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Chinese Contemporary Art and the Value of Dissidence by Marie
Transition and Transformation: Chinese Contemporary Art and the Value of Dissidence by Marie Dorothée Leduc A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Visual Art and Globalization Department of Sociology and Art and Design University of Alberta © Marie Leduc, 2016 Abstract Transition and Transformation: Chinese Contemporary Art and the Value of Dissidence Marie Leduc Taking an interdisciplinary approach combining sociology and art history, this dissertation considers the phenomenal rise of Chinese contemporary art in the global art market since 1989. The dissertation explores how Western perceptions of difference and dissidence have contributed to the recognition and validation of Chinese contemporary art. Guided by Nathalie Heinich’s sociology of values and Pierre Bourdieu’s work on the field of cultural production, the dissertation proposes that dissidence may be understood as an artistic value, one that distinguishes artists and artwork as singular and original. Following the careers of nine Chinese artists who moved to France in and around 1989, the dissertation demonstrates how perceptions of dissidence – artistic, cultural, and political – have distinguished Chinese artists as they have transitioned into an artistic field dominated by Western liberal-democratic values and artistic taste. The transition and transformation of Chinese contemporary art and artists then highlights how the valorization of dissidence in the West is both artistic and political, and significant to the production of contemporary art. ii Preface This thesis is an original work by Marie Leduc. The research project, of which this thesis is a part, received research ethics approval from the University of Alberta Research Ethics Board, Project Name “Transition and Transformation: Contemporary Chinese Art in the Global Marketplace,” No. -
"Ancient Mirror": an Interpretation of Gujing Ji in the Context of Medieval Chinese Cultural History Ju E Chen
East Asian History NUMBER 27 . JUNE 2004 Institute of Advanced Studies Australian National University Editor Geremie R. Barme Associate Editor Helen Lo Business Manager Marion Weeks Editorial Advisors B0rge Bakken John Clark Lo uise Edwards Mark Elvin (Convenor) John Fitzgerald Colin Jeffcott Li Tana Kam Lo uie Le wis Mayo Gavan McCormack David Marr Tessa Morris-Suzuki Benjamin Penny Kenneth Wells Design and Production Design ONE Solutions, Victoria Street, Hall ACT 2618 Printed by Goanna Print, Fyshwick, ACT This is the twenty-seventh issue of Ea st Asian History, printed August 2005, in the series previously entitled Papers on Far Ea sternHist ory. This externally refereed journal is published twice a year. Contributions to The Editor, Ea st Asian Hist ory Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 2 6125 314 0 Fax +61 26125 5525 Email [email protected] Subscription Enquiries to Marion Weeks, East Asian History, at the above address, or to [email protected]. au Annual Subscription Australia A$50 (including GST) Overseas US$45 (GST free) (for two issues) ISSN 1036-6008 iii CONTENTS 1 Friendship in Ancient China Aat Vervoom 33 The Mystery of an "Ancient Mirror": An Interpretation of Gujing ji in the Context of Medieval Chinese Cultural History Ju e Chen 51 The Missing First Page of the Preclassical Mongolian Version of the Hs iao-ching: A Tentative Reconstruction Igor de Rachewiltz 57 Historian and Courtesan: Chen Yinke !l*Ji[Nj. and the Writing of Liu Rushi Biezhuan t9P�Qjll:J,jiJf� We n-hsin Yeh 71 Demons, Gangsters, and Secret Societies in Early Modern China Robert]. -
Te Tomb Inscription ( Muzhiming) and Offi Cial Biographies of Wang Chuzhi
Journal of the Economic and Social History of the Orient 52 (2009) 14-56 www.brill.nl/jesho A Buried Past: ! e Tomb Inscription (Muzhiming) and Offi cial Biographies of Wang Chuzhi (863-923) Angela Schottenhammer* Abstract ! e present article investigates the tomb inscription of Wang Chuzhi (863-923), a military governor whose career spanned the end of the Tang and the beginning of the Five Dynas- ties. By comparing the inscription with representations of the deceased in offi cial sources, the article reveals that the tomb inscription presents a critical attitude toward the moral standards of conventional historiography, and demonstrates a shifting moral geography in the works of Song historians. ! is new standard increasingly excluded nomadic peoples from the newly imagined political body, and excluded with them the pragmatic diplomacy that had characterized the politics of the Five Dynasties. Cet article analyse l’inscription funéraire de Wang Chuzhi (863-923). Ce gouverneur mili- taire vécut à la fi n des Tang et au début de la période des Cinq Dynasties. La comparaison de l’inscription à diverses représentations du défunt contenues dans les sources offi cielles montre la manière dont l’auteur de l’inscription critique les standards moraux de l’historiographie offi cielle. Elle montre aussi le cadre géographique mouvant dans lequel s’appliquait la morale Song : les populations nomades étaient de plus en plus exclues du corps politique tel qu’il était alors imaginé ; la diplomatie pragmatique qui avait dominé la période des Cinq Dynasties était abandonnée. Keywords tomb inscriptions, historiography, dynastic histories, Five Dynasties, Wang Chuzhi Introduction Wang Chuzhi !"# (863-923) was a high-ranking Military Commis- sioner who lived during the closing decades of the Tang (618-907) and the early years of the Five Dynasties (907-960), a time characterized by unceas- *! Angela Schottenhammer, Sinology, Japanese Studies, Munich University and Mar- burg University, Germany, [email protected]. -
Economic Analysis of Market for Wild Alaska Salmon Protein in China
DRAFT AN ECONOMIC ANALYSIS OF THE MARKET FOR WILD ALASKA SALMON PROTEIN CONCENTRATES IN CHINA Final Report Prepared for the Alaska Sea Grant College Program Mark Herrmann, Pei Xu, Lily C. Dong, Quentin S. Fong, and Charles Crapo Table of Contents Table of Contents ............................................................................................................... i List of Tables ..................................................................................................................... ii List of Figures.................................................................................................................... ii Acknowledgements ..........................................................................................................iii 1. Introduction............................................................................................................... 1 Alaska Salmon Protein Concentrate Products ................................................................ 2 2. The Chinese Market ................................................................................................. 4 Chinese Domestic Aquaculture Carp Protein ................................................................. 5 3. The Survey................................................................................................................. 7 Selection of the Five Survey Regions............................................................................. 7 Protein Supplements Expenditures in the Five Regions................................................ -
Chinese Contemporary Art-7 Things You Should Know
Chinese Contemporary Art things you should know By Melissa Chiu Contents Introduction / 4 1 . Contemporary art in China began decades ago. / 14 2 . Chinese contemporary art is more diverse than you might think. / 34 3 . Museums and galleries have promoted Chinese contemporary art since the 1990s. / 44 4 . Government censorship has been an influence on Chinese artists, and sometimes still is. / 52 5 . The Chinese artists’ diaspora is returning to China. / 64 6 . Contemporary art museums in China are on the rise. / 74 7 . The world is collecting Chinese contemporary art. / 82 Conclusion / 90 Artist Biographies / 98 Further Reading / 110 Introduction 4 Sometimes it seems that scarcely a week goes by without a newspaper or magazine article on the Chinese contemporary art scene. Record-breaking auction prices make good headlines, but they also confer a value on the artworks that few of their makers would have dreamed possible when those works were originally created— sometimes only a few years ago, in other cases a few decades. It is easy to understand the artists’ surprise at their flourishing market and media success: the secondary auction market for Chinese contemporary art emerged only recently, in 2005, when for the first time Christie’s held a designated Asian Contemporary Art sale in its annual Asian art auctions in Hong Kong. The auctions were a success, including the modern and contemporary sales, which brought in $18 million of the $90 million total; auction benchmarks were set for contemporary artists Zhang Huan, Yan Pei-Ming, Yue Minjun, and many others. The following year, Sotheby’s held its first dedicated Asian Contemporary sale in New York. -
A Buried Past: the Tomb Inscription
Journal of the Economic and Social History of the Orient 52 (2009) 14-56 www.brill.nl/jesho A Buried Past: Th e Tomb Inscription (Muzhiming) and Offi cial Biographies of Wang Chuzhi (863-923) Angela Schottenhammer* Abstract Th e present article investigates the tomb inscription of Wang Chuzhi (863-923), a military governor whose career spanned the end of the Tang and the beginning of the Five Dynas- ties. By comparing the inscription with representations of the deceased in offi cial sources, the article reveals that the tomb inscription presents a critical attitude toward the moral standards of conventional historiography, and demonstrates a shifting moral geography in the works of Song historians. Th is new standard increasingly excluded nomadic peoples from the newly imagined political body, and excluded with them the pragmatic diplomacy that had characterized the politics of the Five Dynasties. Cet article analyse l’inscription funéraire de Wang Chuzhi (863-923). Ce gouverneur mili- taire vécut à la fi n des Tang et au début de la période des Cinq Dynasties. La comparaison de l’inscription à diverses représentations du défunt contenues dans les sources offi cielles montre la manière dont l’auteur de l’inscription critique les standards moraux de l’historiographie offi cielle. Elle montre aussi le cadre géographique mouvant dans lequel s’appliquait la morale Song : les populations nomades étaient de plus en plus exclues du corps politique tel qu’il était alors imaginé ; la diplomatie pragmatique qui avait dominé la période des Cinq Dynasties était abandonnée. Keywords tomb inscriptions, historiography, dynastic histories, Five Dynasties, Wang Chuzhi Introduction Wang Chuzhi 王處直 (863-923) was a high-ranking Military Commis- sioner who lived during the closing decades of the Tang (618-907) and the early years of the Five Dynasties (907-960), a time characterized by unceas- *) Angela Schottenhammer, Sinology, Japanese Studies, Munich University and Mar- burg University, Germany, [email protected]. -
2017 36Th Chinese Control Conference (CCC 2017)
2017 36th Chinese Control Conference (CCC 2017) Dalian, China 26-28 July 2017 Pages 1-776 IEEE Catalog Number: CFP1740A-POD ISBN: 978-1-5386-2918-5 1/15 Copyright © 2017, Technical Committee on Control Theory, Chinese Association of Automation All Rights Reserved *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP1740A-POD ISBN (Print-On-Demand): 978-1-5386-2918-5 ISBN (Online): 978-9-8815-6393-4 ISSN: 1934-1768 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com Proceedings of the 36th Chinese Control Conference, July 26-28, 2017, Dalian, China Contents Systems Theory and Control Theory Robust H∞filter design for continuous-time nonhomogeneous markov jump systems . BIAN Cunkang, HUA Mingang, ZHENG Dandan 28 Continuity of the Polytope Generated by a Set of Matrices . MENG Lingxin, LIN Cong, CAI Xiushan 34 The Unmanned Surface Vehicle Course Tracking Control with Input Saturation . BAI Yiming, ZHAO Yongsheng, FAN Yunsheng 40 Necessary and Sufficient D-stability Condition of Fractional-order Linear Systems . SHAO Ke-yong, ZHOU Lipeng, QIAN Kun, YU Yeqiang, CHEN Feng, ZHENG Shuang 44 A NNDP-TBD Algorithm for Passive Coherent Location . ZHANG Peinan, ZHENG Jian, PAN Jinxing, FENG Songtao, GUO Yunfei 49 A Superimposed Intensity Multi-sensor GM-PHD Filter for Passive Multi-target Tracking . -
Religion and Nationalism in Chinese Societies
RELIGION AND SOCIETY IN ASIA Kuo (ed.) Kuo Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Religion and Nationalism in Chinese Societies Religion and Nationalism in Chinese Societies Religion and Society in Asia The Religion and Society in Asia series presents state-of-the-art cross-disciplinary academic research on colonial, postcolonial and contemporary entanglements between the socio-political and the religious, including the politics of religion, throughout Asian societies. It thus explores how tenets of faith, ritual practices and religious authorities directly and indirectly impact on local moral geographies, identity politics, political parties, civil society organizations, economic interests, and the law. It brings into view how tenets of faith, ritual practices and religious authorities are in turn configured according to socio-political, economic as well as security interests. The series provides brand new comparative material on how notions of self and other as well as justice and the commonweal have been predicated upon ‘the religious’ in Asia since the colonial/imperialist period until today. Series Editors Martin Ramstedt, Max Planck Institute for Social Anthropology, Halle Stefania Travagnin, University of Groningen Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Amsterdam University Press This book is sponsored by the 2017 Chiang Ching-kuo Foundation for International Scholarly Exchange (Taiwan; SP002-D-16) and co-sponsored by the International Institute of Asian Studies (the Netherlands). Cover illustration: Chairman Mao Memorial Hall in Beijing © Cheng-tian Kuo Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. -
Wing-Ming Chan) (PDF 1.5MB
East Asian History NUMBER 19 . JUNE 2000 Institute of Advanced Studies Australian National University Editor Geremie R. Ba rme As sistant Editor Helen Lo Editorial Bo ard Mark Elvin (Convenor) John Clark An drew Fraser Helen Hardacre Colin Jeffcott W.]. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Des ign and Production Helen Lo Bu siness Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT Th is is th e nineteenth issue of East Asian History in the seri es previously entitled Papers on Far EasternHistory. The journal is published twice a year Contributions to The Ed itor, East Asian History Division of Pacific and Asian History Research School of Pacific and As ian Studies Australian National University Canberra ACT 0200, Au stralia Phone +61 2 6249 3140 Fax +61 2 6249 5525 email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at th e above address Annual Subscription Au stralia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Lu Xun's Disturbing Greatness W. j. F.Jenner 27 The Early-Qing Discourse on Lo yalty Wing-ming Chan 53 The Dariyan ya, the State of the Uriyangqai of the Altai , the Qasay and the Qamniyan Ceveng (c. Z. Zamcarano) -translated by 1. de Rachewiltz and j. R. Krueger 87 Edwardian Theatre and the Lost Shape of Asia: Some Remarks on Behalf of a Cinderella Subject Timothy Barrett 103 Crossed Legs in 1930s Shanghai: How 'Modern' the Modern Woman? Francesca Dal Lago 145 San Mao Makes History Miriam Lang iv Cover calligraphy Yan Zhenqing M�Y��, Tang calligrapher and statesman Cover illustration Magazine advertisement for the medicine Bushiming THE EARLY-QING DISCOURSE ON LOYALTY � Wing-ming Chan �*Jkfijj The drastic shift of the Mandate of Heav en in seventeenth-century China 2 ZhangTingyu iJ1U!33: (1672-1755) et aI., provoked an identity crisis among the Chinese literati and forced them to comp., Mingshi [History of the Ming dynasty! reconsider their socio-political role in an er a of dynastic change. -
Chinese Foreign Aromatics Importation
CHINESE FOREIGN AROMATICS IMPORTATION FROM THE 2ND CENTURY BCE TO THE 10TH CENTURY CE Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in the undergraduate colleges of The Ohio State University. by Shiyong Lu The Ohio State University April 2019 Project Advisor: Professor Scott Levi, Department of History 1 Introduction Trade served as a major form of communication between ancient civilizations. Goods as well as religions, art, technology and all kinds of knowledge were exchanged throughout trade routes. Chinese scholars traditionally attribute the beginning of foreign trade in China to Zhang Qian, the greatest second century Chinese diplomat who gave China access to Central Asia and the world. Trade routes on land between China and the West, later known as the Silk Road, have remained a popular topic among historians ever since. In recent years, new archaeological evidences show that merchants in Southern China started to trade with foreign countries through sea routes long before Zhang Qian’s mission, which raises scholars’ interests in Maritime Silk Road. Whether doing research on land trade or on maritime trade, few scholars concentrate on the role of imported aromatics in Chinese trade, which can be explained by several reasons. First, unlike porcelains or jewelry, aromatics are not durable. They were typically consumed by being burned or used in medicine, perfume, cooking, etc. They might have been buried in tombs, but as organic matters they are hard to preserve. Lack of physical evidence not only leads scholars to generally ignore aromatics, but also makes it difficult for those who want to do further research. -
Understanding Chinese Hospitality Management Master's Students' Satisfaction with Their Education Yanbin Li Purdue University, [email protected]
Purdue University Purdue e-Pubs Open Access Theses Theses and Dissertations 2013 Understanding Chinese Hospitality Management Master's Students' Satisfaction With Their Education YanBin Li Purdue University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/open_access_theses Part of the Asian Studies Commons, Higher Education Commons, and the Social History Commons Recommended Citation Li, YanBin, "Understanding Chinese Hospitality Management Master's Students' Satisfaction With Their ducaE tion" (2013). Open Access Theses. 141. https://docs.lib.purdue.edu/open_access_theses/141 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By YANBIN LI Entitled UNDERSTANDING CHINESE HOSPITALITY MANAGEMENT MASTER'S STUDENTS' SATISFACTION WITH THEIR EDUCATION Master of Science For the degree of Is approved by the final examining committee: ANNMARIE NICELY Chair HOWARD ADLER HUGO TANG To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________ANNMARIE -
Buddhist State Monasteries in Early Medieval China and Their Impact on East Asia Liqun He
Buddhist State Monasteries in Early Medieval China and their Impact on East Asia A Dissertation Presented to the Faculty of Philosophy of Heidelberg University in Candidacy for the Degree of Doctor of Philosophy Institute of East Asian Art History by Liqun He December, 2013 Dissertation Supervisors: Prof. Dr. Lothar Ledderose; Prof. Dr. Sarah E. Fraser Contents Introduction ................................................................................................................. 1 1. Research topic ........................................................................................................... 1 2. Previous research on the layout of Buddhist monasteries in Early Medieval China ....................................................................................................................................... 5 3. The significance of the topic and research methods.................................................. 9 Chapter I - Monastery Layout in Early Medieval China: Textual Evidence ...... 15 1. The introduction of Buddhism and the establishment of early monasteries in China ..................................................................................................................................... 15 2. Buddhist monasteries in the Northern and Southern Dynasties .............................. 21 3. Buddhist monastery system during the Sui and Tang Dynasties............................. 25 Chapter II - Monastery Layout in Early Medieval China: Archaeological Evidence ....................................................................................................................