Page 01 Aug 26.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Page 01 Aug 26.Indd TUESDAY 26 AUGUST 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 Guardians inside returns to reclaim CAMPUS • Carnegie Mellon Qatar welcomes box office win Class of 2018 from Turtles P | 5 P | 8-9 RECIPE CONTEST • Send in your best recipe and win a dinner voucher for two P | 6 BALLET FOR WHEELS • Mercedes’s AMG swaddles with safety BETTER FUTURE in luxury’s lap Girls from a rough neighbourhood known as a P | 7 “cracolandia,” or crackland, are learning the graceful art of ballet courtesy of a local group that also offers them food, counselling and HEALTH studies. • Delay morning school start for teens: Paediatricians P | 11 TECHNOLOGY • Protect your email the German way P | 12 LEARN ARABIC • Learn commonly used Arabic words and their meanings P | 13 2 PLUS | TUESDAY 26 AUGUST 2014 COVER STORY Girls from Brazil’s favelas find escape in ballet By Adriana Gomez Licon The time spent focused on grace and control is far removed from the girls’ daily lives. Many ast the graffiti-covered overpass and are being raised by parents who are recovering subway tracks, in a slum penned in from or are addicted to drugs. Some girls live by high-rises, 8-year-old Gabriela with relatives who are dealers, or they have been PAparecida fixes her curly hair into a abandoned and taken in by neighbours. Some bun as she waits for a ride to her new favour- have experienced violence. ite activity: ballet. Peeling back the tarp over Girls growing up in favelas are more likely the doorway, the skinny girl reaches out into to become pregnant as teens, and the last 2010 the dirt alleyway to hug the church volunteer census found the rate of illiteracy was twice as arriving to take her to dance class. high in the slums than in other areas of Brazil. Growing up amid drug dealers and addicts, “We see all kinds of stories here. From girls Gabriela has yet to learn how to read. Yet she who haven’t showered in days, who don’t know and other girls from a rough neighbourhood how to brush their teeth, who are locked inside known as a “cracolandia,” or crackland, are their homes all day,” said Machado, instructor learning the graceful art courtesy of a local and head of the project. “I feel always respon- church group that also offers them food, coun- sible for their lives, always worried about what selling and Bible studies. The class is among may happen.” several groups where young dancers hope to Machado just opened the studio named catch the eye of a respected Brazilian ballerina “House of Dreams” in the neighbourhood, relo- who recruits dozens of disadvantaged girls for cating the class from a more commercial area of an annual workshop. Sao Paulo. Machado herself was raised by a drug Twice a week, more than 20 girls, ages 5 addict, who later recovered, in the northeastern through 12, board a Volkswagen van for a state of Bahia. 10-minute ride to class, where they put on pink Ballet dancer Priscilla Yokoi, whose perform- or black tights and ballet shoes donated by a ances have taken her to 15 countries including dancewear store. the United States, recently visited and chose On a recent day, instructor Joana Machado five of the girls for the annual workshop. It played a jaunty tune of flutes and piano. Sitting allows 150 disadvantaged children to take four on the floor, the girls formed a circle with their days of classes with foreign ballerinas and per- legs out in front of them and knees straight. form a show in October. They flexed their feet and then stretched their The school Gabriela attends doesn’t accept toes down toward the floor, over and over again boys, but some of the other groups that Yokoi while Machado corrected the younger ones’ form. visits do. PLUS | TUESDAY 26 AUGUST 2014 3 Yokoi recently travelled to another slum in Sao Paulo where an audition at a basketball court attracted about 40 dancers and dozens of onlookers from the neighbourhood. Some of the girls who took up dancing at a local studio sat on the cold concrete while Yokoi looked for the prettiest pointed feet. At the workshop in Paulinia, a city north of Sao Paulo, Yokoi brings dance scouts from the only school the prestigious Bolshoi Ballet operates outside of Russia. Yokoi said she wanted to expand on efforts like the Bolshoi school, which opened in 2000 in the southern Brazilian city of Joinville and accepts only a handful of students each year. “The way I see ballet in these forgotten areas is that it brings children hope. They audition, they participate in a workshop and they are more motivated,” Yokoi said. “I see my project as a window into what ballet can become in Brazil if we find talent within these communities.” Russians largely introduced classical ballet to Brazil in the 1920s, when dancers began immigrating and established dance companies in cities like Rio de Janeiro and Sao Paulo. The Bolshoi school in Brazil has given birth to a new generation of Brazilian ballet dancers, such as Deise Mendonca, who performs with the State Street Ballet company in Santa Barbara, California. Earlier this year, she brought tears to the eyes of judges on the Fox television show “So You Think You Can Dance.” Mendonca’s father was a mail carrier and her mother unemployed when the family moved to Joinville so she could join the Bolshoi school as a schol- arship student. “We struggled. We had no money,” Mendonca said. “But it changes your mindset. Many doors open for future opportunities.” Back in the “crackland” studio, some of the girls make faces and giggle at their reflections in the large mirror next to the barre. The barre work requires more concentration, instructor Machado tells them as they bend their knees into what is known in ballet parlance as a grand plie. Keep your chin and chest lifted, but not too much, she tells them. Keep your back firm, not arched. “You think it is easy. It looks easy. It’s not, and it hurts,” Machado tells three sisters who joined the group earlier this year. After class, the girls get in the van to return home. At the last stop, 8-year- old Sandra Alves doesn’t want to get off and she hides her face in her knees. “Just pretend I am not here.” But eventually, she has to go. “It’s a nightmare. It’s a nightmare,” she sings A volunteer walks ballet student as she glides side to side and disappears into the gritty dark hallway. AP Maria home after her class at The House of Dreams dance studio. 4 PLUS | TUESDAY 26 AUGUST 2014 CAMPUS / COMMUNITY NU-Q welcomes largest class to date orthwestern University in In the presence of their families, With an emphasis on better Union President, who said; “For this Qatar welcomed its largest friends, alumni and members of understanding Qatar, the convoca- year’s student class, the most impor- class to date at a colourful NU-Q staff, the Class of 2018 was tion address was given by author and tant thing to understand is their expe- Nceremony at the Opera House welcomed by NU-Q Dean and CEO Professor Dr Mehran Kamrava, direc- rience at NU-Q will be unique, with at Katara Cultural Village on Sunday. Dr Everette E Dennis, who praised tor of the Center for International opportunities to broaden their horizons With the administration and staff in Qatar’s Vision 2030 for recogniz- and Regional Studies at Georgetown and meet new people, but that doesn’t full academic regalia, 65 new freshmen ing the “importance of communica- University in Qatar whose book Qatar: come easy and it will take hard work. students were inducted into the school. tion, journalism and media studies,” Small State, Big Politics has received Ready access to education is something This also includes the largest number of which is the university’s mandate. He critical acclaim. to be treasured, and I have every con- Qataris as the school begins its 7th year. noted that the evening’s celebration He advised the Class of 2018 to fidence the Class of 2018 will excel on The ceremony, which heralded in the of “learning and the advancement of “stand their ground and pursue their this exciting path, embracing the chal- start of the school year, is the culmina- knowledge, comes at a troubled time future vision with singular determina- lenges ahead in order to go on and do tion of NU-Q’s Wildcat Welcome Week in this region and in other points tion.” Students shouldn’t be “afraid of remarkable things.” - an orientation program for incoming of conflict on the globe,” but argued failure as this journey is about learning, Students in NU-Q’s Class of 2018 students to learn about academic and that such recent and longstanding exchanging ideas and having a dialogue hail from 20 different countries and community expectations, forge friend- problems “benefit from the virtues with students and members of a dis- 5 continents across the globe, with ships and meet the mentors who will of education, as well as free and open tinct global intellectual elite.” the majority speaking at least two serve as critical resources through the discourse with respect and tolerance The convocation was also addressed languages. next four years. for others. ” by Marium Saeed, NU-Q’s Student The Peninsula ‘Orange is the New Black’ set to premiere on Go by OSN eason 1 of the critically acclaimed Orange is the This super hit Netflix series has been nominated SNew Black is set to mark its exclusive premiere for a string of awards including the People’s Choice on ‘GO by OSN’, online TV service, on September 1.
Recommended publications
  • Uninhibited India Eyes Russian Kamov
    Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years.
    [Show full text]
  • Indian Stand-Up Comedians and Their Fight Against India's Anti
    Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird
    [Show full text]
  • Laughter Effect
    caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production.
    [Show full text]
  • F Z Yzszevu : UZR Vjvd Cfddzr <R^`G
    ! # B(>6 *"C! "C! C SIDISrtVUU@IB!&!!"&#S@B9IV69P99I !%! %! ' 23/0$&2%#. 45) &%-&-. )&*+(, $%&'( 9F6#3$F ?#:#9#=-F 9,9# # 9#( # ,9F ,(,,96#?,(#9 ==6 3F= (5=(,3 $=#;+0,96 3 ($! 0%22# %DD E# #!! 6 ' 46 *7 48 5 * ! "$% !& 9>, “allies or partners.” questions. However, an indus- , ! ) ? “The (CAATSA presiden- try source said the law is n a clear indication that ! tial) waiver is narrow, intend- ambiguous about “when a IIndia was not going to buck- * ed to wean countries off waiver is necessary so this can le under the threat of US sanc- , Russian equipment and allow be avoided for years”. with the investigation said tion over the S-400 missile deal 7 for things such as spare parts The National Defense prima facie it appears that the with Russia, Army chief Gen for previously-purchased Authorization ACT (NDDA) shuttering was hit by a tractor- Bipin Rawat on Sunday said # * equipment,” a White House 2019 gives the president the trolley carrying construction the country has an indepen- National Security Council power to waive of the CAAT- 9>, material, which led to the inci- dent foreign policy and it might spokesperson told PTI hours SA sanctions if it is a national dent but the cause is yet to be go ahead with acquiring the ! after the conclusion of the S- security interest. n yet another incident gross ascertained. “Nine people were Kamov helicopters and other - 400 contract. But for the pres- It also mentions several Inegligence on part of the con- injured when the shuttering of weapon systems from Moscow.
    [Show full text]
  • TVF's Arunabh Kumar (Left) Won the Vdonxt Person of the Year Award
    January 16-31, 2017 Volume 5, Issue 15 `100 13 DIGITAL VIDEO MASTERS TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s largest convention on the rapidly growing digital video space. Subscriber copy not for resale editorial This fortnight... Volume 5, Issue 15 his publication recently decided to revive an old section called ‘Who’s That’, EDITOR Sreekant Khandekar T a section in which we used to profile the rising stars, on and off screen, in the PUBLISHER January 16-31, 2017 Volume 5, Issue 15 `100 advertising and media industry. A few days back, we made a list of people we could Prasanna Singh kick-start ‘Who’s That - 2.0’ with, and I was amazed to see that eight out of the top EXECUTIVE EDITOR ten names were from the online video business. Actors, scriptwriters, content creators, Ashwini Gangal platform heads… what have you. Evidently, the online video space is where all the ASSOCIATE EDITOR Sunit Roy action lies. PRODUCTION EXECUTIVE Andrias Kisku Over the past 14 months, we’ve published some memorable cover stories around 13 ADVERTISING ENQUIRIES professionals from this promising industry, including a detailed piece on All India Shubham Garg DIGITAL VIDEO MASTERS 81301 66777 (M) TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Bakchod, and an in-depth interview with The Viral Fever’s Arunabh Kumar. Also Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s Apoorv Kulshrestha largest convention on the rapidly growing digital video space.
    [Show full text]
  • Mediating Rape: the 'Nirbhaya Effect'
    Mediating rape: the `Nirbhaya effect' in the creative and digital arts Article (Accepted Version) Kaur, Raminder (2017) Mediating rape: the ‘Nirbhaya effect’ in the creative and digital arts. Signs: Journal of Women in Culture and Society, 42 (4). pp. 945-976. ISSN 0097-9740 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/61990/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Mediating Rape: The ‘Nirbhaya Effect’ in the Creative and Digital Arts Raminder Kaur (2016) Accepted for publication in Signs: Journal of Women in Culture and Society.
    [Show full text]
  • Laughing About Caste an Analysis of How Caste Considerations Find Representation in the Genre of English Stand- up Comedy on the Internet in India
    Connections: A Journal of Language, Media and Culture Laughing About Caste An analysis of how caste considerations find representation in the genre of English stand- up comedy on the internet in India Shreyashi Ganguly1 1 Department of Sociology, University of Victoria, British Columbia, Canada E-mail: [email protected] Abstract The literature on humour in India has largely evaded the question of how humour intersects with caste stratification. Not much has been written about humour’s potential to discriminate against certain caste groups of the lower social order. Similarly, the traditional media in India has been silent about the issue of caste following which, social media has emerged as the ‘counter publics’ where caste identity can be collectively and freely expressed. Taking the now flourishing brand of English stand-up comedy on the Internet in India as an entry point, this study investigates if the symbolic articulation of caste identities is at all made possible in this genre. Using a combination of discourse analysis and social media analysis, to examine the jokes produced in stand-up shows, in this paper I try to gauge how frequently, and in what ways, caste finds mention in these performances on the Internet. I find that caste identity, and the associated discrimination, are hardly evoked in the comedians’ discourse. And when spoken about, they are often done so in a disparaging light. I conclude this paper by illuminating the ways in which this disparaging humour bolsters caste discrimination, sustains stereotypes and, in the process, conditions the normalized exclusion of lower-caste groupings from the public sphere.
    [Show full text]
  • INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
    INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.
    [Show full text]
  • India's Edgiest Comedy Collective
    INDIA’S EDGIEST COMEDY COLLECTIVE AUSTRALIAN TOUR 2016 MELBOURNE THE FORUM FRIDAY 6 MAY Book at Ticketmaster 136 100 www.ticketmaster.com.au SYDNEY ENMORE THEATRE SUNDAY 8 MAY Book at Festival Box Office 9020 6966 www.sydneycomedyfest.com.au or Ticketek 132 849 www.ticketek.com.au TICKETS ON SALE NOW All IndiA BAkchod (AIB) is India's edgiest, most infamous comedy collective. They are the biggest selling stand-up ACt in India and are famous for sketches released on their wildly popular YouTube chAnnel with over 1.4 million subscribers. They executed India's first celebrity roast in 2015, the video for which garnered 11 million views in 3 days. Apart from performing all across India, they have toured their irreverent brand of comedy in Singapore and Dubai. This will be their first tour of Australia. The 60-minute show will feature stand-up, songs and sketches. TAnmAy BhAt, GursimrAn KhAmbA, Rohan Joshi and Ashish ShAkyA, AIB are widely regarded as India’s premier comedic tour-de-force across multiple forms of media. Gursimran is the co-founder of AIB and has been a standup comic since 2009. He enjoys talking about things people don't like talking about. “Perhaps the most outrageous comic” Deccan Herald. Tanmay Bhat is one of India’s brightest comedians. He is also a television writer and feature film writer, humour columnist with First Post and Time Out MumbAi. His television credits include India’s first English sketch comedy special Ripping The DeCAde on StAr World. “Tanmay is such an exciting tAlent thAt you need more thAn just your hAnds to clAp for him.
    [Show full text]
  • Festival Catalogue 2015
    Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai.
    [Show full text]
  • Hemlock Society 2012 Wiki
    Hemlock society 2012 wiki Hemlock Society is an Indian Bengali dark comedy released on 22 June , directed by director Srijit Mukherji, who is also the director of Autograph & Baishe Music by​: ​Anupam Roy. The Hemlock Society USA was a national right-to-die organization founded in in Santa Monica by author and activist Derek Humphry. Its primary missions ​History and chronology · ​Quotes · ​References. Comedy · The plot revolves around a man who runs a school called "Hemlock Society" which teaches aspirants how to successfully commit suicide. He develops. Hemlock Society () cast and crew credits, including actors, actresses, directors, writers and more. His third full-length feature film Hemlock Society released on 22 June , to generally positive reviews from critics and had a record opening, finally being. Kickass película descarga Hemlock Society () Hemlock Society () Hemlock Grove (TV series) - Wikipedia. 10 Poisons Used To Kill. Looking for online definition of Hemlock Society in the Medical Dictionary? Hemlock What does Hemlock Society mean? Dictionary. Financial Dictionary. Acronyms. Idioms. Encyclopedia. Wikipedia Farlex, Inc. All rights reserved. Hemlock Society (film) - Wikipedia. Hemlock Society is a Bengali. Dark Comedy released on 2. June 2. 2, directed by director Srijit Mukherji. Wikipedia Page , Doshomi, Suman Maitra, Indraneil Sengupta, Bengali ZEE Bangla Gourav Samman Award for Best Actress (Hemlock Society). "At the Hemlock Society we get calls daily from desperate people who President, World Federation of Right to Die Societies, present. Catholics, (as of ) Catholics for a Free Choice, the Hemlock Society, and various Masonic groups, under pain of excommunication. Holly Deveaux who plays the role of Jenny Fredericks on Hemlock Grove is an actress, known for The Phantoms (), Victoria Day () and Baxter ().
    [Show full text]
  • Compendium of Human Rights Violations in Digital Space
    COMPENDIUM ON HUMAN RIGHTS VIOLATIONS IN DIGITAL SPACE BIJO P. ABRAHAM COMPENDIUM ON HUMAN RIGHTS VIOLATIONS IN DIGITAL SPACE Bijo P. Abraham Compendium on Human Rights Violations in Digital Space This work is licensed under a CREATIVE COMMONS ATTRIBUTION 4.0 INTERNATIONAL LICENSE. You can modify and build upon this document non-commercially, as long as you give credit to the original authors and license your new creation under the identical terms. Written and Research by Bijo P. Abraham Edited by Zothan Mawii and Gulshan Banas Reviewed by Osama Manzar Cover designed by Ravi Kumar Yadav Design & layout by Ravi Kumar Yadav Published & distributed by Digital Empowerment Foundation You can read the online copy at www.defindia.org/publication-2 Contact Digital Empowerment Foundation House No. 44, 2nd & 3rd Floor (Next to Naraina IIT Academy) Kalu Sarai, (Near IIT Flyover), New Delhi – 110016 Tel: 91-11-42233100 / Fax: 91-11-26532787 Email: [email protected] | URL: www.defindia.org CONTENTS List of Abbreviations 7 Acknowledgements 9 Introduction 10 Objectives of the Study 11 Methodology 11 Limitation 12 Defining Human Rights Violations in the Digital Space 13 Violation of Right to Freedom of Expression 15 Website and Webpages Blocks 16 • Gender sensitisation and freedom of expression 18 • Defamation and Freedom of Expression 19 • Freedom of Expression and Online Criticism 20 • Provoking Communal Violence and Freedom of Expression 21 • Violation of Access to Information 21 State wise data of Human Rights Violations online (Feb 2015 - Jan 2016)
    [Show full text]