Catalogo 2018
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P Assion Distribution a Utumn 2020 • New Programming
AUTUMN 2020 • AUTUMN NEW PROGRAMMING PASSION DISTRIBUTION PASSION PART OF THE TINOPOLIS GROUP Passion Distribution Ltd. No.1 Smiths Square 77-85 Fulham Palace Road London W6 8JA T. +44 (0)207 981 9801 E. [email protected] www.passiondistribution.com WELCOME I’m delighted to welcome you to the second edition of our pop-up market and share with you our latest catalogue this autumn. Although it has been a challenging time for everyone, we have worked tirelessly to bring together a slate of quality programming for your schedules. Extraordinary human stories, iconic historical moments, premium documentaries and essential entertainment remain some of our key priorities. Our slate doesn’t disappoint in delivering new programmes of immense quality. Perhaps a sign of the times, our line-up includes a strong offering of history programming. The new landmark series 1000 Years brings together some of the most talented UK producers to chart the extraordinary rise of six countries that have profoundly shaped our world. WELCOME We also take a closer look at the Nuremberg trials – one of the 21st century’s defining events – by casting new light on the “trial of the century” in time for the 75th anniversary in November. On a lighter note in our factual entertainment section some other key franchises return with new episodes. Emma Willis has welcomed new babies in lockdown, Traffic Cops have remained on patrol, and we continue to see dramatic stories unfold in the access-driven Inside the Police Force. As you’d expect, a new series of the US hit-show RuPaul’s Drag Race has been announced – this incredible global phenomenon is now in its 13th season. -
Documento INDIVIDUAL AGUIRRE
! ! ! ! ! UNIVERSIDAD CASA GRANDE FACULTAD DE COMUNICACIÓN MÓNICA HERRERA ! ! ! ! ! ! ! CORTOS Y LEYENDAS DEL TINTÍN PROYECTO DE APLICACIÓN PROFESIONAL ! ! ! ! ! ! Autor.- Ma. Beatriz Aguirre! Crow ! ! ! ! GUÍA Viviana Elizalde! Jalil ASESOR Andrés Sosa! Leiva ! Trabajo final para la obtención del Título Licenciado en Comunicación Social con mención en Marketing ! Guayaquil, Enero del 2014. "1 ! ! ! ! ! ! ! ! UNIVERSIDAD CASA GRANDE FACULTAD DE COMUNICACIÓN MÓNICA HERRERA ! ! ! ! ! ! ! Evaluación: Participación en festivales ! ! ! ! ! ! Autor.- Ma. Beatriz Aguirre! Crow ! ! ! ! GUÍA Viviana Elizalde! Jalil ASESOR Andrés Sosa! Leiva ! ! Trabajo final para la obtención del Título Licenciado !en Comunicación Social con mención en Marketing Guayaquil, Enero del 2014. "2 ! Abstract El proyecto de aplicación profesional “Dicen que son leyendas”, presenta una propuesta audiovisual de tres historias, que permite explorar la leyenda del Tintín, enfocado en el tema del abuso hacia la mujer. La idea nace del análisis de las leyendas como un relato que contiene un elemento real y otro fantasioso, y se desarrolla como un ejercicio creativo y de reinterpretación que toma en consideración ese elemento real. ! Así mismo, el proyecto busca realizar un producto atractivo que sirva como herramienta de reflexión sobre el abuso a la mujer, y a su vez que cumpla con los parámetros cinematográficos que le permitan participar en festivales nacionales e internacionales de cortometrajes. La evaluación individual comprendida en este documento, analiza de forma particular, la capacidad que posee el cortometraje para participar en los festivales, tomando en consideración tanto el desarrollo de su contenido, como sus recursos técnicos. ! ! ! ! ! ! ! ! ! ! ! ! ! "3 Este proyecto va dedicado a Ditter Pantza , gran amigo y compañero. Mi socio, me hubiera encantado que puedas ver mi primer corto. -
Gabriella Maria Apicella Date of Birth: 4Th December 1979
Gabriella Maria Apicella Date of Birth: 4th December 1979 Address: 30 Gisburn Mansions, London N8 7EB Telephone Number: 07951 338 006 E-mail: [email protected] Website: www.gabriellaapicella.com PERSONAL STATEMENT As a feminist writer of screenplays and short stories, I am most interested in subverting existing genres and stereotypes. My work is concerned with challenging perceptions, and bringing women-focused stories to the fore. QUALIFICATIONS 2006 2:1 BA Film & Media Birkbeck College, University of London ORGANISATIONS Kingston University, Screenwriting Lecturer, 2013 – Present Day Over the three-year Filmmaking BA, I am responsible for introducing students to the principles of screenwriting, which they go on to develop in their second year through an optional assessed module I have co-devised with Joint Course Leader, Richard Squires. In their final year, I support students through the writing process of their graduation film via tutorials, and have had the pleasure of supervising five of the graduation film projects this last academic year, which involves regular meetings with the full crews to assess and offer support and guidance through each stage of production. Central Film School London, Screenwriting Lecturer, 2015 – ongoing On the BA Screenwriting course I have jointly run the Adaptation module with colleagues Robin Mukherjee and Tanya Nash. In 2016 I became module leader for the “Introduction to Screenwriting” section of the course, having previously shared the post with Rob Ritchie. Met Film School, Screenwriting Lecturer, 2017 – ongoing I have contributed on the BA Filmmaking course to deliver modules which aim to highlight the importance of storytelling as a foundation to a dynamic filmmaking career. -
Congress Information Book
1 CONGRESS INFORMATIO N BOOK 4th ICMM Pan-Asia Pacific Congress on Military Medicine 12-15 October 2018 4th ICMM Pan-Asia Pacific Congress on Military Medicine October 2018 Collector: Organizing Committee Editor: Scientific Committee Supervisor: Dr. Reza Mohammadi Designer and layout: Iman Osivand This book is fairly available for congress participants and related companies. 3 The Future Horizon of Military Medicine 12 – 15 October 2018, Tehran, I.R.Iran IRIB International Conference Center CONGRESS ORGANIZATION ▶ Director General of the Congress: Brigadier General Dr. Hasan Araghizadeh M.D Head of The Health Department of General Staff of the Armed Forces of the I.R.Iran ▶ Director of the Congress Scientific Committee: Colonel Dr. Alireza Khoshdel, MD, PhD Commander of AJA University of Medical Sciences ▶ Secretary of the Congress Scientific Committee: Dr. Niloufar Nekuzad Head of International Academy of Military Medicine, AJA University of Medical Sciences, Tehran, Iran ▶ Director of the Congress Organizing Committee: Second Brigadier General Dr. Seyed Mohammad Reza Seyed Ahmadian, MD Deputy of Health, Rescue and Treatment of I.R. Iran Police Force ▶ Secretary of the Congress Organizing Committee: Dr. Reza Mohammadi, PhD Head of Applied Research Center of Police Medicine 4 TABLE OF CONTENT Main Organizing Committee Members ............................................................... 6 Scientific Committee Members ........................................................................... 8 Congress Program ............................................................................................. -
Sadegh-Vaziri Dissertation
IRANIAN DOCUMENTARY FILM CULTURE: CINEMA, SOCIETY, AND POWER 1997-2014 ____________________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ___________________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ____________________________________________________________________________________ by Persheng Sadegh-Vaziri December 2015 Examining Committee Members: Patrick M. Murphy, Advisory Chair, Media and Communication Roderick Coover, Film Media Arts Naomi Schiller, Anthropology & Archaeology, Brooklyn College Hamid Naficy, Radio-TV-Film, Northwestern University Nora M. Alter, External Member, Film Media Arts © Copyright 2015 by Persheng Sadegh-Vaziri All Rights Reserved ! ii! ABSTRACT Iranian documentary filmmakers negotiate their relationship with power centers every step of the way in order to open creative spaces and make films. This dissertation covers their professional activities and their films, with particular attention to 1997 to 2014, which has been a period of tremendous expansion. Despite the many restrictions on freedom of expression in Iran, especially between 2009 and 2013, after the uprising against dubious election practices, documentary filmmakers continued to organize, remained active, and produced films and distributed them. In this dissertation I explore how they engaged with different centers of power in order to create films that are relevant -
The Amnesty International Report Published in February 1980 Is An
Law And Human Rights in The Islamic Republic of Iran 1979 The Amnesty International report published in February 1980 is an important document covering the situation of human rights during the emergence of the Islamic Republic of Iran. This was the only time since the Islamic Revolution that Amnesty International was allowed to send a mission to Iran. It worked in Tehran from 12 April to 1 May 1979, during which time it held discussions with ministers of the Provisional Government, personnel of a local Tehran Komiteh, members of the former secular opposition to the Shah, and others. Amnesty International then conducted the study upon which this report is based. It covers the period from February 11th to September 14th, 1979. For this electronic version of the report, the Abdorrahman Boroumand Foundation has remained faithful to the original document. However, it has transformed the chapter notes into endnotes for the whole document. The original pages are indicated manually. On account of its wealth of historic information and careful legal analysis, this report makes for an invaluable resource for the study of the early days of the Islamic Republic of Iran. The Abdorrahman Boroumand Foundation is pleased to make this crucial report electronically available to the public. ______________________________________________________ ______________________________________________________ ارش زن ا، پ ر ١٩٨٠ ، ا در ر و ق در دور رژ ا در اان . ا او و ر د ا از ه را اان . ه ا زن از ١٢ ور اوٌل ١٩٧٩ در اان د و در ا ت، وزرا دو ، ه اﻥب ان، ا ازن ه ر ﺵ و د ااد دار و د . -
James Cooper Avid and FCP Editor
James Cooper Avid and FCP Editor Profile James is a fast, creative and reliable editor with 10 years broadcast experience. Always calm, patient and personable, he works happily alongside directors and producers but he is also used to editing unattended. James prides himself in always getting the job done on time and to the very highest standard. His particular strengths are include narrative structure, visual creativity and working with music. He is skilled in all versions of Avid, specializing in offline editing, although he does have previous experience in online editing and grading. He also uses Final Cut Pro, and has his own home setup including DVD Studio Pro for authoring DVDs and Motion for creating motion graphics. As a sideline to editing factual television, he has written, directed and edited drama shorts, winning several film festival awards. Documentary Almost Famous? – TwoFour for Channel 4 (1 x 60 min) Documentary series following child talent agency Bizzy Kidz and the wannabe stars of the future starting out on their journey to fame and fortune. Producer/Director: Stevey Jones; Executive Producer: David Clews. Avid offline. Love The Day - Minnow Films for Channel 4 (1 x 60 min) Documentary following the off-kilter world of Stalkie, a self-made life coach and business guru.Director: Andy Oxley; Executive Producer: Colin Barr. Avid offline. How to Live the Chelsea Life – Special Edition Films for Channel 4 (1 x 60 min) Observational documentary following entrepreneur Adam Goff and his company, a highly selective house sharing property ‘club’ which boasts the opportunity to offer young professionals in London a millionaire’s lifestyle. -
07.09 — 10.09 Calvert 22, E2
07.09 — 10.09 CALVERT 22, E2 7JP SPONSORS / WELCOME / Emerging in 2006 as a passion project amongst creative enthusiasts to commemorate ‘Small Films for Small Screens’ and flour- ishing into an anticipated annual celebration of shorts, we are proudly back for our thirteenth year. As the brainchild of The Smalls company, an international community of 17,000+ filmmakers, our show-stopping film festival admires all matter of diverse and innovative creative mediums across the globe. After the triumph of last year’s “Dimensions of Diversity” theme – high- lighting the essential need for diversity in our collective future – we turn our attention in 2018 to the necessary fight for gender equality. In light of recent times, industry discussion is fixated on the importance of equal rights and here at The Smalls, we are no different. With an equal workforce of men and women, we are utilising our platform to ad- dress pressing matters regarding women’s roles: how can we guarantee women’s voices are being heard, both on our screens and in the film community? The fight begins with honouring their work. “Fighting for 50/50 in Film” introduces a brand new category dedicated to this sole purpose, as we’re intent on creating equal reign in the creative industry. Nurturing and acknowledging those who may previously have been ignored is where the journey begins. With a celebratory screening for each creative contribution followed by a lively Q&A discussion that will be taking place at the Barbican, our event will provide opportunity to discover the creativity and drive behind each visual essay. -
Ulaznice Tickets
ULAZNICE TICKETS RADNO VRIJEME BLAGAJNE APOXFEST CASH OFFICE WORKING HOURS 28/09-05/10/2021 REZERVACIJE ULAZNICA SU MOGUĆE U TURISTIČKOJ Veli LOŠINJ AGENCIJI VAL Kino VELI LOŠINJ TICKET RESERVATIONS ARE POSSIBLE IN THE TOURIST AGENCY VAL UKOLIKO STE U MOGUĆNOSTI KUPITE ULAZNICE ONLINE MOLIMO VAS DA POŠTUJETE MJERE ZAŠTITE U SPREČAVANJU ŠIRENJA VIRUSA COVID 19 Pretprodaja ulaznica počinje 01.09. putem interneta na ulaznice.hr i 28.09. na blagajni APOX koja se nalazi ORGANIZATOR APOXFEST ZADRŽAVA PRAVO IZMJENE ispred kina Veli Lošinj na dan otvorenja festivala. Filmove za koje je PROGRAMA I RASPOREDA moguća kupnja ulaznica putem interneta, kao i sve ostale detalje o kupnji ulaznica možete pronaći na www.apoxfest.com. The ticket pre-sale starts on September 01, online at ulaznice.hr and on September 28 at the APOX box office located in front of the Veli PLEASE RESPECT FOR PROTECTION MEASURES IN Lošinj cinema on the opening day of the festival. Movies for which PREVENTING THE SPREAD OF THE COVID 19 VIRUS tickets can be purchased online, as well as all other APOXFEST ORGANIZER RESERVES THE RIGHT TO details on buying tickets, can be found at CHANGE THE PROGRAM AND SCHEDULE www.apoxfest.com CIJENE ULAZNICA / TICKET PRICES www.apoxfest.com Glavni program /Main Program 80 kn za jutarnje i večernje projekcije [email protected] 80 HRK for morning and evening screenings Individualni film/individual projection 20,-kn UVODNA RIJEČ / FOREWORD UVODNA RIJEČ / FOREWORD Svijet filma je postao drugačiji, razvoj novih tehnologija je sama kina The world of film has become different, the development of new stavio na koljenja, jer većina gledatelja se orIjentirala na streaming technologies has brought cinema itself to its knees, as most servise, koji pružaju doživaljaj na razini kina. -
Kate Connerty
KATE CONNERTY [email protected] +44 (0) 7845047215 Education: Central Catholic High School, Lawrence, MA, USA, 2007-2011 – Graduated with Honors Met Film School, BA (Hons) Practical Filmmaking, London 2011 - October 2013 Met Film School, MA in Business and Producing, London October 2013 - 2014 Relevant experience: 2008 – Present: Freelance photographer (K8 Photography) Feb '12 – Mar '12: Producer, Editor, Writer & Director of my short film “Truth & Lies”, main lead from Skins. Feb '12: Runner for Klumzy Tung's music video, “Counting Sheep” - accepted into The Smalls Film Festival. May '12 – July '12: Head-writer & Co-creator of “You've Got Male” an 11 episode web-series. Nov '12: Panel Judge for Super Shorts International Film Festival Nov '12: Head of Casting for two short films, “The Handkerchief” and “Garden Sale” Nov '12- ongoing: Photographer for the A/W 2013 Collection of Korlekie Dec '12 – ongoing: Photographer for Von Lucius Campaign Jan '13 – ongoing: Official Photographer & Videographer for VS LUXE clothing line February '13: Behind the scenes Photographer for Catsnake Productions project, “Sustrans Inactivity” March '13: Runner for Kidnap Kid's music video, “So Close” directed by Gabriel Gettman Job History: Nov '08 – Jan '09: Michaels Arts & Crafts (answering phones, stock, handling money) Aug '10 – Aug '11: dELiA*s (fashion consultant, stock, front greeter, handling money) Skills: Final Cut Pro, Adobe Premiere Pro, Word Tutors: Tim Mercier, Director, EastEnders Chris Bould, Director, Whose Line Is It Anyway? Chris Jones, Author of “The Guerrilla Film Makers Handbook.” Stephen Follows, Writer & Producer, Catsnake Productions Korlekie, Fashion Designer. -
Dick Verdult – It Is True but Not Here a Documentary About Dick Verdult Also Known As Dick El Demasiado
Omroep Brabant | NEWTON film | seriousFilm present Dick Verdult – It Is True But Not Here a documentary about Dick Verdult also known as Dick el Demasiado a film by Luuk Bouwman ELECTRONIC PRESS KIT basic information language Dutch | Spanish | English | French length 60 minutes for television 70 minutes for cinema | festivals materiaal HD | colour frame rate 25 fps audio 5.1 | stereo available on DCP | DVD | H264 (large & small) © Februari 2017 Dick Verdult – It Is True But Not Here | a film by Luuk Bouwman EPK – page 1 contact information producer | distribution seriousFilm Marc Thelosen Andrej Sacharovstraat 27 3065 EC Rotterdam The Netherlands m +31(0)6.20737277 e [email protected] w www.seriousfilm.nl s marchi23 producer NEWTON film Ton van Zantvoort Kwakkelhutstraat 76 4814 KR Breda The Netherlands m +31(0)6.4103.6081 e [email protected] w www.newtonfilm.nl broadcaster Omroep Brabant Postbus 108 5600 AC Eindhoven The Netherlands t +31(0)40.294.9494 e [email protected] w www.omroepbrabant.nl director Luuk Bouwman 1e Atjehstraat 142c 1094 KV Amsterdam The Netherlands m +31(0)6.2462.0484 e [email protected] w www.tropism.nl Dick Verdult – It Is True But Not Here | a film by Luuk Bouwman EPK – page 2 logline 'Dick Verdult - It Is True But Not Here' is a documentary about the enigmatic artist and cult musician Dick Verdult (Eindhoven, 1955), known in Latin America as Dick El Demasiado. synopsis (short version) The career of Eindhoven-based artist and musician Dick Verdult spans decades. He is seen as an outside, as the last Dada-ist. -
Vol. 41 (2) May 2018 I 247 295 285 225 257 269 279 215 R O F Asia
Pertanika JTAS Pertanika Pertanika Journal of Tropical Agricultural Science Vol. 40 (2) May 2017 Contents Agricultural Science Tropical Journal of Foreword Nayan Deep S. Kanwal i Review Articles Utilisation of Oil Palm Fronds as Ruminant Feed and Its Effect on Fatty 215 Acid Metabolism Ghani, A. A. A., Rusli, N. D., Shahudin, M. S., Goh Y. M., Zamri- Saad, M., Hafandi, A. and Hassim, H. A. Formation and Utilisation of Acid Sulfate Soils in Southeast Asia for 225 Sustainable Rice Cultivation J. Shamshuddin, Q. A. Panhwar, F. J. Alia, M. A. R. S. Shazana, O. Radziah and C. I. Fauziah Regular Articles Journal of Tropical Agricultural Science Tropical Journal of Effects of Soaking Periods and Adhesive Concentrations on the 247 2018 41 (2) May Vol. Properties of Phenol Formaldehyde Resin Treated Oil Palm Wood Khairunnisha, I. P. N., Bakar, E. S., Rachel, J. L., Halis, R. and Choo, A. C. Y. 257 Integrity Evaluation in Cryopreserved Bull Semen Baiee, F. H., Wahid, H., Rosnina, Y., Ariff, O. M., Yimer, N., Salman, H., Tarig, A. A. and Khumran, A. M. Effects of Shading and Fertiliser on the Growth and Antioxidant Content 269 of Olives (Olea europaea L.) Arlinda Puspita Sari, Triadiati Triadiati and Diah Ratnadewi Enhancing Solubility of Curcumin in Turmeric Oleoresin for Improving 279 Productive Performance of Broiler Chickens Porn-anek, P. and Promkot, C. Journal of Tropical Agricultural Science Tropical Journal of Translocation and Elimination of Cu in Avicennia marina 285 Martuti, N. K. T., Widianarko, B. and Yulianto, B. VOL. 41 (2) MAY 2018 Utilisation of Local Crops as Alternative Media for Fungal Growth 295 Wongjiratthiti, A.