The Discogs Guide to Record Collecting the Discogs Guide to Record Collecting
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
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Florian Heesch Voicing the Technological Body Some Musicological Reflections on Combinations of Voice and Technology in Popular Music ABSTRACT The article deals with interrelations of voice, body and technology in popular music from a musicological perspective. It is an attempt to outline a systematic approach to the history of music technology with regard to aesthetic aspects, taking the iden- tity of the singing subject as a main point of departure for a hermeneutic reading of popular song. Although the argumentation is based largely on musicological research, it is also inspired by the notion of presentness as developed by theologian and media scholar Walter Ong. The variety of the relationships between voice, body, and technology with regard to musical representations of identity, in particular gender and race, is systematized alongside the following cagories: (1) the “absence of the body,” that starts with the establishment of phonography; (2) “amplified presence,” as a signifier for uses of the microphone to enhance low sounds in certain manners; and (3) “hybridity,” including vocal identities that blend human body sounds and technological processing, where- by special focus is laid on uses of the vocoder and similar technologies. KEYWORDS recorded popular song, gender in music, hybrid identities, race in music, presence/ absence, disembodied voices BIOGRAPHY Dr. Florian Heesch is professor of popular music and gender studies at the University of Siegen, Germany. He holds a PhD in musicology from the University of Gothenburg, Sweden. He published several books and articles on music and Norse mythology, mu- sic and gender and on diverse aspects of heavy metal studies. -
Official Albums Chart Rules
Rules for Chart Eligibility Albums January 2020 Official Charts Operations Team 020 7620 7450 [email protected] www.officialcharts.com Rules for Chart Eligibility January 2020 INTRODUCTION The following Chart Rules exist to determine eligibility for entry into the Official UK Album Charts. The aim of the Rules is to protect the integrity of the Charts and to ensure that they are an accurate reflection of the popularity of each recording by reference to genuine transactions. The Rules apply equally to all companies issuing and/or distributing recordings. They set out the conditions on which an album will be eligible for inclusion in the Chart. The rules also apply to the UK’s Official genre charts, subject to variation where appropriate. It should be noted that record companies and distributors remain free to package and market their products in any way they choose. However, releases which do not comply with the Rules will not be eligible to be included in the Chart. The Chart Rules are issued by the Official Charts Company in conjunction with the Chart Supervisory Committee (CSC) under the supervision of the Official Charts Company board. The Official Charts Company is responsible for interpreting and applying the Chart Rules on a day-to-day basis under the supervision of the CSC. The Official Charts Company may, at its discretion, refer any matter concerning the interpretation of the Chart Rules with respect to one or more recordings to the CSC, a designated sub-committee of the CSC or the board, for a decision. The decision of the board will be final. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Kathy Sledge Press
Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records. -
Press 1 April 2021 the Famous Artists Behind History's Greatest Album
CNN Style The famous artists behind history's greatest album covers Leah Dolan 1 April 2021 The famous artists behind history's greatest album covers Throughout the 20th-century record sleeves regularly served as canvases for some of the world's most famous artists. From Andy Warhol's electric yellow banana on the cover of The Velvet Underground & Nico's 1967's debut album, to the custom-sprayed Banksy street art that fronted Blur's 2003 "Think Tank," art has long been used to round out the listening experience. A new book, "Art Sleeves," explores some of the most influential, groundbreaking and controversial covers from the past forty years. "This is not a 'history of album art' type book," said the book's author, DJ and arts writer DB Burkeman over email. Instead, he says the book is a "love letter" to visual art and music culture. For the 45th anniversary of "The Velvet Underground & Nico" in 2012, British artist David Shrigley illustrated a special edition reissue cover for Castle Face Records. Image: David Shrigley/Rizzoli Featured records span genres and decades. Among them are Warhol's cover for The Rolling Stones' 1971 album "Sticky Fingers," featuring the now-famous close-up of a man's crotch (often assumed, incorrectly, to be frontman Mick Jagger in tight jeans) as well as an array of seminal covers designed by graphic designer Peter Saville, co-founder of influential Manchester-based indie label Factory Records. Despite having relatively little art direction experience under his belt, Saville was behind iconic covers such as Joy Division's "Unknown Pleasures" (1979), depicting the radio waves emitted by a rotating star, and the brimming basket of wilting roses -- a muted reproduction of a 1890 painting by French artist Henri Fantin-Latour -- that fronted New Order's "Power, Corruption & Lies" (1983). -
AUDIO Engineering – November; 1953
it CAN be ATTRACTIVE - see page 30 www.americanradiohistory.com only offers you all this valuable new information e . e and it doesn't cost you a cent! 20 PRIZE -WINNING ARTICLES from Audio's International Sound Recording Contest Here's a wealth of new ideas on how to short time in all of niy years in the busi- use tape and disc recordings to achieve ness." And another judge stated that "the greater economy and efficiency in radio, information and descriptions of recording and Switzerland. The 20 best articles, TV and sound studio operation. operations conducted in small radio sta- which were awarded cash prizes totaling With reference to these articles, one of tions and recording studios throughout 81400, will be published in the pages of the contest judges commented as follows: the country has been quite an education." Audio Record. The information thus made "I have never received so much informa- Contest winners include entries from lI available to the industry will be of real tion which was new and exciting in such a different States, as well as from Canada value to sound recordists everywhere. QUICK FACTS ON MAGNETIC TAPE RECORDERS Each year, Audio Record brings you a published in September, is the most com- complete, up -to -date listing of all makes plete and authoritative compilation of and models of tape recording machines tape recorder information available to the -with conveniently arranged price and industry. Over 75,000 copies of the last performance data. This directory issue, issue were distributed. e e plus many other articles of timely IT'S YOURS FOR THE ASKING interest to the sound recordist Audio Record keeps you well informed on all the latest trends A letter or post card will add your name to the Audio Record and technical developments in all phases of tape and disc mailing list. -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
The Kid3 Handbook
The Kid3 Handbook Software development: Urs Fleisch The Kid3 Handbook 2 Contents 1 Introduction 11 2 Using Kid3 12 2.1 Kid3 features . 12 2.2 Example Usage . 12 3 Command Reference 14 3.1 The GUI Elements . 14 3.1.1 File List . 14 3.1.2 Edit Playlist . 15 3.1.3 Folder List . 15 3.1.4 File . 16 3.1.5 Tag 1 . 17 3.1.6 Tag 2 . 18 3.1.7 Tag 3 . 18 3.1.8 Frame List . 18 3.1.9 Synchronized Lyrics and Event Timing Codes . 21 3.2 The File Menu . 22 3.3 The Edit Menu . 28 3.4 The Tools Menu . 29 3.5 The Settings Menu . 32 3.6 The Help Menu . 37 4 kid3-cli 38 4.1 Commands . 38 4.1.1 Help . 38 4.1.2 Timeout . 38 4.1.3 Quit application . 38 4.1.4 Change folder . 38 4.1.5 Print the filename of the current folder . 39 4.1.6 Folder list . 39 4.1.7 Save the changed files . 39 4.1.8 Select file . 39 4.1.9 Select tag . 40 The Kid3 Handbook 4.1.10 Get tag frame . 40 4.1.11 Set tag frame . 40 4.1.12 Revert . 41 4.1.13 Import from file . 41 4.1.14 Automatic import . 41 4.1.15 Download album cover artwork . 42 4.1.16 Export to file . 42 4.1.17 Create playlist . 42 4.1.18 Apply filename format . 42 4.1.19 Apply tag format . -
Songkong for Melco
Digital Music Metadata SongKong Music Tagger Automatically managing your music metadata Digitized Music Library - Problems • Different mechanisms used to rip or download music • Music stored in different audio formats • Music collections much larger than before • Quality of original metadata varies considerably • No comprehensive metadata standard • Manually adding metadata very time consuming • Impossible to keep metadata consistent as add to collection SongKong - Concept • Should be possible to automatch and add metadata for majority of music collection easily • Need to apply consistency over collection, and keep consistent • Fix metadata within files so customer not tied to a particular music player (iTunes/Roon, Naim Wav Metadata) • Need rich comprehensive metadata, simple album/artist/title not enough • But need to give customer enough control because there is no such thing as a single one-fit metadata solution • Music collections are valuable and personal so we need • An audit of what has changed • Ability to undo changes if we don’t like them SongKong Music Tagger Installation • Available for: • Windows • MacOS • Linux • Synology Disk Station • Qnap Nas • Melco N1 Audio Server • Desktop and Remote interface for Windows/MacOS, Linux Desktop • Remote Web Interface for others so can be controlled from web browser even on iPad or phone Three steps to Improved Metadata 1. Select your Music folder and Run Fix Songs task. 2. Review the Options, then press Start 3. Wait for completion, detailed report shows exactly what has changed 1. Select your Music folder and Run Fix Songs task 2. Review any Options, e.g Basic Options Format Options (Desktop view) Classical Options (Web Browser View) . -
Austin Mahone Forme You Songs
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