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Rand Sagers set Decorator features White Squall Ridley Scott 96 Shanghai Noon Tom Dey 00 Torque Joseph Kahn 04 Nearing Grace Rich Rosenthal 05 Glass House Steve Antin 06 Sublime Tony Krantz 07 Japan Fabien Pruvot 07 Bring It On 5 Bille Woodruff 09 Ashes Elias Matar 10 Silver Skies Rosemary Rodriguez 13 Home Dennis Illiadis 14 Stephanie Akiva Goldsman 15 commercials American Express Audi Capitol One Coors Coke Disneyland Doritos Dunhill Energizer Gatorade Genereral Electric Lexus Master Card Mercedes Molson Mountain Dew New York Stock Exchange Nike Nissan Panasonic Pepsi Perrier Revlon Samsung Showtime Tiffany Visa ABC BMW CBS HBO IBM MCA NBC music Videos Will Smith Britney Spears Janet Jackson Madonna Rihanna EPISODIC The Client List The Rebels Real Husbands of Hollywood Season 2 Pilot Season 5 Lifetime 2012-13 Amazon 2014 BET 2016 PRINT Barneys Bergdorf Goodman Chris Cornell Details Flaunt Glamour Harpers Bazaar Henri Bendel L’uomo Vogue New York Magazine New York Times Paper Perry Ferrel Rihanna Showtime Sony Surface Time Warner Universal Vogue Warner Records directors Ed Bianchi Michael Bay Andrew Becker David Cornell Luca Decarlo Tom Dey Jesse Dylan David Fincher Bob Giraldi Paul Giraud Akiva Goldsman Johnny Green Anthony Hoffman Joseph Kahn Michael Karbelnikoff Lance Kelleher Alek Keshishian Catherine Lefebvre Ian Macdonald David Myers Marcus Nispel Willy Paterson Joe Pytka Herb Ritts Eric Saarinen Ridley Scott PHOTOGRAPHERS Helmut Newton Dewey Nicks Irving Penn Herb Ritts Skrebneski Max Vadukul randSagers.com [email protected] 323 791 2170.

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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
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6182 Rhodes & Singer.Indd
Consuming Images 6182_Rhodes & Singer.indd i 18/12/19 3:04 PM Robert Abel’s Bubbles (1974) 6182_Rhodes & Singer.indd ii 18/12/19 3:04 PM Consuming Images Film Art and the American Television Commercial Gary D. Rhodes and Robert Singer 6182_Rhodes & Singer.indd iii 18/12/19 3:04 PM Dedicated to Barry Salt and Gerald “Jerry” Schnitzer Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Gary D. Rhodes and Robert Singer, 2020 Edinburgh University Press Ltd The Tun—Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 6068 2 (hardback) ISBN 978 1 4744 6070 5 (webready PDF) ISBN 978 1 4744 6071 2 (epub) The right of Gary D. Rhodes and Robert Singer to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 6182_Rhodes & Singer.indd iv 18/12/19 3:04 PM Contents List of Figures vi Acknowledgments ix Introduction 1 1. Origins 16 2. Narrative 36 3. Mise-en-scène 62 4.
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2018 - Straini DACIN SARA
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HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
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Network Aesthetics
Network Aesthetics Network Aesthetics Patrick Jagoda The University of Chicago Press Chicago and London Patrick Jagoda is assistant professor of English at the University of Chicago and a coeditor of Critical Inquiry. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by The University of Chicago All rights reserved. Published 2016. Printed in the United States of America 25 24 23 22 21 20 19 18 17 16 1 2 3 4 5 ISBN- 13: 978- 0- 226- 34648- 9 (cloth) ISBN- 13: 978- 0- 226- 34651- 9 (paper) ISBN- 13: 978- 0- 226- 34665- 6 (e- book) DOI: 10.7208/chicago/9780226346656.001.0001 The University of Chicago Press gratefully acknowledges the generous support of the Division of the Humanities at the University of Chicago toward the publication of this book. Library of Congress Cataloging-in-Publication Data Jagoda, Patrick, author. Network aesthetics / Patrick Jagoda. pages cm Includes bibliographical references and index. ISBN 978- 0- 226- 34648- 9 (cloth : alkaline paper) ISBN 978- 0- 226- 34651- 9 (paperback : alkaline paper) ISBN 978- 0- 226- 34665- 6 (e- book) 1. Arts—Philosophy. 2. Aesthetics. 3. Cognitive science. I. Title. BH39.J34 2016 302.23'1—dc23 2015035274 ♾ This paper meets the requirements of ANSI/NISO Z39.48- 1992 (Permanence of Paper). This book is dedicated to an assemblage of friends—including the late-night conversational, the lifelong, and the social media varieties— to whom I am grateful for inspiration and discussion, collaboration and argument, shared meals and intellectual support. Whenever I undertake the difficult task of thinking through and beyond network form, I constellate you in my imagination.
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Film and TV Resumé
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UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEAS ! ! ! ! TATIANA GÜENAGA ANEAS ! ! ! ESTILO E AUTORIA NO CAMPO DO FILME PUBLICITÁRIO: OS CASOS DE “CACHORRO-PEIXE” E “ÚLTIMOS DESEJOS DA KOMBI”, DA ALMAPBBDO ! ! ! ! ! ! Salvador 2016 TATIANA GÜENAGA ANEAS ! ! ! ! ESTILO E AUTORIA NO CAMPO DO FILME PUBLICITÁRIO: OS CASOS DE DE “CACHORRO-PEIXE” E “ÚLTIMOS DESEJOS DA KOMBI”, DA ALMAPBBDO ! Tese apresentada como requisito parcial à obtenção do grau de Doutora em Comunicação pelo Curso de Pós- graduação em Comunicação e Cultura Contemporâneas da Universidade Federal da Bahia. ! Orientadora: Profa Dra Maria Carmem Jacob de Souza ! ! ! ! ! ! ! ! Salvador 2016 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA CENTRAL UNIVERSIDADE FEDERAL DE SERGIPE ! ! ! ! Aneas, Tatiana Güenaga A578e Estilo e autoria no campo do filme publicitário : os casos de “cachorro-peixe” e “últimos desejos da kombi”, da almaBBDO / Tatiana Güenaga Aneas ; orientadora Maria Carmem Jacob de Souza. – Salvador, 2016. 384 f. : il. ! Tese (Doutorado em Comunicação) – Universidade Federal !da Bahia, 2016. 1. Publicidade. 2. Propaganda. 3. Cinema. 4. Agências de propaganda. 5. Gravações de vídeo. I. Souza, Maria Carmem Jacob de, orient. III. Título. CDU 659.1:791.43 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Para Márcio e Theo AGRADECIMENTOS ! A Profa. Maria Carmem Jacob de Souza, pela orientação competente, pelo apoio e paciência e pelas valiosas lições sobre generosidade. Ao Prof. Wilson Gomes, pela importante participação na minha formação como pesquisadora. Aos Profs. Guilherme Maia e Rodrigo Barreto, que colaboram com esta pesquisa desde os tempos do grupo Pepa. Aos professores do Póscom/UFBA com os quais tive o prazer de conviver ao longo da minha trajetória e que colaboraram de muitas maneiras com este trabalho: Mohamed Bamba, Regina Gomes, José Francisco Serafim e Fábio Ferreira.
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THE CIRCUITRY of MEMORY: TIME and SPACE in MAD MEN by Molly Elizabeth Lewis B.A., Honours, the University of British Columbia, 2
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Sports Super Bonus Answer
Team: Replace this cell with "Yes" or "No" to let us know if you used the internet. Answer the questions as asked Part I: Movie Quotes For each quote, name the movie! Remember that every movie is a sports movie. For bonus points, also list the director and the year that the film was released in theaters. Movie Director Year 1 The Mighty Ducks Stephen Herek 1992 2 Miracle Gavin O'Connor 2004 3 A League of Their Own Penny Marshall 1992 4 Field of Dreams Phil Alden Robinson 1989 5 Airbud Charles Martin Smith 1997 6 Semi-Pro Kent Alterman 2008 7 The Blind Side John Lee Hancock 2009 8 The Sandlot David Mickey Evans 1993 9 Kicking and Screaming Jesse Dylan 2005 10 Green Street Hooligans Lexi Alexander 2005 11 Karate Kid John Avildsen 1984 12 The Replacements Howard Deutch 2000 13 Rocky John Avildsen 1976 14 Bull Durham Ron Shelton 1988 15 Bad News Bears Michael Ritchie 1976 16 Caddyshack Harold Ramis 1980 17 Jerry Maguire Cameron Crowe 1996 18 Hoosiers David Anspaugh 1986 19 Space Jam Joe Pytka 1996 20 Finding Forrester Gus Van Sant 2000 21 Slapshot George Roy Hill 1977 22 Invincible Ericson Core 2006 23 Secretariat Randall Wallace 2010 24 Dodgeball Rawson Marshall Thurber 2004 25 Rudy David Anspaugh 1993 26 Knute Rockne, All American Lloyd Bacon 1940 27 Airplane Jim Abrams, David Zucker 1980 28 Breaking Away Peter Yates 1979 29 Blades of Glory Josh Gordon 2007 30 Cars John Lasster, Joe Ranft 2006 31 Fight Club David Fincher 1999 32 Balls of Fury Robert Ben Garant 2007 33 A Knight's Tale Brian Helgeland 2001 34 Chariots of Fire Hugh Hudson
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