General Index

Total Page:16

File Type:pdf, Size:1020Kb

General Index Cambridge University Press 978-1-107-07933-5 - Reading Fiction with Lucian: Fakes, Freaks and Hyperreality Karen Ní Mheallaigh Index More information General index Achilles and Patroclus, 44 Aulus Gellius, 86–8 Achilles Tatius, Leucippe and Clitophon automata see wonder-culture/Hero of Alexandria as metatextual cityscape, Alexandria 185–91 book as trompe l’œil, 104 bee see metaliterary symbols Clitophon the fantasist, 103 Black Sea novels, 62 Clitophon as pornographic reader, 106 Bolus of Mendes, 158–64 dialectics of reading, 115 reading as deferral, 104 Callimachus, 10–13 Alexander of Abonuteichos, 274–5 Calvino, 33–4 Antonius Diogenes, The incredible things beyond centaur, 2–5, 11–12, 13 Thule Chariton, 42, 48–9 cypress-wood chest, 154–7 chain-gang episode, 56–7 dialectics of reading, 114–15 child see metaliterary symbols and Dictys’ Journal of the Trojan war, cicada see metaliterary symbols 153–6 Classicism, 1, 5, 6–17, 20–3, 35, 277 fact and fiction clay see metaliterary symbols tecnifiction, 166–7 contract of fiction, 68 Faustinus, 114 Ctesias, 86, 87 gendered reading, 115 Isidora, 114 dew see metaliterary symbols letter to Faustinus, 111–14 Dictys, Journal of the Trojan war, 151–6 letter to Isidora, 111 metafictional journey, 157–9 eclectic mimesis, 12–16 and Nabokov, 154–8 Eco narrative structure, 152–4 double-coding of text, 108–9 peritext, 152–4 Thenameoftherose, 126–31 and Pliny, Natural history, 166–7 curiosity/sexual desire, 129–31 preface, 114, 149–52 images of chaos, 139 pseudo-documentary fiction, 166–7 library, 127–8 and Scribonius Largus, 154–67 readers in the text, 138–42 source-references, 164–7 talking books, 142 title, 148–53 ‘Travels in hyperreality’, 216–34 Apuleius, Metamorphoses elephants, 3 dialectics of reading, 116 Eubiotus, 61–2 fatal charades, 275–6 reader in the text, 139–42 fiction talking books, 262–3 as play, 42 transformation of reader, 113 definition and theory of fiction, 28–9 Aristides’ Milesian Tales, 42, 47 invention of fiction, 29 299 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07933-5 - Reading Fiction with Lucian: Fakes, Freaks and Hyperreality Karen Ní Mheallaigh Index More information 300 General index flowers see metaliterary symbols book divisions, 177–83, 229–30 fluidity of novelistic narrative, 61–3 preface, 146–9 titles, 146–50 Galen, 167–70 Portraits dialogues, 177 forgery, 124 psychology of fiction, 30 On the nature of semen, 167–9 theory of fiction, 31–5 Geryon, 35, 41 globalization, 25–6 meadow see metaliterary symbols gnomai¯ , 46 Mesomedes, 276–7 Gorgias, 75–8 metaliterary symbols gout, 86 bee, 12 child, 11 Harpocration see Kyranides cicada, 11, 13 Heliodorus, Ethiopian tales, 198–202 clay, 3, 5, 6, 13, 20–3 materiality of text, 193–200 dew, 11 tainia and peritext, 185–202 flowers, 12, 15 Hero of Alexandria, On automata, nightingale, 11, 13 265–9 ocean, 11 and hyperreality, 270 pot, 20 hippocentaur see centaur sculpture, 14–17 Historia Augusta, 125, 276–7 Telchines, 11, 13 homoerotic plots, 44 untrodden path, 11 hybridity, 3–6, 7–8, 11–20, 35, 40–1 urn, 22 water-imagery, 11 imprisonment, 55–7 wax, 20–3 innovation see novelty microfiction, 42–3, 71 mim¯esis, 4–8, 15–17, 23 Kyranides, 161–5 modernity, 1–2, 6, 8–13, 24 in classical literature, 9 Lobon of Argos, 123 in Hellenistic literature, 9–11 Longus, Daphnis and Chloe, 192–4 in Homer Odyssey, 8 city as peritextual marker, 183–91 dialectics of reading, 115–16 Nabokov ending, 191–4 Pale fire, 156–8 doors, 188–93 Thule/Zembla, 157–8 explicit, 193–4 Niceros pseudo-documentary fiction, 167–88 werewolf tale, 96 Lucian nightingale see metaliterary symbols and Eco, 35, 137–43, 232–4 novel-reading in antiquity, 101–2 epigram ‘on his own book’, 167–70 novella, 43 and Galen, 169–70 novels and textuality, 126, 146 and Greek language, 35 novelty, 1–17 and Greek novels, 39–71 Heraclitean forgery, 124 ocean see metaliterary symbols Icaromenippus see True Stories Onos, 142–3 Life of Alexander of Abonuteichos, 272–5 bedroom door, 136 as marginal figure, 34–6, 38 curiosity/sexual desire, 131–3 on material text, 145–8 epitome theory/ text network theory, 137 and originality, 4–6, 8, 23, 26 metamorphosis and fiction, 133–4 Parthian war historians, 148–50 Palaistra, 134–6 on performance contexts (oral/written), 137, Palaistra/Jorge of Burgos, 137–8 148 sexual frame, 134 on peritext, 149–50 the unwritten novel Bird, 136 authorial name, 171–7 witch’s chest, 137–8 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07933-5 - Reading Fiction with Lucian: Fakes, Freaks and Hyperreality Karen Ní Mheallaigh Index More information General index 301 pantomime, 18–20 imaginary library, 122–3 Parthenius, 42 and miscellany, 119 Parthian war historians see Lucian ‘new mythology’, 121 peritext in antiquity, 200–5 prologue, 117–20 Petronius, Satyrica source-citation, 120–4 hyperreality, 251–60 puppetry see wonder-culture Trimalchio the technophile, 277 Philopseudes Quintilian art/poetry as deception, 77–8 source-references, 125 deceptive book, 90–1 dialogic frame, 84–6 Roman empire, 44–9 embedded readers, 105–6 rumour, 47 ethics of lying, 76–9 gastronomic metaphor, 86 Scribonius Largus, 112–13 inebriation, 88 Compounds, 166–7 literary lies, 80–1 sculpture see metaliterary symbols magical books, 93 Scythia as liminal space, 66 material text, 89–91, 99–100 Scythians, 65–6 oral narrative, 94–7 sea-storm narratives, 51–5 Platonic presences self-condemnation, 56 Hippias Minor, 78–9 semiotic fiction, 110 Laws, 79–80 detective novel, 110 Phaedo, 74, 91 voyage of discovery, 110 Philopseudes, 74–80 shipwreck survivors, 53–5 Republic, 75–6 spectacle see wonder-culture Symposium, 74 syntagmatic/paradigmatic desire, 109 rabies/contagion of lies, 88–9 reading apista, 93–4 talking books see Eco, The name of the rose and recreational reading, 92–3 Apuleius, Metamorphoses secluded reading, 97–8, 99–102 Telchines see metaliterary symbols theories about ghosts, 91–2 theatrical metaphor, 45 therapeutic reading, 100–1 Timotheus, 9, 13 Tychiades as ambivalent narrator, 82–3 Toxaris Philostratus, Heroicus, 264–5 abridgement theory, 62–4 Phlegon of Tralles, 42 aetiological digression, 61 Plato autodiegetic narrator, 67 allegory of the cave, 264–70; see also and Iamblichus’ Babylonian tales, 70–1 Philopseudes, True stories narratives of deception, 64 pleasure of the pseudos, 73–4 novel-reading, 70 Pliny, Natural history oaths, 68–70 summarium, 166–7 oral improvisation, 63–5 ‘poetics of innovation’ see modernity trial scene, 56–7 postclassical, 33 True stories, 181–5 postclassicism, 2, 8–17, 22–7 ampelomixia, 206–15 postmodernism, 2, 8–27 Ass-Legs and the literary canon, 213–16 pots see metaliterary symbols book division, 216–30 prolaliai, 1–6, 13, 20–3, 32, 33–4, 36 closure, 171–83 Prometheus, 2, 3–8, 13, 19–23, 38, 277 dialectics of reading, 116 ps.-Democritus see Bolus of Mendes and the dynamics of mimesis, 215–16 ps.-Thessalus of Tralles and Eco, ‘Travels in hyperreality’, On the virtues of plants, 158–63 230–4 pseudo-documentary fiction, 163–5 ending Ptolemy Chennus, Novel history, 116–26 Galen, 167–70 female dedicatee, 118 Thucydides, 160, 169 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07933-5 - Reading Fiction with Lucian: Fakes, Freaks and Hyperreality Karen Ní Mheallaigh Index More information 302 General index True stories (cont.) ugly women, 58–9 Homer’s lost epic, 232–9 untrodden path see metaliterary symbols and Icaromenippus, 211–19, 221–2 and The incredible things beyond Thule, 182–5 violence, 46 interviews with Homer, 235–40, 244 Tigranes of Babylon, 232–40 water see metaliterary symbols Island of Dreams, 227–32 wax see metaliterary symbols Isle of the Blessed, 245–50 wonder-culture, 277; see also Hero of Alexandria canonical world, 244–5 automata, 269–70 Homer, 243–5 collections of wonders, 263–4 hyperreality, 240–50 Commodus the technophile, 276–7 imperial literary culture, 243–8 fatal charades and hyperreality, 270–2 Plato, 237–43 ‘freak-market’ at Rome, 275–6 Lucian’s inscription, 253–8 giant bones, 263–5 lunar mirror, 222–7 hippocentaur, 262–3 ‘encyclopaedic mirror’, 222–6 hybrid monsters, 265 mirrors and mimesis, 221–4 in imperial fiction, 277 lunar philosophies, 208–20 Apuleius, 275–6 mimetic worlds, 229–32 Mesomedes, 276–7 moon, 226–7 Petronius, 277 artificiality, 218–21 performing animals, 271–4 mirror-world, 217–21 Potheinos the puppet-master, 269–70 Odysseus’ letter, 240–5, 254 religious wonders and holy men, 275 hypertextuality, 248–54 satyrs, 260, 262–4 and Old Comedy, 167–74 shadow-puppetry, 266–70 and Petronius, Satyrica, 254–60 street-entertainers, 271–5 Plato’s allegory of the cave, 221–9 technology of wonder, 266–71 prologue, 195, 208 tritons, 260, 263 and ps.-Longinus, On the sublime, 202, 215 tecnifiction, 167–70 Xenophon of Ephesus, 49–51 Vine-women and the literary canon, 215–16 world inside the whale, 228–30 Zeuxis, 3–5, 10, 13, 15–17, 78 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07933-5 - Reading Fiction with Lucian: Fakes, Freaks and Hyperreality Karen Ní Mheallaigh Index More information Index locorum Achilles Tatius Dictys, prologue, 154–6 Leucippe and Clitophon 1.2.2, 85, 115 Diodorus Siculus 4.8.4, 265 Leucippe and Clitophon 1.6, 103–5 Dionysius of Halicarnassus Leucippe and Clitophon 1.7.4–5, 59 On imitation p. 31.1–3 Aujac, 14 Leucippe and Clitophon 1.9.4–5, 224 On imitation p.
Recommended publications
  • Ephesiaca a Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE
    Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE Supplementum 22 Editorial Board Gareth Schmeling, University of Florida, Gainesville Stephen Harrison, Corpus Christi College, Oxford Heinz Hofmann, Universität Tübingen Massimo Fusillo, Università degli Studi dell’Aquila Ruurd Nauta, University of Groningen Stelios Panayotakis, University of Crete Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Paris Sorbonne – Paris IV Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Koen De Temmerman, University of Ghent Stavros Frangoulidis, Aristotelian University of Thessaloniki Ronald Hock, University of Southern California, Los Angeles Irene de Jong, University of Amsterdam Silvia Montiglio, Johns Hopkins University John Morgan, University of Wales, Swansea Michael Paschalis, University of Crete Judith Perkins, Saint Joseph College, West Hartford Tim Whitmarsh, University of Cambridge Alfons Wouters, University of Leuven Maaike Zimmerman, University of Groningen Website www.ancientnarrative.com Subscriptions and ordering Barkhuis Kooiweg 38 9761 GL Eelde the Netherlands [email protected] www.barkhuis.nl Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World by Aldo Tagliabue BARKHUIS & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2017 Book design: Barkhuis Cover design: Nynke Tiekstra, Coltsfootmedia, Rotterdam Image on cover: “Incontro tra Anzia e Abrocome alle feste di Diana”, Jacopo Amigoni (attributed), ca. 1743 ISBN 9789492444127 Copyright © 2017 the author All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, elec- tronical, mechanical, by photocopying, recording or otherwise, without prior written per- mission from the author.
    [Show full text]
  • Pleasure and Instruction in the Prologue of Longus
    SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XIX• 2009 pp. 95-114. ISBN 978-83-232-2153-1. ISSN 0302-7384 ADAM MICKIEWICZUNIVERSITYPRESS, POZNAŃ BRUCE DUNCAN MACQUEEN Department of Comparative Literature, University of Silesia pl. Sejmu Śląskiego 1, 40-032 Katowice Poland PLEASURE AND INSTRUCTION IN THE PROLOGUE OF LONGUS’ DAPHNIS AND CHLOE ABSTRACT . Bruce Duncan MacQueen, Pleasure and instruction in the Prologue of Longus’ “Daphnis and Chloe”. The present study attempts to demonstrate that the ancient Greek novel Daphnis and Chloe system- atically explores the problem expressed by Horace in the phrase docere et delectare, and that this purpose is announced in the Prologue. The functions of prologues as such are briefly reviewed. After a consideration of the prologues of the remaining ancient Greek novels, the Prologue of Longus’s Daphnis and Chloe is analyzed line by line. Longus uses the Prologue, then, to establish a series of dialectical tensions that operate throughout the novel, allowing it to delight and instruct at the same time. Key words: ancient Greek novel, Eros, paradox, paideia, hunting. INTRODUCTION A paradox often repeated, like a metaphor, eventually loses the shock value that makes it useful as a figure of speech. To use the terminology of cognitive psychology, it comes to be “overlearned,” repeated without reflec- tion at particular moments when the requisite prompt occurs. Its very fa- miliarity makes it fade into the background, where it ceases to draw atten- tion to itself. We have been told since childhood, for example, to “turn the other cheek,” so we repeat the phrase automatically and almost entirely ignore it in practice, since it no longer demands our attention.
    [Show full text]
  • Interpreting the Heroine of a Greek Romance Isabelle Kennedy
    Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Kennedy Raposo Submitted in Partial Fulfillment of the Prerequisite for Honors in Classics April 2019 © Isabelle Raposo 2019 Introduction Dreams, Oracles, and Interpretation This thesis will analyze the ways in which Charicleia, the heroine of Heliodorus’ Aethiopica, is ​ ​ characterized, using an oracular dream as a guide to interpretation. About the Aethiopica ​ The Aethiopica, or “An Ethiopian story,” is the only known work of Heliodorus of ​ ​ Emesa, composed about 350 A.D. Little is known about the life of Heliodorus apart from the information he provides at the end of the Aethiopica: “[the Aethiopica’s] author is a Phoenician ​ ​ ​ ​ of Emesa, of the race of the Sun—the son of Theodosius, Heliodorus” (277). Emesa stood on the same ground as the modern city of Homs, Syria, and was known for the local cult of the god ‘LH’GBL or Elahagabal.1 The church historian Sokrates refers to a bishop named Heliodorus, living in Thessaly around 385, who may have started the practice of married men entering the church becoming celibate.2 Synopsis Persinna, the queen of Ethiopia, conceives a child while consorting with her husband Hydaspes and looking at a wall painting of Andromeda. The child is born white as a result, in spite of both of her parents’ having dark skin, and Persinna embroiders the story of her conception on a ribbon. Gathering the ribbon and some unique jewels, she sends the child to be exposed. Sisimithres, a sage who is an advisor to the Ethiopian court, finds the baby and takes her to be raised by shepherds outside the Ethiopian capital city of Meroe.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Hoag, Gary G Title: The teachings on Riches in 1 Timothy in light of Ephesiaca by Xenophon of Ephesus General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. The Teachings on Riches in I Timothy in light of Ephesiaca by Xenophon of Ephesus Gary G. Hoag A dissertation submitted to the University of Bristol and Trinity College in accordance with the requirements for award of degree of Doctor of Philosophy in the Faculty of Arts.
    [Show full text]
  • Peirates, Leistai, Boukoloi, and Hostes Gentium of the Classical World : the Orp Trayal of Pirates in Literature and the Reality of Contemporary Piratical Actions
    Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department May 2006 Peirates, Leistai, Boukoloi, and Hostes Gentium of the Classical World : The orP trayal of Pirates in Literature and the Reality of Contemporary Piratical Actions. Aaron L. Beek Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Recommended Citation Beek, Aaron L., "Peirates, Leistai, Boukoloi, and Hostes Gentium of the Classical World : The orP trayal of Pirates in Literature and the Reality of Contemporary Piratical Actions." (2006). Classics Honors Projects. Paper 4. http://digitalcommons.macalester.edu/classics_honors/4 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Peirates, Leistai, Boukoloi, and Hostes Gentium of the Classical World: The Portrayal of Pirates in Literature and the Reality of Contemporary Piratical Actions. Aaron L. Beek Spring, 2006 Advisor: Nanette Goldman Department: Classics Defended April 18, 2006 Submitted April 24, 2006 Acknowledgements First, thanks go to Alexandra Cuffel and Nanette Goldman, for the co-overseeing of this project’s completion. The good professor, bad professor routine was surprisingly effective. Second, thanks go to Peter Weisensel and David Itzkowitz, for their help on the history portions of this paper and for listening to me talk about classical piracy far, far, far too often. Third, much blame belongs to Joseph Rife, who got me started on the subject. Nevertheless he was involved in spirit, if not in person.
    [Show full text]
  • Christ-Bearers and Fellow- Initiates: Local Cultural Life and Christian Identity in Ignatius’ Letters1
    HARLAND/CHRIST-BEARERS 481 Christ-Bearers and Fellow- Initiates: Local Cultural Life and Christian Identity in Ignatius’ Letters1 PHILIP A. HARLAND In writing to Christian congregations in the cities of Roman Asia, Ignatius draws on imagery from Greco-Roman cultural life to speak about the identity of the Christians. Scholars have given some attention to the cultural images which Ignatius evokes, but often in a cursory way and rarely, if ever, with reference to local religious life. Concentrating on Ignatius’ characterization of Christian groups as “Christ-bearers” and “fellow-initiates” (Eph. 9.2; 12.2), the paper explores neglected archeological and epigraphical evidence from Asia Minor (and Syria) regarding processions, mysteries, and associations. This sheds important light on what Ignatius may have had in mind and, perhaps more importantly, what the listeners or readers of Ignatius’ letters in these cities would think of when he spoke of their identity in this way. 1. INTRODUCTION Ignatius of Antioch uses several analogies and metaphors in his letters to speak about the identity of Christian assemblies in Roman Asia. The Christians at Ephesos, for instance, are likened to a choral group in a temple, “attuned to the bishop as strings to a lyre” (Eph. 4; cf. Phld. 1.2). They are “fellow-initiates” (symmystai) of Paul that share in the “myster- ies” (Eph. 12.2; 19.1; cf. Magn. 9.1; Trall. 2.3). Together they take part in 1. An earlier version of this paper was read at the Canadian Society of Biblical Studies in Toronto, May 2002. I am grateful to the participants for their feedback.
    [Show full text]
  • The Early Modern Transmission of the Ancient Greek Romances: a Bibliographic Survey
    The early modern transmission of the ancient Greek romances: a bibliographic survey KIRSTEN RICQUIER Ghent University This contribution offers a new, critical bibliography of the early modern transla- tions and editions of the five extant Greek romances.1 The early modern era was a crucial period for their afterlife: it was the age of print, enabling their wider dissemination across Europe, and the large number of prints of the Greek ro- mances in the classical languages or vernacular echoed and contributed to their popularity as models for imitations and adaptations. So far, there have not been many attempts to create a bibliography of these works, and the existing ones are only partial. In some cases, they are mentioned in more general bibliographies of translations of classical texts.2 When more specific, the bibliographies usually only concern one romance.3 Two scholars attempted to compose a bibliography for several Greek novelists: Gesner (1970:145-162) and Plazenet (1997:685-702) provide a long list for Heliodorus, Achilles Tatius, and Longus, in France and Britain during the sixteenth and seventeenth centuries.4 These bibliographies have, however, their limitations as reference tools for the early modern epoch. ————— 1 This article is based on an MA dissertation written at Ghent University in 2016-2017 under the supervision of Professor Koen De Temmerman, to whom I am very grateful for all his advice. It is written under the European Union’s Seventh Framework Programme (FP/2007-2013) with the support of the European Research Council Starting Grant Novel Saints (Grant Agreement n. 337344) at Ghent University.
    [Show full text]
  • Performing Masculinities in the Greek Novel
    _________________________________________________________________________Swansea University E-Theses Playing the man: Performing masculinities in the Greek novel. Jones, Meriel How to cite: _________________________________________________________________________ Jones, Meriel (2007) Playing the man: Performing masculinities in the Greek novel.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42521 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ Playing the Man: Performing Masculinities in the Greek Novel Meriel Jones Submitted to the University o f Wales in fulfilment o f the requirements for the degree o f Doctor ofPhilosophy. Swansea University 2007 ProQuest Number: 10805270 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Homoeroticism in the Ancient Greek Novel
    BOY , O H BOY : H OMOEROTICISM IN THE ANCIENT GREEK NOVEL Joseph Dubé It is all too easy to idealize the civilizations of yesteryear as golden ages, social utopias where the problems of today were unknown to the carefree and wholly liberated individu - als of these earlier eras. But though their solutions to these problems may have differed, the Ancients wrestled with the same questions we continue to confront in our modern, post- Foucault, Western world. We see that "placing the theme of Eros at the center of their moral and political reflec - tions, the [Greek] philosophers-or at least some philosophers-found themselves faced with…the coexistence, among men, of impulses stimulated by love objects of different sexes." 1 In light of the current interest in all things sexual and, in particular, homo sexual, as well as our tendency to hearken back to the example set by previous periods, it is fitting to thoroughly examine just how the authors of three Ancient Greek novels ( Chaereas and Challirhoe , An Ephesian Tale , and Leucippe and Clitophon ) present men who desire and have relations with other men. In dissecting the few instances and characters depicting homoeroticism within each work, I will seek to prove that the Ancient Greek conception of inter-male erotic relation - ships, at least as far as one can glean from these romances, is overall one which disfavours them-particularly when such relationships overstep the boundaries of the rigidly formulated institution of pederasty-while simultaneously, and perhaps paradoxically, tolerating homo - erotic desire. 1 Eva Cantarella, Bisexuality in the Ancient World, trans.
    [Show full text]
  • Lovesickness and Gender in Heliodorus
    A PURPOSEFUL INFECTION: LOVESICKNESS AND GENDER IN HELIODORUS by Breanna E. M. Simpson B.A., The University of British Columbia, 2015 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (Ancient Culture, Religion, and Ethnicity) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2017 © Breanna E. M. Simpson, 2017 Abstract This thesis is the first to undertake a detailed examination of lovesickness within Heliodorus’ Aethiopika. The ancient Greek novels share a central narrative pattern of a young, beautiful, heterosexual couple falling in love, then surviving a series of adventures, kidnappings, and separations, before ending in their reunion and marriage. This pattern is enhanced by the presence of lovesickness, which is identified as a medical ailment which afflicts many individuals within the novels. Building on the work of David Konstan, Katharine Haynes, and Peter Toohey regarding the nature of lovesickness, gender, and desire in the novels, a clear model of lovesickness emerges. This affliction is triggered by eye contact, combines physical and psychological symptoms, alters behaviours, and requires a marriage and sexual consummation to be fully resolved. This pattern is uniform across the victims of lovesickness, regardless of their age, gender, social, or ethnic background, or whether their desire is reciprocated or one-sided. Chapter one identifies and tests the proposed model of lovesickness, and chapter two discusses how lovesickness affects men, focusing on how it influences the central male protagonist’s performance of traditionally masculine behaviours like andreia and sophrosyne. The third chapter focuses on how lovesickness affects women, including the role of beauty in triggering lovesickness, and the juxtaposition of reciprocal and one-sided cases of lovesickness in the female characters in the Aethiopika.
    [Show full text]
  • THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus”
    “THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus” Carla Ionescu A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO May 2016 © Carla Ionescu, 2016 ii Abstract: Tradition states that the most popular Olympian deities are Apollo, Athena, Zeus and Dionysius. These divinities played key roles in the communal, political and ritual development of the Greco-Roman world. This work suggests that this deeply entrenched scholarly tradition is fissured with misunderstandings of Greek and Ephesian popular culture, and provides evidence that clearly suggests Artemis is the most prevalent and influential goddess of the Mediterranean, with roots embedded in the community and culture of this area that can be traced further back in time than even the arrival of the Greeks. In fact, Artemis’ reign is so fundamental to the cultural identity of her worshippers that even when facing the onslaught of early Christianity, she could not be deposed. Instead, she survived the conquering of this new religion under the guise of Mary, Mother of Jesus. Using methods of narrative analysis, as well as review of archeological findings, this work demonstrates that the customs devoted to the worship of Artemis were fundamental to the civic identity of her followers, particularly in the city of Ephesus in which Artemis reigned not only as Queen of Heaven, but also as Mother, Healer and Saviour. Reverence for her was as so deeply entrenched in the community of this city, that after her temple was destroyed, and Christian churches were built on top of her sacred places, her citizens brought forward the only female character in the new ruling religion of Christianity, the Virgin Mary, and re-named her Theotokos, Mother of God, within its city walls.
    [Show full text]
  • Lucian‟ S Paradoxa: Fiction, Aesthetics, and Identity
    i Lucian‟s Paradoxa: Fiction, Aesthetics, and Identity A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics of the College of Arts and Sciences by Valentina Popescu BA University of Iasi June 2009 Committee Chair: Kathryn J. Gutzwiller, Professor of Classics Abstract This dissertation represents a novel approach to the Lucianic corpus and studies paradox, with rhetorical, philosophical, and aesthetic implications, as Lucian‟s distinctive discursive mode of constructing cultural identity and literary innovation. While criticizing paradoxography - the literature of wonders - as true discourse, Lucian creates a novel, avowed false, discourse, as a form of contemplation and regeneration of the Greek literary tradition. Paradoxography is Lucian‟s favorite self-referential discourse in prolaliai, rhetorical introductions, where he strives to earn doxa through paradoxa - paradigms of exoticism applied to both author and work. Lucian elevates paradox from exotic to aesthetic, from hybrid novelty to astonishing beauty, expecting his audience to sublimate the experience of ekplexis from bewilderment to aesthetic pleasure. Lucian‟s construction of cultural identity, as an issue of tension between Greek and barbarian and between birthright and paideutic conquest, is predicated on paradoxology, a first- personal discourse based on rhetorical and philosophical paradox. While the biography of the author insinuates itself into the biography of the speaker, Lucian creates tension between macro- text and micro-text. Thus, the text becomes also its opposite and its reading represents almost an aporetic experience. iii iv To my family for their love, sacrifices, and prayers and to the memory of Ion Popescu, Doina Tatiana Mănoiu, and Nicolae Catrina v Table of Contents Introduction 1 1.
    [Show full text]