Tommy Newsom Collection Were Placed on Deposit at the Library of Congress in 1995
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John Colianni Marty Grosz Quintet and His Hot Winds
THE TRI-STATE SKYLARK STRUTTER Member of South Jersey Cultural Alliance and Greater Philadelphia Cultural Alliance VOLUME 19 NUMBER 7 BEST OF SOUTH JERSEY 2008 MARCH 2009 ******************************************************************************************************************************** OUR NEXT CONCERTS SUNDAY, MARCH 15 SUNDAY MARCH 29 2 PM 2 PM JOHN COLIANNI MARTY GROSZ QUINTET AND HIS HOT WINDS BROOKLAWN AMERICAN LEGION HALL Dd CONCERT ADMISSION $20 ADMISSION $15 MEMBERS $10 STUDENTS $10 FIRST TIME MEMBER GUESTS Pay At the Door No Advanced Sales S SAINT MATTHEW LUTHERAN CHURCH JOHN COLIANNI 318 CHESTER AVENUE John Colianni grew up in the Washington, D.C. metro area and first heard Jazz MOORESTOWN, NJ 08057-2590 on swing-era LP re-issues (Ellington, Goodman, Jimmie Lunceford, Count Basie, Armstrong, etc.) in his parents' home. A performance by Teddy Wilson 3 BLOCKS from Main Street in Washington attended by John when he was about 12 years old also left a strong impression, as did a Duke Ellington performance (more later). 1 THE QUINTET : In 2006, looking for an outlet for his high velocity piano for Torme' from early 1991 to mid 1995, touring and recording six albums. improvisations, John formed the John Colianni Quintet. In July 2007, the group recorded its first CD, "Johnny Chops" (Patuxent Records), which was released PLAYERS FEATURED ON JOHN'S CURRENT CD this year. JUSTIN LEES: Justin, whose guitar work is characterized by a bluesy and LES PAUL: Les Paul offered the piano spot in his group to John in August infectiously swinging phrasing and a distinctive tone, is a fresh face on the jazz 2003. Les had not used a pianist in his combo since the 1950s and, in looking scene. -
LISA PARROTT Alto, Baritone, Soprano Saxophones; Clarinet, Bass Clarinet, Flute Copyist & Music Notation Expert; Composer, Arranger, Transcriber, Educator
LISA PARROTT Alto, baritone, soprano saxophones; clarinet, bass clarinet, flute Copyist & music notation expert; composer, arranger, transcriber, educator Phone: 718 288-2652 Email: [email protected] 4006 7th Ave, #18, Brooklyn NY 11232 lisaparrott.com promusiccopying.com One of the expatriate Australians who have shown they can succeed on the competitive New York music scene, Lisa Parrott has been based there for the last two decades, working with a range of prominent bands. In 2016, she won the annual Down Beat Critics Poll in the Rising Star category for baritone saxophone. Lisa was featured alongside her sister, bassist Nicki, at the Tribute to Mary Lou Williams Festival at the Kennedy Centre. She has also performed with such names as Dave Brubeck, Nancy Wilson, Diane Schuur, Johnny Mandel, Skitch Henderson and the New York Pops, Gregory & Maurice Hines, Cindy Blackman, Gunther Schuller, Jason Linder’s Big Band, the Diva Jazz Orchestra, the Artie Shaw Orchestra & the Jimmy Heath Big Band. Her latest album Round Tripper recorded May 2014 in Brooklyn NY, features bassist Chris Lightcap, Matt Wilson on drums, and fellow Australian musicians Carl Dewhurst on guitar and Nadje Noordhuis on trumpet. Released in Feb 2015, Round Tripper has received many great reviews, including a 4 star review in Downbeat jazz magazine. Grants and awards • Winner in the Downbeat Critics Poll, Rising Star for baritone saxophone (2016) • Downbeat Readers Poll for baritone saxophone (2016) • Awarded 6th place in the Downbeat Critics Poll, Rising Star for -
Lucky Drummer from NYC Jazz to Johnny Carson
Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20 -
Upcoming Events
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
Pressure of Trying to Make Each Note and Phrase a Little Jewel
(Sportiello, Metz and Parrott) had the crowd buzzing during intermission and rising en masse for a standing ovation... KEN FRANCKLING/JAZZTIMES Together, they are the most elegant trio around! DICK HYMAN ...pure straight ahead heaven... doesn’t miss a beat or drop a false note... CHRIS SPECTOR, MIDWEST RECORD ANY DAY IS A GOOD DAY FOR SOME SONGS Many recording sessions are tense affairs, because the musicians feel the pressure of trying to make each note and phrase a little jewel. But at a Rossano Sportiello session, his delight in being allowed to make music, his easy assurance that there is no need to rush, makes everyone feel relaxed and joyous. No one could feel tense when his directions to the other musicians are so gentle, “You watch me. Maybe something nice will come out.” During playbacks, the control room was atypically quiet, because everyone (including visitors Harry Allen and Rebecca Kilgore) was busy listening and smiling. This trio is a friendly supportive community. Each voice is equal yet the three players come together from the first notes in a lovely synergy. Hear Ed Metz’s beautiful touch, his light-hearted rhythms that recall Jake Hanna so well: feathery brushwork or explosive accents. (Ed provides wonderfully apt incidental percus- sion, too.) Hear Nicki Parrott’s swinging pulse, the rich sonorities of her bass. Dur- ing this session, I would have sworn I heard a rhythm guitar because her sound is so ripe and full. As a singer, Nicki is one with the song. Her subtle, understated delivery is always convincing, whether she’s being perky or rueful. -
January 1977
FAMOUS DRUMMERS QUIZ WIN A FREE ONE YEAR'S SUBSCRIPTION! Name this famous drummer who played with the Count Basie Orchestra of 1940. One year's free subscription to Modern Drummer magazine to the first 10 winning entries postmarked before February 1, 1977. Send your answer with return address to: MODERN DRUMMER MAGAZINE C/O FAMOUS DRUMMERS QUIZ 47 HARRISON STREET NUTLEY, NEW JERSEY 07110 MD JANUARY 1977 Editor's Overview If you're a drum student, an aspiring pro, a teacher, professional player, or just a plain old drum enthusiast from eight to eighty, Modern Drummer is meant for you. Welcome to our inaug- ural issue. Drummers have long needed a voice in the form of an intelligent publica- tion encompassing all phases of the art, and we hope to establish ourselves in this and future issues, as a significant force in the field of drum education, and as a platform for the exchange of ideas. We're basically for the drummer IN THIS ISSUE who's interested in growing as a music- ian and in search of a source from which FEATURES: he might draw some intelligent conclu- View From The Top: sions. We hope to be that source by Exclusive Buddy Rich Interview 4 staying abreast of the latest in styles, artists, and equipment; by keeping the MD Shoppers Guide looks at pages of Modern Drummer as relevant Ludwig, Sonor and Pearl 6 to the needs of todays drummer as possible; and by keeping our fingers One-Thousand Year Old Duffy Jackson 9 firmly placed on the pulse of our fast growing, ever changing industry. -
Great Escape Vol. 5
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 5 November/December 2007 Presented by: www.dixieswing.com Buddy Hughes: One Night on the Stand with Thornhill By Bob Knack While rummaging through my record room recently, I the most exciting band ever.” In the review, DB magazine came across a dusty cardboard box containing a morsel of real reported that Vannerson had recently left the band leaving treasure. It was an October 21, 1946 copy of Downbeat Thornhill without a personal manager or press agent making it Magazine, with the headline, “Claude Thornhill, Band of the difficult for the band to compete for bookings. Year”. The article highly praised the Thornhill band reviewed “After playing some smaller eastern ballrooms and “live” at the Hotel Pennsylvania in New York City. theatres,” Buddy continues, “the appearance at the It saved the highest accolades for the guy singer, Pennsylvania was a big event for the band, and had the Buddy Hughes, saying he had “the freshest, best voice to be attention of show business and band personalities who packed heard with a band”. I asked my friend and Glen Ellyn, Illinois the place for the big night”. “I was introduced by my manager resident, Buddy to reminisce about this night and his time with to Mildred Bailey, Paula Kelly and the Modernaires, Les Brown the CT band, and, as always, he brought the era back to mind (with his arranging pad in hand), singer Buddy Clark and many with his stories as if it were yesterday. -
Boots Randolph
2004 Induction Class Boots Randolph In 1927, Homer Louis Randolph was born in Paducah, Kentucky, and grew up in the rural area of Cadiz. Surrounded by a musical family, Homer, (or “Boots” as his brother called him), had many opportunities to explore his musical and creative talents. Boots played an array of instruments, but by the age of 16, he decided to focus his attention on the saxophone. While in the service he joined the Army Band, and later began working in a band with his brother. His unique style of sax playing caught the attention of friend and famed guitar player, Chet Atkins, who in 1958 helped Boots find work on Nashville recording sessions. It was his trademark tune, “Yakety Sax” that launched his career and enabled Boots to move to Nashville, becoming one of the most sought after studio musicians in the business. He was the first to play sax on Elvis’s recordings and the only one to ever play solo with him. Boots played sax on eight of Elvis’s movie soundtracks, in addition to playing with other top artists such as Chet Atkins, Floyd Crammer, Johnny Cash, Richie Cole, Pete Fountain, and Tommy Newsom, just to name a few. Boots Randolph played sax on Roy Orbison’s “Oh, Pretty Woman”, Al Hirt’s “Java”, REO Speedwagon’s “Little Queenie” and Brenda Lee’s “Rockin’ ‘Round The Christmas Tree.” Boots had a major impact on the use of the sax in pop and country albums making his own style a major part of the overall Nashville Sound. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
B E E N W E R E W E '
VOLUME XXXVI BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1995 UPCOMING BBJ PROGRAM TITLES Hackett plays his mellow cornet, combinations develop. The very best of Lionel Hampton both sings and plays the late 40’s Sauter-Finegan will be January 7-8,1995 (This list- sweet and swing, Bobby Haggart’s heard, some very old but very good VOCALISTS ing repeat- contributions include playing, writ Artie Shaw, Bobby Sherwood’s short 1936 TO 1948/ ed from ing and arranging, and Woody lived band will perform and to lighten PIANO PLAYERS previous Herman swings without restraint. issue for the overall sound, the talented George new subscriber convenience.) The vo- January 21-22, 1995 W hile we Shearing will contribute his excellent calists KEATING/ were piano magic. have al- KAEMPFERT/ checking w a y s KENTON & KRUPA out artists February 18-19, 1995 Truth is, been alphabeti BROWN/BARNET this foolin' with us, cally, we ran across four varied sounds BUTTERFIELD around in but they in the “K’s”. The seldom-heard Brit & BASIE the old were part ish orchestra of Johnny Keating, the r e c o r d ofthe Big German 60’s thumping recording of stacks in the back room is more fun Bands in Bert Kaempfert, the later 40’s Stan than an older adult ought to have. For the era Kenton from radio transcriptions, and this one we’ve teamed Les Brown, covered Gene Krupa’s excellent band, so often by this under-rated. This alphabetical tie-in is Charlie Barnet, Count Basie and the hour, not fun! seldom-heard Billy Butterfield. -
Capitol Records.” They Removed That Word from Their Logo in 1951, Helping Us Distinguish First Pressings from Later Copies
Capitol Albums, 180 to 300 Piano Moods CC-180 = CCF-180 < H-180 Diana Lynn [1950] Released November, 1949. The LP has two bonus tracks. Gypsy Dreams Capitol H-181 Jascha & His Gypsy Ensemble Released November, 1949. A reissue of CC-100. Tango Capitol H-182 Georges Tzipine Orchestra Released 1950. A reissue of CC-147. Pete Daily's Dixieland Band CC-183 = CCF-183 < H-183 Pete Daily Released March, 1950 The LP has two bonus tracks that are not listed on the front cover. Paul Weston Conducts Chopin, Debussy, Ravel Capitol H-184 Paul Weston Released late 1949. A reissue of CC-174. Classics in Modern – Capitol H-185 Frank DeVol & His Orchestra Released 1950. A reissue of CC-88. More College Medleys – Capitol H-186 Jan Garber & His Orchestra Released 1950 A reissue of CC-173. Honky Tonk Piano – CC-187 = CCF-187 < H-188 Various Artists Other formats released March, 1950; LP released slightly later. The LP has two bonus tracks. Innovations in Modern Music, Vol. 1 EDL-189 = KDM-189 = P-189 Stan Kenton Released March, 1950 Both the 78 RPM singles and the LP are 12” in diameter. Stan Kenton's Milestones Capitol CDF 190 = H-190 Stan Kenton Released 1950. Records that were actually released during 1950 have the word “Hollywood” underneath “Capitol Records.” They removed that word from their logo in 1951, helping us distinguish first pressings from later copies. Piano Highlights Capitol CCF-191 < H-191 Barclay Allen Released March, 1950. The LP has two bonus tracks. Cocktail Time Capitol CCF-192 < H-192 Ernie Felice Quartet Released March, 1950.