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Researcher's Guide to Zane Grey Newsletters
Researcher’s Guide to Zane Grey Zane Grey Newsletters A Bibliography of Selected Articles Compiled by Ed Meyer and Alan Pratt i Researcher’s Guide to Zane Grey Newsletters A Bibliography of Selected Articles ii Preface The Researcher’s Guide to Zane Grey Newsletters provides the serious researcher with access to more than 500 articles related to Western author Zane Grey. This publication is offered as a resource to assist scholars, historians, and Zany Grey enthusiasts in locating published material written about as well as by the Western author Zane Grey. The Guide spans more than 50 years of published newsletter articles exploring Grey’s legacy— his writing, travels, fishing adventures, and his remarkable life. In addition, the Guide lists entries of material written by Grey himself, such as letters, diary excerpts, autobiographical material, and original photographs taken by the author. Ed Meyer and Alan Pratt, PhD iii Table of Contents Preface iii Introduction 1 The Zane Grey Collector (1968-1978) 2 The New Zane Grey Collector (1984-1985) 8 Zane Grey’s West (1980-1991) 9 Zane Grey Reporter (1986-1990) 12 Zane Grey Quarterly (1991-1993) 15 Zane Grey Review (1986-2015) 16 Zane Grey Explorer (2016-2021) 28 iv Introduction The easiest way to describe the Guide is a selected bibliography of articles relating to Zane Grey that appeared in newsletters initially published by noted Grey researcher G.M. Farley and the Zane Grey’s West Society between 1968 and 2021. Pieces chosen for the Guide focus on Zane Grey’s history Zane Grey’s written works People & places that inspired Grey Zane Grey’s family Grey’s fishing & hunting Zane Grey and his literary peers Collecting Grey work Grey’s baseball career Movies based on Grey’s works Rare photographs Grey & social issues Rare & unpublished works by Grey Here’s what one will not find in the Guide. -
Proquest Dissertations
"The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
Manifest Density: Decentering the Global Western Film
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism. -
The American Indian in the American Film
THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed. -
Major & Minor Information, Course Schedule, and Course Descriptions
Major & Minor Information, Course Schedule, and Course Descriptions 2017-18 Revised January 10, 2018 12:54 PM Contents Calendar of Course Offerings for 2017-18.............................................3 Guide to the Literature Major..........................................................................9 Course Descriptions............................................................................................14 Calendar of Course Offerings for 2017-2018 Click on the time and instructor of a section and you will be taken directly to the course description! Course # FALL 2017 WINTER 2018 SPRING 2018 Composition Courses 105, 106 These composition courses offered by the Cook Family Writing Program do not count 205, 282, toward any English major or minor requirements. Several sections of these courses 304, 305, are offered each quarter, and you may find more information about them here. etc. Creative Writing Courses 202 Curdy MW 12:30-1:50 Donohue TTh 3:30-4:50 206: Poetry Mehigan Curdy Mehigan TTh 9:30-10:50 MW 12:30-1:50 MW 11-12:20 Gibbons Curdy Mehigan TTh 11-12:20 MW 3:30-4:50 MW 2-3:20 Mehigan Webster Kinzie TTh 12:30-1:50 TTh 11-12:20 TTh 12:30-1:20 Mehigan Mehigan Curdy TTh 3:30-4:50 TTh 12:30-1:50 TTh 3:30-4:50 207: Fiction Bouldrey Bouldrey Seliy MW 9:30-10:50 TTh 9:30-10:50 MW 9:30-10:50 Seliy Bouldrey TTh 11-12:20 TTh 2-3:20 Bouldrey TTh 2-3:20 208: Biss Seliy Non-fiction MW 11-12:20 MW 11-12:20 Stielstra Stielstra MW 12:30-1:50 MW 12:30-1:50 306: Form and Theory Advanced (Trethewey) Poetry Writ- T 4-6:50 ing Course # -
Protestantism, Nationalism, and the Contest for the Corpse During the Rise of American Medicine
THE RESURRECTION AND THE KNIFE: PROTESTANTISM, NATIONALISM, AND THE CONTEST FOR THE CORPSE DURING THE RISE OF AMERICAN MEDICINE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Tiffany DeRewal May 2020 Examining Committee Members: Katherine Henry, Advisory Chair, English Michael Kaufmann, English James Salazar, English Michael Sappol, External Member, Uppsala University ii © Copyright 2019 by Tiffany DeRewal All Rights Reserved iii ABSTRACT This dissertation examines how advocates for anatomical medicine in the early American republic defended medical training through dissection by framing anatomy as a Protestant spiritual and civic initiative. The project draws attention to prominent anatomists and anatomy advocates from the 1760s to the 1830s who did not dismiss the religious values and rhetoric of the people who rioted against dissections and bodysnatching, but instead imaginatively remodeled the Christian principles that had been wielded against them. Utilizing the public forums that were afforded to them as wealthy white Protestant intellectuals, these figures drew upon the mythologies of the new nation as well as the New Testament to defend the practice of dissection and persuade a largely Protestant public of the virtues of the dissected corpse. As this project will emphasize, they also used evangelical Protestant ideology to justify the pillaging of African American cemeteries and almshouse burial grounds for dissection subjects. Reinforcing an evangelical Protestant and portrait of nativist American citizenship, their rhetoric would ultimately play a powerful role in shaping state intervention in the regulation of medical schools and their supply of anatomical subjects. -
Rehtinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West
REHTINKING RESISTANCE: RACE, GENDER, AND PLACE IN THE FICTIVE AND REAL GEOGRAPHIES OF THE AMERICAN WEST by TRACEY DANIELS LERBERG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington May 2016 Arlington, Texas Supervising Committee: Stacy Alaimo, Supervising Professor Neill Matheson Christopher Morris Kenneth Roemer Cedrick May, Texas Christian University Abstract Rethinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West by Tracey Daniels Lerberg, Ph.D. The University of Texas at Arlington, 2016 Supervising Professor: Stacy Alaimo This project traces the history of the American West and its inhabitants through its literary, cinematic and cultural landscape, exploring the importance of public and private narratives of resistance, in their many iterations, to the perceived singular trajectory of white masculine progress in the American west. The project takes up the calls by feminist and minority scholars to broaden the literary history of the American West and to unsettle the narrative of conquest that has been taken up to enact a particular kind of imaginary perversely sustained across time and place. That the western heroic vision resonates today is perhaps no significant revelation; however, what is surprising is that their forward echoes pulsate in myriad directions, cascading over the stories of alternative voices, that seem always on the verge of slipping away from our collective memories, of ii being conquered again and again, of vanishing. But a considerable amount of recovery work in the past few decades has been aimed at revising the ritualized absences in the North American West to show that women, Native Americans, African Americans, Mexican Americans and other others were never absent from this particular (his)story. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Open Dissertation Etd Format.Pdf
The Pennsylvania State University The Graduate School College of the Liberal Arts FROM MISREPRESENTATION TO MISAPPREHENSION: DISCURSIVE RESISTANCE AND THE POLITICS OF DISPLACEMENT IN NATIVE AMERICA A Thesis in Comparative Literature by Quentin E. Youngberg © 2006 Quentin E. Youngberg Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2006 The thesis of Quentin E. Youngberg was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Thesis Advisor Chair of Committee Sophia A. McClennen Associate Professor of Comparative Literature, Spanish, and Women’s Studies Aldon L. Nielsen Kelly Professor of American Literature Matthew B. Restall Professor of Latin American History, Anthropology, and Women’s Studies, Director of Graduate Studies in History, and Director of Latin American Studies Caroline D. Eckhardt Professor of English and Comparative Literature Head of the Department of Comparative Literature * Signatures are on file in the Graduate School. iii ABSTRACT The very real social and political problems on reservations (like poverty, alcoholism, and suicide) will never be solved so long as these issues are elided by essentialist discussions of culture. Romanticized conceptions of Native cultures elide the facts of racism, bureaucratic inefficiency, and purposefully systematized erosions of Native sovereignty. In the process of these elisions, blame for social problems is laid on the culturally “atavistic” and “inept” (savage) victims for problems that stem, in reality, from an ongoing colonial relationship. By taking on various popular myths about Native cultures (the myth of the Vanishing Indian, the idea of the Nature-Indian, or the myth of the White-Indian), and by setting Native voices in opposition to those myths, this dissertation attempts to de- mystify the politics that lie behind public discourses on and by Native peoples. -
Indian Depredations Along Texas's Rio Grande and Trans-Pecos Frontiers, 1877–1822: Rhetoric and Reality
New Mexico Historical Review Volume 79 Number 2 Article 3 4-1-2004 Indian Depredations along Texas's Rio Grande and Trans-Pecos Frontiers, 1877–1822: Rhetoric and Reality Steven M. Karr Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Karr, Steven M.. "Indian Depredations along Texas's Rio Grande and Trans-Pecos Frontiers, 1877–1822: Rhetoric and Reality." New Mexico Historical Review 79, 2 (2004). https://digitalrepository.unm.edu/nmhr/ vol79/iss2/3 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Indian Depredations along Texas's Rio Grande and Trans-Pecos Frontiers, 1877-1882 RHETORIC AND REALITY Steven M. Karr n the late spring of 1877, near Eagle Pass, Texas, directly adjacent to the IU.S.-Mexico border and approximately 143 miles southwest of San Anto nio, local children reportedly found a skull, which was promptly brought to an area physician. His analysis determined that it was human-specifically Comanche Indian. According to the San Antonio Express, the physician based his conclusion on what he considered to be the skull's rather peculiar characteristics. On 17 June 1877 the newspaper printed: Evidently, the tribe of the Indians to which this warrior belonged are very savage, as the absence of molars, the prominence and number of incisors and the great strength of the bone, are points more natural to beastly than human constitution... -
The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939
University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 2-1-2012 The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939. Carolyn Kuchera Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Recommended Citation Kuchera, Carolyn. "The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939.." (2012). https://digitalrepository.unm.edu/engl_etds/14 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Carolyn Kuchera Candidate English Language & Literature Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Jesse Alemán (co-chair) Dr. Gary Scharnhorst (co-chair) Dr. Gary Harrison Dr. Peter Carafiol (Portland State University) ii THE OTHER VANISHING AMERICAN: THE DISAPPEARING FARMER IN AMERICAN LITERATURE, 1887-1939 BY CAROLYN KUCHERA B.A., English, Minnesota State University Moorhead, 2001 M.A., Literature, Portland State University, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH The University of New Mexico Albuquerque, New Mexico December 2011 iii THE OTHER VANISHING AMERICAN: THE DISAPPEARING FARMER IN AMERICAN LITERATURE, 1887-1939 by Carolyn Kuchera B.A., English, Minnesota State University Moorhead, 2001 M.A., Literature, Portland State University, 2006 Ph.D, English, University of New Mexico, 2011 ABSTRACT Beginning in the late nineteenth century, literary depictions of farmers borrow from the established trope of the “Vanishing American” Indian to portray farmers as disappearing before the forces of modern civilization.