kd lang ingenue full download k.d. lang - Ingénue (25th Anniversary Edition) (2017) Artist : k.d. lang Title : Ingénue Year Of Release : 2017 Label : Nonesuch Records Genre : Alt-Country, Country Pop, Folk, Singer-Songwriter Quality : 320 / FLAC (tracks) Total Time : 1:18:33 Total Size : 184 / 466 Mb WebSite : Album Preview. 1. Save Me (4:33) 2. The Mind of Love (3:49) 3. (3:50) 4. Wash Me Clean (3:17) 5. So It Shall Be (4:31) 6. Still Thrives This Love (3:35) 7. Season of Hollow Soul (4:55) 8. Outside Myself (4:57) 9. Tears of Love's Recall (3:49) 10. (4:42) 1. Save Me (MTV Unplugged) (4:45) 2. The Mind of Love (MTV Unplugged) (3:28) 3. So It Shall Be (MTV Unplugged) (4:31) 4. Miss Chatelaine (MTV Unplugged) (4:34) 5. Season of Hollow Soul (MTV Unplugged) (4:27) 6. Wash Me Clean (MTV Unplugged) (4:11) 7. Constant Craving (MTV Unplugged) (4:37) 8. Still Thrives This Love (MTV Unplugged) (6:02) Kd lang ingenue full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a50c719d06cadc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. K.D. Lang Discography (24 = 26CD's) Re: K.D. Lang Discography (24 Albums = 26CD's) by Admin Wed Mar 30, 2016 12:32 am. 2011 - K.D. Lang - Summertime In The Windy City (Live) Track List: 01 - Luck In My Eyes 02 - Don't Let The Stars Get In Your Eyes 03 - Save Me 04 - Still Thrives This Love 05 - Miss Chatelaine 06 - The Mind Of Love 07 - Wash Me Clean 08 - Riding The Rails 09 - Trail Of Broken Hearts 10 - Constant Craving 11 - Barefoot 12 - Big, Big Love 13 - Season Of Hollow Soul 14 - Black Coffee 15 - Crying 16 - Seven Lonely Days (Tonight Show 1988) 17 - Johnny Get Angry (SNL 1989) 18 - If I Were You (Letterman 1992) 19 - Two Cigarettes (Tonight Show 1987) 20 - Pullin' Back The Reins (Arsenio Hall Show 1990) Quality: 256kbps @ Sample Rate: 44100Hz Codec: MPEG 1 Layer III, Mode: Stereo. Re: K.D. Lang Discography (24 Albums = 26CD's) by Admin Wed Mar 30, 2016 12:34 am. 2011 - K.D. Lang And The Siss Boom Bang - Sing It Loud. Track List: 01 - I Confess 02 - A Sleep With No Dreaming 03 - The Waters Edge 04 - Perfect Word 05 - Sugar Buzz 06 - Sing It Loud 07 - Inglewood 08 - Habit Of Mine 09 - Heaven 10 - Sorrow Nevermore 11 - Reminiscing Quality: 256kbps @ Sample Rate: 44100Hz Codec: MPEG 1 Layer III, Mode: Stereo. k.d. lang - Ingénue (1992) Artist : K.D. lang Title : Ingénue Year Of Release : 1992 Label : Warner Bros. Genre : Pop Quality : flac lossless / flac 24bits - 96.0kHz Total Time : 00:42:01 Total Size : 257 / 906 mb WebSite : Album Preview. Tracklist ------01. Save Me 02. The Mind Of Love 03. Miss Chatelaine 04. Wash Me Clean 05. So It Shall Be 06. Still Thrives This Love 07. Season Of Hollow Soul 08. Outside Myself 09. Tears Of Love's Recall 10. Constant Craving. When k.d. lang released her first major-label album in 1987, she caused considerable controversy within the traditional world of . With her vaguely campy approach, androgynous appearance, and edgy, rock-inflected music, very few observers knew what to make of her or her music, although no one questioned her considerable vocal talents. That confusion never quite dissipated over the course of her career, even when she abandoned country music for torchy adult contemporary pop in 1992 with her fourth album, Ingénue. Born in Alberta, Canada, lang was first drawn toward music while she was in college. In particular, she was attracted to the music of Patsy Cline. She became acquainted with Cline's music while she was preparing to star in a collegiate theatrical production based on the vocalist's life. Soon, lang immersed herself within Cline's life and music and decided that she would pursue a career as a professional singer. With the help of guitarist/co-songwriter , she formed a band, named the Reclines in tribute to Patsy Cline, in 1983, and they recorded a debut album, Friday Dance Promenade, which received some positive notices in independent papers. A follow-up album, A Truly Western Experience, was released in 1984 and received even better reviews and led to national attention. In 1985, lang was named the Most Promising Female Vocalist by the Juno Awards. All of the Canadian attention led to the interest of a number of American record labels. Sire signed lang in early 1986, and she recorded her first record for the label later that year. The result, , was produced by and appeared in the fall of 1986. The mix of '50s-styled ballads, kitschy , and honky tonk numbers on Angel with a Lariat received good reviews, especially from rock critics. The album had heavy support from college radio as well as cutting-edge country stations. Though it was a mainstream hit in Canada and an underground smash in the U.S., Nashville resisted lang, especially her tongue-in-cheek concert appearances. As she was recording her second Nashville album in 1987, lang performed a duet with Roy Orbison on his old hit "Crying," which was recorded for the film Hiding Out. The single was released at the end of the year and was a hit, marking her first appearance on the country charts. Shadowland, her second Sire album, made her debt to Patsy Cline explicit. Recorded with Cline's producer, Owen Bradley, the album lacked the campy humor of Angel with a Lariat, which helped it succeed in traditional country circles -- "I'm Down to My Last Cigarette," the first single from the record, was her first to break the country Top 40. Shadowland became a sizable word-of-mouth hit, both in modern country and alternative music circles, which led to it going gold. The following year lang released the harder-edged , which increased her mainstream American country audience, in addition to being a college radio and Canadian hit. Lang won a Grammy -- Best Country Vocal Performance, Female -- for the album in 1989, and "Full Moon of Love" became a Top 25 hit in the summer of 1989. The attention made lang a minor celebrity, which meant that when she launched a protest against meat eating in 1990, it became a media sensation. Before the release of her fourth album, lang declared that she was a lesbian in an interview in The Advocate, which could have been a risky proposition, since Nashville's industry was notorious for not accepting people who fell outside of the margins of the mainstream. However, the new album was not a country album. Ingénue was a set of adult contemporary pop that owed very little to country. Its first single, "Constant Craving," became a Top 40 American hit and won the Grammy Award for Best Pop Vocal Performance, Female, leading the album to platinum status in America, Britain, and Australia; it went double platinum in Canada. Ingénue won lang a new audience, but she didn't immediately produce a follow-up to it. Instead, her next recorded work was the largely instrumental soundtrack for Gus Van Sant's film adaptation of Tom Robbins' Even Cowgirls Get the Blues in 1993; the soundtrack was actually released several months before the film. It wasn't until 1995 that lang delivered All You Can Eat, her full-fledged follow-up to Ingénue. All You Can Eat continued the pop direction of its predecessor, showing no traces of country. The album didn't enjoy the mass commercial acceptance of Ingénue, but it was a moderate success, proving that she had a dedicated cult following. Lang continued to follow her pop-oriented instincts on 2000's , while embracing traditional popular standards on 1997's Drag (a collection of songs about smoking) and in her duet with on his 2001 set Playin' with My Friends: Bennett Sings the Blues. (Lang also went out on the road with Bennett for a successful co-headlining concert tour.) In 2004, after lang's contract with Sire Records had run its course, she signed with the artist-friendly Nonesuch imprint and recorded Hymns of the 49th Parallel, a collection of tunes by Canadian songwriters. Reintarnation, a compilation of her Sire years, was released in 2006, and lang unveiled her first batch of original material in eight years with 2008's Watershed. Lang's third Nonesuch effort, 2011's Sing It Loud, found her subtly exploring her country influences again, as well as assembling a new band, the Siss Boom Bang. While lang and the Siss Boom Bang band toured in support of the album, the group proved to be short-lived. In 2016, lang revealed she had been working with new collaborators, alt-country chanteuse Neko Case and respected singer/songwriter Laura Veirs. The three joined forces to write and record the album case/lang/veirs, which was released in June 2016. Singer k.d. lang says she 'may be finished' with songwriting. "I think I'm definitely in a years-long lull, if it isn't the end," lang says. "I really feel no pull or inspiration or need to come up with new music." From her beginnings in country music, to her Grammy-winning cabaret-pop turn with 1992's Ingenue — and new collection, makeover — lang has been making "genre-fluid" music for almost 40 years. Getty Images: Paul Natkin. Her inimitable mezzo-soprano voice has attracted collaborators ranging from Roy Orbison and Tony Bennett to Neko Case and The Killers. But now, after returning to perform the album that made her famous with Ingenue Redux in 2019, lang is ready to do something else. "It feels like I've dedicated a lot of my life to the business and to the craft of songwriting and performing," lang says. "Promotion, touring, clothing, being away from my family…" she laughs. "The need to feel important in the music world – it's all of it." She feels like life is passing swiftly and she has other things she wants to do. 'Sometimes songs take years' Despite this pronouncement, lang is still philosophical, or "spiritual", as she says, about her long career as a songwriter. Having spent significant time with the music of artists like Joni Mitchell and Leonard Cohen when preparing her album Hymns of the 49th Parallel, a carefully selected "Canadian songbook", she knows that there are no rules when it comes to songwriting. "Sometimes songs pop up in five or 10 minutes very naturally, and then sometimes songs take years," she says. She uses the example of Cohen, who spent years perfecting some of his songs. "I always tend to use cooking metaphors – you can take the same basic ingredients and add different spices and one can be a curry, and one can be just a farm supper – steamed potatoes and a protein. It's really how you process it." But lang has to force herself to write. One of her best loved songs, Constant Craving, was written with longtime collaborator Ben Mink. The lyrics didn't come easy. "We wrote the music first, and then I sat down at a typewriter and literally banged my head against it for a few days until I got Constant Craving." "Although a lot of people thought it was Godsent Gravy". Remixes 'a mystery' Her new release, makeover, is conspicuously not new material. A collection of dance club remixes of songs from Miss Chatelaine to (Theme From) Valley Of The Dolls, produced and played in gay bars between 1992 and 2000, lang is more like the subject than the creator of the album. "It's kind of a mystery, the whole remix thing," she says. "As much as it has to do with my music, it's not to do with my music." She says she's learned a lot from hearing other interpretations of her songs. "It's so interesting to hear someone take and deconstruct and completely rearrange your music … It's like cubism." "I really grew up on people like Grace Jones and Donna Summer and that whole world." Digging out these remixes, lang has realised that the music of the club scene is part of her musical DNA. "I do have a very adhesive relationship with the dance culture." At the time, she was an emerging country musician – a world away from the gay underground. "On my days off I was in the discos dancing with plastic bags wrapped around me as a sort of performance art piece in the gay clubs, and then going to work on my days on, dressed as a country singer, singing country music". Supplied: Rocky Schenck. Nevertheless, she thought of those two worlds as "seamless" and didn't recognise the divide until years later. Just weeks after the successful release of Ingenue, lang came out publicly — both part of the culture and soon to become a figurehead for it. "Obviously, I knew I had come out and as a pop star that was kind of a rare occurrence … but it felt like it was a necessity because homophobia was rampant at that time." She remembers the clubs at this time as being "the community centre". "It was the place that we gathered, and felt accepted, and whole, and vibrant. "And that was such an important time to be able to feel a sense of community, when we were being ousted and at a time when AIDS was in full assault. "It was a place where we could meet and gather – I mean of course the fear of AIDS was still there – but without the judgement". 'I've tried to be 100 per cent honest' As lang considers her future, does she feel a sense of responsibility to her listeners, especially the ones who may have felt her music gave them a connection to that community? "I am deeply honoured that they listen, I am deeply respectful to their wishes and desires, but at the same time I've tried to be 100 per cent honest and authentic with myself and with my music," she says. "I feel like the connection I have with the listener can be enhanced by how I navigate the rest of my life, by making my music solidify in its potency and spirituality."