Practice It's Just a Rumour That Was Spread Around

Total Page:16

File Type:pdf, Size:1020Kb

Practice It's Just a Rumour That Was Spread Around The Clang Group – Practice It’s just a rumour that was spread around town. It said there was a star that few had ever heard of. But that few included David Bowie, Morrissey and Elvis Costello and he’d produced them all. Also, this man had a band called Deaf School and they’d inspired many other bands from Dexys Midnight Runners to Frankie Goes To Hollywood. It’s time Clive “Clanger” Langer was known by more than a few. He is a quietly- spoken, bespectacled pop wizard from North London who (with his studio partner Alan Winstanley) made Come On Eileen and what seems like a hundred hits for Madness. He’s a songwriter, too. When Robert Wyatt broke our collective hearts with that great immortal sigh of a song called Shipbuilding, it was Langer’s music he was singing. A little while ago our secret star had a significant birthday. “At the age of 60,” he says, “I decided to start another band. I got The Clang Group together and I achieved what I wanted. Which was to play on my 60th birthday.” Forty years on from their inception at Liverpool art college, Langer’s first band Deaf School still record and tour, but not often enough for his taste. Nor for their keyboardist John Wood and drummer Gregg Braden: “Deaf School is like getting the circus out. And we wanted a band that could just go and play.” So this core trio did get out and play, with guest appearances by friends such as Andy Mackay of Roxy Music, whose sax you can hear on this record. And there’s Suggs, of Langer’s regular production clients Madness: he’s the vocalist on Had A Nice Night, a song first aired on the sole LP by Clive Langer & The Boxes, released a mere 36 years ago. Another thing he wants us to know: “It’s not The Clang Group like The Dave Clarke Five. The title of the album is Practice. The Clang Group is like a design company. The Clang Group Practice. With a cover like a Cy Twombly painting. I think the music is quite expressionist.” Expressionist? Like a lot of British pop, The Clang Group are a part of that art school dance that goes on forever. And yet, Practice is like nothing we have heard before. Places and things, people and feelings, spill out in a kaleidoscopic tumble. There’s the wine and sunlight of a Sicilian wedding (Concertina); the marmalade skies of an Isle of Wight seaside town (Picture Postcard Paradise); the hurt of a lost boy with a European railcard in his pocket and a girl who didn’t turn up (Amsterdam). There is even Brixton’s new frontline, where Caribbean market stalls meet artisan coffee bars (Acre Lane). We glimpse a page or two torn from the venerable Psychedelia Britannica, scribed by Syd Barrett and others. And there is a surprising quantity of sheer, insolent NOISE. Practice makes imperfect, and beautifully so. In here are film noir backstreets and angular jazz. There are peculiar riffs that jump like springs from fly-tipped mattresses. There are the broken pianos of abandoned corner pubs. Somewhere, a ghostly juke box still plays that wonky solo by Thunderclap Newman. Most strikingly, there is Clive Langer’s voice. He’s seldom used it on record before, but is finding he finally likes it: “Singing now is a lot easier than singing then. I’ve got a bit of age in my voice.” There is indeed a man’s whole life within these tracks. Time is passing and parents and pop stars are knocking on heaven’s door. No reason or rhyme. You’re now the living collision between your best intentions and the brute force of blind happenstance. Knocked off your motor bike. But you can still ride it if you like. The Clang Group made an EP last year. One reviewer said it sounds like they’re either having fun or they’re drunk. Well? “It’s a mixture of nerves and bravado,” Clive reasons. “I’m not going to try and ‘produce’. I’m so anti fucking production. Trying to make things sound right. I’ve done that all my life.” Langer grew up loving classic pop singles and he’s crafted plenty more himself. But there is a part of him that still thrills to a memory of Captain Beefheart’s band pulverising its bewildered hippy audience. These days he needs to blast away on that electric guitar: “It’s a bit RUDE, the sound I want to make, it’s not comfortable. I don’t want to fit in. I write pop songs, but I make a lot of noise. I need to be in overdrive.” Clang! The rumour was true. Don’t let this year slip by without hearing The Clang Group. It’s getting dark, turn your bloody lights on. .
Recommended publications
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • Layout 1 Copy
    STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
    The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real.
    [Show full text]
  • Scanned Image
    NEW SINGLE FROM $ $ I Bubbling Index $ $ $ $ I A -Z guide to producers $ $ $ $ $ UnderSingles 101-150 and publishers 101A WAY YOU'LL NEVER BE LEISURE 17 YEARS OF HELL (EP) 089 PROCESS (EPIC EPC A(13)2475) 3X3 (EP) GENESIS (HIT & RUN) 60 102SOUL DEEP GARY U .S .BONDS (EMI A NIGHT TO REMEMBER LEON F SYLVERS III (CHAPPEW 8 AMERICA EA 140) A WAY YOU'LL NEVER BE 0 94 ABRACADABRA STEVE MILLER/GARY MALLABER (HEATH LEVY) 4 103RED SKIES F/XX (MCA FIXX(T) 3) ALWAYS ON MY MIND CHIPS MOMAN (SCREEN GEMS/EMI) 80 104 HOLD ME FLEETWOOD MAC (WARNER ANGEL 84 BLUE SETH JUSTMAN (RONDORI 83 BROS K17965) ARTHUR DALEY 'ES ALRIGHT 1181 105WHAM RAP! WHAM ( INNERV IS ION IVL AVALON RHETT DAVIES/ROXY MUSIC LEG RECORDS) 28 A(13)2442) BBC WORLD CUP GRANDSTAND ANDREW LLOYD WEBBER EYE OF THE TIGER (THEME FROM ROCKY (REALLY USEFUL/FABER178 106 BEATLES MOVIE MEDLEY GEORGE MARTIN/PHIL SPECTOR III) SURVIVOR (SCOTTI BROS SCT (NORTHERN) 12 A2411) BRAVE NEW WORLD STEVE ULLYWHITE (SWEET & SOUR)51 107 IF YOU KNEW SOUZA (PART 1) R .P .0 . CAN'T TAKE MY EYES OFF YOU 1193 (RCA RCA(T) 256) CHALK DUST (THE UMPIRE STRIKES BACK) KAYE/WILDER I t (NORTHPOND/CONSORTWAY/ROCKET) 66 ASYLUMS 108 LOVE'S BEEN A LITTLE BIT HARD ON ME CLUB COUNTRY ASSOCIATES/HEDGES (APB) 85 JUICE NEWTON (CAPITOL CL 248) COME ON EILEEN CUVE LANGEfi/ALAN WINSTANLEY (EM)) 49 109 NIGHT AND DAY EVERYTHING BUT THE CRIMSON AND CLOVER RITCHIE CORDELL/KENNY LAGUNA GIRL (CHERRY RED CHERRY 37) (PLANETARY NOM) 77 INJERUSALEM 110 LOVE ON A SUMMER NIGHT MCCRARYS DA DA DA KLAUS VOORMAN (FRANCIS DAY & HUNTER /JUMP) 26 (CAPITOL
    [Show full text]
  • 8224;箩ƒ 臻2 #339;
    ROLLING CODE KEYLESS ENTRY SYSTEM ᗂ Up to 16 keyfob transmitters ᗂ Two door-strike outputs ᗂ High security ᗂ Alarm system RECYCLE IT A low-cost large-display anemometer from recycled parts FAST CHARGER FOR NiMH BATTERIES A versatile, safe charger to suit any size cells PLUS $8.75 US $10.25 CAN BREADBOARDING PROJECTS AUGUST 2009 PRINTED IN THE UK Festive Lights Copyright Ó 2008, Wimborne Publishing Ltd (Sequoia House, 398a Ringwood Road, Ferndown, Dorset BH22 9AU, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works.
    [Show full text]
  • Madness Absolutely Mp3, Flac, Wma
    Madness Absolutely mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Absolutely Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1211 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1513 mb Rating: 4.6 Votes: 208 Other Formats: VQF RA AUD APE MP4 AHX DXD Tracklist Hide Credits Baggy Trousers A1 2:45 Written-By – Foreman*, McPherson* Embarrassment A2 3:13 Written-By – Thompson*, Barson* E.R.N.I.E. A3 2:08 Written-By – Foreman*, McPherson* Close Escape A4 3:29 Written-By – Foreman*, Thompson* Not Home Today A5 2:30 Written-By – McPherson*, Barson* On The Beat Pete A6 3:05 Written-By – Thompson*, Madness Solid Gone A7 2:22 Written-By – Smash* Take It Or Leave It B1 3:26 Written-By – Thompson*, Barson* Shadow Of Fear B2 1:58 Written-By – McPherson*, Barson* Disappear B3 2:58 Written-By – McPherson*, Bedford* Overdone B4 3:45 Written-By – Foreman*, Thompson* In The Rain B5 2:42 Written-By – Mc Pherson*, Madness You Said B6 2:35 Written-By – McPherson*, Barson* Return Of Los Palmas 7 B7 1:57 Written-By – Woodgate*, Bedford*, Barson* Companies, etc. Record Company – Virgin España, S.A. Phonographic Copyright (p) – Stiff Records Ltd. Copyright (c) – Stiff Records Ltd. Manufactured By – PolyGram Servicios, S.A. Distributed By – Discos CBS, S.A., Madrid Credits Baritone Saxophone, Tenor Saxophone – Lee Thompson* Bass – Mark Bedford Drums, Other [Fire Extinguisher] – Woody* Guitar, Sitar, Steel Guitar – Chris Foreman Illustration – Humphrey Ocean Lead Vocals, Percussion – Suggs Liner Notes – Robbi Millar Producer – Clive Langer & Alan Winstanley Vibraphone, Marimba, Harmonica, Piano, Organ – Mike Barson Vocals, Trumpet – Chas Smash Notes Close to Madness - Absolutely but with different distributor ℗ © 1980 Stiff Records Ltd.
    [Show full text]
  • For a Lark the Poetry of Songs
    UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment.
    [Show full text]
  • Elvis Costello & the Attractions
    Elvis Costello & The Attractions The Best Of Elvis Costello And The Attractions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Best Of Elvis Costello And The Attractions Country: US Released: 1985 Style: New Wave, Rock & Roll, Country Rock MP3 version RAR size: 1745 mb FLAC version RAR size: 1616 mb WMA version RAR size: 1227 mb Rating: 4.5 Votes: 620 Other Formats: MIDI MOD APE MPC AIFF RA AHX Tracklist Hide Credits Alison 1 3:19 Producer – Nick Lowe Watching The Detectives 2 3:41 Producer – Nick Lowe (What's So Funny 'Bout) Peace, Love And Understanding 3 3:31 Producer – Nick Lowe Oliver's Army 4 2:57 Producer – Nick Lowe (The Angels Wanna Wear My) Red Shoes 5 2:45 Producer – Nick Lowe Pump It Up 6 3:16 Producer – Nick Lowe Accidents Will Happen 7 3:01 Producer – Nick Lowe Radio, Radio 8 3:05 Producer – Nick Lowe I Can't Stand Up (For Falling Down) 9 2:06 Producer – Nick Lowe Good Year For The Roses 10 3:07 Producer – Billy Sherrill Almost Blue 11 2:46 Producer – Geoff Emerick Beyond Belief 12 2:32 Producer – Geoff Emerick Man Out Of Time 13 5:27 Producer – Geoff Emerick Clubland 14 3:42 Co-producer [In Association With] – Roger BechirianProducer – Nick Lowe Watch Your Step 15 2:57 Co-producer [In Association With] – Roger BechirianProducer – Nick Lowe Shipbuilding 16 4:49 Producer – Clive Langer & Alan Winstanley I Wanna Be Loved 17 3:50 Producer – Clive Langer & Alan Winstanley Everyday I Write The Book 18 3:47 Producer – Clive Langer & Alan Winstanley The Only Flame In Town 19 3:33 Producer – Clive Langer & Alan Winstanley Companies, etc.
    [Show full text]
  • EPE Online — Which Are Made Available by Wimborne Publishing Ltd and Techbites Interactive Inc — Are Copyrighted
    Copyright Ó 2004, Wimborne Publishing Ltd (408 Wimborne Road East, Ferndown, Dorset, BH22 9ND, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works. In no event shall TechBites Interactive Inc or Wimborne Publishing Ltd be responsible or liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or any other damages in connection with or arising out of furnishing, performance, or use of these materials and works. ISSN 0262 3617 PROJECTS .
    [Show full text]
  • Central Florida Future, Vol. 23 No. 55, April 11, 1991
    University of Central Florida STARS Central Florida Future University Archives 4-11-1991 Central Florida Future, Vol. 23 No. 55, April 11, 1991 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 23 No. 55, April 11, 1991" (1991). Central Florida Future. 1060. https://stars.library.ucf.edu/centralfloridafuture/1060 Thentral Flori Volume 23, Number 55 Serv.ing The University of Central Ftorida Since 1968 Thursday April 11, 1991 Senate debates' fund~ng Greek system b Sandra ~icini . · say,:~se~~-tu~es .~o not all.ow ·.·· :-- so\ll!~d ~e had ~a~e. a_ presentatio~.... 1-\i~lli, who co~tac~~ SG to I~t them lj c~NTRAL FLQ;lpA FUTURE w fun~g to ·~ifan.izations that d1scrtW"F ~ t,he ,~tte·e expl3;1Ilmg that the Gr.e~k ~ow-that funding ofJ!ie Greei system nate ·On the ~as1s of race, sex or rell- system 1s not considered an organ1za- is allowed by state statutes. The Student Government Activities gion, committee Ohair Cash IBmer said. tion that discriminates on the basis of SG is one of three major sources of .
    [Show full text]
  • Various I Love 80S Mp3, Flac, Wma
    Various I Love 80s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Rock / Funk / Soul / Pop Album: I Love 80s Country: UK Released: 2001 Style: House, Soul, Vocal, Disco, New Wave, Hard Rock, Synth-pop MP3 version RAR size: 1253 mb FLAC version RAR size: 1718 mb WMA version RAR size: 1983 mb Rating: 4.1 Votes: 817 Other Formats: AHX XM APE VOC DMF ASF MP3 Tracklist Hide Credits Ashes To Ashes 1-01 –David Bowie 4:24 Written-By – David Bowie Chant No. 1 (I Don't Need This Pressure On) 1-02 –Spandau Ballet 4:07 Written-By – Gary Kemp Girls On Film 1-03 –Duran Duran Written-By – Andy Taylor, John Taylor, Nick Rhodes, Roger 3:29 Taylor Love Action (I Believe In Love) 1-04 –The Human League Producer – Martin Rushent, The Human LeagueWritten-By – 3:51 Burden*, Oakey* –Orchestral Enola Gay 1-05 Manoeuvres In The 3:30 Producer – Mike Howlett, OMD*Written-By – Andy McCluskey Dark Call Me 1-06 –Blondie 3:26 Written-By – Deborah Harry, Giorgio Moroder Happy Birthday 1-07 –Altered Images 2:58 Written-By – Altered Images Stand And Deliver 1-08 –Adam And The Ants 3:04 Written-By – Adam Ant/Marco Pirroni* –Fun Boy Three And It Ain't What You Do It's The Way That We Do It 1-09 2:42 Bananarama Written-By – Oliver*, Young* Oops Upside Your Head 1-10 –The Gap Band Producer – Lonnie SimmonsWritten-By – C. Wilson*, L. 3:27 Simmons*, R. Wilson*, R. Wilson*, R. Taylor* Body Talk 1-11 –Imagination Executive-Producer – Eliot M.
    [Show full text]