New Orleans, Louisiana ROBERT S
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dear Secretary Salazar: I Strongly
Dear Secretary Salazar: I strongly oppose the Bush administration's illegal and illogical regulations under Section 4(d) and Section 7 of the Endangered Species Act, which reduce protections to polar bears and create an exemption for greenhouse gas emissions. I request that you revoke these regulations immediately, within the 60-day window provided by Congress for their removal. The Endangered Species Act has a proven track record of success at reducing all threats to species, and it makes absolutely no sense, scientifically or legally, to exempt greenhouse gas emissions -- the number-one threat to the polar bear -- from this successful system. I urge you to take this critically important step in restoring scientific integrity at the Department of Interior by rescinding both of Bush's illegal regulations reducing protections to polar bears. Sarah Bergman, Tucson, AZ James Shannon, Fairfield Bay, AR Keri Dixon, Tucson, AZ Ben Blanding, Lynnwood, WA Bill Haskins, Sacramento, CA Sher Surratt, Middleburg Hts, OH Kassie Siegel, Joshua Tree, CA Sigrid Schraube, Schoeneck Susan Arnot, San Francisco, CA Stephanie Mitchell, Los Angeles, CA Sarah Taylor, NY, NY Simona Bixler, Apo Ae, AE Stephan Flint, Moscow, ID Steve Fardys, Los Angeles, CA Shelbi Kepler, Temecula, CA Kim Crawford, NJ Mary Trujillo, Alhambra, CA Diane Jarosy, Letchworth Garden City,Herts Shari Carpenter, Fallbrook, CA Sheila Kilpatrick, Virginia Beach, VA Kierã¡N Suckling, Tucson, AZ Steve Atkins, Bath Sharon Fleisher, Huntington Station, NY Hans Morgenstern, Miami, FL Shawn Alma, -
Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation
Harvard Graduate School of Design Department of Architecture Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation Master of Architecture Undergraduate degree outside of Architecture + 105 graduate credit hours Related pre-professional degree + 75 graduate credit hours Year of the Previous Visit: 2006 Current Term of Accreditation: At the July 2006 meeting of the National Architectural Accrediting Board (NAAB), the board reviewed the Visiting Team Report for the Harvard University Department of Architecture. As a result, the professional architecture program: Master of Architecture was formally granted a six-year term of accreditation. The accreditation term is effective January 1, 2006. The program is scheduled for its next accreditation visit in 2012. Submitted to: The National Architectural Accrediting Board Date: 14 September 2011 Harvard Graduate School of Design Architecture Program Report September 2011 Program Administrator: Jen Swartout Phone: 617.496.1234 Email: [email protected] Chief administrator for the academic unit in which the program is located (e.g., dean or department chair): Preston Scott Cohen, Chair, Department of Architecture Phone: 617.496.5826 Email: [email protected] Chief Academic Officer of the Institution: Mohsen Mostafavi, Dean Phone: 617.495.4364 Email: [email protected] President of the Institution: Drew Faust Phone: 617.495.1502 Email: [email protected] Individual submitting the Architecture Program Report: Mark Mulligan, Director, Master in Architecture Degree Program Adjunct Associate Professor of Architecture Phone: 617.496.4412 Email: [email protected] Name of individual to whom questions should be directed: Jen Swartout, Program Coordinator Phone: 617.496.1234 Email: [email protected] 2 Harvard Graduate School of Design Architecture Program Report September 2011 Table of Contents Section Page Part One. -
Checklist by Room
FRONT DESK COPY Checklist - Fallen Fruit “Empire”, NewcomB Art Museum Listed clockwise per room Entrance Room: The Gateway to Cultural Mythology 1 Artist Unknown Harriott Sophie Newcomb, 1855-1870 Late 19th century to mid 20th century Watercolor, gouache on paper Courtesy of Newcomb Art Museum of Tulane University Gift of Josephine Louise Newcomb 2 Fallen Fruit (David Allen Burns and Austin Young) The French Quarter — New Orleans 2018 wallpaper pattern, variable dimensions created for the exhibition project EMPIRE for Newcomb Art Museum Courtesy of the artists 3 Randolph Rogers Atala and Chactas 1854 Marble Newcomb Art Museum of Tulane University, Gift of Virginia C. Montgomery in memory of her husband R. W. Montgomery 4 Imitation Maya Stela, No. 1 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 5 Imitation Maya Stela, No. 2 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 6 After Giovanni Bologna Mercury c. 1580 Bronze cast reproduction Newcomb Art Museum of Tulane University, Gift of the Linton-Surget Collection 7 Designer unknown Hilma Burt House Gilded Mantel Piece c. 1906 This gilded mantelpiece adorned the parlor of the notorious Hilma Burt House, where Jelly Roll Morton reportedly played his “first piano job in the District.” Courtesy of the Al Rose Collection, Hogan Jazz Archive, Tulane University 8 Casting by the Middle American Research Institute Cast inspired by architecture of the Governor’s Place of Uxmal, Yucatán, México c.1932 Plaster, created for A Century oF Progress Exposition (also known as The Chicago World’s Fair of 1933), M.A.R.I. -
CED Digest, Vol. 7
************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures. -
The Dissolving Corporation
THE DISSOLVING CORPORATION Contemporary Architecture and Corporate Identity in Finland Peter MacKeith www.eva.fi EVA´s homepage contains reports, articles and other material in Finnish and in English. Publisher: Taloustieto Oy Cover: Antti Eklund Printing: Yliopistopaino 2005 ISBN 951-628-424-8 PREFACE In the past few years, the Finnish Business and Policy Forum EVA has treated the issues of creativity and business-culture interaction with growing interest. This report is an extension of the June, 2004 EVA conference on “Creativity through Competitiveness” and is published in co-operation with the Creative Finland Association. Entertaining a subject quite different from past EVA report themes, this essay offers one perspective on the state of Finnish corporate architecture within the more general context of corporate management practices and ar- chitectural innovations. In this report, Professor Peter MacKeith argues that in the contempora- ry moment of global, open-market economies, Finnish architecture is at a critical juncture. This condition is reflected precisely in recent headquarters architecture produced by Finnish corporations. Whereas a hundred years ago corporate headquarters were central elements of the surrounding cultural and urban environment, expressing values of the emerging national consciousness, today’s Finnish corporate headquar- ters have adopted a style of neutrality and anonymity, and situated themselves outside of the public realm. Professor MacKeith calls for a corporate architecture that takes into account issues of sustainable de- velopment and the corporation’s relationship to the society, culture and civic realm in which it is physically situated. Along with the desired image and values communicated by a building’s form to the outside world, corporate office planning has also adopted new objectives. -
The New Hampshire Gazette First Class U.S
Vol. CCLIII, Live Free! or Die No. 5 The New Hampshire Gazette First Class U.S. Postage Paid December 5, The Nation’s Oldest Newspaper™ • Editor: Steven Fowle • Founded 1756 by Daniel Fowle Portsmouth, N.H., Permit No. 75 2008 PO Box 756, Portsmouth, NH 03802 • [email protected] • www.nhgazette.com Address Service Requested The Fortnightly Rant Another Great Victory It hardly seems possible, but might skyrocket and huge pay- we have just four more newspa- ments might be due sooner than pers left in which to beat up on expected.” the incumbent President of the A third rule would have re- United States, George W. Bush. quired that banks selling bundled Unless of course Mr. Bush—or, mortgages explain to investors more likely, his evil sidekick Dick “exactly what they were buying.” “Dick” Cheney—calls out the It is worth remembering, if SeaSmurfs* and declares martial only to fully savor the richness law. of the irony (and why not sa- Readers frequently ask us these vor it, since we’re paying for it days how we will ever manage anyway?) that the people pro- once the Bush League has left the posing these radical restric- White House. It is an abysmally tions on mortgage lending were selfish way for us to view things, not a bunch of hand-wringing, but we must admit that the in- Birkenstock-wearing, left-wing cumbent administration has pro- worrywarts like Ralph Nader, or vided us with a remarkably fertile Senator Bernie Sanders from the environment in which to operate. People’s Republic of Vermont, or As to what we’ll do after January the head of Nancy Pelosi’s Con- 20, our plan is simple: we’ll burn stituent Services team back in that bridge when we come to it. -
Cocktails and Conversations Dialogues on Architectural Design
COCKTAILS AND CONVERSATIONS DIALOGUES ON ARCHITECTURAL DESIGN 6.21.18 TOM KUNDIG FAIA + ERIC OWEN MOSS FAIA IN CONVERSATION WITH JAMES S. RUSSELL FAIA ABBY SUCKLE FAIA COCKTAILS AND CONVERSATIONS DIALOGUES ON ARCHITECTURAL DESIGN TIDBITS FROM THE BOOK COMING JULY 2018 TO PURCHASE THE BOOK: AIA NY WELCOME DESK OR HTTPS://BIT.LY/2MKOEZF CURATED BY ABBY SUCKLE & WILLIAM SINGER 1 2 About Cocktails and Conversations The world may view architects’ idealism and aspiration as idiosyncratic, hopelessly romantic, if not naïve. Architects are constantly One Friday night about six years ago, we found ourselves standing in the Center for Architecture’s Tafel Hall browbeaten for daring to dream oversized dreams. Why this slavish devotion to Design and aspiration, the skeptic asks, when mean, sipping white wine from a plastic tumbler. We had just walked over from a late afternoon meeting at the Rubin cost-driven functionalism is all that’s being asked for. Architects don’t have too many venues to discuss what makes architecture meaningful, how to “practice” in a world determined to bury aspiration under mandates, and me-tooism. That’s the genius of Cocktails Museum of Art where we sat in the atrium while the museum transformed itself into a party venue. Tables were and Conversations and the Center for Architecture in New York. moved, bartenders began setting out glasses, and the space began to fill up. We remarked that it was amazing that every cultural institution of significance in New York City seemed to have a fun Friday evening Audiences are happily liberated from such over-serious formats as academic lectures. -
The Newcomb Pottery Enterprise 1925, Influenced by Her Trip to Paris, Mary Passenger Dept., Vol
the country, and the school expanded course offerings to include metalwork, textiles, and bookbinding. Designers modulated the popular blue and green tones, and produced a surprising range within a limited palette. Also during this time, ceramicist Joseph Meyer experimented with reduction fired copper- red glazes that ranged from iridescent to brilliant red. In 1910, pottery decorating instructor Mary Sheerer and ceramicist Paul Cox successfully …a beautiful art is developed a new transparent matt glaze, which became the school’s standard. developing which is the expression of its environment The story of the Newcomb Pottery began just after the 1914–1930: The as truly as each vase is the individual Civil War—a time when the American South struggled Beginnings of Modernism to reinvent itself. American women were beginning a The Roaring Twenties saw an expansion expression of one woman who has found herself. long road toward suffrage and self-determination. In of the world economy, growing freedoms for women, and new artistic styles. In m Ednah Robinson, “Newcomb Pottery,” Sunset, Southern Pacific Company, the decades to follow, the Newcomb Pottery enterprise 1925, influenced by her trip to Paris, Mary Passenger Dept., vol. 11, 1903 emerged as a quietly radical experiment—an unprecedented Sheerer advocated for the angular forms of opportunity for Southern women to train as artists and the Art Deco style, while founder Ellsworth Women, Art, and Social Change: The ABOVE: Platter of Gulf Stream ware, c. 1942–48. support themselves financially. Working as a collective, the Woodward remained committed to the Newcomb Pottery Enterprise, an exhibition Sarah A.E. -
School of Architecture 2001–2002
School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 20, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be repro- duced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Open House All interested applicants are invited to attend the School’s Open House: Thursday, November 1, 2001. Inquiries Requests for additional information may be directed to the Registrar, Yale School of Architecture, PO Box 208242, 180 York Street, New Haven ct 06520-8242; telephone, 203.432.2296; fax, 203.432.7175. Web site: www.architecture.yale.edu/ Photo credits: John Jacobson, Sarah Lavery, Michael Marsland, Victoria Partridge, Alec Purves, Ezra Stoller Associates, Yale Office of Public Affairs School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St. -
Eye on Iran Accusations of a Clandestine Nuclear by John Steinbach Weapons Program
FOUNDED IN 1963 Our Fifth Decade WASHINGTON Working for SUBSCRIBE TODAY! Peace & Justice Peace Letter June, 2006 Published by the Washington Peace Center Vol. 42, No. 2 Eye on Iran accusations of a clandestine nuclear By John Steinbach weapons program. Even if Iran were pursuing The current efforts by the nuclear weapons, and there is not Bush administration to demonize one scintilla of evidence Iran have a strong sense of deja vu. supporting this accusation, As with the build-up to the according to the CIA it would take invasion of Iraq, they are engaging Iran ten years to develop nuclear in exaggeration, falsification of weapons. facts, and emotionalism to justify a In addition, even if Iran possible attack on Iran. developed nuclear weapons it would be national suicide were they to be used. (Iran is surrounded by nuclear states, Israel, Pakistan, 25 Years At The White House Gates India, Russia, and the United States in Iraq.) Longest Continuous Vigil Anywhere? See pages 5-8 These accusations of nuclear malfeasance reek of hypocrisy. Iran, a signatory to the Nuclear Non-Proliferation Treaty, unlike India, Israel and Pakistan, has opened up its nuclear facilities to three years of unprecedented international inspections. Unfortunately, this time Bush is The only violations found were being aided and abetted by the issues of transparency. Meanwhile, Democrats, with Senators Clinton the United States, which is in gross and Lieberman, in particular, violation of the NPT for its refusal ratcheting up the pressure. to take steps toward total nuclear Brother Damu, DC Homeless The principal rationalization for disarmament, would never permit the drumbeats for war is Iran’s such inspections of its own nuclear We Miss You! Crisis nuclear research program, and facilities. -
Newcomb Art Museum Announces Public Reopening
Tulane University Newcomb Art Museum announces public reopening May 19, 2021 1:30 PM Sarah Singh [email protected] Starting May 22, Newcomb Art Museum will be open to the community, Saturday through Tuesday from 10 a.m. to 4 p.m. The public can view the museum’s current exhibition ‘Laura Anderson Barbata: Transcommunality,’ which is on view through October 2. The Newcomb Art Museum invites all to join them this summer as they officially reopen to the public with the exhibition Laura Anderson Barbata: Transcommunality, on view through October 2, 2021. Starting Saturday, May 22, the museum will be open to the community, Saturday through Tuesday from 10 a.m. to 4 p.m. Admission is free, though registration is required. Tickets, tours and more information can be found at newcombartmuseum.tulane.edu. Since the early 1990s, Laura Anderson Barbata has initiated projects with people living in the Amazon of Venezuela, Trinidad and Tobago, Mexico, Norway, and New York, bringing public attention to issues of civil, indigenous and environmental rights. Transcommunality presents together for the first time five of these multi-disciplinary collaborations from across the Americas that blend political activism, street theater, sculpture, and arts education. Through her collaborative, process-driven practice, the Mexican-born, New York-based artist engages a wide variety of platforms focusing on issues of cultural diversity and sustainability. Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University Each of Anderson Barbata’s projects is infused with the grounding principal of respect encapsulated by reciprocity. Collaboration and the preservation of indigenous knowledge are at the center of Transcommunality, as Anderson Barbata says, “Transcommunality is a concept and way of life that is not restricted by borders or strict definitions. -
25 Years at the White House Gates It Hasn’T Lafayette Park, and Have Been Used Been Easy Extensively to Chase Most People Away
25 Years at the White House Gates It Hasn’t Lafayette Park, and have been used Been Easy extensively to chase most people away. But patience, During the early perseverence, 1980’s, hostile Park creativity, Thomas’s Police and Secret pro se lawsuits Service officers against police tried to drive Thomas and misconduct, and sympathetic friends Concepcion away. have kept Thomas and Concepcion At first they were north of the White House, touching arrested and the minds and hearts of many. charged with “loitering” or Other People “disturbing the Come and Go peace.” But few judges Many people have would convict them, joined Thomas and and no judge would imprison them, Longest Continuous Vigil Anywhere? Concepcion in knowing the history of the First vigiling for varying Amendment. every American to set up a stand and lengths of time. I By Ellen Thomas Thanks to the 1976 Stacey Abney make a point in Lafayette Park." was one of them, decision by the U.S. Court of Appeals, from 1984 to 2002. sleep as part of a round-the-clock vigil Since June 3, 1981, nine years to the Of the many extraordinary people was still considered, in and of itself, day before tanks rolled into Tiananmen and events the vigilers have “expressive conduct protected by the Square to put a halt to the pro-democracy encountered over the years, here are First Amendment.” movement, signs calling for "Wisdom and but a few. Honesty," justice and nuclear disarma- So there was a meeting between ment have stood every day and night in President Reagan and Department of Four presidents have, with varying front of the White House.