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Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies. -
THE SLUSH FUND a Felony Organized Crime Using Taxpayer Funds and Stock Market Manipulation for Quid Pro Quo Payola and Money-Laundering
THE SLUSH FUND A Felony Organized Crime Using Taxpayer Funds And Stock Market Manipulation For Quid Pro Quo Payola And Money-Laundering 1 Draft Revision #4 – Download this document again in 30 days for updates A crime investigation provided to the public and to every federal law enforcement agency Notes: This is a Public Domain report. Protected under Non-Commercial and News Material Fair Use; Freedom-of-The-Press rights; U.S. First Amendment; SLAPP/Anti-SLAPP; UN Rights Protections; GDPR Compliance; Section 203 protections – U.S.; ACLU litigation warning; ICIJ investigations and related protections. Authored via Wikipedia and WikiLawPedia process via internet users. References and validation links are contained within the body of the document. We lost tens of millions of dollars because the White House, the Department of Energy and their tech financiers defrauded us and then put a hit-job on us for reporting this crime. State and Federal officials are still covering this up and refusing to allow our case into a jury trial. Congressional, private and federal investigators hunted every single one of the crooks and attackers down for us and we are shaming every single one of them FOREVER! 2 Table of Contents THE SLUSH FUND..................................................................................................................................1 Overview:...................................................................................................................................................5 The Whorehouse Lender............................................................................................................................6 -
November 1915) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1915 Volume 33, Number 11 (November 1915) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 33, Number 11 (November 1915)." , (1915). https://digitalcommons.gardner-webb.edu/etude/619 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE November 1915 Founded 1883 Edward Mac Dowell PRICE 15 CENTS Pressers Musical Magazine 773 THE ETUDE The Young Folks find that A MONTHLY JOURNAL FOR THE MUSICIAN, THE THE EMERSON 1 MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by James Francis Cooke Automatic Player Piano ,premiu^t^rre*,,owedfor CONTENTS NOVEMBER, 1915 furnishes good fun for impromptu entertainment or it may be used equally as well for formal dances. Music in the special tempo and with the “dancing accent’’ — the kind that must be played right—is rendered perfectly m by the Emerson Automatic. W&MSajggi A popular feature of the Emerson Automatic: it will re-roll and play over again automatically when you wish. -
Was Foucault a Plagiarist? Hip-Hop Sampling and Academic Citation Mickey Hess
Computers and Composition 23 (2006) 280–295 Was Foucault a plagiarist? Hip-hop sampling and academic citation Mickey Hess Department of English, Rider University, Lawrenceville, NJ 08648, United States Abstract This article argues that comparing academic citation and hip-hop sampling can help students become better users of sourcework. I contend that sampling and academic writing share a goal of building new work in response to existing sources and that this goal is obscured by lawsuits that reduce sampling to theft by applying to sound a copyright regulation system designed for print. Both sampling and citing seek to build new compositions by working from sources, yet academic citation systems preserve textual ownership through attribution while sampling often guards or disguises its sources. These different stances in regard to authorship and ownership belie the values shared by the two systems. © 2006 Elsevier Inc. All rights reserved. Keywords: Sampling; Hip-hop; Intellectual property; Citation; Plagiarism Sometimes I quote someone without using quotation marks or a footnote to give the name of the source. It seems like I’m just supposed to prove I’ve read this famous scholar, and I say why should I have to put quotes around it if you can’t even recognize who it comes from? The passage above seems to undermine so much of what we teach about academic writing. It is paraphrased, not from a conversation with a student, but from an interview with Michel Foucault (1980) where he described his citation practices in regard to Marx and Marxism: I often quote concepts, texts and phrases from Marx, but without feeling obliged to add the authenticating label of a footnote with a laudatory phrase to accompany the quotation. -
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena Gray Aniskiewicz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2019 Doctoral Committee: Associate Professor Benjamin Paloff, Chair Associate Professor Herbert J. Eagle Professor Charles Hiroshi Garrett Visiting Assistant Professor Jodi C. Greig, University of Wisconsin-Madison Alena Gray Aniskiewicz [email protected] ORCID iD: 0000-0002-1922-291X © Alena Gray Aniskiewicz 2019 To my parents, for everything. (Except hip-hop. For that, thank you, DH.) ii Acknowledgements To Herb Eagle, whose comments and support over the years have been invaluable. To Jodi Greig, whose reputation preceded her, but didn’t do her justice as a friend or scholar. To Charles Hiroshi Garrett, who was my introduction to musicology fourteen years ago and has been a generous reader and advisor ever since. And to Benjamin Paloff, who gave me the space to figure out what I wanted and then was there to help me figure out how to get it. I couldn’t have asked for a better committee. To my peers, who became friends along the way. To my friends, who indulged all the Poland talk. To Culture.pl, who gave me a community in Warsaw and kept Poland fun. To the Department of Slavic Languages and Literatures, the Copernicus Program in Polish Studies, the Rackham Graduate School, and the Sweetland Writing Center, whose generous funding made this dissertation possible. I’m thankful to have had you all in my corner. -
Stardigio チャンネル:466 放送日:2012/7/9~2012/7/15 開始時間:4:00~8:00~12:00~16:00~20:00~24:00~
STARdigio チャンネル:466 放送日:2012/7/9~2012/7/15 開始時間:4:00~8:00~12:00~16:00~20:00~24:00~ 楽曲タイトル ■TIGHT CREW presents DELICIOUS SOUNDS mixed by DJ SHIGEKI MAKE IT BETTER FEAT...CAPPO "P" IS STILL FREE SOUTH BRONX LIVING IN THE WORLD OF HIP HOP THE BRIDGE REAL HIP-HOP (PETE ROCK REMIX) INSTRUMENTAL THE WORLD IS YOURS DEFINITION WE RUN THINGS (IT'S LIKE DAT) CHECK THE RHIME PROPS OVER HERE HIP 2 DA GAME HANDS, IN THE AIR, MOUTH SHUT FAKIN JAX GIVE ME A LITTLE MORE TIME FEAT...O.C. ELECTRIC RELAXATION DISTORTION TO STATIC (AT EASE MICROPHONE CHECK MIX) LITTLE GHETTO BOY (J.PERIOD REMIX) FEAT...Q-TIP ■WE NOD selection:『Rhymesayersレーベル特集Pt.2』 Felt Chewed Up Take Me Home Just For Show Dirty Girl Glorious Living Slightly Larger Now Cats Van Bags Rejuvenation The Truth Neutralize Hoe Cakes Scared All I Know ■KEMURI PRODUCTIONS presents DELICIOUS SOUNDS mixed by DJ YAS [再] Jingle stunts rmx Thunder Get Dollaz (24-7) Souls Brother The Dragon Unorganised Protest You Been Shot litany#4 Lord Gnarlon ft. Down Town James Brown Subsong Bitter Sweet feat. Domonic Dean Breaux New Bombay Live From Paris (remix) The Proxy Fever Where Have They Gone Breathing Pleasure ft. Rico Perverted Undertone Edo Crossing Over Metro-No-Man's Land 光路 Serpent`s Fruit ■煙屋新八 selection:『NEW RELEASE』 [再] ROMAN HOLIDAY HELLO WORLD CARELESS WORLD Proletarian Dreams DOUBLE HELIX RIGGS & MURTAUGH GRIS TWO UP ROOFTOP STUPID HOE FAR AWAY ALL NITE El Dorado GET GOT OPEN CAN'T KEEP RUNNING IN PLACE *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。 ヒップホップ、ラップ 「番組案内 (4時間サイクル)」 演奏者名 P-BROTHERS KRS-ONE BOOGIE DOWN PRODUCTION MC SHAN MC SHAN DAS-EFX NAS BLACKSTAR DA BUSH-BABEES A TRIBE CALLED QUEST THE BEATNUTS LORD FINESSE LORD FINESSE INI GABRIELLE A TRIBE CALLED QUEST THE ROOTS THE ROOTS & JOHN LEGEND FELT BROTHER ALI Atmosphere FELT The Micranots P.O.S. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
The Sensory Environments of Civil War Prisons
University of South Carolina Scholar Commons Theses and Dissertations 2015 The eS nsory Environments of Civil War Prisons Evan A. Kutzler University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation Kutzler, E. A.(2015). The Sensory Environments of Civil War Prisons. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3572 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE SENSORY ENVIRONMENTS OF CIVIL WAR PRISONS by Evan A. Kutzler Bachelor of Arts Centre College, 2010 Master of Arts University of South Carolina, 2012 _____________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2015 Accepted by: Mark M. Smith, Major Professor Don Doyle, Committee Member Lacy K. Ford, Committee Member Stephen Berry, Committee Member Lacy K. Ford, Vice Provost and Dean of Graduate Studies © Copyright by Evan A. Kutzler, 2015 All Rights Reserved ii ACKNOWLEDGEMENTS Neither the sound of bells, nor the smell of privies, nor the feeling of lice factored into my imagined dissertation when I matriculated at the University of South Carolina in 2010. The Civil War, however, had always loomed large. As a child, my mother often took me metal detecting in the woods, fields, and streams of middle Tennessee in what became our shared hobby. An early lesson in sensory history occurred one summer in a cow pasture (with owner’s permission) along the Nashville and Decatur Railroad. -
DCR 5003 BIG TWINS the Project Kid CD
1. Man In The Mirror 2. Black Or White 3. Human Nature 4. The Way You Make Me Feel 5. Smooth Criminal 6. Billie Jean 7. Wanna Be Starting Something 8. Bad 9. Beat It 10. I Want You Back My Baby Loves... Michael Jackson is the first in a Upcoming My Baby Loves... releases include: brand new series of lullaby renditions of material made My Baby Loves... Madonna, The 80s, Motown, famous by some of the biggest stars Mom and Dad and even My Baby Loves... Hip-Hop. grew up on. Increasingly the trend is towards parents and children listening to music as a shared experience. KEY SELLING POINTS: This series will serve as a touchstone towards parents • Ten Michael Jackson favorites recorded as and their children enjoying their favorites together. soothing lullabies all while being easy on adult ears My Baby Loves... Michael Jackson features ten of The • Banner ads and awareness campaign on King Of Pop's biggest hits, including smashes from Parenting.com, Coolmompicks.com, Parents.com and Babyuniverse.com Thriller, Bad, the Jackson 5 days and more guaranteed • Reviews and write ups targeted in popular to make you wanna be startin' something at bed time. parenting publications including Parents Magazine, Family Fun Magazine and Parenting All selections are full length and orchestrated as gentle • Similar to the Rockabye Baby series lullaby versions that are satisfying for the little ones which has sold through over 200,000 to date while being easy on adult ears. ORDER CUT OFF DATE FOR THIS ITEM: JULY 28th Format: CD Cat. -
Rsxgld Rsxgld
RSXGLD RSXGLD KEY SELLING POINTS • Debut release for Detroit veterans 14KT & Ro Spit, forming RSXGLD (Pronounced Rose Gold) • 14KT has produced and collaborated with numerous artists including Roc Marciano, Danny Brown, Black Milk, Bun B, eLZhi, Oddisee, Skyzoo, Jay Electronica & Mayer Hawthorne • Ro Spit has amassed a career spanning across 3 albums, 2 mixtapes, and countless of features • Album features include Royce Da 5’9”, Denaun Porter, Elzhi, Ronnie McNeir and more DESCRIPTION ARTIST: RSXGLD For Ro Spit and 14KT, they’ve built a small empire on their own as solo TITLE: RSXGLD artists. Ro Spit has amassed a career spanning across 3 albums, 2 CATALOG: l-FB5183 / cd-FB5183 mixtapes, and countless of features including Royce Da 5’9”, Denaun LABEL: Fat Beats Records Porter, Bun B, Freeway and Raheem DeVaughn just to name a few. Not GENRE: Hip-Hop/Rap to mention a reality TV show centered around his world famous brand BARCODE: 659123518314 / 659123518321 Burn Rubber that was produced by Eminem. The production arm of FORMAT: 2XLP Gold Vinyl / CD RSXGLD, 14KT, is 8 albums deep into his career. KT has paired with HOME MARKET: Detroit, Micigan some of the best in the game, having worked with a who’s who of today’s RELEASE: 11/3/2017 artists such as Roc Marciano, Danny Brown, Black Milk, Bun B, eLZhi, LIST PRICE: $24.98 / CT / $11.98 / AK Oddisee, Skyzoo, Jay Electronica, and even a collaboration album with his fellow Ann Arbor compadré Mayer Hawthorne as they formed the duo TRACKLISTING (Click Tracks In Blue To Preview Audio) Jaded Inc. -
Capturing-Sound-How-Technology-Has-Changed-Music.Pdf
ROTH FAMILY FOUNDATION Music in America Imprint Michael P. Roth and Sukey Garcetti have endowed this imprint to honor the memory of their parents, Julia and Harry Roth, whose deep love of music they wish to share with others. This publication has been supported by a subvention from the Gustave Reese Publication Endowment Fund of the American Musicological Society. The publisher gratefully acknowledges the generous contribution to this book provided by the Music in America Endowment Fund of the University of California Press Associates, which is supported by a major gift from Sukey and Gil Garcetti, Michael Roth, and the Roth Family Foundation. CAPTURING SOUND H O W CAPT T U E C R H N I O N L O G G Y S UNIVERSITY OF CALIFORNIA PRESS H A S O C H U A N N G E D D M BERKELEY LOS ANGELES LONDON U S I C tz mark ka University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England “The Entertainer” written by Billy Joel © 1974, JoelSongs [ASCAP]. All rights reserved. Used by permission. © 2004 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Katz, Mark, 1970–. Capturing sound : how technology has changed music / Mark Katz. p. cm. Includes bibliographical references and index. ISBN 0-520-24196-7 (cloth : alk. paper)— ISBN 0-520-24380-3 (pbk. : alk. paper) 1. Sound recording industry. 2. Music and technology. I. Title. ml3790.k277 2005 781.49—dc22 2004011383 Manufactured in the United States of America 13 12 11 10 09 08 07 06 05 04 10987654 321 The paper used in this publication is both acid-free and totally chlorine-free (TCF).