2004 Annual Report
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& Douglas County WISCONSIN
Superior & Douglas County WISCONSIN OFFICIAL 2019 TRAVEL AND ACTIVITIES GUIDE Superior-Douglas County, WI Official 2019 Travel and Activities Guide | 1 Contents History and Heritage Page 4 Wisconsin Point Map & Information Page 6 & 7 Where to Play Pages 8 & 9 Where to Shop Pages 10 & 11 Where to Eat Pages 13 & 14 Where to Sleep Pages 15 & 16 Camping Page 17 Events Page 18 Parks & Forests Pages 19-21 Recreation Trails Pages 22-25 Winter Recreation Pages 26 & 27 Douglas County Map Page 28 Our Communities Page 29 City of Superior Map Page 30 Photo Contest & Photography Credits Page 31 Emergency Contacts Page 32 Visit Our Neighbors Pages 32 Chamber Member List Pages 34 & 35 Connect With Us Welcome Center Online Stop by the Superior-Douglas County TravelSuperior.org Welcome Center, located in the Richard [email protected] I. Bong Veterans Historical Center at 305 Harborview Parkway in Superior. Community App We have visitor guides, brochures, rack Travel Superior is excited to offer this cards, maps, and other information on new community app to assist in guiding attractions in Superior, Douglas County, you in exploring Douglas County! This Northwestern Wisconsin, and beyond! app showcases area businesses, events, and local offerings that are unique to By mail this area. Available on the Apple Store Superior-Douglas County Welcome or Google Play, just search: Travel Center Superior. SUPERIOR WATER, 305 Harborview Parkway LIGHT & POWER Superior, WI 54880 Get Social! Great service. Even better. Superior-Douglas County Chamber/ Travel Superior Facebook.com/TravelSuperior 205 Belknap Street Superior, WI 54880 @TravelSupWI By phone @TravelSupWI Welcome Center: (715) 392-2773 or (800) 942-5313 Pinterest.com/visitdouglasco/ Travel Superior: (715) 394-7716 www.swlp.com 2 | www.travelsuperior.org (800)-942-5313 Welcome “We welcome you to Superior and Douglas County! You’ll enjoy our authentic food and beverage options, our unique businesses, and our wonderful lodging properties while taking in all that northwest Wisconsin has to offer. -
NPR Mideast Coverage April - June 2012
NPR Mideast Coverage April - June 2012 This report covers NPR's reporting on events and trends related to the conflict between Israel and the Palestinians during the second quarter of 2012. The report begins with an assessment of the 37 stories and interviews, covered by this review, that aired from April through June on radio shows produced by NPR. The 37 radio items is just one more than the lowest number for any quarter (in July-September 2008) during the past ten years. Over that period, NPR programs have carried an average of nearly 100 items per quarter related to Israel, the Palestinians, or both. I also reviewed 20 news stories, blogs and other items carried exclusively on NPR's website. All of the radio and website-only items covered by this review are shown on the "Israel-Palestinian coverage" page of the website. The opinions expressed in this report are mine alone. Accuracy I carefully reviewed all items for factual accuracy, with special attention to the radio stories, interviews and website postings produced by NPR staffers. NPR's coverage of the region continues to be remarkably accurate for a news organization with very tight deadlines. NPR has posted no corrections on its website for stories that originated during the April-June quarter; two corrections were posted in April concerning items dealt with in my report for the January-March quarter. I found no outright inaccuracies during the period, but I will point out two instances of misleading use of language. Freelance correspondent Sheera Frenkel reported for All Things Considered on May 8 about the status of a hunger strike among Palestinian prisoners. -
Having It All
Having It All How Public Radio Stations Can Provide Great Service and Live Within Their Means A report on the financial health of Public Radio, commissioned by the Corporation for Public Broadcasting BWB SOLUTIONS Table of Contents Executive Summary. 5 Methodology . 8 System-Wide Financial Health Trends . 9 Analysis of Financial and Audience Data. 10 Programming Expenses . 13 Financial Health Strategies. 15 Impact of Producing Programs Distributed Nationally . 17 Recommendations for Action . 19 Areas for Further Exploration . 21 Appendix A: National Producers . 22 Appendix B: Benchmark Studies . 23 Notes . 25 Having It All, Page 3 Acknowledgements This paper summarizes the work of many people Mark Handley, New Hampshire Public Radio and organizations in the public radio field. We would Earl Johnson, WABE-FM have been unable to complete this work without the Roger Johnson and Karen Olstad, KWSU-FM/AM generous commitments of time and information sup- John McCormack and Bill Miller, WUTC-FM plied by so many public radio industry leaders, con- Bill McGinley, WOI-AM sultants, heads of national organizations, and station Deborah Onslow, WMHT-FM managers. We would especially like to acknowledge Joan Rose, WUNC-FM the contributions of the members of the Project Greg Schnirring, Wisconsin Public Radio (now at CPB) Team at the Corporation for Public Broadcasting: Quyen Shanahan, WXPN-FM Vincent Curren, Duffy Winters, Jay Youngclaus, and Cary Smith, WBJC-FM Ted Coltman. Bruce Theriault of Bolder Strategies, John Stark, KNAU-FM Inc. provided valuable advice and counsel to the JoAnn Urofsky, WUSF-FM Project Team. Their collective insightful comments Stewart Vanderwilt, KUT-FM and careful guidance helped shape the study and the JoAnne Wallace, KQED-FM paper. -
Ten Years of GWOT, the Failure of Democratization, and the Fallacy of "Ungoverned Spaces"
Journal of Strategic Security Volume 5 Number 1 Volume 5, No. 1: Spring 2012 Article 5 Ten Years of GWOT, the Failure of Democratization and the Fallacy of “Ungoverned Spaces” David P. Oakley Kansas State University, [email protected] Patrick Proctor Kansas State University, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/jss Part of the Defense and Security Studies Commons, National Security Law Commons, and the Portfolio and Security Analysis Commons pp. 1-14 Recommended Citation Oakley, David P. and Proctor, Patrick. "Ten Years of GWOT, the Failure of Democratization and the Fallacy of “Ungoverned Spaces”." Journal of Strategic Security 5, no. 1 (2012) : 1-14. DOI: http://dx.doi.org/10.5038/1944-0472.5.1.1 Available at: https://scholarcommons.usf.edu/jss/vol5/iss1/5 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Journal of Strategic Security by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ten Years of GWOT, the Failure of Democratization and the Fallacy of “Ungoverned Spaces” Abstract October 7, 2011, marked a decade since the United States invaded Afghanistan and initiated the Global War on Terrorism (GWOT). While most ten-year anniversary gifts involve aluminum, tin, or diamonds, the greatest gift U.S. policymakers can present American citizens is a reconsideration of the logic that guides America's counterterrorism strategy. Although the United States has successfully averted large-scale domestic terrorist attacks, its inability to grasp the nature of the enemy has cost it dearly in wasted resources and, more importantly, lost lives. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
A Structural Analysis of Personal Experience Narratives, the Federal Writers‘ Project to Storycorps
AMERICAN EXPERIENCE: A STRUCTURAL ANALYSIS OF PERSONAL EXPERIENCE NARRATIVES, THE FEDERAL WRITERS‘ PROJECT TO STORYCORPS by Megan M. Dickson B.A. May 2007, Utah State University A Thesis submitted to The Faculty of Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 16, 2010 Thesis directed by John Michael Vlach Professor of American Studies and of Anthropology © Copyright 2010 by Megan Marie Dickson All rights reserved ii Dedication This thesis is dedicated to the experiences we each have and share every day— in the park, over the phone, and sometimes even to a government employee (circa 1937), or with a loved one in a cozy StoryCorps sound booth in New York City. To my husband— Perry Dickson—without you, your love and strength, your championing and cheerleading this story would never have been possible. To my parents—Mona and Ken Farnsworth, and Robin Dickson—thank you for your unending love, support, encouragement, and belief. To my son Parker, whose story has only just begun, your vigor and verve for life already bring constant adventure and joy beyond measure. iii Acknowledgements I wish to acknowledge and thank the faculty and staff of the American Studies department at The George Washington University. A special thanks to Maureen Kentoff—the most fabulous muse in American Studies Executive Assistant history for helping to navigate the sometime frightful waters of university protocol, and sharing ways to succeed as a non-traditional student; John Michael Vlach—my faithful advisor; Melanie McAlister—Director of Graduate Studies who administered my comprehensive examination; Phyllis Palmer—a woman whose enthusiasm and intellectual spark lit up an otherwise apathetic paper proposal; and Thomas Guglielmo, Chad Heap, Terry Murphy, and Elizabeth Anker—for their teaching prowess and academic acumen. -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • noVemBer 2008 Rolling On the River with Burt Wolf Each week, WUSF TV/DT viewers join Burt Wolf, the genial host of Burt Wolf: Travels & Traditions, on his journeys around the world. Wolf has traveled by plane, train and automobile — but a river cruise is his favorite way to see Europe. This month, on November 12, during a two-hour special, Wolf takes us through the heart of Europe on three voyages along the winding Danube River. In Cruising the Danube, Wolf kicks off his leisurely journey in Budapest and then stops off at the fairy tale castles and hidden streets of Burt Wolf’s two- Bratislava, Dürnstein, Melk, Grein, Linz hour river cruise and Passau before coming full circle to Budapest. On his second expedition, special airs Christmas in Vienna, Wolf sets shore November 12 in Vienna, Austria, exploring ancient Christmas traditions (some edible!) at 8 p.m. and festivities at locations ranging WUSF TV/DT from the magnificent Habsburg castle to Vienna’s celebrated outdoor Channel 16 Christmas markets. On the last leg of the voyage, Austrian Monasteries, Wolf takes us inside the abbeys at Melk and Klosterneuburg — each a fascinating realm of history, tradition and treasure. Wolf concludes his journey with lunch at the restaurant of one of Europe’s most talented chefs. Intrigued? If you’re more than an armchair traveler, you can join Burt Wolf in July 2009 on a Danube River cruise with other WUSF friends. Find more information about this once-in-a-lifetime voyage inside! wusf: FIRST choice WUSF Public WUSF TV/DT Broadcasting: November Highlights A range of media choices WORLDFOCUS brings American audiences a deeper understanding WUSF 89.7 of the stories shaping the world provides NPR news and today. -
Wisconsin Public Radio
Volume 1 Brilliant on the Basics Number 12 Newsletter September, 1998 A Project of Written by The Station Resource Group Mark Fuerst, Public Radio Management, Inc. Acquisition Mail Applied with Success: Planning and Practices at Wisconsin Public Radio In public radio, the words “direct mail” renewal rates improve and membership often refer to the letters we send to revenues become more stable. current members for renewals or Recognizing this fact has been one of the additional gifts. But in the wider world most important achievements of the BoB of fund raising that term usually means Project. “cold mail”— large drops of mail sent Still, many people in the field question the to rented mailing lists with the aim of efficiency and effectiveness of acquisition recruiting new donors. Until recently, mail when applied to public radio. More very few stations used “cold mail” to importantly, most of us don’t even know acquire members. The convenience and how “cold mail” works. effectiveness of pledge drives stunted To get some perspective, this issue of the the search for alternative techniques. BoB Newsletter examines the work of Recently, stations have started to Peter Wallace, Development Director of question the use of “drives” as the Wisconsin Public Radio. Last year, Peter exclusive source of new members. used acquisition mail to recruit 3,185 new Programmers have become aware of members—equivalent to the recruitment and concerned about the impact of impact of a five-day drive. Building its drives on listenership. Development file with cold mail, WPR ranks #1 among staff are illuminating the link between the 18 BoB stations in member conversion recruitment methods and retention rates. -
2009-10 Annual Report
2009-2010 Contributions www.thehardy.org Duane and Franne Dickinson Peninsula Arts Association Robert Ekholm Pottery Don and Marianne Diekman Barb and Bill Perloff Given by Judi Ekholm Liz Maltman PO BOX 394 Karl Diekman Dan and Joan Pfister Richard Mueller Meissner Landscape, Inc. Gloria Drummond Penny Pfister Given by Kathy Glasnap Carl Mengert EPHRAIM, WI 54211-0394 HardyAnnually, friends reaffirm their Thomas Dukehart Nancy Prange Dawn Marie Mathewson Robert Merline 920.854.2210 recognition of the vital role Edgewood Orchard Cookbook Carole Pyle Given by her mother, Mill Road Gallery Raibrook Foundation Debra Mielke the Hardy plays in the Door Fund Jeff Olson Salli Eley Robert and Carolyn Mary Mink Van Roo Orchards Golf Course County community and its Proudly supported in part with funds from June Ellis Rasmussen Given by Sarah Patterson The Paintbox Gallery rich visual arts landscape with Joe and Judy Falout Jim and Ann Reeve Peninsula School of Art financial gifts. While these Robert Fink James Rericha HONORARIUM GIFTS : Charles L. Peterson gifts can be directed towards Walt Freckmann Jean Reynolds Ginny Rebmann specific programs meaningful Gerry Friedberg Priscilla Richmond Elizabeth Meissner-Gigstead Jim Sargent Tim and Marsella Fults Gale Ritchey to each donor, gifts are also Given by Karen and Martha Sauter Richard Geudtner Bonnie and Jim Rock Andrew Cook Savory Spoon Cooking School given to the organization George and Kristi Gibraltar Area Schools/FOG Peggy Lott Renee Schwaller Roenning to use where funds are most Ken and Tracy Glasheen Given by Anne and Dick Tom Seagard Ann M. Rothschild needed. Whatever the purpose, William and Colette Van de Ven Bren Sibilsky Mary and Jim Rutter financial gifts to the Hardy Goldammer Wayne Simmons James and Marla Gousseff Bonnie Sandstrom GOODS & GIFTS IN-KIND Mary Ellen Sisulak Gallery are deeply appreciated Mary and Charles Green Maureen Sandstrom-McGrath The Spa at Sacred Grounds and are used to continue Bill and Jo Guenzel Jim and Madeleine Sargent Alpine Golf Course Spin our mission of enriching the Mrs. -
WISCONSIN PUBLIC RADIO ASSOCIATION BYLAWS Reviewed
WISCONSIN PUBLIC RADIO ASSOCIATION BYLAWS Reviewed, January, 2012 ARTICLE I. PURPOSE 1.01 It shall be the general purpose of the Association to further those public radio stations whose licensees have requested Association assistance and on which the Association solicits membership. 1.02 The Association shall endeavor to further public radio broadcasting by means which include, but are not limited to, the following: (a) Soliciting contributions from public radio listeners, Association members, and persons who desire to support the programming and activities of the public radio licensees and the Association; (b) Providing information to public radio listeners and Association members concerning the organization, needs, programming and activities of public radio broadcasters in the state of Wisconsin; (c) Promoting and supporting public radio broadcasting in the state of Wisconsin; (d) Providing information to public broadcasters concerning the needs and preferences of Association members and others in regard to public radio broadcasting in the state of Wisconsin; (e) Distributing to the licensees a portion of the funds collected from Association members and others to support the programming operations and activities of those entities; (f) Making known to governmental representatives in a manner consistent with all state and federal laws regulating the operation of the Association as a nonprofit corporation the needs and preferences of Association members and others in regard to public radio broadcasting in the state of Wisconsin. ARTICLE II. MEMBERSHIP 2.01 Persons making contributions to the Association will become and continue as members of the Association for a one-year period beginning upon the date of contribution. ARTICLE III. -
2003 Wisconsin Middle Level State Honors Project
20032003 WWisconsinisconsin MiddleMiddle LevelLevel StateState HonorsHonors ProjectProject Saturday, November 1, 2003 1:00 pm Marriott-Madison West Choir • Orchestra • Band The Wisconsin Middle Level State Honors Music Project The Wisconsin State Honors 2003-2004 WSMA Middle Level Music Project State Honors Important Dates The Wisconsin State Honors Music Project is sponsored Monday, February 2, 2004 by the Wisconsin School Music Association. The Middle Level State Honors Applications Due Honors Project began in 1967 to provide musically talented high school youth the opportunity to Middle Level State Honors Auditions rehearse and perform with the nation’s finest conduc- tors in a professional setting. In 1995, WSMA proudly Friday, April 2, 2004 sponsored the first-ever Middle Level State Honors 4:00 p.m. - 9:00 p.m. Band. A WSMA Middle Level State Honors Choir was Dousman Kettle Moraine Middle School added in 1996, and in 1997, the WSMA Middle Level LaCrosse Linclon Middle School State Honors Orchestra made its debut performance. Wausau John Muir Middle School Students in grades 6–8 who attend WSMA-member Saturday, April 12, 2004 schools are eligible to audition for the WSMA Middle 8:00 a.m. - 4:30 p.m. Level State Honors Music Project. Auditions include an individual performance and an Ensemble Class taught Eau Claire DeLong Middle School by the adjudicator. This year, more than 1300 students Kaukauna River View Middle School applied for the privilege of being one of the 305 Whitewater Middle School students who are members of the WSMA Middle Level State Honors Choir, Orchestra, and Band. Oct. 27–30, 2004 Music teachers, parents, administrators, and the WMEA State Music Conference.