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ED COLTMAN Offline Editor +44 (0)7506 096 503 | [email protected] About Ed Is an Intuitive Storyteller with Experience of Editing Complex Narratives

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ED COLTMAN Offline Editor +44 (0)7506 096 503 | Edward.Coltman@Gmail.Com About Ed Is an Intuitive Storyteller with Experience of Editing Complex Narratives ED COLTMAN offline editor +44 (0)7506 096 503 | [email protected] About Ed is an intuitive storyteller with experience of editing complex narratives. His background as a sound editor means that he is also highly competent at building soundscapes. He has worked on projects for FILM 4, BFI, CREATIVE ENGLAND and BBC COMEDY. He has an MA in Editing from the NFTS (2020 Alumni) and a BA in English Literature. He has recently finished editing a Brazilian feature, THE FALL, which will be dis- tributed by Fernando Meirelles later this year. Assembly Editor • ADULT LIFE SKILLS (dir. Rachel Tunnard) | 2015 | 90' feature film | Creative England / Film Väst and the Wellcome Trust | Winner - Nora Ephron Prize (Tribeca Film Festival 2016) • EMOTIONAL FUSEBOX (dir. Rachel Tunnard) | 2014 | 10' short | Creative England / BFI Nominated - Best Short Film (BAFTA 2015) Fiction Editor • A QUEDA / THE FALL (dir. Diego Rocha) | 2019 | 105’ feature film shot in Minas Gerais, Brazil • CITY OF LOST CHILDREN (dir. Misha Vertkin) | 2019 | 25’ short | NFTS • THE HEALER (dir. Misha Vertkin) | 2019 | 15’ short | NFTS • THE DOOR (dir. Astrid Thorvaldsen) | 2018 | 20’ short | NFTS • O POTRO/ THE COLT (dir. Diego Rocha) | 2016 | 30’ short shot in Minas Gerais, Brazil • CONFECTION (dir. Ed Rigg) | 2016 | 30' short | Misfit Studios • WRITERS RETREAT (dir. Diego Rocha) | 2015 | 90’ feature film | Molifilms • PASSENGER (dir. Ed Rigg) | 2013 | 15' short | Film London / BFI Winner - Best Drama (The Smalls Film Festival 2013) • BONVER (dir. George Anthony Fox) | 2012 | 20’ short | Met Film School • CHASTE (dir. Mike Jones) | 2012 | 10’ short | Met Film School • BABY BLUE (dir. Lisa Laxholm) | 2012 | 8’ short | Met Film School • NO SMOKING (dir. Ed Rigg) | 2012 | 5’ short Runner-Up - Best 19-25 Fiction Short Film (BFI Future Film Festival 2013) • ROMANTIC HIDEAWAY (dir. Kawita Sareen) | 2012 | 4’ short Winner - Best Short Film (London Independent Film Festival 2013) Documentary Editor • THE DAYDREAMERS (dir. Thomas Renckens | 31’ documentary short | NFTS • THEN AND NOW (dir. Alessandra Berti) | 2019 | 15’ documentary short | NFTS • ADAPTATION (dir. Miranda Carter) | 2018 | 15’ documentary short | NFTS • THE BOY WHO MADE A MUSEUM (dir. Sergio Utsch) | 2018 | 20’ documentary short Winner - FPA Member TV & Radio Story of the Year – 2018 FPA Awards Additional Editor • NEW TOWN UTOPIA (dir. Christopher Ian Smith) | 2018 | 80’ documentary feature film Assistant Editor • FUZZ BOX (dir. Peter Snelling) | 2013 | 6 x 30’ TV series | BBC THREE TX | BBC Three/ My Pockets • SHELL (dir. Scott Graham) | 2012 | feature film | BFI/ Brocken Spectre/ Creative Scotland Winner of BEST FILM 2012 – Turin Film Festival • HARRIGAN (dir. Vince Woods) | 2012 | feature film | Tall Tree Pictures • FIRST (documentary) (dir. Caroline Rowland) | 2012 | feature film | New Moon/ IOC • WE'LL TAKE MANHATTAN (dir. John Mckay) | 2012 | TV feature film | BBC FOUR TX Kudos/ BBC Four Winner of BEST EUROPEAN TV DRAMA 2012 – Prix Europa • ONE MAN WALKING (dir. Margaret Williams) | 2011 | TV short dance film | CHANNEL 4 TX Channel 4/ MJW Productions • LOST CHRISTMAS (TV) (dir. John Hay) | 2011 | TV feature film | CBBC/ Impact Film & Television • SCREWED (dir. Reg Traviss) | 2011 | feature film | Kingsway Films/ Lionsgate • LOVE TOMORROW (dir. Christopher Payne) | 2010 | feature film Winner of BEST UK FEATURE 2012 – Raindance Film Festival • THE MORTICIAN 3D (dir. Gareth Maxwell Roberts) | 2010 | feature film | Full Circle Films/ F&ME / Bel- ladonna Productions (US) • NATIVE SON (dir. Scott Graham) | 2010 | short film | Channel 4/ BBC Films/ Scottish Screen/ UK Film Council | Selected for SEMAINE DE LA CRITIQUE - Cannes 2010 • PSYCHOSIS (dir. Reg Travis) | 2009 | feature film | Red Sparrow/ Kingsway Films Archive Researcher • LIFE IN A DAY (dir. Kevin MacDonald) | 2010 | feature film | Scott Free Productions Sound Editor • FAST GIRLS (dir. Regan Hall) | 2012 | feature film Assistant Sound Editor • SCREWED (dir. Reg Traviss) | 2011 | feature film • ANUVAHOOD (dir. Adam Deacon) | 2010 | feature film Dialogue Editor • GET LUCKY (dir. Sacha Bennett) | 2012 | feature film • PIGGY (dir. Kieron Hawkes) | 2011-12 | feature film • FREDDY FLINTOFF: HIDDEN SIDE OF SPORT (dir. Jim Loach) | 2011 | TV documentary | BBC TX • CHRISTMAS CLASSROOMS (dir. Adam Coop) | 2011 | TV documentary | BBC TX • TOWER BLOCK (dir. Ronnie Thompson/ James Nunn) | 2011 | feature film Assistant Dialogue Editor • OUTSIDE BET (dir. Sacha Bennett) | 2011 | feature film • HARD SHOULDER (dir. Nicholas David Lean) | 2010 | feature film Editor Animation • MEOW OR NEVER (dir. Neeraja Raj) | 2020 | 10’ animation short film | NFTS Branded Content • MR HYDE/ PEPSI | Greatcoat Films | 2017 • T MOBILE | Saatchi & Saatchi, & Western Edge Pictures | 2017 • WALKERS | AMV BBDO & Greatcoat Films | 2016 | 30’’ online promo & 2 vines launching the new Walkers sandwich flavour range from Heinz, HP and Lea and Perrins. • AXA INSURANCE | 2015 • JUICEMAN | 2014 • GARNIER | Hare Meets Tortoise | 2014 • BMW MINI | Quarantine Productions | 2013 • FLORA BUTTERY (UNILEVER) | Quarantine Productions | 2013 • THE BOOK OF MORMON THE MUSICAL | Quarantine Productions | 2013 • CHARLIE & THE CHOCOLATE FACTORY THE MUSICAL | Quarantine Productions | 2013 • WE WILL ROCK YOU THE MUSICAL | Quarantine Productions | 2013 • WICKED THE MUSICAL | Quarantine Productions | 2013 • EQUIFAX | Quarantine Productions | 2013 • THE WORLD SKILLS SHOW | Quarantine Productions | 2013 • KIMBERLEY CLARK | Quarantine Productions | 2013 • CITIZENS ADVICE BUREAU | 2010 Dance • REVEAL (dir. Kate Church & Kate K Pelen) | 2016 | short film | Listeners Project • CASSANDRA (dir. Kate Church) | 2014 | Royal Opera House stage production feat. The Royal Ballet • BUNKER (dir. Kate Church) | 2012 | feat. The Royal Ballet | 3' short | RANDOM ACTS, Channel 4 TX • SOFA (dir. Jonathan Watkins) | 2012 | 3' short | RANDOM ACTS, Channel 4 TX • ROUTE 107 (dir. Kate Church & Jonathan Watkins) | 2011 | 3' short | Rich Mix Music • NEW HOPE CLUB ‘FIXED’ (dir. Ed Rigg) | 2017 | Music video • INCA MAPS ‘WEAVE’ (dir. Ed Rigg) | 2016 | Music video • FEEL YOU (VIDEO EDIT) - CRYPT | 2013 | Music video | Nineteen89 Records • THE AVIARY (dir. Kate Church) | 2012 | 5' music promo for Ana Silvera • ORACLES (dir. Kate Church) | 2012 | 20' extended music promo for Ana Silvera Education • MA in Editing | 2018 - 2020 | National Film and Television School • BA in English Literature | 2005 – 2008 | University of Exeter Technical Skills • Avid Media Composer, Adobe Premiere Testimonials JOE WALKER | Editor BLADE RUNNER 2049, ARRIVAL, SICARIO, 12 YEARS A SLAVE Ed helped me out on LIFE IN A DAY - a movie directed by Kevin Macdonald and produced by Ridley Scott. Together we managed to accomplish the crazy task of sorting through 4,500 hours of footage from 192 countries. He's an asset to any team and I wouldn't hesitate to recommend him extremely highly. RACHEL TUNNARD | Writer, Director, Editor ADULT LIFE SKILLS, SHELL, SKELETONS, LITTLE ASHES Ed has worked as my Assistant Editor for the last seven years. During this time he has assisted me on projects for FILM 4, CHANNEL 4, BFI, CREATIVE ENGLAND, BBC COMEDY, CREATIVE SCOT- LAND amongst others - and across a variety of formats including 35mm, HD, 4K in the UK and America. I recently entrusted him with the role of Assembly Editor on my own film, ADULT LIFE SKILLS (CREATIVE ENGLAND, BFI, FILM VAST), in which he ran the cutting room, managed the post workflow (as we did not have a Post Supervisor), as well as cutting the rushes into scenes and liaising daily with the execs from the public funders. In short, I cannot think of any higher estimation than to say that I trusted him with this responsibility on my ‘baby’ and never worried about any of it. It was a comfort that allowed me to concentrate on the performances and many other demands of a writer director. .
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