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Jean Stein Oye Voces Y Lo Cuenta Todo De Hollywood

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Jean Stein Oye Voces Y Lo Cuenta Todo De Hollywood Abc -Cultural 04/07/20 Cod: España Pr: Semanal (Sabado) Tirada: 98.320 Pagina: 11 Secc: CULTURA Abc - Cultural 04/07/20 JEAN STEIN OYE VOCES Y LO CUENTA TODO DE HOLLYWOOD La escritora y editora norteamericana entra en la vida de Los Ángeles para relatar su auge y caída con todo lujo de detalles Al oeste del Edén Jean Stein Trad.: Ama- do Diéguez Anagrama, 2020 238 páginas 21,90 euros ���� RODRIGO FRESÁN a biografía oral/coral como género ya ha L sido merecedora de un Nobel de literatura para Svetlana Alexiévich. Pero acaso su Big Bang se oyó en 1982 cuando Jean Stein –con edición del ubicuo George Plimpton– publicó el best se- ller Edie a la escucha de la tris- te saga de Edie Sedgwick: chi- ca rica devenida súper-estrella fugaz de Andy Warhol. Antes, Stein (Chicago, 1934-Nueva York, 2017) había utilizado el mismo procedimiento –la transcripción de lo oral-coral– en otro libro siguiendo las vo- ces al costado de las vías del fu- Jean Stein se suicidó en 2017 tirándose desde un edificioABC neral-ferrocarrilero de Robert F. Kennedy. Pero con Edie Stein –quien a sus bellísimos veinte orquestando el estruendoso Ell- Stein es lo menos impresionan- años había entrevistado a roy. Stein practica autopsias so- te y la más normal. Y, sí, queda Faulkner, con quien tuvo un bre apellidos con una inquie- claro que Jean Stein era mejor affaire– dio en el blanco. tante propensión al alcoholis- oyendo que haciéndose oír. En Poco antes de saltar al vacío mo, adicción, suicidio y la una entrevista de 1990, Stein desde lo más alto de un edifi- descendencia disfuncional. Aquí explicó su modus operandi: «A cio de Manhattan en 2017, Stein vienen: los petroleros Doheny, mí me interesa mucho el efec- había ecualizado a un último los cinematográficos herma- to de varios mundos diferentes conjunto de voces en este Al oes- nos Warner, la enloquecida Jane chocando entre sí. Abarcarlo te del Edén. Aquí Stein –hija de Garland (lo mejor del libro: con todo». The New York Times, por magnates de la industria del es- sus chaperones-mercenarios) su parte, definió lo de Stein pectáculo de Hollywood con y la tristemente festiva Jenni- como «lo más cerca que jamás raíces mafiosas y ramas políti- estaremos de la verdadera his- cas, editora de la revista Grand toria de cualquier cosa». Street entre 1990 y 2004, incues- A SUS BELLÍSIMOS tionable it girl/woman célebre VEINTE AÑOS, Abismal depresión por el calibre y voltaje de los ENTREVISTÓ A Tal vez semejante responsabi- asistentes a sus tertulias– re- lidad –con el paso del tiempo y monta y precipita los ascensos FAULKNER, CON QUIEN la fatiga de materiales– hicie- y caídas de varias dinastías de TUVO UN «AFFAIRE» ron que ese constante y clamo- Los Angeles con figuras invita- roso rumor acabase ensorde- das: Joan Didion, Gore Vidal, ciendo a Stein y la hundiese en Arthur Miller, Lauren Bacall y fer Jones moldeada por su pro- bien documentadas y abisma- Dennis Hopper y tantos otros ductor/marido David O. Selz- les depresiones. Hasta que una soltando sus lenguas. nick (con gran cameo de Capo- mañana decidió abrir una ven- De algún modo, lo que aquí te). Escalas inevitables para tana de su elegante penthouse «escucha» Stein son soleadas arribar a los que finalmente más en Manhattan. ¿Habrá dicho novelas góticas con algo del fil- le interesa por razones obvias: algo Stein en su caída? Me agra- me Chinatown y la melancolía los Stein y, por fin, su propia voz da el que no hubiese nadie ca- de Chandler, una pizca de Ho- contando la historia de los su- yendo a su lado para dejarla y llywood Babilonia de Kenneth yos. Y hay que decirlo: esta úl- mentirla por escrito. Así, me Anger y un toque de esa ópera tima sección es casi un anticlí- gusta pensar que la última pa- histórica e histérica que viene max. Lo de los Stein y lo de la labra de Stein fue «Silencio». L .
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