1431. The Hell tomorrow morning Backgrounds Of S. Radic

The song was composed by Jean Frankfurter and Joachim Horn-Bernges. The single was arranged, produced and programmed by Jean Frankfurter. Besides Fischer's singing, the singers Franco Leon, Rainer Marz, Bimey Oberreit and Kareena Schönberger can be heard in the background. On guitar, the German guitarist Peter Weihe was engaged for this song. The song was released under the music label EMI. On the cover of the maxi-single you can see - besides the artist's name and song title - a collage of Fischer during a ride with a chain carousel. The Hell tomorrow morning reached position 68 of the single charts in Germany and was able to The first release of the digital single was on March stay in the charts for a total of seven weeks. In 30th, 2012. Two months later, on May 18th, 2012, Austria the single reached position 74 and was the single was released as a physical record in able to stay in the charts for one week. For Helene Germany, Austria and Switzerland. In addition to Fischer this is the fifth charter success in Germany the album version, the digital maxi single also and the second in Austria. For Jean Frankfurter contains a dance mix of Die Hölle tomorrow as a composer, Die Hölle tomorrow morning is morning. The physical maxi single contains the already the 49th single in Germany and the 13th radio version, a dance mix and the album version single in Austria, which was able to place in the of the title song, as well as the song And if it were single charts. For Frankfurter as a producer, Die so as B-side. Fischer himself did not promote the Hölle tomorrow morning is already the 30th single single live on TV. In the beginning the success of in Germany and the sixth single in Austria to make Die Hölle was limited tomorrow morning. It was it into the single charts. Beatrice Egli's live performance during the semi- final show in Germany in 2013 that attracted the The Hell tomorrow morning, Helene Fischer. song's attention. Fischer rewarded Eglis' From the album „For one day“ (Fan Edition) performance at the end of the year with a joint performance of the song during the Helene Fi- scher Show 2013.[2] An official music video was not shot.

The lyrics to Die Hölle morgen früh are written in German. The music was written by Jean Frank- furter and the lyrics by Joachim Horn-Bernges. Musically the song moves within the range of Schlager. The song is about a woman who wants to experience a night with a certain man and doesn't worry about what will happen the next morning.

I don't care about hell tomorrow morning / No matter how often I bang to the ground'. / For one night with you alone in heaven, / with you alone in heaven, I'll die a thousand more times." - Refrain STYLE-Programming The Hell tomorrow morning (C) June 2019 by S. Radic Pop-Hit 2012 von HELENE FISCHER MK394 Musik & Text: J. Frankfurter und J. Horn-Bernges MWP-Nr.1430 Edit.: S. Radic Discofox, T=125

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Programmiung instruction

The Discofox (in the 60's known as "Beat-Fox") emerged from the Foxtrot, when in the mid 70's free improvising disco dancers returned to the dance posture and enriched the classical Foxtrot with elements from Swing, Boogie-Woogie and Two-Step. The Hustle was created in the USA and the Discofox in Europe, which was included in the World Dance Programme in 1979. The Discofox is based on the 4/4 beat, but the beat is not counted as a whole, but the beats are counted individually. In Discofox and the closely related American Three Count Hustle a basic step includes three beats, in other styles such as the American Hustle six beats. In principle, any form of dance music with a regular 4/4 rhythm and a speed of around 30 TPM or 120 BPM is suitable as music. Especially current dance music of the discos, i.e. Euro Disco and Eurodance, but also variations of Techno, is used. Musically the two guitar parts are especially interesting: "Guitar" is the normal chord guitar, the part "Mute-Git". is the well-known "stopped" guitar, which delivers a crisp sound and is not used as a chord guitar, but plays more in certain phrases, or as an octavated bass doubling. In the verse the bass plays a dotted, arranged phrase, in the chorus only the basic tones. Strings provide the sound carpet in ADVANCED mode..