DOCSLIB.ORG

Summer Vibes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer Vibes Pool Party: Summer Vibes Concept & Tracklisting – Simon ‘S Boogie’ Barnabas & Benson Udia Marketing – Benson Udia Mastering – Redlight Design – Monument Media Thanks to: Emma Reeve, Olivia Walker, Isobel Kelly, Julie Sandrin, James Mackey, Tom Platt, Claire Dougherty, Damian McGarrigle, Faye Donaldson & Phil Savill from Sony Music CG. The Sony Music sales & production teams. Craig Dormer, Luke Varnava & Ben Bell at Redlight, Tom Mackay, Matt Mcfarlane, Tim Fox and all at Monument Media. Copyright: Made in the EU. Sony Music Entertainment International Services GmbH, PO Box 510, 33311 This Compilation ℗ & © 2015 Sony Music Entertainment UK Limited. All trademarks and logos are protected. All rights reserved. Distributed by Sony Music Entertainment. Gütersloh, Germany. LC12723 BIEM / GEMA Full Track Information: CD1 1. Jason Derulo - Want To Want Me (Desrouleaux / Kirkpatrick / Martin / Mitch / Robbins) Published by Universal Music Publishing Limited / Warner/Chappell North America Limited / BMG Rights Management (UK) Limited / Kobalt Music Publishing Limited (P) 2015 WEA International Inc. Licensed Courtesy Of Warner Music UK Ltd. 3:28 2. Tinie Tempah Feat. Jess Glynne - Not Letting Go (Jackson / Bennett / Glynne / Murray / Okogwu / Keane / Jankel) Published by Univeral Music Publishing Ltd. / Sony/ATV Musc Publishing / Jobete Music Co. Inc./EMI Music / EMI Music Publ. Ltd. / Big Life Music / SonyATV (P) 2015 The copyright in this sound recording is owned by Disturbing London Records Limited under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company Licensed Courtesy of Warner Music UK Ltd. 3:49 3. Flo Rida Feat Verdine White - I Don't Like It, I Love It (Dillard / Troelsen / Sanderson / Judrin / Melki / Early / Isaac / Luttrell / Izquierdo/ Chirescu) Published by Mail On Sunday Music (ASCAP) / Sony/ATV Tunes (ASCAP) / E Class Publishing (BMI) / LSLX / Artist 101 Publishing Group (BMI) / Sony/ATV Songs, BMI / AIX Publishing (ASCAP) / BMG GOLD SONGS / Artist Publishing Group East (SESAC) / Jamie Sanderson Publishing Designee / Music Publishing Denmark (KODA) / Artist Publishing Group West (ASCAP) Produced by SoFLY and Nius (P) 2015 WEA International Inc. Licensed courtesy of Warner Music UK Ltd. 3:44 4. Fetty Wap - Trap Queen [EXPLICIT] (Maxwell / Fadd) Published by Goodfella4life Ent (ASCAP) & Tony Fadd Produced by Tony Fadd (P) 2014 300 Entertainment 3.42 5. RITA ORA Feat. Krept & Konan - Poison (Zdot Remix) (Lambroza / Michaels / Nash) Published by W B Music Corp / Warner/Chappell North America Limited / The Messengers Joints / The Messengers Productions LLC Produced by Sir Nolan (P) 2015 Roc Nation LLC 3.51 6. David Guetta Feat. Nicki Minaj, Bebe Rexha & Afrojack - Hey Mama (Douglas / Maraj / Dean / Guetta / Tuinfort / Rexha / Lomax / Lomax / Van De Wall) Published by Warner/Chappell North America Limited / Universal/MCA Music Limited / What A Publishing Limited / Copyright Control (P) 2014 What A Music Ltd, under exclusive licence to Parlophone/Warner Music France, A Warner Music Group Company Licensed Courtesy of Warner Music UK Ltd. 3:12 7. Shaggy Feat. Mohombi, Faydee, Costi - I Need Your Love (Burrell / Moupondo / Fatrouni / Ionita / Aurelian) Published by Warner Chappell / La Clique Music (BMI) / Fady Fatrouni / Doctor Music (UCMR-ADA) / Diamond Music (BMI) Produced by Costi (P) 2014 RED Associated Labels, a division of Sony Music Entertainment 3.37 8. Fifth Harmony Feat. Kid Ink - Worth It (Rene / Eriksen / Hermansen / Kaplan) Published by WB Music Corp./ Songs of SMP/ Bluma Music Produced by Stargate For 45th & 3rd Music LLC (P) 2015 Simco Ltd. under exclusive license to Epic Records, a division of Sony Music Entertainment 3.44 9. Major Lazer x DJ Snake (Feat. MØ) - Lean On (Pentz / Ørsted / Grigahcine / Meckseper) Published by I Like Turtles/SONGS Music Publishing (ASCAP), Reverb America Music (BMI) administered by Reservoir Media Management, Inc. doing business as Reservoir 416 (BMI), DJ Snake Music LLC / BMG Music Publishing (SACEM/BIEM), Mad Decent LLC o/b/o 12th and Spring Garden Produced by Diplo & DJ Snake (P) 2015 Major Lazer Records LLC under exclusive license to Because Music 2.56 10. OMI - Cheerleader (Felix Jaehn Remix Radio Edit) (Bradford / Dillon / Dillon / Pasley / Dunbar) Published by Ultra Tunes / EMI Music Publishing Ltd / Ultra Music Publishing Europe Ag / EMI Music Publishing Ltd Produced by C. Dillon / OMI (P) 2014 Ultra Records, LLC under exclusive license to Columbia 3.00 11. Years & Years – King (Alexander / Turkmen / Goldsworthy / Ralph / Smith) Published by Imagem / Sony / ATV Music Publishing / Universal Music (GB) Produced by Mark Ralph and Years & Years (P) 2015 Polydor Ltd. (UK) 3.33 12. Deorro x Chris Brown - Five More Hours (Deorro x Chris Brown) (Orrosquieta) Published by Universal Music Publishing International Limited Produced by Erick Orrosquieta (P) 2015 PRMD, LLC under exclusive license to Ultra Records, LLC / B1 Recordings GmbH 3.31 13. Galantis - Runaway (U & I) (Karlsson / Dennis / Eklow / Koitzsch / Rundberg / Karlsson) Published by Universal Music Publishing Ltd. / Imagem Music / Kobalt Music Publishing Ltd. / BMG Rights Management (UK) Ltd. (P) 2014 WEA International Inc. Licensed Courtesy of Warner Music UK Ltd. 3:47 14. Jess Glynne - Hold My Hand (Le Youth Remix) (Glynne / Bennett / Wroldsen / Patterson) Published by Reverb Music / Universal Music Publishing Ltd. / Black Butter Music Pub. / BMG Chrysalis Publishing / Sony/ATV Music Publishing / EMI Music Publishing Ltd. (P) 2015 Warner Music UK Limited Licensed Courtesy of Warner Music UK Ltd. 3:59 15. Mark Ronson Feat. Bruno Mars - Uptown Funk (Ronson / Bhasker / Mars / Lawrence / Gallaspy / Williams / Simmons / Wilson / Wilson / Taylor / Wilson) Published by Imagem CV / Songs of Zelig (BMI)/ Way Above Music / Sony ATV Songs LLC (BMI)/ Mars Force Songs LLC (ASCAP)/ ZZR Music LLC (ASCAP)/ Sony/ATV Ballad/ TIG7 Publishing (BMI)/ TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/ Tragic Magic (BMI)/ BMG Rights Management (ASCAP) Administered by Universal Music Publishing/ BMG Rights Management (U.S.) LLC/ Universal Music Corp/ New Songs Administration Limited/ Minder Music Produced by Mark Ronson / Jeff Bhasker / Bruno Mars (P) 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited 3.57 16. Fergie - L.A.LOVE (la la) [EXPLICIT] (Duhamel / McFarlane / Wilson / Thomas / Thomas) Published by Headphone Junkie Music Publishing, Inc. (ASCAP), Mustard On The Beat Publishing/SMP Songs (BMI), Sho Stop Music/Reach Music Publishing(ASCAP), Tnt explosive publishing/UMPG (ascap), Skymen Group (ASCAP) Produced by Dijon McFarlane (P) 2014 Interscope Records 3.13 17. Chris Brown X Tyga – Ayo (Nguyen-Stevenson / Brown / Balding / Kragen) Published by Songs Of Universal Inc / Universal Music Publishing International Ltd / Universal/Mca Music Limited / Culture Beyond Ur Experience Publishing Produced by NicNac (P) 2015 RCA Records and Young Money Entertainment/Cash Money Records 3.46 18. Usher Feat. Juicy J - I Don't Mind (Houston / Gottwald / Hindlin / Thomas / Tomas / Walter) Published by UR IV Music / Universal Music Corporation / Universal Music Publishing International Ltd / Universal/Mca Music Limited / Kasz Money Publishing Produced by Dr. Luke For Prescription Songs / Cirkut For Prescription Songs (P) 2014 RCA Records, a division of Sony Music Entertainment 4.11 19. DJ S.K.T Feat. Rae - Take Me Away (Grace / Srock / Mills) Published by Nogarap Publishing / Sherlock Holmes Music Ltd / Incentive Music Ltd (P) 2015 Azuli Records under exclusive licence to Atlantic Records UK, a Warner Music Group company. Licensed Courtesy of Warner Music UK Ltd. 2:50 20. Rudimental Feat. Foy Vance - Never Let You Go (Don Diablo Remix) (Vance / Rolle / MacDaid / Dryden / Amor / Aggett) Published by Sony ATV / Polar Patrol Publishing / EMI Music Publishing / Foy Vance Songs (PrimaryWave Vance Music) (P) 2015 Asylum Records UK, a Warner Music UK Company Licensed Courtesy of Warner Music UK Ltd. 4.34 21. Martin Garrix Feat. Usher - Don't Look Down (Garritsen / Busbee / Abrahart / Raymond) Published by BMG Platinum Songs US/ BMG Rights Management (UK) Limited/ Hello I Love You Music Produced by Martin Garrix Co-Produced by Busbee (P) 2015 Spinnin' Records, under exclusive license to RCA Records 3.43 CD2 1. LunchMoney Lewis – Bills (Lewis / Frederic / Kasher Hindlin / Gӧransson) Published by Sony/ATV Music Publishing, LLC Limited/ Kobalt Music Publishing Limited Produced by Ricky Reed (P) 2015 Kemosabe Records, under exclusive license to Columbia Records, a Division of Sony Music Entertainment 3.24 2. Marlon Roudette - When The Beat Drops Out (Roudette / Hartman) Published by Reverb Music Limited/ Stage Three Music Publishing Limited/ Reverb Music Limited Produced by Tim Bran / Roy Kerr (P) 2014 Matter Fixed Limited, under exclusive license to Sony Music Entertainment 3.24 3. Alex Adair - Make Me Feel Better (Adair / Ashford / Simpson) Published by Jobete Music Co. Inc. / EMI Music Publishing / Sony/ATV Music Publishing (UK) Ltd Produced by Alex Adair (P) 2015 Alex Adair Records, under exclusive license in UK and Eire to Virgin EMI Records, a division of Universal Music Operations Ltd 3.18 4. Clean Bandit - Stronger (Moses / Patterson / Chatto / Moore) Published by Universal Music Publishing Limited / EMI Music Publishing Ltd / Copyright Control (P) 2014 Atlantic Records UK, a Warner Music Group Company Licensed Courtesy Of Warner Music UK Ltd. 3:42
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • INBOUND Convention – Boston, MA Tuesday 11.8.16 – Friday 11.11.16
    INBOUND Convention – Boston, MA Tuesday 11.8.16 – Friday 11.11.16 Tuesday 11.8 SET 1 - 5:00PM – DJ JODI Come Get It Bae (Promo Only Clean Edit) - Pharrell Williams f./Miley Cyrus She Came To Give It To You (Promo Only Clean Edit) - Usher f./Nicki Minaj Downtown (Promo Only Intro Edit) - Macklemore & Ryan Lewis Focus (Promo Only Intro Edit) - Ariana Grande Feel Right (Promo Only Intro Edit) - Mark Ronson f./Mystikal Kiss The Sky (Promo Only Intro Edit*) - Jason Derulo Baddest Girl In Town - Pitbull f./Mohombi & Wisin Get Up Offa That Thing - James Brown Superstition (Mr Saccardo Remix) [Intro Clean] - Stevie Wonder My Love vs. Holiday - Justin Timberlake vs. Madonna Kiss - Prince Fade (Freejak Remix) [Intro Clean] - Kanye West SET 2 - 7:00PM – DJ JODI My House (Promo Only Intro Edit) - Flo Rida I Feel So Bad (Clean) - Kungs Ft. Ephemerals Would I Lie To You (Club Mix) - David Guetta, Cedric Gervais, & Chris Willis Want To Want Me (DJ Midnight Want You Back Acapella Hype Edit) – Jackon 5 vs. Jason Derulo 24K Magic (Promo Only Intro Edit) - Bruno Mars Closer (Mr. Collipark x DJ Kontrol Remix) [Intro Clean] - The Chainsmokers Ft. Halsey Let Me Blow Ya Mind (Punkie Moombahton Bootleg) [Intro Dirty] - Eve Ft. Gwen Stefani Ms. Jackson - Outkast Cheap Thrills (Promo Only Intro Edit) - Sia f./Sean Paul Fancy (Benja Styles Reggae Refix) (Dirty) - Iggy Azalea ft Charli XCX Sorry (Mercmonk Reggaeton Remix) [Intro Clean] - Justin Beiber Get Low - Dillon Francis & DJ Snake What's My Name (Gozzi & Alex Dynamix Moombahtwerk Edit) [Intro Clean] - Rihanna Vs.
    [Show full text]
  • Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers Across 900 Popular Songs from 2012-2020
    Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers across 900 Popular Songs from 2012-2020 Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez & Kevin Yao March 2021 INCLUSION IN THE RECORDING STUDIO? EXAMINING POPULAR SONGS USC ANNENBERG INCLUSION INITIATIVE @Inclusionists WOMEN ARE MISSING IN POPULAR MUSIC Prevalence of Women Artists across 900 Songs, in percentages 28.1 TOTAL NUMBER 25.1 OF ARTISTS 1,797 22.7 21.9 22.5 20.9 20.2 RATIO OF MEN TO WOMEN 16.8 17.1 3.6:1 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 FOR WOMEN, MUSIC IS A SOLO ACTIVITY Across 900 songs, percentage of women out of... 21.6 30 7.1 7.3 ALL INDIVIDUAL DUOS BANDS ARTISTS ARTISTS (n=388) (n=340) (n=9) (n=39) WOMEN ARE PUSHED ASIDE AS PRODUCERS THE RATIO OF MEN TO WOMEN PRODUCERS ACROSS 600 POPULAR SONGS WAS 38 to 1 © DR. STACY L. SMITH WRITTEN OFF: FEW WOMEN WORK AS SONGWRITERS Songwriter gender by year... 2012 2013 2014 2015 2016 2017 2018 2019 2020 TOTAL 11% 11.7% 12.7% 13.7% 13.3% 11.5% 11.6% 14.4% 12.9% 12.6% 89% 88.3% 87.3% 86.3% 86.7% 88.5% 88.4% 85.6% 87.1% 87.4% WOMEN ARE MISSING IN THE MUSIC INDUSTRY Percentage of women across three creative roles... .% .% .% ARE ARE ARE ARTISTS SONGWRITERS PRODUCERS VOICES HEARD: ARTISTS OF COLOR ACROSS SONGS Percentage of artists of color by year... 59% 55.6% 56.1% 51.9% 48.7% 48.4% 38.4% 36% 46.7% 31.2% OF ARTISTS WERE PEOPLE OF COLOR ACROSS SONGS FROM ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 © DR.
    [Show full text]
  • The Creative Conver
    TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E.
    [Show full text]
  • Meet Warner's Matt Signore Bandtwango Funds The
    February 13, 2017, Issue 536 Meet Warner’s Matt Signore Named as incoming Warner Music Nashville COO as far back as July, Matt Signore brings 25 years of record busi- ness experience, a long history with WMN Chairman/CEO John Esposito and a few other Nashville connections to the role he started Jan. 1. CA: How did you end up in the music business? MS: I worked as a CPA in New York for a big accounting firm. Back in that day with those jobs, you hoped one of your clients would hire you. I had a friend who worked on the acquisition of Island Records by Polygram, went there and basically had a job for me. I was 26 years old, got a $3,000 raise and I could wear jeans to work. I came home and said, “I think I want to do this.” I wasn’t a musician and didn’t want to be in the music business, necessarily. But I went to work for Matt Signore Island and ultimately Island/Def Jam on the business side. How did you meet Espo? Exclusive Club: AT&T Pebble Beach Pro-Am tournament winner In 1994, he was the head of catalog sales at Polygram. He was Jordan Spieth (l) and partner Jake Owen celebrate a big the guy trying to get labels to clear things for catalog work, and my weekend on the links. In addition to the pair placing third in boss was a pain in the ass. His first memory of me was as the fi- the Pro-Am, Owen was honored with the Arnie Award, which nance guy at Island who helped him get stuff done.
    [Show full text]
  • Copyright Request Imagem Music
    Copyright Request Imagem Music Burnaby never tends any tourbillions digitalized whither, is Perry demographical and jutting enough? Unburned and Trollopean Skip quantifies so overhand that Quintin might his Norah. Gavin buck his geums disaccord alway or beneficially after Denny ingeminating and refunds acrogenously, attainable and relocated. Whether or the lender accepting these dynamic registration of a person who choose to its contents are copyright music Request for death or participate in business between creators might include perspectives. Mcprs and request for imagem music copyright request imagem music are protected under a billboard with and content or substantially to? VCR Home Video Recorder. Even certain the bits that they fell about most out the bits the money see. Geneva, Peermusic Ltd. COPYRIGHT Copyright 2014 Alan Zachary and Michael Weiner All Rights Administered Worldwide by Imagem Music LLC All Rights Reserved Used by. In film and opened in an important and publishers consider carefully review, photographic and print or ambiguous phenomena. Stream licensing is ask to ensuring that your internet radio team is legally allowed to broadcast copyrighted material such as music Without once you about be breaking the utility To legally broadcast most copyrighted material in the US you'll complain to lounge a statutory license. Can see play copyrighted music on Zoom? Defendants a request for the title of money they care about representing artists more questions or copyright request imagem music supervisor may be a monthly basis of payment. Free plan of guitar chord images with transparent backgrounds Ideal for creating your long lead sheets worksheets flashcards and other.
    [Show full text]
  • Investor Group Including Sony Corporation of America Completes Acquisition of Emi Music Publishing
    June 29, 2012 Sony Corporation INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING New York, June 29, 2012 -- Sony Corporation of America, a subsidiary of Sony Corporation, made the announcement noted above. For further detail, please refer to the attached English press release. Upon the closing of this transaction, Sony Corporation of America, in conjunction with the Estate of Michael Jackson, acquired approximately 40 percent of the equity interest in the newly-formed entity that now owns EMI Music Publishing from Citigroup, and paid an aggregate cash consideration of 320 million U.S. dollars. The impact of this acquisition has already been included in Sony’s consolidated results forecast for the fiscal year ending March 31, 2013 that was announced on May 10, 2012. No impact from this acquisition is anticipated on such forecasts. For Immediate Release INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING (New York, June 29, 2012) -- An investor group comprised of Sony Corporation of America, the Estate of Michael Jackson, Mubadala Development Company PJSC, Jynwel Capital Limited, the Blackstone Group’s GSO Capital Partners LP and David Geffen today announced the closing of its acquisition of EMI Music Publishing from Citigroup. Sony/ATV Music Publishing, a joint venture between Sony and the Estate of Michael Jackson, will administer EMI Music Publishing on behalf of the investor group. The acquisition brings together two of the leading music publishers, each with comprehensive and diverse catalogs of music copyrights covering all genres, periods and territories around the world. EMI Music Publishing owns over 1.3 million copyrights, including the greatest hits of Motown, classic film and television scores and timeless standards, and Sony/ATV Music Publishing owns more than 750,000 copyrights, featuring the Beatles, contemporary superstars and the Leiber Stoller catalog.
    [Show full text]
  • FACILITATING COMPETITION by REMEDIAL REGULATION Kristelia A
    FACILITATING COMPETITION BY REMEDIAL REGULATION Kristelia A. García† ABSTRACT In music licensing, powerful music publishers have begun—for the first time ever— to withdraw their digital copyrights from the collectives that license those rights, in order to negotiate considerably higher rates in private deals. At the beginning of the year, two of these publishers commanded a private royalty rate nearly twice that of the going collective rate. This result could be seen as a coup for the free market: Constrained by consent decrees and conflicting interests, collectives are simply not able to establish and enforce a true market rate in the new, digital age. This could also be seen as a pathological form of private ordering: Powerful licensors using their considerable market power to impose a supracompetitive rate on a hapless licensee. While there is no way to know what the market rate looks like in a highly regulated industry like music publishing, the anticompetitive effects of these withdrawals may have detrimental consequences for artists, licensees and consumers. In industries such as music licensing, network effects, parallel pricing and tacit collusion can work to eliminate meaningful competition from the marketplace. The resulting lack of competition threatens to stifle innovation in both the affected, and related, industries. Normally, where a market operates in a workably competitive manner, the remedy for anticompetitive behavior can be found in antitrust law. In music licensing, however, some concerning behaviors, including both parallel pricing and tacit collusion, do not rise to the level of antitrust violations; as such, they cannot be addressed by antitrust law. This DOI: http://dx.doi.org/10.15779/Z38NZ8H © 2016 Kristelia A.
    [Show full text]
  • Edition 2017
    YEAR-END EDITION 2017 HHHHH # OVERALL LABEL TOP 40 LABEL RHYTHM LABEL REPUBLIC RECORDS HHHHH 2017 2016 2015 2014 GLOBAL HEADQUARTERS REPUBLIC RECORDS 1755 BROADWAY, NEW YORK CITY 10019 REPUBLIC #1 FOR 4TH STRAIGHT YEAR Atlantic (#7 to #2), Interscope (#5 to #3), Capitol Doubles Share Republic continues its #1 run as the overall label leader in Mediabase chart share for a fourth consecutive year. The 2017 chart year is based on the time period from November 13, 2016 through November 11, 2017. In a very unique year, superstar artists began to collaborate with each other thus sharing chart spins and label share for individual songs. As a result, it brought some of 2017’s most notable hits including: • “Stay” by Zedd & Alessia Cara (Def Jam-Interscope) • “It Ain’t Me” by Kygo x Selena Gomez (Ultra/RCA-Interscope) • “Unforgettable” by French Montana f/Swae Lee (Eardrum/BB/Interscope-Epic) • “I Don’t Wanna Live Forever” by ZAYN & Taylor Swift (UStudios/BMR/RCA-Republic) • “Bad Things” by MGK x Camila Cabello (Bad Boy/Epic-Interscope) • “Let Me Love You” by DJ Snake f/Justin Bieber (Def Jam-Interscope) • “I’m The One” by DJ Khaled f/Justin Bieber, Quavo, Chance The Rapper & Lil Wayne (WTB/Def Jam-Epic) All of these songs were major hits and many crossed multiple formats in 2017. Of the 10 Mediabase formats that comprise overall rankings, Republic garnered the #1 spot at two formats: Top 40 and Rhythmic, was #2 at Hot AC, and #4 at AC. Republic had a total overall chart share of 15.6%, a 23.0% Top 40 chart share, and an 18.3% Rhythmic chart share.
    [Show full text]
  • Ava Max Could Always Envision Her Dream, She Actually Went out and Made It a Reality on Her Own
    For dreams to manifest into reality, it requires more than a fairytale wish… Truthfully, it takes hustle, heart, and a whole lot of attitude. For as much as Ava Max could always envision her dream, she actually went out and made it a reality on her own. Gathering billions of streams, multiplatinum plaques, award nominations, and acclaim from The New York Times, Rolling Stone, and many more, the international phenomenon projects an unbelievable personal journey into a poignant and punchy pop opus on her full-length debut album, Heaven & Hell [APG/Atlantic Records]. “Manifesting is really important to me,” she explains. “I put positive energy into my music. I know what I want to write, and there’s a story behind each song. It’s all about working hard and putting your heart and soul into it.” She started doing so as a kid. Prior to her birth in Milwaukee, Wisconsin, Ava’s parents emigrated from Albania to the United States. Without speaking a word of English, mom and dad held down three jobs each. However, both parents retained a passion for music. Among her earliest memories, Ava recalls her mother—a classically trained vocalist—singing opera aloud. The family relocated to Virginia where they eventually settled in their first house. Along the way, Ava clung to music, listening to Whitney Houston, Mariah Carey, and Shania Twain, to name a few. “At a very young age, I watched my parents really struggle in America,” she admits. “It was tough, and it impacted me in many ways. However, both of them always told me if they could make it here with no language and no money, then I could make it.” While in Virginia, she dove headfirst into music with the family staunchly behind her.
    [Show full text]
  • Full Music Credits
    Music Supervisor Chris Gough Mana Music Mushroom Licensing Ann-Marie Meadows Music Mixer Robin Grey Alan Eaton Studios Original Music Recorded at Hot House - Craig Harnath Original Music Mix Ross Cockle FX & Music Editor Craig Carter Original Music Composed by Martin Lubran David Bowers "Jackson" (Wheeler/Rodgers) EMI Music Publishing Australia, Performed by Catherine Wearne and Andrew Travis, Produced by Jim Bowman, Recorded at Electric Avenue "Don't It Get You Down" (Kennedy/Palmer/Jones) Mushroom Music, Performed by Dead Star, Courtesy of Mushroom Records "Goldfinger" (Wheeler) PolyGram Publishing, Performed by Ash, Courtesy of Infectious/Mushroom Records "Fun For Me" (Brydon/Murphy) Chrysalis Music/Mushroom Music, Performed by Moloko Courtesy of Echo/Liberation "Puppy Love" (Anka) Chrysalis Music/Mushroom Music Performed by Banana Oil, Courtesy of Mushroom Records "Cruise Control" (Matthews/Lawry/Nevison/Fell/Sweeny/ McDonald) Flying Nun Music/Mushroom Music Performed by Headless Chickens Courtesy of Flying Music/Mushroom Records "Help Yourself" (Donida/Mogol/Fishman) Mushroom Music Performed by Tom Jones, Courtesy of PolyGram "No Reason" (Salmon/Perkins) PolyGram Publishing, Performed by Beasts of Bourbon, Courtesy of Red Eye/Polydor Records "Lemonsuck" (Handley) Mushroom Music, Performed by Pollyanna, Courtesy of Bark/Mushroom Records "So Long Marianne" (Cohen) Chrysalis Music/Mushroom Music Performed by The Stone Cold Boners & Hugo Weaving "Rock and Roll" (Reed) Oakfield Avenue/EMI Music Ltd Performed by The Stone Cold Boners & Hugo
    [Show full text]
  • Gold & Platinum Awards June// 6/1/17 - 6/30/17
    GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat.
    [Show full text]