or romantic, played by any actor or painted by any artist.
    [Show full text]
  • Newsletter 147
    ______________________________________________________________________ LOUGHTON & DISTRICT HISTORICAL SOCIETY NEWSLETTER 147 MARCH/APRIL 2001 Price 20p, free to members ______________________________________________________________________ The Historian – 1 William Chapman Waller 1850–1917: Loughton’s historian Richard Morris has written a biography of William Chapman Waller which has just been published by the Society and Mr Morris has contributed the following article, based on his research, which is the second of the series. Waller was very much involved locally with St John’s Church, the Lopping Hall Endowment and other charities. However, his interest in the history of Loughton is what he is most remembered for. Through his connection with the church he started in 1889 to contribute to the local Parish Magazine articles on the history of Loughton and this continued through to 1900. In those days there was only one Parish Magazine covering both St John’s and St Mary’s. William Waller attended St John’s and there is a memorial to him and his son Geoffrey under a window in the north transept. He also donated the lych gate to the church in memory of his daughter Vera. A small housing development built in the early 1980s on what was part of the grounds of Ash Green is called Waller’s Hoppett. William Waller’s interest in history started at the time of his education when in July 1871 he was awarded a prize for “modern history” by the Department of General Literature and Science at King’s College London. In 1887 Waller applied to the College of Arms for a Grant of Arms for himself and his sister Jane Elizabeth.
    [Show full text]
  • Darren Banks the Raven
    The New Art Gallery Walsall February to May 2015 February to May Photo ©Tate, London, 2014 London, ©Tate, Photo ~ Image Cover Ellen Gallagher, Ellen Gallagher, Design by Stereographic Design by DeLuxe, 2004-5 DeLuxe, (detail) What’s On February — May 2015 Exhibitions – FOUND – Sikander Pervez – Small Worlds – Siân Macfarlane: We Are Illuminated – St Ives Artists: from The Clive Beardsmore Gift – Darren Banks: The Raven – The Clive Beardsmore Gift Visit our website: thenewartgallerywalsall.org.uk Join the blog, Facebook us or just follow on Twitter @newartgallery Small Worlds is supported by: Sikander Pervez and artist development supported by: Events supported by: The gallery is accredited by: 2014, Ink on newspaper Ink 2014, Old NewsOld (foam), Elizabeth Rowe, the artist Courtesy Artists' Studio Coming Soon... Elizabeth Rowe Group Occupation III Until 5 April 2015 Floor 1 5 May — 8 September 2015 Elizabeth Rowe’s collages bring together disparate Eastside Projects’ Extra Special found images sourced from women’s magazines, People (ESP) programme and National Geographic volumes, and old books in her The New Art Gallery Walsall are own collection. The various collage components teaming up for a third time to are assembled and reassembled incrementally, host Group Occupation, a series before being applied directly to a surface. of three short interconnecting residencies involving nine artists. Following a period of experimentation in the Artists’ Studio, Elizabeth's residency will culminate in the creation of a new temporary work for the Garman Ryan hall, beginning in February 2015. The gallery will remain open throughout, providing a rare insight into the artist’s working practice.
    [Show full text]
  • ASSOCIATION of ART HISTORIANS Registered Charity No
    February 1994 BULLETIN ASSOCIATION OF ART HISTORIANS Registered Charity No. 282579 Editor: Jannet King, 48 Stafford Road, Brighton BNI 5PF For information on advertising & membership: Kate Woodhead, Dog and Partridge House, Bxley, Cheshire CWW 9NJ Tel: 0606 835517 Fax: 0606 834799 CHAIR'S REPORT During the autumn the Officers and the put more pressure on Vice-Chancellors for potential sponsors to the Director of Executive Committee of the Association and on the Funding Council itself to have Publicity and Administration. have taken up a number of issues of interest the system amended. Benefactors - Change your terms of to the membership. membership to become a Benefactor. Art History Departments' E-Mail We have also received the excellent Art History Teaching in Scottish Network news that the Association will no longer be Universities The Association wishes to establish an E- charged VAT on subscriptions and other The Scottish Higher Education Funding Mail network to keep colleagues working business. This will save us substantial Council is about to embark upon a Quality in Art History departments across the amounts every year. Many congratulations Assessment Programme for Humanities country more closely in touch with one and thanks to Peter Crocker for his patient subjects in the academic year 1995-96. another. E-mail addresses to the Chair negotiations with HM Customs & Excise. The Association has written to the Director please. 1994 Bookfair: It is vital to the of Teaching and Learning making a case Association's finances that this event is a for Art History to be assessed separately Review of the Academic Year success.
    [Show full text]
  • On Collecting (Part One) • Prints and Posters in the Fin
    US $25 The Global Journal of Prints and Ideas May – June 2017 Volume 7, Number 1 On Collecting (Part One) • Prints and Posters in the Fin de Siècle • An Artist Collects • eBay as Archive Norman Ackroyd • Collecting for the Common Good • Hercules Segers • Prix de Print • Directory 2017 • News Art_in_Print_8.25x10.75_ExpoChicago 4/24/17 12:55 PM Page 1 13–17 SEPTEMBER 2017 CHICAGO | NAVY PIER Presenting Sponsor Opening EXPO ART WEEK by Lincoln Schatz Lincoln by Series Lake (Lake Michigan) (Lake Off-site Exhibition 16 Sept – 7 Jan 2018 12 Sept – 29 Oct 2017 expochicago.com May – June 2017 In This Issue Volume 7, Number 1 Editor-in-Chief Susan Tallman 2 Susan Tallman On Collecting (Part One) Associate Publisher Fleur Roos Rosa de Carvalho 3 Julie Bernatz Interviewed by Catherine Bindman Small Apartments and Big Dreams: Managing Editor Print Collecting in the Fin de Siècle Isabella Kendrick Jillian Kruse 7 Associate Editor Postermania: Advertising, Domesticated Julie Warchol Brian D. Cohen 11 An Artist Collects Manuscript Editor Prudence Crowther Jennifer S. Pride 14 Secrets of the Real Thing: Building a Editor-at-Large Collection as a Graduate Student Catherine Bindman Kay Wilson and Lesley Wright 18 Design Director Speak with Sarah Kirk Hanley Skip Langer To Serve the Common Good: The Grinnell College Art Collection Roslyn Bakst Goldman and 24 John L. Goldman A Socially Acceptable Form of Addiction Kit Smyth Basquin 26 Collecting a Life Patricia Emison 28 Norman Ackroyd’s Collectors Stephen Snoddy Speaks 32 with Harry Laughland Collecting in the Midlands: the New Art Gallery Walsall Prix de Print, No.
    [Show full text]
  • The New Art Gallery
    The New Art Gallery Customer Service Standards Publication date Oct 2008 Version 2.0 Created by The New Art Gallery The new Art Gallery Customer service standard Page 1 of 7 A. What does the The New Art Gallery service do? We provide the West Midlands a high quality cultural and educational service and a focus for civic pride and community identity. A gallery of outstanding excellence, our artistic programming, presentation, development and interpretation of collections are a model of how art galleries can contribute meaningfully to 21 st century culture. B. What can our customers expect from The New Art Gallery service? These are our Customer care values. We will: 1. Manage your request promptly 2. Provide good quality services 3. Be helpful, fair, honest, professional, courteous and consistent 4. Provide the relevant information that you need 5. Take ownership of your query 6. Be realistic in what we say we can do, or can’t 7. Treat your personal information as confidential and keep it secure 8. Listen to your comments ~ and learn from them. 9. To have all gallery information provided in a clear and concise format that I can understand/interpret. 10. Excellent customer service 11. Quality exhibitions and interpretation 12. Educational value 13. Community satisfaction 14. To be creative in our approach to all our work 15. To support and nurture artists in every aspect of their work 16. To work with audiences and artists together 17. To explore that which can be innovative and challenging 18. To be inclusive and welcoming in everything we do 19.
    [Show full text]
  • Epstein's Rock Drill L Transformed by War
    Between 1909 and 1916, Rock Drill is no exception. Not only excluded from his oeuvre. In 1940, moving in the opposite direction. has been praised as representing Jacob Epstein (1880-1959) does the head of the drill appear remembering the devastation of This has had an impact on his legacy. ‘a dramatic, revolutionary moment created his most radical as a powerful phallic symbol; the First World War in the context After his death in 1959, Epstein’s when sculpture in Britain first work. His early, naturalistic the driller’s ribcage contains of the Second World War, Epstein contribution to modern British became uncompromisingly modern’ sculptures and drawings an unexpected foetal form. described Rock Drill as ‘the armed sculpture was overshadowed by (Richard Cork, 2009). Whilst there is gave way to a more abstract, Its presence is ambiguous – is sinister figure of to-day and to- more abstract sculptors such as truth in this - Rock Drill is undeniably geometric and modern style Epstein suggesting that the new morrow. No humanity, only the Henry Moore (1898-1986) and revolutionary and hugely important which culminated in Rock machine-age will bring with it a terrible Frankenstein’s monster Barbara Hepworth (1903-1975). - it is interesting to reflect whether Drill (c.1913), his most daring renaissance, or, is he questioning we have made ourselves into.’ Interestingly, in 1973, an article a sculpture that was destroyed by avant-garde sculpture. whether the vulnerable organic in The Times proposed that ‘if its maker and reconstructed almost Part of the reason for the form will mature into a robot as Two of Epstein’s close friends someone were to reconstruct 60 years later should be considered stylistic shift in Epstein’s dehumanised as the driller himself? were killed during the war.
    [Show full text]
  • Archive Trail B
    Can you follow this trail to piece together The Epstein-Garman Family Tree the Garman Epsteintree? family Margaret Dunlop (Peggy) b. 1873 - d. 1947 Married 1906 Informally adopted = Peggy Jean & Jackie Epstein Jacob Epstein b. 1880 - d. 1959 Married 1955 An = Kathleen Garman Theodore Garman b. 1901 - d. 1979 b. 1924 - d. 1954 archivist’s job is Esther Garman about finding or being b. 1929 - d. 1954 Archive Trail given historical information Kitty Garman Married 1948 ? Divorced 1954 and artefacts and objects. From b. 1926 = these, they work out who might Jacob Epstein Lucian Freud b. 1880 - d. 1959 b. 1922 have owned them, used them, Not married Anne Freud An or loved them. Or is there b. 1948 another relationship to Meum Lindsell Stewart these objects? Annabel Freud b. 1897 - d. 1957 archivist b. 1948 Peggy Jean Epstein Jacob Epstein investigates b. 1918 b. 1880 - d. 1959 Not married the ephemeraof life. Isabel Nicholas b. 1912 - d. 1992 Jackie Epstein b. 1934 - d. 2009 ? Archive Trail Floor 1 Animals & Birds : Meet Frisky This sculpture of Frisky is called ‘Lost’. The letter on display − Design a reward poster for Frisky. in the cupboards below the sculpture says Frisky went missing and a reward was offered for his safe return. − Who let us know that Frisky was found again? Archive Trail Floor 1 Main Hall : Meet Kathleen Below the sculpture is a letter that was sent to Kathleen. − Can you copy the address on the envelope here? − Can you find when this sculpture of Kathleen was made? − Who was the artist? − How has the letter been signed off? Archive Trail Floor 1 Landscapes room : Meet Theo Look in the cupboard on the wall.
    [Show full text]
  • A Study of Roy Campbell As a South African Modernist Poet
    A Study of Roy Campbell as a South African modernist poet Alannah Birch Dissertation submitted in partial fulfilment of the degree of D.Litt University of the Western Cape May 2013 Supervisor: Prof. A.N. Parr Abstract Roy Campbell was once a key figure in the South African literary canon. In recent years, his poetry has faded from view and only intermittent studies of his work have appeared. However, as the canon of South African literature is redefined, I argue it is fruitful to consider Campbell and his work in a different light. This thesis aims to re-read both the legend of the literary personality of Roy Campbell, and his prose and poetry written during the period of “high” modernism in England (the 1920s and 1930s), more closely in relation to modernist concerns about language, meaning, selfhood and community. It argues that his notorious, purportedly colonial, “hypermasculine” personae, and his poetic and personal explorations of “selfhood”, offer him a point of reference in a rapidly changing literary and social environment. Campbell lived between South Africa and England, and later Provence and Spain, and this displacement resonated with the modernist theme of “exile” as a necessary condition for the artist. I will suggest that, like the Oxford dandies whom he befriended, Campbell’s masculinist self-styling was a reaction against a particular set of patriarchal traditions, both English and colonial South African, to which he was the putative heir. His poetry reflects his interest in the theme of the “outsider” as belonging to a certain masculinist literary “tradition”. But he also transforms this theme in accordance with a “modernist” sensibility.
    [Show full text]
  • RAOOF HAGHIGHI True to Life, True to Art
    #29 INTERIOR DESIGN TRENDS From Alys Bryan RAOOF HAGHIGHI True to Life, True to Art Lyn Hall’s FRAMING CHOICES Masterclass brought to you by INTRODUCTION Welcome to issue 29 of 4walls. This quarter in 4walls. Alys gives a very visual overview of our cover story features Raoof Haghighi who her thoughts and observations on pages promises great things for the future. Read all 6 and 7. about this fascinating artist on pages 16 and 17. Our Masterclass from Lyn Hall looks at how On pages 4 and 5, we review a talented Indian the choice of framing influences artwork artist called Varsha Patra, who was crowned on pages 25, 26 and 27 – the spectrum of Best in Show at Index 2018. She was chosen different effects is truly amazing! from a field of more than 60 artists who We also showcase a number of stunning were exhibiting as part of the show’s Artists artists and photographers, alongside other Avenue. I felt very privileged to be part of regular features. In fact, we have so much to the judging panel and was totally bowled over tell you about that we have gone to 28 pages! by her monochrome works of black ink and Do let us know what you think of the issue pencil on white paper. on email, by phone or connect with us on [SAND CLOCK] Furniture designer Alys Bryan presented her social media. Raoof Haghighi thoughts on trends to the Arqadia team in Bedford recently and we were so impressed with her insight that we wanted to share it Pauline Pauline Hutchinson, Editor [email protected] 4walls by Arqadia @4wallsbyArqadia @4wallsbyarqadia INTERIOR DESIGN TRENDS From Alys Bryan 6 RAOOF HAGHIGHI True to Life, True to Art 16 VARSHA PATRA LYN HALL’S FRAMING Best in Show at Index 2018 MASTERCLASS 4 25 ALSO inside: 03.
    [Show full text]
  • Tate Report 2002–2004
    TATE REPORT 2002–2004 Tate Report 2002–2004 Introduction 1 Collection 6 Galleries & Online 227 Exhibitions 245 Learning 291 Business & Funding 295 Publishing & Research 309 People 359 TATE REPORT 2002–2004 1 Introduction Trustees’ Foreword 2 Director’s Introduction 4 TATE REPORT 2002–2004 2 Trustees’ Foreword • Following the opening of Tate Modern and Tate Britain in 2000, Tate has consolidated and built on this unique achieve- ment, presenting the Collection and exhibitions to large and new audiences. As well as adjusting to unprecedented change, we continue to develop and innovate, as a group of four gal- leries linked together within a single organisation. • One exciting area of growth has been Tate Online – tate.org.uk. Now the UK’s most popular art website, it has won two BAFTAs for online content and for innovation over the last two years. In a move that reflects this development, the full Tate Biennial Report is this year published online at tate.org.uk/tatereport. This printed publication presents a summary of a remarkable two years. • A highlight of the last biennium was the launch of the new Tate Boat in May 2003. Shuttling visitors along the Thames between Tate Britain and Tate Modern, it is a reminder of how important connections have been in defining Tate’s success. • Tate is a British institution with an international outlook, and two appointments from Europe – of Vicente Todolí as Director of Tate Modern in April 2003 and of Jan Debbaut as Director of Collection in September 2003 – are enabling us to develop our links abroad, bringing fresh perspectives to our programme.
    [Show full text]