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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
SHOOT Magazine March/April 2019 Issue
March/April 2019 March/April Chat Room 4 The Road To Emmy Preview Hot Locations 10 4 Spring 2019 DIR Adam McKay Lauren Greenfield Chat Room 18 ECT online.com Series SHOOT ORS Matthew Heineman 8 Ramaa Mosley www. Up-and-Coming Directors 19 Floyd Russ Ridley Scott Spike Jonze Cinematographers & Cameras 22 Top Ten VFX & Animation Chart 26 Top Ten Music Tracks Chart 28 TO GET CONNECTED THE FURTHEST REACHES OF YOUR IMAGINATION ARE CLOSER THAN YOU THINK. With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. filmusvi.com DOWNLOAD THE FILM USVI APP: © 2019 U.S. Virgin Islands Department of Tourism USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” Perspectives The Leading Publication For Film, TV & Commercial Production and Post March/April 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Serious Comedy Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Our Up-and-Coming known for its humorous chops, and hope- her feature film, Late Night. -
6182 Rhodes & Singer.Indd
Consuming Images 6182_Rhodes & Singer.indd i 18/12/19 3:04 PM Robert Abel’s Bubbles (1974) 6182_Rhodes & Singer.indd ii 18/12/19 3:04 PM Consuming Images Film Art and the American Television Commercial Gary D. Rhodes and Robert Singer 6182_Rhodes & Singer.indd iii 18/12/19 3:04 PM Dedicated to Barry Salt and Gerald “Jerry” Schnitzer Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Gary D. Rhodes and Robert Singer, 2020 Edinburgh University Press Ltd The Tun—Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 6068 2 (hardback) ISBN 978 1 4744 6070 5 (webready PDF) ISBN 978 1 4744 6071 2 (epub) The right of Gary D. Rhodes and Robert Singer to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 6182_Rhodes & Singer.indd iv 18/12/19 3:04 PM Contents List of Figures vi Acknowledgments ix Introduction 1 1. Origins 16 2. Narrative 36 3. Mise-en-scène 62 4. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
SHOOT Digital PDF Version, May 17, 2013, Volume 54, Number 5
AICE Award www.shootonline.com May 17, 2013 $7.00 Winners; Hall of Fame 6 Producer Perspective: House of Cards 8 w Directo Ne rs T S The Next Generation O h O o w H S c a e s h of Filmmakers e T • • SHOOT’s 11th Annual New Directors Showcase; T he 13 Meet The Class of 2013 15 Class of 20 Cinematographers & Cameras Series 10 Short Takes 4 Perspectives The Leading Publication For Commercial, Branded Content & Entertainment Production May 17, 2013 spot.com.mentary By Robert Goldrich Volume 54 • Number 5 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Flashback Roberta Griefer 203.227.1699 ext. 13 [email protected] Editor Robert Goldrich Our ongoing, long- Angeles. The situation was dire as cystic um, Robbyn sent an email to me a couple 323.960.8035 ext. 6681 [email protected] running Flashback fibrosis had significantly decreased Rob- of weeks ago, noting that the 10-year an- Contributor feature looking back at byn’s pulmonary functions and her life niversary of her lung lobes transplant is Christine Champagne SHOOT headlines five was in jeopardy. fast approaching. “Not too bad, right?” ADVERTISING Display Advertisng Inquires and 10 years ago provides perspective, a Thankfully, we followed up with good she wrote. [email protected] 203.227.1699 ext. 13 stroll down memory lane, and occasion- news just four months later as two of her It’s a happy flashback and a reality/pri- Advertising Production ally a chuckle or two as we see how things brothers proved to be a transplant match ority check for us, serving as a reminder Gerald Giannone have changed or not changed, progressed and Robbyn was recovering nicely—to of what’s truly important, particularly as 203.227.1699 ext. -
SHOOT Digital PDF Version, Volume 59, Number 6
www.SHOOTonline.com December 2018 / January 2019 Chat Room 16 page 3 credits & photo Titles Film The Road To Oscar 5 The Year In Perspective: De ning 2018 17 Ad Agency of the Year NEW YORK Best Work of the Year 28 23 FOR YOUR CONSIDERATION BEST PICTURE BEST DIRECTOR ALFONSO CUARÓN “THE BEST PICTURE OF THE YEAR. Alfonso Cuarón’s masterpiece. Breathtaking and life-giving. ” RICHARD LAWSON, VANITY FAIR CRITICS’ CHOICE 8 AWARD NOMINATIONS BEST PICTURE BEST DIRECTOR BEST ACTRESS BEST DIRECTOR • BEST SCREENPLAY ALFONSO CUARÓN YALITZA APARICIO ALFONSO CUARÓN 3 NEW YORK FILM CRITICS Full Page Ad 2 LOS ANGELES FILM CRITICS CIRCLE AWARDS ASSOCIATION AWARDS 3 SAN FRANCISCO FILM 5 CHICAGO FILM CRITICS CRITICS CIRCLE AWARDS ASSOCIATION AWARDS SHOOT MAGAZINE, DECEMBER/JANUARY ISSUE, COVER 2 NETFLIX: ROMA PUB DATE: 12/14/18 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” Perspectives spot.com.mentary By Robert Goldrich The Leading Publication For Commercial, Branded Content & Entertainment Production December 2018/January 2019 Volume 59 • Number 6 Badge of Honors www.SHOOTonline.com EDITORIAL Publisher & Editorial Director In this issue, SHOOT behind Corazón is the number two “Top venture between the DGA and AICP; Roberta Griefer 203.227.1699 ext. 701 [email protected] looks back at 2018, re- Spot” in our countdown, Ad Council’s Caitlin Cronenberg who was prominent Editor flecting on the best the Rising, the latest installment of the icon- in SHOOT’s recent Fall Directors Series Robert Goldrich year had to offer. Our ic Love Has No Labels campaign. This featuring Up-and-Coming Directors 203.227.1699 ext 702 [email protected] recognition of notable work serves as “a short film shows how neighbors seem- (she was recognized for “Oxygen,” a ADVERTISING Digital & Print Rates & Information badge of honors”--not just for the art and ingly distrusting of one another come Centre for Addiction and Mental Health [email protected] 203.227.1699 ext. -
Rand-Sagers-Resume.Pdf
Rand Sagers set Decorator features White Squall Ridley Scott 96 Shanghai Noon Tom Dey 00 Torque Joseph Kahn 04 Nearing Grace Rich Rosenthal 05 Glass House Steve Antin 06 Sublime Tony Krantz 07 Japan Fabien Pruvot 07 Bring It On 5 Bille Woodruff 09 Ashes Elias Matar 10 Silver Skies Rosemary Rodriguez 13 Home Dennis Illiadis 14 Stephanie Akiva Goldsman 15 commercials American Express Audi Capitol One Coors Coke Disneyland Doritos Dunhill Energizer Gatorade Genereral Electric Lexus Master Card Mercedes Molson Mountain Dew New York Stock Exchange Nike Nissan Panasonic Pepsi Perrier Revlon Samsung Showtime Tiffany Visa ABC BMW CBS HBO IBM MCA NBC music Videos Will Smith Britney Spears Janet Jackson Madonna Rihanna EPISODIC The Client List The Rebels Real Husbands of Hollywood Season 2 Pilot Season 5 Lifetime 2012-13 Amazon 2014 BET 2016 PRINT Barneys Bergdorf Goodman Chris Cornell Details Flaunt Glamour Harpers Bazaar Henri Bendel L’uomo Vogue New York Magazine New York Times Paper Perry Ferrel Rihanna Showtime Sony Surface Time Warner Universal Vogue Warner Records directors Ed Bianchi Michael Bay Andrew Becker David Cornell Luca Decarlo Tom Dey Jesse Dylan David Fincher Bob Giraldi Paul Giraud Akiva Goldsman Johnny Green Anthony Hoffman Joseph Kahn Michael Karbelnikoff Lance Kelleher Alek Keshishian Catherine Lefebvre Ian Macdonald David Myers Marcus Nispel Willy Paterson Joe Pytka Herb Ritts Eric Saarinen Ridley Scott PHOTOGRAPHERS Helmut Newton Dewey Nicks Irving Penn Herb Ritts Skrebneski Max Vadukul randSagers.com [email protected] 323 791 2170. -
P a T R I C I a G a R R I
P A T R I C I A G A R R I T Y cell 213. 999.4601 home 323.257.6771 [email protected] www.web.me.com/patriciagarrity P R O D U C T I O N D E S I G N E R c l i e n t p r o d u c t i o n c o m p a n y d I r e c t o r Vidal Sassoon Hydraulx Brothers Strause Pantene Villians Sara Marandi Pantene Radical Media Sara Marandi Pantene New England Weather Sara Marandi Sprint Tool of N. America Tom Routson Taco Bell (4) Company Films David McNally One-A-Day Mechaniks Michael Norman Denny’s Company Films David McNally Denny’s Company Films David McNally Rent-A-Center The Joneses Glenn Ashley Allegra (2) Ace Entertainment Leta Warner Hormel Ace Entertainment Leta Warner Pacific Care Tony Kaye Films Tony Kaye Food Network Digital Kitchen Mason Nicoli Flat Earth (print) Tony D’Orio Photography Tony D’Orio S E T D E C O R A T O R c l i e n t p r o d u c t I o n c o m p a n y d e s I g n e r d I r e c t o r Alice/Hot Topic Pop-Up Five33/Disney Dominic Hyman (Installation) Best Buy Bob Industries Craig Reynolds Zach Math Nutrigrain Whitelabel Joaquin Grey Nick Robertson NFL Pytka Jennifer Williams Joe Pytka Mc Donald’s Pytka Jennifer Williams Joe Pytka NFL Pytka Jennifer Williams Joe Pytka Hallmark Pytka Jennifer Williams Joe Pytka Budweiser Pytka Jennifer Williams Joe Pytka Pepsi HSI Jason Hamilton Sam Baer Rexona HSI Richard LaSalle Paul Hunter NFL Pytka Jennifer Williams Joe Pytka IBM Pytka Jennifer Williams Joe Pytka Kaiser Permnante Pytka Jennifer Williams Joe Pytka Budweiser Pytka Jennifer Williams Joe Pytka Xerox Pytka Jennifer Williams Joe Pytka General Motors The Institute Jennifer Williams Michael Bay Welch’s The Institute Bob Pfeffer David Harner Toyota Gartner Richard Amend Ted Melfi Valtrex Dektor Penny Mahar Leslie Dektor Italian Vogue Big Room Randall Peacock Steven Meisel Barilla Great Guns Richard Holland Luis Gerard Meow Mix Backyard Richard Amend Tom Friedricks Triaminic MJZ Rob Pearson Clay Williams Febreze MJZ Rob Pearson Clay Williams U.P.S. -
Sports Super Bonus Answer
Team: Replace this cell with "Yes" or "No" to let us know if you used the internet. Answer the questions as asked Part I: Movie Quotes For each quote, name the movie! Remember that every movie is a sports movie. For bonus points, also list the director and the year that the film was released in theaters. Movie Director Year 1 The Mighty Ducks Stephen Herek 1992 2 Miracle Gavin O'Connor 2004 3 A League of Their Own Penny Marshall 1992 4 Field of Dreams Phil Alden Robinson 1989 5 Airbud Charles Martin Smith 1997 6 Semi-Pro Kent Alterman 2008 7 The Blind Side John Lee Hancock 2009 8 The Sandlot David Mickey Evans 1993 9 Kicking and Screaming Jesse Dylan 2005 10 Green Street Hooligans Lexi Alexander 2005 11 Karate Kid John Avildsen 1984 12 The Replacements Howard Deutch 2000 13 Rocky John Avildsen 1976 14 Bull Durham Ron Shelton 1988 15 Bad News Bears Michael Ritchie 1976 16 Caddyshack Harold Ramis 1980 17 Jerry Maguire Cameron Crowe 1996 18 Hoosiers David Anspaugh 1986 19 Space Jam Joe Pytka 1996 20 Finding Forrester Gus Van Sant 2000 21 Slapshot George Roy Hill 1977 22 Invincible Ericson Core 2006 23 Secretariat Randall Wallace 2010 24 Dodgeball Rawson Marshall Thurber 2004 25 Rudy David Anspaugh 1993 26 Knute Rockne, All American Lloyd Bacon 1940 27 Airplane Jim Abrams, David Zucker 1980 28 Breaking Away Peter Yates 1979 29 Blades of Glory Josh Gordon 2007 30 Cars John Lasster, Joe Ranft 2006 31 Fight Club David Fincher 1999 32 Balls of Fury Robert Ben Garant 2007 33 A Knight's Tale Brian Helgeland 2001 34 Chariots of Fire Hugh Hudson -
SHOOT Digital PDF Version, January 26, 2007 Volume 48, Number 2
www.shootonline.com Mekanism Finds Rob Luehrs “Motivation” Accelerates His For Nike+iPod Career With Workout “Shutter Speed” page 16 page 17 THE LEADING PUBLICATION FOR COMMERCIAL, INTERACTIVE, & BRANDED CONTENT PRODUCTION January 26, 2007 $5.00 Director Steve Chase Directors Doesn’t Pass Go Veteran TV commercialmaker shifts Refl ect On to a new U.S. ad roost, attracted by Go Film principals Robert Wherry, DGA Noms Jonathan Weinstein and Gary Rose. TThehe BBigig GGameame By Robert Goldrich Chase’s career spans American and The five nominees for the Directors Canadian spots, and is highlighted by Guild of America (DGA) Award hon- Super Bowl ads, assorted awards and PPopop CCulture–Andulture–And MMedia–Toedia–To FFigureigure oring the best commercial director a coveted Directors Guild of America of 2006 were announced last week Award nomination PProminentlyrominently IInn SSuperuper BBowlowl AAdd MMix;ix; (SHOOT, 1/19). SHOOT caught up See page 4 with the helmers to get their reflections ::3030 SSlotlot GGoingoing FForor $$2.62.6 MMillionillion on being nominated. Taking A Punch At The LOS ANGELES—“At this point in my Live-Action Spot Market A SHOOT Staff Report life I don’t need the notoriety or the Spot animation house ka-chew! diver- MIAMI—The Super Bowl is an indelible part of main- adulation,” related director Joe Pytka sifies with formation of new venture, stream popular culture, with some academicians of Venice, Calif.-based PYTKA. That’s which secures Ellen Knable as execu- contending that the game—and the commercials why he rarely enters award show tive producer and brings four direc- aired during it—reflect in many respects the tone competitions. -
World Film Market Trends Tendances Du Marché Mondial Du Film
FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM 2015 focus 2015 World Film Market Trends Tendances du marché mondial du fil Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Information on Markets and Financing, European Audiovisual Observatory Editorial assistants, LUMIERE Database Valérie Haessig, Laura Ene Lay-out: Acom* Europe © 2015, Marché du Film Printed: Global Rouge, Les Deux-Ponts 2 Editorial For its 18th edition, FOCUS will accompany you Lors de cette 18ème édition, FOCUS vous accom- throughout the Cannes Film Festival and beyond. pagnera pendant le Festival et au-delà. Cette This publication, which provides information on publication, qui fournit de précieuses infor mations production and distribution around the world, sur la production et la distribution à travers le has become an essential tool for Marché du Film monde, est devenue un outil essentiel pour les professionals and will help you grasp the ever- professionnels du Marché du Film et vous aidera à changing practices of the film industry. comprendre les mutations constantes de l’industrie I am delighted to partner once again with cinématographique. Susanne Nikoltchev and her wonderful team from Une fois de plus, je me réjouis de travailler the European Audiovisual Observatory in order avec Susanne Nikoltchev et la formidable équipe to provide you with this overview of world film de l’Observatoire afin de vous offrir cette vue market trends. -
To: @ : Super Bowl 2010 : 2/16/10 Page: 1 Year Agency Title Client Product Director Prod Co Credit Name Company
To: @ : Super Bowl 2010 : 2/16/10 Page: 1 Year Agency Title Client Product Director Prod Co Credit Name Company 2010 RPA Exclamation Acura ZDX Lance Acord Park Pictures CD: John Hage Chief Cr Off: David Smith Exec Producer: Jack Epsteen Colorist Stefan Sonnenfeld Company 3 Creative Director Jens Gehlhaar Brand New School DP Lance Acord Park Pictures Editor Angus Wall Rock Paper Scissors Editor Angus Wall Rock Paper Scissors Exec Producer Mary Ann Marino Park Pictures Graphics Brand New School Brand New School Line Producer Caroline Kousidinis Park Pictures Music "Pa Bailer" by Bajofondo VFX A52 A52 2010 Cannonball T Pain Anheuser Busch Bud Light Mike Bigelow GARTNER Art Director: Joe Bishop CD: Mike Binnette CD/Writer: Steve Hunt Copywriter: Brian Fauss Producer: Bob Jackson Casting Ross Lacy Casting Colorist Bill Ferwerda Notch DP Salvatore Totino Skouras Agency Editor Jonathan Devries School Edit Exec Producer Sarah Brooks School Edit Exec Producer Rich Carter GARTNER Graphics 90 Degrees West Line Producer Helen Hollien Helen Hollien Music In The Groove Music Sound Design Vanya Drakul Pirate Group Inc VFX Axyz axyz To: @ : Super Bowl 2010 : 2/16/10 Page: 2 Year Agency Title Client Product Director Prod Co Credit Name Company 2010 Cannonball Stranded Anheuser Busch Bud Light Craig Gillespie MJZ Art Director: Brian Fauss CD: Steve Hunt CD/Art Director: Mike Binnette Producer: Johnny Chambers Casting Cathy Carlton Colorist Bill Ferwerda Notch DP Janusz Kaminski ICM Editor Griff Henderson School Edit Exec Producer David Zander MJZ Graphics