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I UCM NEW MUSIC f~ST VAL 2011: 0 D ANl;)NEW - / I . \ 1 ~011 SOCIETY OF COMPOS5RS, 11\lc. REGION VI CONFERENCE ,-A I I , , I ' , I ' ~ ~ ~ ~' ' I NIVERSllTY OF CENTRAt MISSOURI /,) I I DEPARTMENT O~MlJSl6 APRIL 8-10, 20 1 ' J UCM New Music Festival 2011: OLD AND NEW 2011 Society of Composers, Inc. Region VI Conference Festival Featured Guest Artists: ATHENS SAXOPHONE QUARTET KCCONTINUUM April 8-10, 2011 University of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music An All-Steinway School Festival at a Glance Alf concerts will be held in Hart Recital Half Friday, April 8 Saturday, April 9 Sunday, April 11, 2010 8AM: Papers I (Utt 008) 8AM: Papers Ill (Utt 100) 8AM: Papers V (Utt 100) 10AM: Concert I 10AM: Concert IV 10AM: Concert VII 1PM: Papers II (Utt 107) 1 PM: Papers IV (Utt 100) 1 PM: Papers VI (Utt 100) 3PM: Concert II 3PM: Concert V 3PM: Concert VII 8PM: Concert Ill KCContinuum 8PM: Concert IX 8PM: Concert VI Athens Saxophone Quartet UNNERSI1Y OF CENTRAL MISSOURJ - - DEPARTMENTOF - MUS!C _5CI - Est. 1871- AN A LL-STEINWAY SCHOOL ;ociety of Composers, Inc. UCM New Music Festival 2011: OLD AND NEW April 8-10, 2011 U niversity of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music TABLE OF CONTENTS Welcome from the Chair ... ....... .. ..... ...... .. .. ...... ...... ................. ........... .......... ........ ....... ................. ... ......... 1 UCM Department of Music Faculty . ...... ....... ........ .. .... ...... ...................... ....... -
Boston Symphony Orchestra Concert Programs, Summer
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Playbill Feb
2014–2015 SEASON PLAYBILL FEB. 5–FEB. 28 © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0`Od]0 / C ] a Wa A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living 3 Insuring The Arts Play Onn Local Insurance Agency Local Insurance Agency InsuringYourWay.com 'MPSFODFt&BTUIBNQUPO Can Study Abroad! YOU Scholarships available Education Abroad Advising Center ,QWHUQDWLRQDO3URJUDPV2I¼FH 5P+LOOV6RXWK DFURVVIURP6WXGLR$UWV%XLOGLQJ www.ipo.umass.eduip d 2SHQ0®)AM–4 PM 4 5 Good thinking. NEW ENGLAND PUBLIC RADIO News. Classical. Jazz. Amherst / Springfield / Hartford .................................. WFCR 88.5 FM North Adams .................................................................................. 101.1 FM Great Barrington ............................................................................98.7 FM Lee ....................................................................................................98.3 FM Pittsfield / -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
Boston Symphony Orchestra Concert Programs, Summer, 1995
osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. -
The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django
FEB/MARCH 2014 The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django . 1 Cold Spring Jazz Quartet – Night Songs: The Music of Film Noir . 3 BALTIMORE JAZZ ALLIANCE An Interview with Donny McCaslin . 4 Warren Wolf, Christian McBride and Friends . 6 Jazz Jam Sessions . 10 BJA Member Notes, Products and Discounts . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XI ISSUE II THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore Discovers the Spirit of Django The Hot Club A cold start to February’s Monday night ously sat in. On this particular night a Gypsy Jazz Jam didn’t prevent Balti - blend of accordion, violin, harmonica more’s Djangophiles from flocking to and four guitars kicked off the jam. of Baltimore Liam Flynn’s Ale House, an atmospheric, Swinging into action in the middle of welcoming, bare-bones pub on W. North the room, seated in the round and soloing Avenue, Baltimore. For nearly a year, in rotation, the musicians started with the under the leadership of guitarist Michael jazz standard “Coquette.” Harris’s open - Joseph Harris, whom many will know ing solo embellished the song with the through his band Bossalingo, the Mon - arpeggios and flourishes that typify the day night jam has been picking up acco - Django style. Arefin’s guitar picked up the lades and winning over fans. City Paper theme, building the rhythmic energy with recently declared the jam to be Best Mon - a more chordal solo before handing off to day Night in Baltimore. the liquid Wes Montgomery-style runs of Musicians from as far away as Jim Tisdall. -
Innovation Through Generations of Jazz Vibraphonists: Jackson
INNOVATION THROUGH GENERATIONS OF JAZZ VIBRAPHONISTS: JACKSON, HUTCHERSON, BURTON AND LOCKES’ IMPROVISATIONS ON “BAGS’ GROOVE” 爵士鐵琴的世代變革:傑克森、赫卻森、柏頓和拉克在「袋之律動」上之即興 YU CHIH CHERRY CHEN 陳玉至 1 BIOGRAPHIES Milt Jackson Milt Jackson (1923-1999, MI) is recognized as the bebop innovator of the vibraphone. Following in the steps of two of the previous masters of the vibraphone Lionel Hampton and Red Norvo, Jackson succeeded in transferring the bebop idiom to his instrument, becoming one of the greatest vibraphonists in the bop style. Jackson used two mallets, almost treating the vibraphone as a single-line instrument. His playing is marked by his adept skills, but also laced with blues phrases that refer to his musical upbringing in the church.1 He is universally recognized as a definitive interpreter of the blues. As a member of the Modern Jazz Quartet (MJQ), he was required to read and memorize the arrangements written by John Lewis. These arrangements incorporated many classical materials with jazz, which is known as third stream. Playing these arrangements inspired Jackson to find a voice beyond the bebop idiom.2 Some of his significant works are “Bags and Trane”, “Sunflower” and “The Prophet Speaks.” Bobby Hutcherson Studying piano briefly with his mother at an early age provided Bobby Hutcherson (1941-2016, LA) with a foundation in harmony. In his teens he heard Milt Jackson playing the vibraphone on a 1Dick Sisto, The Jazz Vibraphone Book (U.S.A: Meredith Music Publication, 2005), 27-36. 2Ted Gioia, The history of Jazz (2nd ed. New York: Oxford University Press. 2011), 258-259. -
NEW ENGLAND CONSERVATORY CHORUS LORNA COOKE Devaron, Conductor
NEW ENGLAND CONSERVATORY CHORUS LORNA COOKE deVARON, conductor MALCOLM PEYTON THE BLESSED VIRGIN COMPARED TO THE AIR WE BREATHE MALCOLM PEYTON (b. 1932, New York City) began early music training with piano and trumpet lessons and later continued piano studies with Edward Steuerman in New York. He studied composition with Edward Cone and Roger Sessions at Princeton University and with Wolfgang Fortner while on a Fulbright Fellowship in Germany. At present (1982) he is Acting Chairman of the composition department at the New England Conservatory where he has been teaching since 1965. He writes: "The initial idea for THE BLESSED VIRGIN COMPARED TO THE AIR WE BREATHE came with the words which appear near the end of Gerard Manley Hopkins' poem: 'Stir in my ears, Speak there'. I composed the ending and thereafter found my way back to the beginning. A fantasy that the music already existed, and was therefore to be discovered, was vivid with me at the time. The piece was written in 1972 for the New England Conservatory Chorus and for Lorna Cooke deVaron, to whom it is dedicated." ROBERT CEELY FLEE FLORET FLORENS ROBERT CEELY (b. 1930, Torrington, CT) cast aside early interests in ventriloquism in favor of music as he studied trumpet and played in youth bands, orchestras, and jazz groups. Mr. Ceely was educated at Hobart College, Williams College, the New England Conservatory, Mills College, Princeton University, and the University of Perugia in Italy. His principal composition teachers were Francis Cooke, Darius Milhaud and Roger Sessions. Since 1967 he has taught at the New England Conservatory where he is also Director of the Electronic Music Studio. -
Boston Symphony Orchestra Concert Programs, Season 85, 1965
I K , 4 ^.^-M&i^s.V ^OOte. y/ /j L. r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY // /f HENRY LEE HIGGINSON TUESDAY EVENING CAMBRIDGE" SERIES S • 1 4 *««/] X'SS :.''% < S^^*$>5^ %v.' r?^ =~-y~ ~*«»0/ '-<-» "»» /^ Sir' C»S. —.'""' f\ EIGHTY-FIFTH SEASON 1965-1966 The Boston Symphony BEETHOVEN "EROICA SYMPHONY BOSTON SYMPHONY ORCH. |! under Leinsdorf ERICH LEINSDORF "There is a daring quality in Beethoven that should never be lost" says Leinsdorf with particular reference to the great Third Symphony . the " Eroica". There is also a daring, prophetic quality in Mahler's First Symphony, though in a very different idiom. Leinsdorf and the Boston Symphony give each of these works performances characterized by profound understanding and sonic beauty. Hear them in Dynagroove sound on RCA Victor Red Seal albums. RCA Victor* @The most trusted name in sound ! EIGHTY-FIFTH SEASON, 1965-1966 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President John L. Thorndike • Treasurer Abram Berkowitz E. Morton Jennings, Jr. Theodore P. Ferris Henry A. Laughlin Robert H. Gardiner Edward G. Murray Francis W. Hatch John T. Noonan Andrew Heiskell Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager Sanford R. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.