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The Conjuring
! New Line Cinema presenta il thriller soprannaturale “The Conjuring - Il caso Enfield”, sequel del grande successo “L’evocazione - The Conjuring”, diretto ancora una volta da James Wan (“Furious 7”), che porta sullo schermo un altro dei casi realmente accaduti su cui hanno indagato i famosi studiosi di demonologia Ed e Lorraine Warren. La candidata all’Oscar Vera Farmiga (“Tra le nuvole”) e Patrick Wilson tornano nel ruolo di Lorraine e Ed Warren che, in una delle loro più terrificanti indagini paranormali, si recano a Londra per aiutare una madre single che vive da sola con quattro bambini in una casa infestata da spiriti malvagi. Il film è il sequel di “L’evocazione - The Conjuring” di Wan, che ha incassato oltre 319 milioni di dollari in tutto il mondo, ed è diventato il secondo film horror di maggior successo di tutti i tempi, piazzandosi subito alle spalle di “L’esorcista”. Nel cast anche Frances O’Connor nel ruolo della madre single, con Madison Wolfe e gli esordienti Lauren Esposito, Patrick McAuley e Benjamin Haigh nel ruolo dei figli; Maria Doyle Kennedy, Simon Delaney, Franka Potente e Simon McBurney. La sceneggiatura è di Chad Hayes & Carey W. Hayes & James Wan e David Leslie Johnson, il soggetto è di Chad Hayes & Carey W. Hayes & James Wan. Peter Safran e Rob Cowan, che avevano già collaborato a “L’evocazione - The Conjuring”, sono i produttori con Wan. I produttori esecutivi sono Toby Emmerich, Richard Brener, Walter Hamada e Dave Neustadter. Nel team anche il direttore della fotografia candidato all’Oscar Don Burgess (“Forrest Gump”, “42”), la scenografa Julie Berghoff, il montatore Kirk Morri, la costumista Kristin Burke e il compositore Joseph Bishara. -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
Paranormal Activity 1 Br Rip 1080P Movies Torrents
Paranormal Activity 1 Br Rip 1080p Movies Torrents Paranormal Activity 1 Br Rip 1080p Movies Torrents 1 / 3 2 / 3 [kat.cr]paranormal.activity.the.ghost.dimension.2015.alternate.unrated.720p.brrip.x264.aac.etrg (1).torrent. (15k). Jeu Franco,. Jan 10, 2016, 9:11 PM. v.1.. Paranormal Activity 1 Mp4 ->>->>->> http://shurll.com/dwqrx ... paranormal activity full movie ... BrRip..5.1. ... Torrents..for. ... Paranormal-Activity-2.2010.1080p.. [2010]DvDrip[MKV] torrent or any other torrent from the Video Movies. ... Download Paranormal Activity 2 Tokyo Night-BRrip 720p torrent or any other ... Video HD The Pirate Bay Seeders: 3; Leechers: 0; Comments: 1 Also a.. Ashley Palmer in Paranormal Activity (2007) Katie Featherston and Micah Sloat in ... 1. There is a scene in the Theatrical Cut not present in the Director's Cut that takes ... Katie awakes shortly after midnight on the final night, gets out of bed and stares at ... Well, Oren Peli's little indie film is everything a scary movie should be.. BluRay.720p.x2 torrent or any other torrent from the Video HD - Movies. ... Â Come and download paranormal activity brrip is safe 1 absolutely for free. ... Paranormal Activity The Marked Ones (2014) 720p BRRiP H264 5 1CH-BLiTZCRiEG.. Download Paranormal.Activity.2.2010.UNRATED.BRRip.XviD.MP3-XVID Torrent - RARBG. ... Torrent: Paranormal. ... Category: Movies/XVID.. bb4f9be48f Download YIFY Movies Directed by William Brent Bell via YIFY Torrent ... Download Inside Out (2015) 1080p BrRip x264 - YIFY torrent ... Results 1 - 8 30 Nights of Paranormal Activity with the Devil Inside the Girl.. Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity ... -
Event Program (PDF)
UC San Diego | Division of Arts & Humanities | Department of Music UC San Diego | Division of Arts & Humanities | Department of Music NIGHT NIGHT DISSERTATION RECITAL DISSERTATION RECITAL OF OF KIRSTEN ASHLEY WIEST, SOPRANO KIRSTEN ASHLEY WIEST, SOPRANO WITH WITH DR. KYLE ADAM BLAIR, PIANO DR. KYLE ADAM BLAIR, PIANO Saturday, April 13, 2019 Saturday, April 13, 2019 7:00 p.m. 7:00 p.m. Conrad Prebys Concert Hall Conrad Prebys Concert Hall Program: Program: Black Sunday (2018) *world premiere.......Joseph Bishara (b. 1970) Black Sunday (2018) *world premiere.......Joseph Bishara (b. 1970) Leinolaulut (2007)........................................Kaija Saariaho (b.1952) Leinolaulut (2007)........................................Kaija Saariaho (b.1952) Phoenix (2016)................................................James Erber (b.1951) Phoenix (2016)................................................James Erber (b.1951) Mara (2019) *world premiere......................Jeffrey Holmes (b. 1971) Mara (2019) *world premiere......................Jeffrey Holmes (b. 1971) Being Beauteous (2018)................................Gérard Pape (b. 1955) Being Beauteous (2018)................................Gérard Pape (b. 1955) NIGHT Dissertation Recital of Kirsten Ashley Wiest, soprano with Dr. Kyle Adam Blair, piano Saturday, April 13, 2019 at 7:00pm Though my soul my set it darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. Sarah Williams Joseph Bishara (b. 1970) is an American composer, music producer, and actor, best known for his work scoring films such as Insidious, 11-11-11, Dark Skies, and The Conjuring. Bishara's career began with the 1998 Biblical drama Joseph's Gift, though he composes music for mainly horror and thriller films and has collaborated several times with director James Wan. Projects by directors John Carpenter and Joseph Zito, and musicians Ray Manzarek and Diamanda Galás have incorporated Bishara's work. -
Found-Footage Horror and the Frame's Undoing
Found-Footage Horror and the Frame’s Undoing by CECILIA SAYAD Abstract: This article fi nds in the found-footage horror cycle an alternative way of under- standing the relationship between horror fi lms and reality, which is usually discussed in terms of allegory. I propose the investigation of framing, considered both fi guratively (framing the fi lm as documentary) and stylistically (the framing in handheld cameras and in static long takes), as a device that playfully destabilizes the separation between the fi lm and the surrounding world. The article’s main case study is the Paranormal Activity franchise, but examples are drawn from a variety of fi lms. urprised by her boyfriend’s excitement about the strange phenomena registered with his HDV camera, Katie (Katie Featherston), the protagonist of Paranormal Activity (Oren Peli, 2007), asks, “Are you not scared?” “It’s a little bizarre,” he replies. “But we’re having it documented, it’s going to be fi ne, OK?” S This reassuring statement implies that the fi lm image may normalize the events that make up the fabric of Paranormal Activity. It is as if by recording the slamming doors, fl oating sheets, and passing shadows that take place while they sleep, Micah and Katie could tame the demon that follows the female lead wherever she goes. Indeed, the fi lm repeatedly shows us the two characters trying to make sense of the images they capture, watching them on a computer screen and using technology that translates the recorded sounds they cannot hear into waves they can visualize. -
TESIS: El Recurso Narrativo De Grabación Encontrada En El Cine De
UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE CIENCIAS POLÍTICAS Y SOCIALES El Recurso Narrativo de Grabación Encontrada en el Cine de Terror del Nuevo Milenio T E S I S QUE PARA OBTENER EL TÍTULO DE: LICENCIADO EN CIENCIAS DE LA COMUNICACIÓN PRESENTA OSCAR ALBERTO ORTIZ MERCADO DIRECTOR DE TESIS: PROF. RUBEN SANTAMARÍA VÁZQUEZ MÉXICO, D.F. DICIEMBRE DE 2013 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Dedicatorias A mis Padres: me han dado todo y gracias a ustedes este capítulo llega a su fin; sin su apoyo no podría ser lo que soy ni contar con lo necesario para crear mi futuro. Con todo mi corazón les doy las gracias infinitamente. Con todo mi corazón, para Rufino y Teresa. A Cesar, por acompañarme en la vida, por aventurarse conmigo en este viaje de locos, por ayudarme a investigar e intercambiar opiniones, porque qué sería de este Sherlock sin un buen Watson. Te quiero hermano. A Camila por iluminar la vida de sus abuelos y ayudar a que la mía sea un poco más divertida que antes. -
The Glitch Dimension: Paranormal Activity and the Technologies of Vision Steven Shaviro
CHAPTER 18 The Glitch Dimension: Paranormal Activity and the Technologies of Vision Steven Shaviro Paranormal Activity: The Ghost Dimension (Gregory Plotkin, 2015) is a recent low-budget exploitation film that distorts and destroys its own images. Though such a practice is better known in gallery art, it is also found at the opposite end of the aesthetic and economic spectrum, in a crassly commer- cial venture like Ghost Dimension, whose mission to turn a quick profit is not mitigated by the aesthetic concerns of gallery art, nor even by mainstream Hollywood concerns with cultural prestige. I cannot discuss Ghost Dimension, however, without considering the whole series of which it is a part. The six Paranormal Activity movies (2007–15) are works of what Caetlin Benson-Allott calls ‘faux footage horror’.1 That is to say, they consist entirely of (fictional) found footage: video sequences osten- sibly shot by the protagonists themselves, and discovered and compiled after their deaths. The characters, settings and plots of these movies are entirely generic. Though some attempt is made to provide an overarching backstory for the series, there is no real narrative progression from one instalment to the next. Each movie follows the same predictable pattern. Strange events take place: odd noises are heard at night, and objects shift around inexplicably. At first, the disruption is fairly vague and low-key: things just don’t seem entirely right. But the incidents escalate both in frequency and intensity. The residents try to get to the bottom of whatever is going on, by recording the life of the household on video. -
Golden Assembling Ghostly Voices SAM 2019
Assembling Ghostly Voices: Music, Temporality, and Memory in The Conjuring (2013) Rachel May Golden George Lipsitz has commented upon a variety of complexities at work in the dialogues among cultural forms and historical memory. Among his observations, he notes that American cultural expressions, “speak to both residual memories of the past and emergent hopes for the future…. [employing] collective popular memory and the reworking of tradition.”1 This notion is apt for films revolving around ghosts, whose narratives disrupt the present time with the “spectral temporality of haunting,” renegotiating boundaries between nowness and history.2 Ghost stories and horror films typically invoke memories of the past and manifestations of the transgressive or immaterial. James Wan’s film The Conjuring (2013) intriguingly explores these themes, with striking use of music and sound, especially to realize audibly otherworldly elements of the film that are visually imperceptible or inexpressible. The film is based on a purportedly true piece of New-England history--the haunting of the Perron family during the 1970s in their newly purchased home in Rhode Island, and the investigation of the case by real-life psychic researchers Ed (1926-2006) and Lorraine Warren (b. 1927). Their investigations uncover the spirit of a nineteenth-century witch Bathsheba, who has cursed all subsequent occupants of the house. Bathsheba gradually occupies the body of the mother, Carolyn, aiming to compel her to murder her own daughters. Meanwhile, the soundtrack introduces numerous temporal markers that complicate this ostensibly 1970s real-life narrative. American 1950s and 60s pop tunes play diagetically as emblems of nostalgia, with Betsy Brye’s “Sleep Walk” (1959) addressing Carolyn’s spectral possession. -
Una Produzione Oren Peli/Brian Witten Pictures Brad
Presenta una produzione Oren Peli/Brian Witten Pictures un film di Brad Parker Uscita: 20 giugno 2012 Durata: 90’ www.everyeye.it/chernobyldiaries Ufficio Stampa Film: REGGI&SPIZZICHINO Communication [email protected] www. reggiespizzichino.com +39 06 97615933 Maya Reggi Raffaella Spizzichino Ufficio Stampa M2: Carmen Danza [email protected] www.m2pictures.it 1 CHERNOBYL DIARIES LA MUTAZIONE “Chernobyl Diaries – La Mutazione” è tratto da una storia originale di Oren Peli, già autore del pioneristico thriller/horror “Paranormal Activity”. Il film segue le vicende di sei giovani turisti che ingaggiano una guida specializzata in “turismo estremo”. La guida, ignorando tutti i segnali di pericolo, li porta a Pripyat città nella quale vivevano i dipendenti della centrale nucleare di Chernobyl, rimasta disabitata dopo il disastro di oltre 25 anni fa. Dopo una breve esplorazione il gruppo, impossibilitato a ripartire, scopre di non essere solo… “Chernobyl Diaries – La Mutazione” è il primo lungometraggio da regista di Brad Parker, la sceneggiatura è di Oren Peli e dei fratelli Carey e Shane Van Dyke ed è basata su una storia dello stesso Peli, che è anche produttore del film insieme a Brian Witten. I produttori esecutivi sono Richard Sharkey, Rob Cowan, Andrew A. Kosove, Broderick Johnson, Allison Silver, Milan Popelka e Alison Cohen. Il cast artistico è formato da Devin Kelley, Jonathan Sadowski, Ingrid Bolsø Berdal, Olivia Taylor Dudley, Jesse McCartney, Nathan Phillips e Dimitri Diatchenko. Il cast tecnico è composto dal direttore della fotografia Morten Søborg, dallo scenografo Aleksandar Denic, dal montatore Stan Salfas, dal responsabile effetti visivi Mark Forker e dalla costumista Momirka Bailovic. -
VICE Studios and Screen Australia Present in Association with Film Victoria and Create NSW a Blue-Tongue Films and Pariah Production
VICE Studios and Screen Australia present In association with Film Victoria and Create NSW A Blue-Tongue Films and Pariah Production Written and Directed by Mirrah Foulkes Starring Mia Wasikowska and Damon Herriman Produced by Michele Bennett, Nash Edgerton and Danny Gabai Run Time: 105 Minutes Press Contact Samuel Goldwyn Films [email protected] SYNOPSES Short Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. Long Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. In a visceral and dynamic live-action reinterpretation of the famous 16th century puppet show, writer director MIRRAH FOULKES turns the traditional story of Punch and Judy on its head and brings to life a fierce, darkly comic and epic female-driven revenge story, starring MIA WASIKOWSKA and DAMON HERRIMAN. 2 DIRECTOR’S STATEMENT JUDY AND PUNCH is a dark, absurd fable treading a line between fairy-tale, fantasy and gritty realism, all of which work together to establish a unique tone while upsetting viewer expectations. When Vice Studios’ Eddy Moretti and Danny Gabai approached me with the idea of making a live action, feminist revenge film about Punch and Judy, they encouraged me to let my imagination go wild and take the story wherever I felt it needed to go. -
Angus Sampson
ANGUS SAMPSON FILM NEXT GOAL WINS Role: Angus Bendleton Dir: Taika Waititi, Fox Searchlight Pictures 2021 WINCHESTER Role: John Hansen Dir: Spierig Brothers, Blacklab Entertainment 2018 BENJI Role: Titus Dir: Brendan Camp, Blumhouse Productions 2018 INSIDIOUS: THE LAST KEY Role: Tucker Dir: Adam Robitel, Blumhouse Productions 2018 INSIDIOUS: CHAPTER 3 Role: Tucker Dir: Leigh Whannell, Blumhouse Productions 2015 MAD MAX: FURY ROAD Role: Organic Mechanic Dir: George Miller, Warner Bros 2015 NOW ADD HONEY Role: Mick Croyston Dir: Wayne Hope, Gristmill 2015 THE MULE Role: Ray Jenkins Dir: Tony Mahony & Angus Sampson, XLRator Media 2014 INSIDIOUS: CHAPTER 2 Role: Tucker Dir: James Wan, Blumhouse Productions 2013 BLINDER Role: Franky Dir: Richard Gray, Revival Film Company 2013 100 BLOODY ACRES Role: Lindsay Morgan Dir: Cameron & Colin Cairnes, Music Box Films 2012 TENDER (Short) Role: Max Dir: Jessica Redenbach, Hunter Productions 2011 LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE Role: Jutt Dir: Zach Snyder, Warner Bros 2010 INSIDIOUS Role: Tucker Dir: James Wan, Blumhouse Productions 2010 SUMMER CODA Role: Franky Dir: Richard Gray, Revival Film Co. 2010 POP (Short) Role: Father Dir: Tobias Anderson, Stockholm Film Company 2010 CELESTIAL AVENUE Role: Ah Gong Dir: Colin & Cameron Cairnes, Reflux Entertainment 2009 THE WAKE Role: Jonathan Dir: Gemma Lee, Renegade Films 2009 THE LAST SUPPER Role: Judas Written & Directed by Angus Sampson, 4Cows Production 2009 WHERE THE WILD THINGS ARE Role: The Bull Dir: Spike Jonze, More Rice / Playtone, Warner -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL RELEASE G-067 $19,46 1 CD 883 Love Life L'amore E La Vita Al COMPACT DISC - 11/08/2002 G-067 $32,79 1 CD . Star Trek: First Contact / O.s.t. (ltd) CD - Crescendo / Gnp Records 06/19/2012 G-067 $23,45 1 CD 100000 DOLLARI PER RINGO / O. S.Bruno T. Nicolai - 100000 Dollari Per Ringo AUDIO CD - Beat Int. 10/07/2010 G-067 $24,72 1 CD 101 Runners Mardi Gras Indian Funk CD - 03/29/2011 G-067 $18,66 1 CD 12 ISRAELI SONGS ON SAXOPHONE12 /Israeli VARIOUS Songs On Saxophone / Various CD - 09/05/2005 G-067 $21,63 1 CD 12 Monkeys / Tv O.s.t. 12 Monkeys Music From Syfy Original Tv Series CD - 07/31/2015 G-067 $13,86 1 CD 12 Years A Slave (Motion Picture Soundtrack)12 Years A Slave (Music From and Inspired by the MCD - Col 11/22/2013 G-067 $30,26 1 CD 1492: Conquest Of Paradise / O. S. T.1492-conquest Of Paradise CD - 10/15/1992 G-067 $22,77 1 CD 17 AGAIN / O. S. T. (UK) Rolfe Kent - 17 Again AUDIO CD - Silva Screen 11/09/2009 G-067 $24,94 1 CD 1985 At The Movies / O.s.t.