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STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site. -
The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real. -
Scanned Image
NEW SINGLE FROM $ $ I Bubbling Index $ $ $ $ I A -Z guide to producers $ $ $ $ $ UnderSingles 101-150 and publishers 101A WAY YOU'LL NEVER BE LEISURE 17 YEARS OF HELL (EP) 089 PROCESS (EPIC EPC A(13)2475) 3X3 (EP) GENESIS (HIT & RUN) 60 102SOUL DEEP GARY U .S .BONDS (EMI A NIGHT TO REMEMBER LEON F SYLVERS III (CHAPPEW 8 AMERICA EA 140) A WAY YOU'LL NEVER BE 0 94 ABRACADABRA STEVE MILLER/GARY MALLABER (HEATH LEVY) 4 103RED SKIES F/XX (MCA FIXX(T) 3) ALWAYS ON MY MIND CHIPS MOMAN (SCREEN GEMS/EMI) 80 104 HOLD ME FLEETWOOD MAC (WARNER ANGEL 84 BLUE SETH JUSTMAN (RONDORI 83 BROS K17965) ARTHUR DALEY 'ES ALRIGHT 1181 105WHAM RAP! WHAM ( INNERV IS ION IVL AVALON RHETT DAVIES/ROXY MUSIC LEG RECORDS) 28 A(13)2442) BBC WORLD CUP GRANDSTAND ANDREW LLOYD WEBBER EYE OF THE TIGER (THEME FROM ROCKY (REALLY USEFUL/FABER178 106 BEATLES MOVIE MEDLEY GEORGE MARTIN/PHIL SPECTOR III) SURVIVOR (SCOTTI BROS SCT (NORTHERN) 12 A2411) BRAVE NEW WORLD STEVE ULLYWHITE (SWEET & SOUR)51 107 IF YOU KNEW SOUZA (PART 1) R .P .0 . CAN'T TAKE MY EYES OFF YOU 1193 (RCA RCA(T) 256) CHALK DUST (THE UMPIRE STRIKES BACK) KAYE/WILDER I t (NORTHPOND/CONSORTWAY/ROCKET) 66 ASYLUMS 108 LOVE'S BEEN A LITTLE BIT HARD ON ME CLUB COUNTRY ASSOCIATES/HEDGES (APB) 85 JUICE NEWTON (CAPITOL CL 248) COME ON EILEEN CUVE LANGEfi/ALAN WINSTANLEY (EM)) 49 109 NIGHT AND DAY EVERYTHING BUT THE CRIMSON AND CLOVER RITCHIE CORDELL/KENNY LAGUNA GIRL (CHERRY RED CHERRY 37) (PLANETARY NOM) 77 INJERUSALEM 110 LOVE ON A SUMMER NIGHT MCCRARYS DA DA DA KLAUS VOORMAN (FRANCIS DAY & HUNTER /JUMP) 26 (CAPITOL -
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ROLLING CODE KEYLESS ENTRY SYSTEM ᗂ Up to 16 keyfob transmitters ᗂ Two door-strike outputs ᗂ High security ᗂ Alarm system RECYCLE IT A low-cost large-display anemometer from recycled parts FAST CHARGER FOR NiMH BATTERIES A versatile, safe charger to suit any size cells PLUS $8.75 US $10.25 CAN BREADBOARDING PROJECTS AUGUST 2009 PRINTED IN THE UK Festive Lights Copyright Ó 2008, Wimborne Publishing Ltd (Sequoia House, 398a Ringwood Road, Ferndown, Dorset BH22 9AU, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works. -
The Tiger Time Out! Vol. 1 Issue 1 1994-01-20
Clemson's Guide to Entertainment & the Arts Volume I, No. 1 Clemson University, Clemson, South Carolina January 20, 1994 Brooks Center Open! tME- OUT The Gathering Phridaz page 5 Erik Martin /interim head photographer Cayce Crenshaw practices her flute playing in one of the Brook's Center practice rooms Performing arts dances into future , ^ , _P„JL... ^ <-™L- ^HHPH that a np.rfnrminj? arts Dr. Mark Hosier. "A good facility proves by Caroline■ Godbey Cook added that a performing arts the value of the performing arts, and the staff writer building has been envisioned for quite a long time, and recently the need was ad- arts are important to students no matter After six years of planning, numerous dressed by President Max Lennon. what your major is." The outside may not be so pleasing to The 2 Tone delays, and lots of talk, the Brooks Center Six years ago he met with campus the eye since the landscaping is not com- for the Performing Arts is finally open. planners and an outside consultant to plete, but the inside is a totally different Collection Located behind the Strom Thurmond In- project the program's needs. Approxi- story. "It's really nice once you're inside stitute and next to Lehotsky Hall, the mately 150 possible designs were submit- and have gotten around the mud," said Brooks Center will serve students who are ted from architectural firms all over the Birma Gainor, who is involved in chorus involved in music, drama and dance. As country, Cook said. The firm who submit- and has a music theory class in the Brooks The Melvins new home of these students, it will put ted the chosen design was Sert, Jackson them all together for the first time, bring- and Associates of Cambridge, Center. -
Madness Absolutely Mp3, Flac, Wma
Madness Absolutely mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Absolutely Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1211 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1513 mb Rating: 4.6 Votes: 208 Other Formats: VQF RA AUD APE MP4 AHX DXD Tracklist Hide Credits Baggy Trousers A1 2:45 Written-By – Foreman*, McPherson* Embarrassment A2 3:13 Written-By – Thompson*, Barson* E.R.N.I.E. A3 2:08 Written-By – Foreman*, McPherson* Close Escape A4 3:29 Written-By – Foreman*, Thompson* Not Home Today A5 2:30 Written-By – McPherson*, Barson* On The Beat Pete A6 3:05 Written-By – Thompson*, Madness Solid Gone A7 2:22 Written-By – Smash* Take It Or Leave It B1 3:26 Written-By – Thompson*, Barson* Shadow Of Fear B2 1:58 Written-By – McPherson*, Barson* Disappear B3 2:58 Written-By – McPherson*, Bedford* Overdone B4 3:45 Written-By – Foreman*, Thompson* In The Rain B5 2:42 Written-By – Mc Pherson*, Madness You Said B6 2:35 Written-By – McPherson*, Barson* Return Of Los Palmas 7 B7 1:57 Written-By – Woodgate*, Bedford*, Barson* Companies, etc. Record Company – Virgin España, S.A. Phonographic Copyright (p) – Stiff Records Ltd. Copyright (c) – Stiff Records Ltd. Manufactured By – PolyGram Servicios, S.A. Distributed By – Discos CBS, S.A., Madrid Credits Baritone Saxophone, Tenor Saxophone – Lee Thompson* Bass – Mark Bedford Drums, Other [Fire Extinguisher] – Woody* Guitar, Sitar, Steel Guitar – Chris Foreman Illustration – Humphrey Ocean Lead Vocals, Percussion – Suggs Liner Notes – Robbi Millar Producer – Clive Langer & Alan Winstanley Vibraphone, Marimba, Harmonica, Piano, Organ – Mike Barson Vocals, Trumpet – Chas Smash Notes Close to Madness - Absolutely but with different distributor ℗ © 1980 Stiff Records Ltd. -
Practice It's Just a Rumour That Was Spread Around
The Clang Group – Practice It’s just a rumour that was spread around town. It said there was a star that few had ever heard of. But that few included David Bowie, Morrissey and Elvis Costello and he’d produced them all. Also, this man had a band called Deaf School and they’d inspired many other bands from Dexys Midnight Runners to Frankie Goes To Hollywood. It’s time Clive “Clanger” Langer was known by more than a few. He is a quietly- spoken, bespectacled pop wizard from North London who (with his studio partner Alan Winstanley) made Come On Eileen and what seems like a hundred hits for Madness. He’s a songwriter, too. When Robert Wyatt broke our collective hearts with that great immortal sigh of a song called Shipbuilding, it was Langer’s music he was singing. A little while ago our secret star had a significant birthday. “At the age of 60,” he says, “I decided to start another band. I got The Clang Group together and I achieved what I wanted. Which was to play on my 60th birthday.” Forty years on from their inception at Liverpool art college, Langer’s first band Deaf School still record and tour, but not often enough for his taste. Nor for their keyboardist John Wood and drummer Gregg Braden: “Deaf School is like getting the circus out. And we wanted a band that could just go and play.” So this core trio did get out and play, with guest appearances by friends such as Andy Mackay of Roxy Music, whose sax you can hear on this record. -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment. -
Elvis Costello & the Attractions
Elvis Costello & The Attractions The Best Of Elvis Costello And The Attractions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Best Of Elvis Costello And The Attractions Country: US Released: 1985 Style: New Wave, Rock & Roll, Country Rock MP3 version RAR size: 1745 mb FLAC version RAR size: 1616 mb WMA version RAR size: 1227 mb Rating: 4.5 Votes: 620 Other Formats: MIDI MOD APE MPC AIFF RA AHX Tracklist Hide Credits Alison 1 3:19 Producer – Nick Lowe Watching The Detectives 2 3:41 Producer – Nick Lowe (What's So Funny 'Bout) Peace, Love And Understanding 3 3:31 Producer – Nick Lowe Oliver's Army 4 2:57 Producer – Nick Lowe (The Angels Wanna Wear My) Red Shoes 5 2:45 Producer – Nick Lowe Pump It Up 6 3:16 Producer – Nick Lowe Accidents Will Happen 7 3:01 Producer – Nick Lowe Radio, Radio 8 3:05 Producer – Nick Lowe I Can't Stand Up (For Falling Down) 9 2:06 Producer – Nick Lowe Good Year For The Roses 10 3:07 Producer – Billy Sherrill Almost Blue 11 2:46 Producer – Geoff Emerick Beyond Belief 12 2:32 Producer – Geoff Emerick Man Out Of Time 13 5:27 Producer – Geoff Emerick Clubland 14 3:42 Co-producer [In Association With] – Roger BechirianProducer – Nick Lowe Watch Your Step 15 2:57 Co-producer [In Association With] – Roger BechirianProducer – Nick Lowe Shipbuilding 16 4:49 Producer – Clive Langer & Alan Winstanley I Wanna Be Loved 17 3:50 Producer – Clive Langer & Alan Winstanley Everyday I Write The Book 18 3:47 Producer – Clive Langer & Alan Winstanley The Only Flame In Town 19 3:33 Producer – Clive Langer & Alan Winstanley Companies, etc. -
EPE Online — Which Are Made Available by Wimborne Publishing Ltd and Techbites Interactive Inc — Are Copyrighted
Copyright Ó 2004, Wimborne Publishing Ltd (408 Wimborne Road East, Ferndown, Dorset, BH22 9ND, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works. In no event shall TechBites Interactive Inc or Wimborne Publishing Ltd be responsible or liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or any other damages in connection with or arising out of furnishing, performance, or use of these materials and works. ISSN 0262 3617 PROJECTS . -
Issue 139.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 139 February Oxford’s Music Magazine 2007 photo by Squib RichardRichardRichard Oxford’sWaltersWaltersWalters master of melancholy on his incredible ten-year musical journey - interview inside. Plus - News, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS photo: Matt Sage Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] BANDS AND SINGERS wanting to play this most significant releases as well as the best of year’s Oxford Punt on May 9th have until the its current roster. The label began as a monthly 15th March to send CDs in. The Punt, now in singles club back in 1997 with Dustball’s ‘Senor its tenth year, will feature nineteen acts across Nachos’, and was responsible for The Young six venues in the city centre over the course of Knives’ debut single and mini-album as well as one night. The Punt is widely recognised as the debut releases by Unbelievable Truth and REM were surprise guests of Robyn premier showcase of new local talent, having, in Nought. The box set features tracks by Hitchcock at the Zodiac last month. Michael the past, provided early gigs for The Young Unbelievable Truth, Nought, Beaker and The Stipe and Mike Mills joined bandmate Pete Knives, Fell City Girl and Goldrush amongst Evenings as well as non-Oxford acts such as Buck - part of Hitchcock’s regular touring others. Venues taking part this year are Borders, Beulah, Elf Power and new signings My band, The Venus 3 - onstage for the encores, QI Club, the Wheatsheaf, the Music Market, Device. -
The Tiger Time Out! Vol. 1 Issue 1 1994-01-20
Clemson's Guide to Entertainment & the Arts Volume I, No. 1 Clemson University, Clemson, South Carolina January 20, 1994 Brooks Center Open! tME- OUT The Gathering Phridaz page 5 Erik Martin /interim head photographer Cayce Crenshaw practices her flute playing in one of the Brook's Center practice rooms Performing arts dances into future , ^ , _P„JL... ^ <-™L- ^HHPH that a np.rfnrminj? arts Dr. Mark Hosier. "A good facility proves by Caroline■ Godbey Cook added that a performing arts the value of the performing arts, and the staff writer building has been envisioned for quite a long time, and recently the need was ad- arts are important to students no matter After six years of planning, numerous dressed by President Max Lennon. what your major is." The outside may not be so pleasing to The 2 Tone delays, and lots of talk, the Brooks Center Six years ago he met with campus the eye since the landscaping is not com- for the Performing Arts is finally open. planners and an outside consultant to plete, but the inside is a totally different Collection Located behind the Strom Thurmond In- project the program's needs. Approxi- story. "It's really nice once you're inside stitute and next to Lehotsky Hall, the mately 150 possible designs were submit- and have gotten around the mud," said Brooks Center will serve students who are ted from architectural firms all over the Birma Gainor, who is involved in chorus involved in music, drama and dance. As country, Cook said. The firm who submit- and has a music theory class in the Brooks The Melvins new home of these students, it will put ted the chosen design was Sert, Jackson them all together for the first time, bring- and Associates of Cambridge, Center.